美国丽人的年轻人英语影评
美国丽人 影评
美国丽人影评《美国丽人》是一部令人难以忘怀的电影，它以其深刻的情感和引人入胜的故事情节，给观众带来了强烈的感觉和共鸣。
首先，这部电影在视觉上给人一种震撼。
导演通过精心的摄影和布景，将美国郊区的平凡生活展现得如此细腻而又真实。
每一个画面都充满了细节和意义，无论是那些华丽的玫瑰花瓣还是平凡的街道，都传达出一种美丽和脆弱的感觉。
这种对细节的关注使得观众可以更好地理解和感受主人公的内心世界。
其次，电影中的角色塑造也非常出色。
主人公莱斯特（Lester）的转变令人动容。
他开始时是一个沮丧而平庸的中年男子，但在遇到一位年轻女邻居后，他逐渐找回了自己的激情和活力。
这个角色的转变让人深思，引发了观众对自己生活的思考。
我们都曾有过沉闷和失落的时刻，而莱斯特的故事给了我们希望，让我们相信生活中的美好和可能性。
此外，电影中的其他角色也给人留下了深刻的印象。
莱斯特的妻子卡罗琳（Carolyn）是一个表面看起来成功而精力充沛的女性，但她内心的空虚和不满却在电影中得到了揭示。
这种对现实生活的讽刺和批判，使得观众对社会中的虚伪和偏见有了更深刻的认识。
最后，电影中的音乐也是一大亮点。
从开头的《因为你》到结尾的《不再追求》，每一首歌都与情节相得益彰。
音乐的选择和运用，进一步增强了电影的情感共鸣。
观众不仅能通过视觉感受到角色的内心世界，而且通过音乐的力量，更加深入地理解他们的情感和挣扎。
总的来说，《美国丽人》是一部令人心动的电影，它通过精心的视觉呈现、深刻的角色塑造和动人的音乐，成功地引发了观众的感情共鸣。
这部电影让我们重新思考生活的意义和价值，同时也提醒我们要勇敢地追求自己的梦想和真正的幸福。
无论是通过莱斯特的故事还是其他角色的命运，电影《美国丽人》都给了观众无尽的思考和启发。
美国丽人 影评
美国丽人影评
《美国丽人》是一部令人震撼的电影，它以其细腻的描绘和深刻的主题引起了我深深的共鸣。
首先，这部电影通过对主人公莱斯特·伯恩翰（Lester Burnham）生活的刻画，展现了现代社会中普遍存在的空虚和压抑。
莱斯特是一个中年男人，他的生活似乎已经失去了意义，工作乏味，婚姻破碎，他变得麻木和沉闷。
这种对现实生活的不满和渴望自由的心态，让我深深地感同身受。
我相信，很多观众也会在莱斯特身上找到自己的影子。
其次，电影通过对莱斯特与其他角色之间的关系描绘，探讨了人际关系中的复杂性和矛盾。
莱斯特与他的妻子卡罗琳（Carolyn）之间的冷淡和疏离，以及他与邻居简·伯恩翰（Jane Burnham）之间的禁忌恋情，都展示了人性的复杂性和欲望的冲突。
这种真实而令人不安的关系，让我深思人与人之间的相互作用和情感纠葛。
此外，电影还通过对美的追求和审美观念的探索，呈现了一种对美的渴望和迷恋。
莱斯特对他的女儿简的美丽着迷，对邻居的玫瑰花痴迷，这种对美的追求成为他逃离现实的一种方式。
这种对美的追求让我反思了美的定义和个人对美的追求的意义。
总的来说，《美国丽人》是一部引人深思的电影，它通过对现实生活的刻画和人际关系的描绘，引发了我对生活的思考和对人性的思考。
它让我意识到，我们每个人都有自己的渴望和追求，但同时也要面对现实的残酷和矛盾。
这部电影的魅力在于它不仅仅是一部娱乐作品，更是一部带给观众启示和思考的作品。
美国丽人 影评
美国丽人影评
《美国丽人》是一部令人深思的电影，它给我留下了深刻的印象。
影片通过多
个视角展现了美国社会的种种问题，同时也深刻揭示了人性的复杂性和社会的虚伪。
首先，影片的叙事手法非常独特，通过多条线索交织在一起，展现了不同人物
的生活和内心世界。
每个角色都有自己的故事和矛盾，他们的命运交错在一起，呈现出了一幅错综复杂的社会画卷。
这种叙事方式让我感到震撼，也让我更加深刻地理解了人与人之间的联系和影响。
其次，影片对美国社会的批判也非常深刻。
从家庭、职场到社会，影片展现了
美国社会中种种问题，如家庭破裂、性别歧视、种族歧视等。
这些问题在现实生活中依然存在，触目惊心。
影片通过对这些问题的揭示和批判，让我深感社会的虚伪和不公，也让我更加关注社会的现实问题。
最后，影片对人性的揭示也非常深刻。
每个角色都有自己的矛盾和迷茫，他们
的内心世界充满了欲望和挣扎。
影片没有对人物进行简单的黑白划分，而是展现了他们复杂的内心世界和矛盾的情感。
这种对人性的揭示让我感到震撼，也让我更加深刻地理解了人性的复杂性。
总的来说，影片《美国丽人》给我留下了深刻的印象。
它通过多条线索交织在
一起的叙事方式展现了美国社会的种种问题，同时也深刻揭示了人性的复杂性和社会的虚伪。
这部电影让我深思，也让我更加关注社会的现实问题和人性的复杂性。
American Beauty 影评
American Beauty 影评《美国丽人》是一部令人深思的电影，它通过细腻的描绘和引人入胜的故事情节，深深触动了我的内心。
首先，这部电影的拍摄手法和艺术表现力令人印象深刻。
导演萨姆·门德斯巧妙地利用了镜头语言和视觉效果，将角色内心的矛盾和挣扎以独特的方式呈现给观众。
特别是那些富有想象力和寓意的镜头，让我仿佛置身于主人公的内心世界，与他们一同感受着生活的苦闷和迷茫。
其次，影片对现代社会中常见的问题进行了深入的思考和揭示。
它以一个普通家庭为背景，通过展示主人公们的种种矛盾和不满，暗示了现代社会中人们内心的空虚和追求虚荣的现象。
这种对人性的深入剖析，让我在观影过程中产生了强烈的共鸣。
此外，影片中的角色塑造也非常出色。
凯文·史派西在片中扮演的莱斯特·伯恩汉姆是一个普通人，但他的内心世界却异常复杂。
他的转变和觉醒让我感到震撼，也让我思考起自己的生活。
而安娜贝尔·斯库里亚和萨姆·罗克威尔饰演的邻居夫妇则展现了不同类型的人物，他们的故事线索与主线相互交织，使整个故事更加丰满和有趣。
最重要的是，《美国丽人》给我带来了对生活的深刻思考。
它告诉我，我们常常追求表面的美丽和成功，却忽视了内心的真实需求。
电影中的人物们在不同的方式下都在追求自己内心的美丽，而这种追求却常常被社会的压力和期望所束缚。
这让我意识到，我们应该更加关注自己的内心世界，寻找真正属于自己的美丽和幸福。
总而言之，电影《美国丽人》是一部令人难以忘怀的作品。
它通过细腻的描绘和深入的思考，引发了我对生活和内心的思考。
它不仅是一部娱乐作品，更是一部启发人心的艺术品。
美国丽人观后感英文
美国丽人观后感英文American Beauty: A ReflectionUpon watching the critically acclaimed film American Beauty, I found myself captivated by its thought-provoking storyline and profound exploration of the human condition. Directed by Sam Mendes, the movie delves into the deeply hidden desires, societal expectations, and the essence of true beauty that lie beneath the surface of American suburbia. American Beauty, both a critique and a celebration of American life, unravels the complexities of the human psyche and challenges our perceptions of beauty, happiness, and the pursuit of the American Dream.One aspect that stood out to me while watching the film was the portrayal of Lester Burnham, the middle-aged protagonist played brilliantly by Kevin Spacey. Lester, seemingly trapped in a monotonous existence, represents the disillusionment and discontent that can arise from conforming to societal norms. Through his narration, we are given a glimpse into his thoughts and feelings, revealing a deep dissatisfaction with his life. His rebellion against conventionality, epitomized by quitting his dull job and pursuing his fantasies, resonates with the audiences as a rebellion against the constraints imposed by societal expectations.One of the most memorable scenes in the film is when Lester discovers the beauty in the mundane through his infatuation with Angela, his daughter's best friend. The famous scene where Lester watches Angela lying on a bed of roses, her beauty illuminated in a gentle light, highlights his attraction to her youthful energy and vibrant appearance. In this moment, Lester experiences a profound awakening, realizing that true beauty goes beyond physical appearance and encompasses the freedom to express oneself authentically.Moreover, the film explores the complex dynamics of family and the façade of perfection often associated with the American Dream. Carolyn Burnham, played by Annette Bening, symbolizes the pursuit of material success and conformity. Carolyn's obsessive focus on maintaining the appearance of a perfect home and family reveals theunderlying emptiness she feels in her life. Her character reminds us of the relentless pressure society places on individuals to conform to certain societal standards, blurring the line between authenticity and the desire to meet external expectations.In contrast to Carolyn, Lester's daughter, Jane, grapples with her own struggles and insecurities. Thora Birch's portrayal of Jane beautifully captures the teenage rebellion and quest for identity. Her character arc provides an honest commentary on the challenges faced by young people in navigating their way through societal expectations and their own desires.Additionally, American Beauty portrays various aspects of love and relationships, depicting the complex intertwining of passion, longing, and vulnerability. The affair between Lester and Angela unveils the fragility of longing and a desperate attempt to recapture youth. Meanwhile, the relationship between Jane and Ricky, the peculiar boy next door played by Wes Bentley, offers a sense of hope and authenticity amidst the chaos. Their connection serves as a counterpoint to the superficiality and false facades prevalent in the suburban environment.Throughout the film, Mendes skillfully uses symbolism to enhance the narrative and provide deeper meaning. The iconic motif of the red rose petals serves as a visual representation of beauty, passion, and desire, while the swirling plastic bag becomes a metaphor for the search for meaning and fulfillment. These symbols contribute to the multi-layered nature of American Beauty, inviting the audience to interpret the film in their own unique way.In conclusion, American Beauty serves as a thought-provoking exploration of the complexities of the human experience. Through its nuanced characters, striking visuals, and profound storytelling, the film challenges societal expectations, norms, and the pursuit of beauty and happiness. As Lester Burnham declares towards the end of the film, "I guess I could be pretty pissed off about what happened to me, but it's hard to stay mad when there's so much beauty in the world." American Beauty reminds us that true beauty lies not only in appearance but in the authenticity and freedom to live life on one's own terms.。
美国丽人英文影评
美国丽人 American Beauty review by Roger Ebert关键字：英语电影影评"American Beauty" is a comedy because we laugh at the absurdity of the hero's problems.And a tragedy because we can identify with his failure--not the specific details, but the general outline.The movie is about a man who fears growing older, losing the hope of true love and not being respected by those who know him best. If you never experience those feelings, take out a classified ad. People want to take lessons from you.Lester Burnham, the hero of "American Beauty," is played by Kevin Spacey as a man who is unloved by his daughter, ignored by his wife and unnecessary at work. "I'll be dead in a year," he tells us in almost the first words of the movie. "In a way, I'm dead already." The movie is the story of his rebellion.We meet his wife, Carolyn (Annette Bening), so perfect her garden shears are coordinated with her footwear. We meet his daughter Jane (Thora Birch), who is saving up for breast implants even though augmentation is clearly unnecessary; perhaps her motivation is not to become more desirable to men, but to make them miserable about what they can't have."Both my wife and daughter think I'm this chronic loser," Lester complains. He is right. But they are not without their reasons. At an agonizing family dinner, Carolyn plays Mantovanian music that mocks every mouthful; the music is lush and reassuring, and the family is angry and silent. When Lester criticizes his daughter's attitude, she points out correctly that he has hardly spoken to her in months.Everything changes for Lester the night he is dragged along by his wife to see their daughter perform as a cheerleader. There on the floor, engrossed in a sub-Fosse pompon routine, he sees his angel: Angela (Mena Suvari), his daughter's high-school classmate. Is it wrong for a man in his 40s to lust after a teenage girl? Any honest man understands what a complicated question this is. Wrong morally, certainly, and legally. But as every woman knows, men are born with wiring that goes directly from their eyes to their genitals, bypassing the higher centers of thought. They can disapprove of their thoughts, but they cannot stop themselves from having them."American Beauty" is not about a Lolita relationship, anyway. It's about yearning after youth, respect, power and, of course, beauty. The moment a man stops dreaming is the moment he petrifies inside and starts writing snarfy letters disapproving of paragraphs like the one above. Lester's thoughts about Angela are impure, but not perverted; he wants to do what men are programmed to do, with the most beautiful woman he has ever seen.Angela is not Lester's highway to bliss, but she is at least a catalyst for his freedom. His thoughts, and the discontent they engender, blast him free from years of emotional paralysis, and soon he makes a cheerful announcement at the funereal dinner table: "I quit my job, told my boss to - - - - himself and blackmailed him for $60,000." Has he lost his mind? Not at all. The first thing he spends money on is perfectly reasonable: a bright red 1970 Pontiac Firebird.Carolyn and Jane are going through their own romantic troubles. Lester finds out Carolyn is cheating when he sees her with her lover in the drive-through lane of a fast-food restaurant (where he has a job he likes). Jane is being videotaped by Ricky (Wes Bentley), the boy next door, who has a strange light in his eyes. Ricky's dad (Chris Cooper) is a former Marine who tests him for drugs, taking a urine sample every six months; Ricky plays along to keep the peace until he can leave home.All of these emotional threads come together during one dark and stormy night, when there is a series of misunderstandings so bizarre they belong in a screwball comedy. And at the end, somehow, improbably, the film snatches victory from the jaws of defeat for Lester, its hero. Not the kind of victory you'd get in a feel-good movie, but the kind where you prove something important, if only to yourself."American Beauty" is not as dark or twisted as "Happiness," last year's attempt to shine a light under the rock of American society. It's more about sadness and loneliness than about cruelty or inhumanity. Nobody is really bad in this movie, just shaped by society in such a way they can't be themselves, or feel joy.The performances all walk the line between parody and simple realism; Thora Birch and Wes Bentley are the most grounded, talking in the tense, flat voices of kids who can't wait to escape their homes. Bening's character, a real estate agent who chants self-help mantras, confuses happiness with success--bad enough if you're successful, depressing if you're not.And Spacey, an actor who embodies intelligence in his eyes and voice, is the right choice for Lester Burnham. He does reckless and foolish thingsin this movie, but he doesn't deceive himself; he knows he's running wild--and chooses to, burning up the future years of an empty lifetime for a few flashes of freedom. He may have lost everything by the end of the film, but he's no longer a loser.美国丽人 American Beauty review by Cindy Fuchs关键字：英语电影影评It’s a tricky business to leave American Beauty feeling all right, but the film works very hard to make that possible, despite its dismal representation of suburban living.免费范文网免费范文网Scripted by first-time screenwriter Alan Ball (who used to write for Cybill and off-Broadway) and directed by British theater veteran Sam Mendes (Cabaret, The Blue Room), the film features Thora Birch, once Harrison Ford’s school-uniformed daughter in the Tom Clancy movies, now a really pissed-off teen named Jane, living in the generic ’burbs with her hateful and self-hating parents, Lester (Kevin Spacey) and Carolyn (Annette Bening). The poor kid doesn’t have a chance. She’s a morose cheerleader with pale skin and red-red lipstick, as well as a blond, burstingly beautiful best friend, Angela (Mena Suvari, the golden girl of American Pie), also on the squad, who absorbs all attention whenever they’re in the same space.Birch is absolutely brilliant. Her sophisticated performance of Jane’s despair and aspirations — to be like Angela, to be loved by her father or someone resembling him, to be anywhere but where she is, in a room where her mother is melting down before her eyes — save American Beauty from comic, surreal overkill. She anchors the film’s easy-target hysterics in a character whose face — more than any dialogue or situation —registers the dark nuances of adolescent fear, disgust and longing.However, most critical attention has been centered on the movie’s insights into Lester’s horrific existence. This is understandable, as he is the narrator. Right off the bat he tells us, "This is my life. In less than a year, I’ll be dead. Of course, I don’t know that yet. In a way I’m dead already." The language is brutal and lyrical. The scene beneath the voiceover is alarmingly sterile but extremely familiar: an overhead shot of a suburban neighborhood, all the houses alike, all the streets going nowhere. In an instant, he’s sympathetic, the heart of the film. You anticipate and dread his death, and wonder who will be responsible.You’re led to believe that it’s Jane, indirectly or other wise. The very first shot in the film is her face, on video, pouting. She’s talking to whoever holds the camera, whom we learn later is her boyfriend, a strange, desperate and abused new neighbor named Ricky (Wes Bentley). He affords his elaborate entertainment system by selling pot (to her dad) but he spends most of his time videotaping everyone, in particular Jane at allhours, from any position he can manage, as she crosses her lawn, gossips in the schoolyard, passes by her bedroom window. In this first scene, she talks about how unhappy she is, and how much she dislikes Lester. "I need a father who’s a role model," she says. "Someone should put him out of his misery." Off camera, Ricky offers to kill him for her.This offer is certainly foreboding, espec ially since it’s followed by Lester’s announcement of his imminent demise. As the action proceeds, Jane is revealed as being typically teenagerish in her wrath: that is, not convinced that what she thinks she wants is really what she wants. (Angela says that the worst thing is to be "ordinary," and Jane believes her for most of the film, also accepting Angela’s plainly unfounded judgment that she —Jane —is ordinary.) She’s also passive and fearful, despite her desperation, characteristics she’s absorbed f rom Lester and Carolyn (who sells real estate badly and has an affair with the local "real estate king," played by Peter Gallagher). But Ricky, he’s another story: a ticking time bomb, embodying the stereotype that suburban white boys are fast becoming in today’s mass-media eye. His backstory includes a pathologically passive mom (Allison Janney) and a menacing dad, Marine Colonel Frank Fitts (Chris Cooper, devastating in a truly troubling role).Fitts’ salient traits are ruthlessness, rigidity and homophob ia —the ’90s insta-signs of imminent suburban-guy breakdown — which definitively set him apart from Lester, who genuinely likes his gay neighbors and who becomes remarkably flexible once he loses his advertising job and falls in love with Angela. This latter development comes to resembles Lolita, in that Angela relishes her role as jailbait, misunderstanding it as a means to self-worth (a typical girl’s mistake, hardly pathological in her given environment). Lester’s redemption takes up the movie’s length and emotional focus, but he leaves walking disasters in his wake: most obviously, his undone wife andguilt-traumatized child.By the time these results become clear to you, the film will be over. It ends, as it promises in its opening frames, with Lester’s death. The face that will haunt you is Jane’s, as it haunts her father, her boyfriend and her mother. Mopey and dreamy, implacable and lovely, Jane, like Lissa in Best Laid Plans, wants more than she can imagine. If only the movies around them were so ambitious.American Beauty 美国丽人英语影评And there were a lot of great ones this year. I will also say something even (possibly) bolder--that Kevin Spacey gives the performance of his career. And all us movie geeks know that is saying a LOT, given this man's past roles, and his talent. I used to think he was overrated as an actor. Then I figured OK, I see what all the fuss is about. Now, he's up there wi t h my favorite actors of all time, with James Woods, Steve Buscemi, Robert Deniro...probably in the top 5.I was lucky enough to see a free screening this afternoon and boy, am I glad I had the privilege. In fact, this review might not even be that coherent- it's one of those movies that blows you away so much that you have trouble even putting your feelings into words.The plotline sounds trite when you first describe it (it did to me when I first heard about it), Spacey plays a man who describes himself as a loser, with Annette Bening as his horrible, shrewish, self-absorbed, pathetic b*tch of a wife. His daughter is not all that likeable either, despite the fact that you can understand why she turned out this way, with her as a mother. Just when you think you've met the most dysfunctional family in the world outside of "Happiness", you find out about the family who just moved in next door. At first, the strange son seems like the most messed-up member of their brood, but after you get to meet his ex-military, abusive, homophobic, terrifying father and his withdrawn, sad, headcase mother, you realize he is the most normal member of the household by far. Then, the filmwriters toss in Kevin Spacey's lustful obsession wi t h his daughter's sexkitten cheerleader friend, which trust me, is a lot more fun, entertaining, and amusing than it sounds when you read about it. Soon, he is having the most entertaining, amusing midlife crisis ever seen in the history of cinema. He just doesn't give a ***k about what he does or says anymore, and you only wish you could get away with doing the things he does.I found myself laughing out loud in this movie so many times, most of it horrified, amazed laughter at what is happening and the things that are coming out of the character's mouths, especially Spacey's. He had at least a dozen lines that had every member of the audience in hysterics and actual applause and cheers.I can't say enough good things about this movie. You think, after the first five minutes, that you know how the movie will end. Well, Spacey's opening narrative does give it away, but trust me, the events unfo ld in a way that you will NEVER see coming. You will swear you can see what a character is going to do next, what violent or self-destructice act they will commit, but you turn out to be wrong.Without getting too pretentious here, the movie lives up to it's theme/tagline of "...look closer". THe characters are not what they seem, up until the end, and even then they surprise you. At least two characters that you are POSI TIVE you have figured out, do or say something that turns all your preconceptions of them upside down, while making your jaw drop, and your heart ache. You will leave the movie with a smile, though, and that is maybe what I expected least of all.影评作业"American Beauty" is a comedy because we laugh at the absurdity of the hero's problems. And a tragedy because we can identify with hisfailure--not the specific details, but the general outline.The movie is about a man who fears growing older, losing the hope of true love and not being respected by those who know him best.Lester Burnham, the hero of "American Beauty," who is unloved by his daughter, ignored by his wife and unnecessary at work. "I'll be dead in a year," he tells us in almost the first words of the movie. "In a way, I'm dead already." The movie is the story of his rebellion.We meet his wife, Carolyn , so perfect her garden shears are coordinated with her footwear. We meet his daughter Jane , who is saving up for breast implants even though augmentation is clearly unnecessary; perhaps her motivation is not to become more desirable to men, but to make them miserable about what they can't have.“American Beauty ”is not about a Lolita relationship, anyway. It's about yearning after youth, respect, power and, of course, beauty. The moment a man stops dreaming is the moment he petrifies inside and starts writing snarfy letters disapproving of paragraphs like the one above. Lester's thoughts about Angela are impure, but not perverted; he wants to do what men are programmed to do, with the most beautiful woman he has ever seen.All of these emotional threads come together during one dark and stormy night, when there is a series of misunderstandings so bizarre they belong in a screwball comedy. And at the end, somehow, improbably, the film snatches victory from the jaws of defeat for Lester, its hero. Not the kind of victory you'd get in a feel-good movie, but the kind where you prove something important, if only to yourself."American Beauty" is not as dark or twisted as "Happiness," last year's attempt to shine a light under the rock of American society. It's more about sadness and loneliness than about cruelty or inhumanity. Nobody is really bad in this movie, just shaped by society in such a way they can't be themselves, or feel joy.He does reckless and foolish things in this movie, but he doesn't deceive himself; he knows he's running wild--and chooses to, burning up the future years of an empty lifetime for a few flashes of freedom. He may have lost everything by the end of the film, but he's no longer a loser.。
《美国丽人》英文观后感影评
《美国丽人》英文观后感影评《美国丽人》英文观后感影评Film in the beginning, male host Mr. of side white tell us the coda of affair:he dead.This can not help letting the person remind of more virtuous than benefit bosom of beginning.Male leading role William the lotus Er ascend of the corpse float to float on the swimming pool, but he of the voice lead us to return to a story of beginning, narrate in detail from the beginning.Although a lot of movie usage so of means, few enough solidly knit physique to enough start to prop up a final outcome which have been already know.Perhaps BEof each the aspect all suited more contemporary American of life practice with appreciate beauty appetite, should the slice acquired to unprecedentedly clip a way shout in mainland in the United States, regardless is that a film criticism or an audience be all obtain what one has wished for a long ti general fight to be the first of crush into movie theater.Although should slice at whole the United States of 429 cinema project, it the receipt of a film gross earnings in two weeks have already rank five, it sensation effect perhaps only havecan place on equalfooting.In addition, should slice's being also a scene be infinite on each big movie stanza(particularly is the United States various film criticism association), cover with Jing to cut Ji, with one action bagged more than 50 items to judge and decide medium of more than 100 awards.Such as the Best Actor, Best Cinematography, Best Director of 20XX年Oscar, Best Film, the best and original manuscript etc. laurel wreath already good enough to elucidation: “Beautiful person in the United States" is notaher"die don't feel Xiao" of the United States dream.《美国丽人》英文观后感影评It's an incredible film about a taleny musician. His parents abandoned him on a steam ship which traveled to American from other places.The boy was brought up by a Negro who gave him the name 'Danny Boodmann T.D. Lemon Nineteen hundred .' His dad was killed in an accident and then he showed his talent in piano playing. He became a pianist on the steam boat in a group of 4 to 5 people.He never cooperated and always let his piano be aware of by the people in the dance floor so that other players would stop and look at those noblemen and noblewomen dancing crazily following the music .1900'skill was also well known among the people on the land . He hadn't got off the boat evenfor one time .He had seen uncountable people go to America to look for their dreams .He thought that the people on the land was too busy and didn't know what they were busy for.He wanted to do what he liked, what was easy ,what could make him happy. He could do anything but be ordinary.He was born on the boat and lived his all life on it .Just like a brief note passed through our ears and disappeared ."The legend of 1990" Was directed by Giuseppe Tornatore .It was written by Alesscandro Baricco .Tim Roth played the role of 1900. The film was attractive because of its amazing plot ,wonderful actor ,meaningful opinion and the excellent music .The sound of the piano had its moods and feelings .When 1900 met a graceful girl ,the sound became lyric.When he was arround by the poor who were enthusiastic ,the sound became brisk .When he played alone ,the sound became sad .The changeable appeared any time in the film. 1900's last song was silence .Before a dull explosion ,his fingers moved in the air ,played his last note.The film let me think a lot on life .I'll definitely recommend it to you .Let the music start ,telling you the legend of 1900.《美国丽人》英文观后感影评Leggenda del pianista sull'oceano,laTake a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by.What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world...You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end.That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano.How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die...I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to livethat way.。
影评 - 美国丽人
影评 - 美国丽人
《美国丽人》是一部令人深思的电影，它深刻地揭示了现代社会中
的种种问题和挑战。
影片通过讲述一个普通家庭的故事，展现了人
们内心深处的挣扎和痛苦，引发了观众对生活、幸福和自我认知的
深刻思考。
首先，影片的拍摄手法非常出色。
导演运用了大量的镜头语言和视
觉符号，通过色彩、构图和镜头运动来表达人物内心的情感和矛盾。
尤其是影片中的玫瑰花，成为了一种象征，代表了美丽与痛苦的并存，给人留下了深刻的印象。
其次，影片的剧情和人物塑造也非常出色。
主人公莱斯特的转变和
成长，以及他与家人之间的关系变化，让观众产生了强烈的共鸣。
同时，影片还通过其他人物的故事，展现了各种社会问题，如家庭
破裂、青少年心理问题、性别歧视等，引发了观众对社会现实的思
考和反思。
最后，影片的音乐和配乐也非常出色。
音乐的选择和运用恰到好处，为影片增添了许多情感色彩，使得观众更容易被故事所吸引和感染。
总的来说，电影《美国丽人》是一部非常出色的作品，它通过对普
通生活的观察和揭示，引发了观众对生活和人性的深刻思考。
这部
电影不仅在艺术上获得了成功，更在情感上触动了观众的内心。
它是一部值得反复观看和品味的佳作。
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美国丽人
It is deserved for this film to win 5 Oscars. I have too many words to say about this film When I was watching it. Each member in this movie has its own characteristics.like Lester Carolyn and Fitts . Almost everybody in this film is also irregular in my eyes due to the different culture in China an America .This movie is mainly about The Crisis of Masculinity in America but i would like to write something about the teenager in the movie
Ricky is a troubled teenager who has been thrown into lunatic hospital three years and selling drugs to earn money. His aesthetic is not always understood by others, as well as being seen as crazy.he always took the camera to look for beautiful things in his eyes like a white plastic bag a death bird . Until he meet jane .he helped Jane found her beauty and make her become confidence. finally he escaped from the stubborn family,with Jane to find a new life which he wants to live.In fact,ricky should be the hero in the film in my opinion .He never changed his mind in this story although be considered as a crazy and punched by his father .He always find the beauty around him ,”I guess I could be pretty pissed off about what happened to me, but it’s hard to stay mad when there is so much beauty in the world. Sometimes I feel like I’m seeing it all at a once, and it’s too much.”he is the truely man who find out the beauty in his life
Jane and Angela are seeming friends in this movie. Both of them want to involve themselves in other people's concerns. They were dressed in a quaint, outlandish fashion to catch the others eyes What different is Angela is more beautiful than Jane.So Angela seduce a lot of man include Jane/s father to get benefit although she still virgin.As for Jane,she saving up 3000 dollars up for a boob Job until she meet ricky. Fortunately,Angela find the right way about herself.After talk to Lester in the end of the film . Jane found her beauty and become confidence Since she fall in love with Ricky.
Young people is very lucky .Their fate is pretty bright in this movie although this is a social satire movie and most of adults get a sad ending. It is indicate that the future of this society is still very bright and the social problems will be solvedas long as people realize about problems.。