肢体语言

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肢体语言名词解释

肢体语言名词解释

肢体语言名词解释肢体语言是指通过身体的动作、姿势、面部表情等来传递信息和交流的一种非语言交流方式。

肢体语言是人与人之间交流和沟通的重要组成部分,它主要通过人的肢体表现出来,包括姿势、手势、表情和眼神等。

首先,姿势是指人在特定的场合中,身体的摆放方式和动作。

姿势能够展现出人的自信、紧张、放松等不同的心理状态。

比如,有些人在自信的情况下会挺胸抬头,站姿稳健;而在紧张或压力大的情况下,人会倾斜身体,缩小自己的体积,表现出不安和紧张。

其次,手势是指通过手的动作来传达信息。

手势可以有很多种,比如摆手、掌心朝上、握拳等等。

手势通常结合语句或者口头表达一同使用,在不同的文化背景下可能有不同的含义。

手势的使用通常可以帮助人们更好地理解对方的意思,并且增强交流的效果。

另外,表情也是一种重要的肢体语言。

人的脸部表情可以揭示出内心的情感和心理状态。

比如,笑容可以表达出喜悦和友好,而皱眉和眯眼则可以表达出不满和疑惑等。

表情能够更加直接地传递人内心的感受,使得交流更加生动和真实。

此外,眼神也是肢体语言中的重要一环。

眼睛通常被称为“心灵之窗”,通过眼神的交流可以传递出丰富的信息。

眼神可以表达出人的兴趣、喜爱、威胁、疑惑等不同的情绪和状态。

比如,注视着对方的眼睛表示出关注和尊重,而躲闪目光则可能表达出不满或者不信任。

综上所述,肢体语言在人与人之间的交流中起到了非常重要的作用。

通过姿势、手势、表情和眼神等肢体表现,人们能够更加准确地理解对方的意图和情感,并且更好地传达自己的思想和感受。

因此,学习和掌握肢体语言对于有效的人际交往具有重要意义。

各种场合的肢体语言的用法

各种场合的肢体语言的用法

各种场合的肢体语言的用法
肢体语言是一种非语言的沟通方式,通过身体姿势、手势、面部表情和眼神等方式来传递信息和表达情感。

以下是一些常见场合下的肢体语言用法:
1. 社交场合:
- 握手:握手是表示友好和尊重的肢体语言,通常用于会面和
交谈时,握手时要保持自信和坚定。

- 凝视:凝视他人通常表示注意力和兴趣,但需要注意尊重对
方的个人空间。

2. 商务场合:
- 姿势:保持直立的身姿,显示自信和专业。

避免交叉手臂或
双手放在口袋中,这会给人不友好的印象。

- 手势:适度运用手势来强调重点或说明自己的观点,但不要
过度夸张。

3. 演讲场合:
- 姿势:保持直立,身体重心平衡,双脚略分开。

这样的姿势
会显示出自信和控制力。

- 手势:恰如其分地运用手势来强调观点并吸引听众的注意力,但不要分散注意力。

4. 面试场合:
- 面部表情:保持微笑和友好的表情,表达出自信和积极性。

避免紧皱眉头或过度疲倦的表情。

- 姿势:坐直且舒适地,不要翘腿或交叉手臂,这会显得不自
信。

5. 恋爱约会场合:
- 眼神:保持眼神交流,表现出对对方的兴趣和专注。

避免过度凝视或频繁看其他人。

- 触碰:适度的触碰如握手、拥抱或轻轻碰触对方的手臂等,可以表达出亲近和亲密的感觉。

总而言之,肢体语言在各种场合中都扮演着重要的角色,适当运用可以增强交流的效果和表达情感。

然而,需要注意的是不同文化和背景下,肢体语言的解读可能存在差异,因此在使用时要尊重对方并避免造成误解。

肢体语言句子

肢体语言句子

肢体语言句子
以下是 8 条关于肢体语言的句子及例子:
1. 一个不经意的点头,那可是表示认同的强烈信号呀!就像我跟朋友讨论去哪里玩,我一点头,朋友就立刻知道我赞同了他的提议。

2. 微微上扬的嘴角,不就是开心的最好证明嘛!好比她看到喜欢的礼物时,那嘴角上扬的弧度,让人一眼就明白她有多高兴。

3. 双手叉腰,这难道不是自信满满的体现吗?你看他站在台上准备演讲时双手叉腰的样子,气场十足啊!
4. 不停地跺脚,往往意味着很着急啊!就像那次我们赶车,快迟到了他就一直跺脚,看得出来他心急如焚呀。

5. 拥抱这个动作,多温馨呀,不就是传递爱和温暖的方式吗?当妈妈拥抱哭泣的孩子时,一切都变得安宁平和了。

6. 皱起的眉头,肯定是在表示烦恼或困惑吧!就跟我做题遇到难题时一样,眉头皱得紧紧的。

7. 拍一下肩膀,这可是一种鼓励的肢体语言呀!老师拍着学生的肩膀说加油,那力量别提多大了。

8. 眼神的交流,那是多么重要的沟通方式啊!当他看着她,那含情脉脉的眼神,不用说话都能明白彼此的心意。

我的观点结论:肢体语言真是太神奇了,小小的动作和表情却包含着丰富的情感和意义,能让我们更好地理解彼此。

国外话剧表演肢体语言举例说明

国外话剧表演肢体语言举例说明

国外话剧表演肢体语言举例说明国外话剧表演肢体语言是演员通过身体动作、姿势和面部表情来传达角色情感和故事情节的重要手段。

下面列举了十个国外话剧表演肢体语言的例子,以便更好地理解和欣赏这一艺术形式。

1. 手势:演员可以通过手势来传达角色的情感和意图。

例如,用手指指向某个方向表示指示或引导,或者用双手合十表示祈祷或感谢。

2. 姿势:演员的姿势可以表达角色的性格特点和情感状态。

例如,挺胸抬头表示自信和骄傲,低头垂肩表示沮丧和悲伤。

3. 走路姿势:演员的走路姿势可以展示角色的身份和性格。

例如,笔直而有力地走路可以表达权威和自信,蹒跚地走路可以表达年老或虚弱。

4. 面部表情:演员通过面部表情来传递角色的情感和内心世界。

例如,微笑可以表示喜悦和友好,皱眉可以表示疑惑和不满。

5. 身体动作:演员可以运用身体动作来展示角色的行为和动作。

例如,摇头表示否定或不同意,点头表示同意或认可。

6. 肢体协调:演员的肢体动作需要与对话和情节相协调。

例如,当演员讲述一个激动人心的故事时,他们可以用双手做出生动的手势来增强表现力。

7. 跳跃和飞翔:舞台上的跳跃和飞翔动作可以展示角色的活力和激情。

例如,角色在舞台上跳跃和旋转可以表达喜悦和自由。

8. 跪拜和跪地:演员可以通过跪拜和跪地的动作来表达对他人的尊敬和崇敬。

这种肢体语言常见于历史剧和宗教题材的话剧中。

9. 手舞足蹈:演员可以运用手舞足蹈的肢体语言来展示角色的喜悦和兴奋。

例如,在欢庆场景中,演员可以跳跃、挥舞双臂和脚踏实地来表达角色的快乐。

10. 姿势变化:演员可以通过改变姿势来展示角色的发展和转变。

例如,一个软弱无力的角色可以在剧情发展中逐渐变得坚强和自信,这种变化可以通过身体的姿势变化来表现出来。

这些例子只是国外话剧表演肢体语言的冰山一角,演员通过肢体语言的运用,可以使观众更好地理解和感受剧情,给剧作增添了生动和魅力。

同时,演员的肢体语言也是话剧艺术中不可或缺的一部分,它使演员能够更全面地表达角色的情感和意图,使观众更深入地理解和体验故事的内涵。

英文肢体语言描写

英文肢体语言描写

英文肢体语言描写
肢体语言 (Body Language) 是人们在交流中通过身体动作、面部表情和体
态来表达情感、意图和信息的方式。

以下是一些常见的肢体语言及其英文描述:
1. 微笑 (Smile): 表示友好、幸福或欢迎。

2. 握手 (Handshake): 表示问候、感谢或合作。

3. 拥抱 (Hug): 表示亲密、安慰或庆祝。

4. 鞠躬 (Bow): 表示尊敬或感谢。

5. 眼神交流 (Eye Contact): 表示自信、诚实或关注。

6. 挥手 (Wave): 表示问候、告别或打招呼。

7. 竖起大拇指 (Thumbs Up): 表示赞扬或肯定。

8. 摊开双手 (Palms Up): 表示无害、询问或无奈。

9. 叉腰 (Crossed arms): 表示自信、坚定或防御。

10. 挠头 (Scratching the head): 表示困惑、思考或无奈。

此外,不同的文化背景和社会环境也会影响肢体语言的含义和表达方式。

因此,在跨文化交流中,了解和尊重不同文化背景下的肢体语言是非常重要的。

肢体语言 body language

肢体语言 body language

肢体语言(body language)是指能够传递某种特定信息的面部表情、手势语,以及其他身体部位的动作等等。

它在人际交往过程中起着非常重要的作用。

由于社会的发展,国与国之间的交流不断加强,西方的许多肢体语言在我国也已经被认同,还有一些被普遍适用。

比如:西方人往往指胸口来表示“我”。

大拇指朝上,表示“好”;但大拇指朝下则表示“坏,糟透了”。

还有用大拇指指尖与食指指尖相接成O形,伸直其余三个指头,表示OK,即“正常”、“顺利”、“没问题”。

伸出食指和中指成V形,表示victory(胜利)。

如果招手示意别人过来,他们是伸出手,掌心朝上,捏拢四指,前后弯动食指。

当然,在中国和西方国家中,肢体语言其含义也存在不同程度上的差异。

不过,很多肢体语言表达的含义还是一致的,比如,点头表示:同意或者表示明白了,听懂了;眉毛上扬表示:不相信或惊讶;避免目光接触意味着:冷漠,逃避,不关心,没有安全感,消极,恐惧或紧张等;摇头表示:不同意;鼓掌:赞成或高兴等等,但是在这里,我们主要通过分类来说明,在不同的文化背景下,不同的肢体语言在不同程度上所存在的差异,了解从中体现出来的文化差异,从而提高我们学习语言的兴趣。

一、动作一样,意义不同(the same action,different meaning)。

如下例:1. 跺脚(stamp one’s foot):在中国人看来,表示气愤,恼怒,灰心,悔恨。

比如说:气得直跺脚。

而它的英文含义则是不耐烦,比如:give a stamp of impatience(不耐烦得跺脚)。

2. 目不转睛地看(look with fixed gaze):其中文含义是:好奇;有时是惊讶。

比如,孩子们目不转睛地盯着公园里的猴子;他目不转睛的看着科幻书上的飞碟等等。

而这个短语的英文含义则是不礼貌;使人发窘;不自在。

比如:Under his intense gaze she felt uncomfortable.(他目不转睛地看着她,使她觉得很不自在。

肢体语言整理

肢体语言整理

1.不同意而调转头-身体稍稍侧转,懒散的坐着,双腿交叉并不正视你2.挫败感和焦虑-手臂交叉,多次交叉双腿,脸部摩擦动作,摆弄珠宝,钢笔,衣服等3.不耐烦-行动加速,频繁更换坐姿,点头速度加快,双腿交叉时上面的那条腿摇晃,不停的看表,掌心向下放在桌子上,开始整理文件4.厌倦-打哈欠,因哈欠而流泪,重复的做同样的姿势和动作,旋转手中的笔表示开放的肢体语言-90度的站立的两人随时可以插入更多多人5.表示不感兴趣的肢体语言-眼睛下垂,旁顾脑袋耷拉,侧向一边,身子下坠或侧转,头一点一点的打瞌睡6.表示排斥的肢体语言-背对着说话者,用手背往外扇,推,赶,弹手指,吐舌头7.表示不安,焦躁的肢体语言-双手捂脸,深叹气,跺脚,不断看手表,眼睛盯视别处,用手指磕打桌子,踏脚的频率8.表示钟情的肢体语言-昂首挺胸,英气勃勃,无所畏惧,气度不凡,豪迈雄健,整洁麻利,温文尔雅。

梳头发,擦脸油,擦皮鞋,洗脸,刷牙,戴领带,弹灰尘,换衣服频频微笑,健谈。

默默的看着对方9.表示隐忍的肢体语言-用手摘线头或衣缝,头朝下,眼睛盯着地板,抠树皮,抠桌子,抠袖口,包,指甲等10.撒谎的肢体语言-揉眼睛,低脑袋,用指甲轻轻的触摸衣角,看天花板,触摸眼角,捂嘴11.路途中的肢体语言-相互注视,猛地抬头,眉毛上扬1/6秒,点头,相互微笑,暂时避开对方目光,走近后又相遇,握手,拍肩膀,说话12.自我调节的肢体语言-抠鼻子,扭手腕,搔头皮,舔嘴唇,玩笔,转东西,挖耳朵。

13.象征性肢体语言-点头,摇头等14.表示厌烦的肢体语言-捂耳朵,交头接耳,打瞌睡,用手支撑着头,低头看书看报,跷二郎腿,双臂交叉,眼睛盯着别处用手指敲桌子,跺脚15.求爱的肢体语言-肌肉微张,站姿笔直,神采奕奕,皮肤通红或胀白。

男:拢拢头发,扣好衣服,伸伸领带,拉拉裤子。

女:抚弄头发,把脸上的头发弄到两边去。

位置:相向而坐,身体朝向对方,看着对方的脸,向对方倾靠,手臂围成一个圈,脚交叉16.缺乏教养的肢体语言-在大庭广众之下对别人乱摸乱捅;当着众人的面抠眼睛,掏耳朵,挖鼻子,擦嘴;与外国人进餐时,随便剔牙;当众人面,梳头,除头垢,剔牙,洗牙,挤压粉刺,修指甲,擦粉;身体抽搐,手指捻动,乱抓乱动;在别人身上弹回拣毛,用手指戳对方身胸脯。

100个肢体语言套路

100个肢体语言套路

100个肢体语言套路1. 手指碾轧2. 双手握合3. 摩挲手腕4. 插袋5. 摸清喉结6. 瞪眼7. 抽嘴角8. 搭桥9. 胳膊交叉10. 膝盖交叉11. 掌心向下12. 双手抱臂13. 手指互相缠绕14. 手掌倒转15. 双臂随意伸展16. 伸手握拳17. 手指敲打桌面18. 单手比心19. 双手插在口袋里20. 手指做抽烟动作21. 摸清头发22. 拍打大腿23. 用手指点指24. 手掌托腮25. 用指尖敲击牙齿26. 手指对折27. 手掌向上28. 双手插在裤袋里29. 手指盘绕30. 用手握拳摸嘴巴31. 手臂下垂32. 双手做手枪动作33. 手臂手腕关节转动34. 用手指指示方向35. 拍打胸口36. 手指交错37. 手指向上38. 用手指点火39. 手臂交叉40. 双手握拳抱胸41. 手掌晃动42. 双手交叉在胸前43. 双手抱臂搓手44. 双手回纹45. 手掌反折46. 手指搭在对方手腕47. 用下巴点头48. 双手伸出握拳晃动49. 手指并拢搓擦50. 手掌向外伸展51. 手指界限性托腮52. 用手指挠头皮53. 手指轻挑54. 双手握拳在胸前摆动55. 手指飞快敲击桌面56. 用手指比勾手势57. 手指弯曲搭在唇上58. 双手贴着耳朵59. 手掌手腕转动60. 用指尖敲打前额61. 手臂向外倾斜62. 双手交叉放在腹部63. 用手指敲打牙齿64. 手指插在下巴上65. 用手指勾勒轮廓66. 手掌放在胸前67. 双手心向上68. 用指尖摸清前额69. 手指托腮70. 双手抱头71. 手掌向上托住肘部72. 手臂搭在胸前73. 用手指敲击太阳穴74. 双手插在裤袋内部75. 手臂向上伸展76. 双手交叉在背后77. 手臂伸直向上78. 双手向前搭在胸前79. 用手臂在空中勾画轮廓80. 手臂向左或向右伸展81. 双手搭在背后82. 手臂搭在胸前83. 双手插在裤腰里84. 手臂耸肩85. 双手合握86. 手臂握拳87. 双手交叉在腰间88. 手臂交叉在胸前89. 双手向前伸展90. 手臂放在桌面上91. 双手握拳贴在胸前92. 手臂向上伸展93. 双手伸直向上94. 手臂向左或向右伸展95. 双手搭在腰间96. 手臂插在裤袋里97. 双手合十98. 手臂搭在腰间99. 双手交叉在背后100. 手臂叉开放在腰间。

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So I want to start by offering you a free no-tech life hack, and all it requires of you is this: that you change your posture for two minutes. But before I give it away, I want to ask you to right now do a little audit of your body and what you're doing with your body. So how many of you are sort of making yourselves smaller? Maybe you're hunching, crossing your legs, maybe wrapping your ankles. Sometimes we hold onto our arms like this. Sometimes we spread out. (Laughter) I see you. (Laughter) So I want you to pay attention to what you're doing right now. We're going to come back to that in a few minutes, and I'm hoping that if you learn to tweak this a little bit, it could significantly change the way your life unfolds.So, we're really fascinated with body language, and we're particularly interested in other people's body language. You know, we're interested in, like, you know — (Laughter) — an awkward interaction, or a smile, or a contemptuous glance, or maybe a very awkward wink, or maybe even something like a handshake.Narrator: Here they are arriving at Number 10, and look at this lucky policeman gets to shake hands with the President of the United States. Oh, and here comes the Prime Minister of the — ? No. (Laughter) (Applause) (Laughter) (Applause)Amy Cuddy: So a handshake, or the lack of a handshake, can have us talking for weeks and weeks and weeks. Even the BBC and The New York Times. So obviously when we think about nonverbal behavior, or body language -- but we call it nonverbals as social scientists -- it's language, so we think about communication. When we think about communication, we think about interactions. So what is your body language communicating to me? What's mine communicating to you? And there's a lot of reason to believe that this is a valid way to look at this. So social scientists have spent a lot of time looking at the effects of our body language, or other people's body language, on judgments. And we make sweeping judgments and inferences from body language. And those judgments can predict really meaningful life outcomes like who we hire or promote, who we ask out on a date. For example, Nalini Ambady, a researcher at Tufts University, shows that when people watch 30-second soundless clips of real physician-patient interactions, their judgments of the physician's niceness predict whether or not that physician will be sued. So it doesn't have to do so much with whether or not that physician was incompetent, but do we like that person and how they interacted? Even more dramatic, Alex Todorov at Princeton has shown us that judgmentsof political candidates' faces in just one second predict 70 percent of U.S. Senate and gubernatorial race outcomes, and even, let's go digital, emoticons used well in online negotiations can lead to you claim morevalue from that negotiation. If you use them poorly, bad idea. Right? So when we think of nonverbals, we think of how we judge others, how they judge us and what the outcomes are. We tend to forget, though, the other audience that's influenced by our nonverbals, and that's ourselves.We are also influenced by our nonverbals, our thoughts and our feelings and our physiology. So what nonverbals am I talking about? I'm a social psychologist. I study prejudice, and I teach at a competitive business school, so it was inevitable that I would become interested in power dynamics. I became especially interested in nonverbal expressions of power and dominance.And what are nonverbal expressions of power and dominance? Well, this is what they are. So in the animal kingdom, they are about expanding. So you make yourself big, you stretch out, you take up space, you're basically opening up. It's about opening up. And this is true across the animal kingdom. It's not just limited to primates. And humans do the same thing. (Laughter) So they do this both when they have power sort of chronically, and also when they're feeling powerful in the moment. And this one is especially interesting because it really shows us how universal and old these expressions of power are. This expression, which is known as pride, Jessica Tracy has studied. She shows that people who are born with sight and people who are congenitally blind do this when they win ata physical competition. So when they cross the finish line and they've won, it doesn't matter if they've never seen anyone do it. They do this. So the arms up in the V, the chin is slightly lifted. What do we do when we feel powerless? We do exactly the opposite. We close up. We wrap ourselves up. We make ourselves small. We don't want to bump into the person next to us. So again, both animals and humans do the same thing. And this is what happens when you put together high and low power. So what we tend to do when it comes to power is that we complement the other's nonverbals. So if someone is being really powerful with us, we tend to make ourselves smaller. We don't mirror them. We do the opposite of them.So I'm watching this behavior in the classroom, and what do I notice? I notice that MBA students really exhibit the full range of power nonverbals. So you have people who are like caricatures of alphas, really coming into the room, they get right into the middle of the room before class even starts, like they really want to occupy space. When they sit down, they're sort of spread out. They raise their hands like this. You have other people who are virtually collapsing when they come in. As soon they come in, you see it. You see it on their faces and their bodies, and they sit in their chair and they make themselves tiny, and they go like this when they raise their hand. I notice a couple of things about this. One, you're not going to be surprised. It seems to be related to gender. Sowomen are much more likely to do this kind of thing than men. Women feel chronically less powerful than men, so this is not surprising. But the other thing I noticed is that it also seemed to be related to the extent to which the students were participating, and how well they were participating. And this is really important in the MBA classroom, because participation counts for half the grade.So business schools have been struggling with this gender grade gap. You get these equally qualified women and men coming in and then you get these differences in grades, and it seems to be partly attributable to participation. So I started to wonder, you know, okay, so you have these people coming in like this, and they're participating. Is it possible that we could get people to fake it and would it lead them to participate more? So my main collaborator Dana Carney, who's at Berkeley, and I really wanted to know, can you fake it till you make it? Like, can you do this just for a little while and actually experience a behavioral outcome that makes you seem more powerful? So we know that our nonverbals govern how other people think and feel about us. There's a lot of evidence. But our question really was, do our nonverbals govern how we think and feel about ourselves?There's some evidence that they do. So, for example, we smile when we feel happy, but also, when we're forced to smile by holding a pen in ourteeth like this, it makes us feel happy. So it goes both ways. When it comes to power, it also goes both ways. So when you feel powerful,you're more likely to do this, but it's also possible that when you pretend to be powerful, you are more likely to actually feel powerful.So the second question really was, you know, so we know that our minds change our bodies, but is it also true that our bodies change our minds? And when I say minds, in the case of the powerful, what am I talking about? So I'm talking about thoughts and feelings and the sort of physiological things that make up our thoughts and feelings, and in my case, that's hormones. I look at hormones. So what do the minds of the powerful versus the powerless look like? So powerful people tend to be, not surprisingly, more assertive and more confident, more optimistic. They actually feel that they're going to win even at games of chance. They also tend to be able to think more abstractly. So there are a lot of differences. They take more risks. There are a lot of differences between powerful and powerless people. Physiologically, there also are differences on two key hormones: testosterone, which is the dominance hormone, and cortisol, which is the stress hormone. So what we find is that high-power alpha males in primate hierarchies have high testosterone and low cortisol, and powerful and effective leaders also have high testosterone and low cortisol. So what does that mean? When you think about power, people tended to think only about testosterone, because thatwas about dominance. But really, power is also about how you react to stress. So do you want the high-power leader that's dominant, high on testosterone, but really stress reactive? Probably not, right? You want the person who's powerful and assertive and dominant, but not very stress reactive, the person who's laid back.So we know that in primate hierarchies, if an alpha needs to take over, if an individual needs to take over an alpha role sort of suddenly, within a few days, that individual's testosterone has gone up significantly and his cortisol has dropped significantly. So we have this evidence, both that the body can shape the mind, at least at the facial level, and also that role changes can shape the mind. So what happens, okay, you take a role change, what happens if you do that at a really minimal level, like this tiny manipulation, this tiny intervention? "For two minutes," you say, "I want you to stand like this, and it's going to make you feel more powerful."So this is what we did. We decided to bring people into the lab and run a little experiment, and these people adopted, for two minutes, eitherhigh-power poses or low-power poses, and I'm just going to show you five of the poses, although they took on only two. So here's one. A couple more. This one has been dubbed the "Wonder Woman" by the media. Here are a couple more. So you can be standing or you can be sitting.And here are the low-power poses. So you're folding up, you're making yourself small. This one is very low-power. When you're touching your neck, you're really protecting yourself. So this is what happens. They come in, they spit into a vial, we for two minutes say, "You need to do this or this." They don't look at pictures of the poses. We don't want to prime them with a concept of power. We want them to be feeling power, right? So two minutes they do this. We then ask them, "How powerful do you feel?" on a series of items, and then we give them an opportunity to gamble, and then we take another saliva sample. That's it. That's the whole experiment.So this is what we find. Risk tolerance, which is the gambling, what we find is that when you're in the high-power pose condition, 86 percent of you will gamble. When you're in the low-power pose condition, only 60 percent, and that's a pretty whopping significant difference. Here's what we find on testosterone. From their baseline when they come in,high-power people experience about a 20-percent increase, andlow-power people experience about a 10-percent decrease. So again, two minutes, and you get these changes. Here's what you get on cortisol. High-power people experience about a 25-percent decrease, and thelow-power people experience about a 15-percent increase. So two minutes lead to these hormonal changes that configure your brain to basically be either assertive, confident and comfortable, or reallystress-reactive, and, you know, feeling sort of shut down. And we've all had the feeling, right? So it seems that our nonverbals do govern how we think and feel about ourselves, so it's not just others, but it's also ourselves. Also, our bodies change our minds.But the next question, of course, is can power posing for a few minutes really change your life in meaningful ways? So this is in the lab. It's this little task, you know, it's just a couple of minutes. Where can you actually apply this? Which we cared about, of course. And so we think it's really, what matters, I mean, where you want to use this is evaluative situations like social threat situations. Where are you being evaluated, either by your friends? Like for teenagers it's at the lunchroom table. It could be, you know, for some people it's speaking at a school board meeting. It might be giving a pitch or giving a talk like this or doing a job interview. We decided that the one that most people could relate to because most people had been through was the job interview.So we published these findings, and the media are all over it, and they say, Okay, so this is what you do when you go in for the job interview, right? (Laughter) You know, so we were of course horrified, and said, Oh my God, no, no, no, that's not what we meant at all. For numerous reasons, no, no, no, don't do that. Again, this is not about you talking to other people. It's you talking to yourself. What do you do before you go into ajob interview? You do this. Right? You're sitting down. You're looking at your iPhone -- or your Android, not trying to leave anyone out. You are, you know, you're looking at your notes, you're hunching up, making yourself small, when really what you should be doing maybe is this, like, in the bathroom, right? Do that. Find two minutes. So that's what we want to test. Okay? So we bring people into a lab, and they do either high- or low-power poses again, they go through a very stressful job interview. It's five minutes long. They are being recorded. They're being judged also, and the judges are trained to give no nonverbal feedback, so they look like this. Like, imagine this is the person interviewing you. So for five minutes, nothing, and this is worse than being heckled. People hate this. It's what Marianne LaFrance calls "standing in social quicksand." So this really spikes your cortisol. So this is the job interview we put them through, because we really wanted to see what happened. We then have these coders look at these tapes, four of them. They're blind to the hypothesis. They're blind to the conditions. They have no idea who's been posing in what pose, and they end up looking at these sets of tapes, and they say, "Oh, we want to hire these people," -- all the high-power posers -- "we don't want to hire these people. We also evaluate these people much more positively overall." But what's driving it? It's not about the content of the speech. It's about the presence that they're bringing to the speech. We also, because we rate them on all these variables related tocompetence, like, how well-structured is the speech? How good is it? What are their qualifications? No effect on those things. This is what's affected. These kinds of things. People are bringing their true selves, basically. They're bringing themselves. They bring their ideas, but as themselves, with no, you know, residue over them. So this is what's driving the effect, or mediating the effect.So when I tell people about this, that our bodies change our minds and our minds can change our behavior, and our behavior can change our outcomes, they say to me, "I don't -- It feels fake." Right? So I said, fake it till you make it. I don't -- It's not me. I don't want to get there and then still feel like a fraud. I don't want to feel like an impostor. I don't want to get there only to feel like I'm not supposed to be here. And that really resonated with me, because I want to tell you a little story about being an impostor and feeling like I'm not supposed to be here.When I was 19, I was in a really bad car accident. I was thrown out of a car, rolled several times. I was thrown from the car. And I woke up in a head injury rehab ward, and I had been withdrawn from college, and I learned that my I.Q. had dropped by two standard deviations, which was very traumatic. I knew my I.Q. because I had identified with being smart, and I had been called gifted as a child. So I'm taken out of college, I keep trying to go back. They say, "You're not going to finish college. Just, youknow, there are other things for you to do, but that's not going to work out for you." So I really struggled with this, and I have to say, having your identity taken from you, your core identity, and for me it was being smart, having that taken from you, there's nothing that leaves you feeling more powerless than that. So I felt entirely powerless. I worked and worked and worked, and I got lucky, and worked, and got lucky, and worked. Eventually I graduated from college. It took me four years longer than my peers, and I convinced someone, my angel advisor, Susan Fiske, to take me on, and so I ended up at Princeton, and I was like, I am not supposed to be here. I am an impostor. And the night before my first-year talk, and the first-year talk at Princeton is a 20-minute talk to 20 people. That's it. I was so afraid of being found out the next day that I called her and said, "I'm quitting." She was like, "You are not quitting, because I took a gamble on you, and you're staying. You're going to stay, and this is what you're going to do. You are going to fake it. You're going to do every talk that you ever get asked to do. You're just going to do it and do it and do it, even if you're terrified and just paralyzed and having an out-of-body experience, until you have this moment where you say, 'Oh my gosh, I'm doing it. Like, I have become this. I am actually doing this.'" So that's what I did. Five years in grad school, a few years, you know, I'm at Northwestern, I moved to Harvard, I'm at Harvard, I'm not really thinkingabout it anymore, but for a long time I had been thinking, "Not supposed to be here. Not supposed to be here."So at the end of my first year at Harvard, a student who had not talked in class the entire semester, who I had said, "Look, you've gotta participate or else you're going to fail," came into my office. I really didn't know her at all. And she said, she came in totally defeated, and she said, "I'm not supposed to be here." And that was the moment for me. Because two things happened. One was that I realized, oh my gosh, I don't feel like that anymore. You know. I don't feel that anymore, but she does, and I get that feeling. And the second was, she is supposed to be here! Like, she can fake it, she can become it. So I was like, "Yes, you are! You are supposed to be here! And tomorrow you're going to fake it, you're going to make yourself powerful, and, you know, you're gonna — " (Applause) (Applause) "And you're going to go into the classroom, and you are going to give the best comment ever." You know? And she gave the best comment ever, and people turned around and they were like, oh my God, I didn't even notice her sitting there, you know? (Laughter)She comes back to me months later, and I realized that she had not just faked it till she made it, she had actually faked it till she became it. So she had changed. And so I want to say to you, don't fake it till you make it.Fake it till you become it. You know? It's not — Do it enough until you actually become it and internalize.The last thing I'm going to leave you with is this. Tiny tweaks can lead to big changes. So this is two minutes. Two minutes, two minutes, two minutes. Before you go into the next stressful evaluative situation, for two minutes, try doing this, in the elevator, in a bathroom stall, at your desk behind closed doors. That's what you want to do. Configure your brain to cope the best in that situation. Get your testosterone up. Get your cortisol down. Don't leave that situation feeling like, oh, I didn't show them who I am. Leave that situation feeling like, oh, I really feel like I got to say who I am and show who I am.So I want to ask you first, you know, both to try power posing, and also I want to ask you to share the science, because this is simple. I don't have ego involved in this. (Laughter) Give it away. Share it with people, because the people who can use it the most are the ones with no resources and no technology and no status and no power. Give it to them because they can do it in private. They need their bodies, privacy and two minutes, and it can significantly change the outcomes of their life. Thank you. (Applause) (Applause)。

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