八大样板戏
“样板戏”研究
样板戏的起源：源于京剧现代戏实 验，受到苏联戏剧的影响
样板戏的推广：通过全国京剧现代 戏观摩演出，得到广泛推广和认可
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样板戏的发展：经历了文化大革命 的特殊时期，成为革命现代京剧的 代表
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创新：样板戏在保留传统元素的基础上，不断融入新的艺术形式和表现手法，如音乐、 舞蹈、舞美等，使其更具时代感和观赏性。
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发展趋势：样板戏逐渐从单一的舞台表演向多元化发展，如影视剧、网络剧、音乐会等， 同时也在不断探索与国际艺术界的交流与合作，推动中华文化的国际化发展。
样板戏的国际传播：通过文化交流、艺术演出等方式，样板戏在国际上产生了广泛的影响。
唱腔特点：以京剧唱腔为主，融合其他戏曲元素 表演特点：注重动作、面部表情和服饰等表演细节 音乐特点：采用民族乐器，如京胡、琵琶等 舞美特点：以写实主义为基础，注重场景布置和道具使用
舞台布景：具有象征性和寓意性
道具设计：具有象征性和寓意性
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服装造型：具有夸张和变形特点
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旋律优美、节奏鲜 明
唱腔高亢激越、表 演生动传神
音乐与戏剧紧密结 合，具有独特的艺 术魅力
体现了中国传统戏 曲音乐的精华和现 代音乐创作的创新
舞蹈动作：具有鲜明的时代特征和民族特色 舞蹈音乐：采用京剧音乐和现代音乐元素相结合 舞蹈服饰：具有鲜明的时代特征和民族特色 舞蹈道具：采用具有象征意义的道具来表现舞蹈主题
探究文化现象：样板戏是中国传统文化的一部分，研究样板戏有助于深入了解中国传统文化的内涵和特点
样板戏名词解释
样板戏名词解释样板戏，又称为“秧歌戏”，是中国的一种传统戏曲形式，流行于山东、河北、河南、陕西等地。
以下是样板戏的一些常见名词解释：1. 样板戏：样板戏是指以一定的套路和模板进行演绎的戏曲形式。
它不仅包括了正剧、花脸、丑角等各种角色类型，还有杂剧、武戏、舞蹈等多种表现形式，其内容多涉及历史、战争、家庭等各个领域。
2. 京剧：京剧是中国戏曲四大剧种之一，起源于北京地区，流行于全国各地。
它以唱、念、做、打、舞等综合表演形式，通过唱腔、动作、化妆等手段来表达剧情和人物性格。
3. 杂剧：杂剧是样板戏中的一种重要表现形式，它包括了喜剧、悲剧、历史剧等多种戏曲类型。
杂剧以其丰富的艺术形式和活泼的表演风格受到广泛的欢迎。
4. 武戏：武戏指的是样板戏中的打斗、舞剑等动作场景。
它以高难度的动作和技巧为特点，既能展示演员的身手，又能增加戏曲的观赏性。
5. 行当：行当是指样板戏中演员扮演的不同角色类型。
样板戏的行当主要分为文行和武行两类，武行包括了武将、武士等角色，文行则包括了文籍、老生等角色。
6. 小生：小生是样板戏中的一个重要角色类型，他通常扮演英勇正直、青年秀美的男性角色，是戏曲中的正面形象。
7. 花旦：花旦是样板戏中的女性角色类型，她们通常扮演娇俏可爱、唱腔婉转的角色，是戏曲中的女性代表。
8. 丑角：丑角是样板戏中的一个特殊角色类型，他们以滑稽搞笑、夸张夸张的形象为特点，常常起到引导剧情、增加观众娱乐性的作用。
9. 三从四德：三从四德是指中国传统妇女的行为规范和道德准则，其中“三从”是指妇女要顺从父亲、丈夫和儿子，而“四德”则是指妇女要持家、教子、贞烈、言听计从等。
10. 伍子胥：伍子胥是中国历史上著名的战国时期的英雄人物，他是吴国的宰相，为了报父仇，他倾尽全力推翻了夫差的统治，使吴国重新崛起。
以上是样板戏中一些常见名词的解释，通过了解这些名词，可以更好地了解和欣赏中国传统戏曲形式中的样板戏。
革命现代京剧样板戏《海港》全集.docx
革命现代京剧样板戏《海港》全集革命现代京剧样板戏《海港》全集剧中人物表方海珍（装卸五队党支部书记）······李丽芳扮演高志扬（装卸五队组长、党支部委员）···赵文奎扮演赵震山（装卸五队队长、党支部委员）···郭仲钦扮演韩小强（装卸工人）···········周卓然扮演丁克坚（装卸工人、共青团员）······高韵洪扮演小陶（装卸工人）···········刘砚华扮演小张（装卸工人、共青团员）······彬扮梁演小洪（拖车司机、共青团员）······张玉帆扮演马洪亮（退休装卸工人）·········朱文虎扮演小刘（装卸九队工人）·········郝瑞亭扮演钱守维（仓库管理员）··········艾世菊扮演曲目列表 :第一场突击抢运第二场意外散包第三场查问事故第四场追根寻源第五场深夜翻仓第六场壮志凌云第七场海港早晨。
八个样板戏八亿人看了八年
八个样板戏八亿人看了八年Eight model operas, eight hundred million people watched for eight yearsThe model opera refers to several modern themes that were taken as examples during the "Cultural Revolution". For people from 70s, the "eight model operas" are very familiar. These works are modern life China people's armed struggle and economic construction under the leadership of the CPC, was given a more extensive political significance, is a model of peasants and soldiers occupied the arts and cultural revolution. So many foreign avant-garde films introduced later were resisted by conservative ideas.In 70s, Chinese people's life has undergone tremendous changes, changes from the basic necessities of life with daily life, political life and spiritual life, rich cultural life, reflect the progress of the society.Eight model operas affect a generationIn the early 70s, the Chinese people's life, especially the cultural life, was surrounded by eight model operas. Later generations called it "eight model operas", which have been watched by eight hundred million people for eight years.The eight model operas are:Peking Opera: "Shajiabang" "red lantern" "tiger" "harbor" "surprise" White Tiger GroupDance Drama: "Red Detachment of women" and "white haired girl"Symphonic music: "Sha Jia Bang"The eight model operas are the masses and the classics in the public. The hero uniform strong, the actors have no wife, the actress didn't see her husband. Is often the fist clenched, mouth a sip, and then to sing even yaotouhuangnao fearless of death for a just cause, are very revolutionary. Pretend to be assimilated more than ever, while Facebook is too thin to be appalled.The popularity of eight model operas, which later literary works are difficult to surpass, even can not hold a candle, which of course is related to a particular political climate. Many of the lines in the eight model operas are still memorable to those who have been through that time. Such as "the red lantern" in Li Yu and sang "the poor children early masters", Li Tiemei's "I biaoshu countless home, no big house"."Shajiabang", everyone's favorite is still between qingsao and Hu Chuankui, Diao Deyi's "wits"."Smart" this play, fully demonstrated the qingsao style, she not only has an underground worker due wit and sharp struggle experience, but also has opened the teahouse owner should have both the style of all things to all men.Lei stoves, boiling pot of SanjiangMy table, the Sixteen Party ConferenceAll comers are guests, all by mouthMeet, laugh, and not think afterwardsTea leaves cold as soon as people goThis popular Arias sung so far, not long.Ballet "the Red Detachment of women" to Inner Mongolia in a remote county tour, the sudden problem: to buy a set of actress in the legs of translucent nylon stockings.At that time, this kind of silk stockings would have been made less, and people would not dare to wear it because of their exposure and the taste of the bourgeoisie. In the final discussion, the leaders decided to use red ink on their legs, instead of nylon socks and avoiding overexposure, similar to nylon stockings. So, the actress all in the legs painted red ink play, but see the field a piece of red legged flying, like the witch practice. "Red Detachment of women" became the red legged women's army.Later, the debate about the model operas has not been broken, and there are certainly those who oppose it. Some people are very fond of model operas, the reason is to hear ripe; writer Ba Jin said, in the hearing model opera replay the night, he started the "Cultural Revolution" nightmare.China's "news bulletin" movie"Romania film and another hug, Korean movie laugh and cry, the Albania film film of real weapons rather baffling, Vietnam, Chinese movie news briefing." This is a vivid summary of the 70s film.After the reform and opening to the outside world, the film was introduced into China and set off a wave of heat. In the city, they usually watch by collective organizations. Some young people are very familiar with their movies by looking at movies, dating and looking for objects,To enter the cinema is to kill time.In the countryside, watching movies at the time, but a big, huge crowds of people, many people will catch the tramp over mountains and through ravines to tens of miles. Sunset, the curtain has good support projectionist, everyone will be close to the position of the projector bench. When the projector is focusing or changing the film, some people wave their hands against the projection lamp and then irradiate it on the screen. They are very proud. When he meets the screen girl and puts it away from the rest of the night, he looks forward to stretching his neck.Many people, almost surrounded by the screen, behind the climb to the roof, trees, poles, often careless fall. Some people can't see the reverse of the screen from behind. There are too many people on the screen.There are young people in the middle of the movie, a help to fight, the abuse of power.At that time, the Korean film "flower girl" put up again and again, people look at the red eye, "men want to bring two handkerchiefs, women have to bring four handkerchiefs", wrote the film moving effect.Put it before the movie, not the news documentary, are generally respected Prince Sihanouk and princess monique. When these news bulletins are released, it is the main course of the day.Foreign films are controversialIn 1978, 50 years ago the Japanese girl was exposed to the bitter history of Nanyang when selling prostitutes the Japanese movie "nostalgia", released in China, the repercussions of far more than japan.Some people saw a film about openly describing prostitutes, exploded with rage, and posted big posters on the street to ban and criticize the "pornographic film"". As a result, the Department re cut some footage before returning it.At that time in China, there were a lot of people who bought tickets at first with the mentality of watching a "yellow" movie, but as a result they were moved out of the cinema after being deeply moved by the hero.Then there is a Japanese film "witnesses", also attracted the audience Chinese. Someone watched the film repeatedly to see the naked butt of the film. But more people, for the film mother in order to maintain their reputation to kill their own son ofthe plot of the shock, the film's theme song "straw hat song" have also been sung. "Hat song" in the heroine Yasugi Kyoko's black son gioni tone to sing, deep and melancholy song expressed the son of the mother love and lost love sad:Mother, did you remember that you gave me that straw hat? It was lost a long time ago......The other part of the introduction of the Japanese film "hunt", and Ken Takakura's tough guy image, arguably China occupy most of the audience's heart, that for a long time can hear the voice of the man looking for. And wear shawls, long hair, wearing boots, the appearance of pure, heart like fire really by the United States, but also become the first generation of Chinese young men dream of valentine.The classical dialogues in pursuit have been handed down so far:"Jump, jump, jump not toward the warehouse did not also Tangta jump."In May 1979, shortly after the publication "popular film" published in the British film "crystal shoe and rose" in the prince and Cinderella kiss in medieval European gorgeous palaces in the stills in fifth back cover, caused a great disturbance.A reader in a letter to the popular movie said: "no one expected that in the socialist country created by Chairman Mao, after the baptism of the" Cultural Revolution ", there would be such a thing. You have fallen to the point where you have nothingto do with bourgeois magazines!"However, in the tide of reform and opening up, the "popular movie" withstood the pressure and continued to convey the clarion call of emancipating the mind, affecting the perspective of a generation. The magazine also witnessed the tenacious vitality of Chinese films and the persistent pursuit of art by Chinese filmmakers. (according to Chinese life memory)Link:The marker blocked the sensitive picture with his handsBefore and after the reform and opening up,Some of the imported films contain "sensitive lenses" that are out of step with the times". In order to eliminate the adverse effects, many people laugh the way of "avoidance" came into being.Wu Hehu, head of Shanghai's joint cinema, recalls:In the "Cultural Revolution" is like a raging fire day, I joined the army as a projectionist, one day, showing "Lenin at 1918", the film has two lens group is not deleted, a group of spies in the theater plot to assassinate Lenin shot, long shot in total for Swan Lake the background, features and spy whispering four little swan cheerful ballet alternately flashed, sound and picture is not the same, to create a tense atmosphere; another group is in case of emergency, Lenin Vasily home in the livingroom and sleeping on the ground, head under the pillow a few of the boring books, Vasily's wife Lenin will be sleeping at head on her husband's shoulder, then kissed.According to the instructions of the leadership, when on the two lens group, the projectionist must accurately hand to block the lens: Little Swan Ballet naked thigh wear miniskirts and Vasily kissed the picture can not appear on the screen. There is no doubt that I am the only one who performs the film so faithfully that a few films have been made "accurate".。
往事如昨——琐忆晋东南学习革命样板戏地而剧组
往事如昨——琐忆晋东 地区学习 命样板戏 二剧组一郭华明，山西襄垣 人。
1921正月16生人，卒于19879月18 ，享 66。
他的生命 结在他钟 的文艺演 观看之后。
省歌来长 演，给他送了 ，看完演 后，没有了专 待遇的郭华明，高兴地哼 小曲骑 行 往回 ， 到军分 大院门口的时候，一辆红色的摩托 风 电掣地将他撞倒在地后扬长而去，至今凶手 明。
他 在始 未及、 其 意的时刻，应该说没有什么痛苦。
追悼会上有少是当 地“二剧组”的成员。
都是听说 耗后 发 来的，他们为郭华明送上标 哀悼的“幛子”，上面写 ：“上党芭蕾 花人”，表达了对他的深切缅 。
去世 的郭华明已经 再是晋东 举足重轻的人物，而是退 舞台的一介平民。
老百姓已经疏忽了他的存在和死 ，但在一些人的心中，郭华明这 名字是 生难忘的。
一 人的一生总是要和某件东西、某种专业、某些人、某 数字发生难解难分的恩怨纠 ，直到死而后已。
绵山上有 对联曰：“是善缘是 缘无缘 ，是讨债是 债无债 来。
”说的或许 是这种生命现象。
只要活到一定的 纪，经历了生活的种种， 能 认生命中总有一种看 见的力量在左右 你，那是一种 号，一种暗示，一种象征，一种说 、道 白、看 见、摸 、飘忽 定、隐约存在 把握 住的东西，我们通常把它叫做“命运”。
郭华明生 酷文艺，多 与晋东歌舞团 戚与共，临到生命的最后时刻，上苍 忘 顾他，让省歌舞团为他进行了最后一场演，完成了他与文艺一生的解之缘。
二196812月22，毛泽东发 “知识青 到农村去，接受贫下中农的再教 ，很有必要”的号召，在全国掀 了上山下 的热潮。
与知识青 上山下 时进行的是“干部下放，充实基层”。
把当时所 有点题的领导干部，下放到各 基层单位去“劳动锻炼”。
样板戏
——从书中走向 银幕
板戏
• 样板戏是指文革时期被树立 为"革命样板戏"的以戏剧为主的 二十几个舞台艺术作品的俗称。 其代表性的作品有京剧《智取威 虎山》《红灯记》《沙家浜》 《杜鹃山》和芭蕾舞剧《红色娘 子军》《白毛女》等剧目。
概况
文革时期，有一些被树立为文艺榜样的，以戏剧作品为 主，加上少量音乐作品的大中型舞台艺术作品，统称为"革 命样板戏"或"革命样板作品"，俗称"样板戏"。 当年，对于"样板戏"这个从不被解释的响亮称呼，人们 往往似懂非懂，就连样板戏的编剧汪曾祺也不例外。他在 得知"样板"是某地对某种板状模具的称呼后，认为"样板戏 "的意思说不通。可见，样板一词，难以顾名思义，它的引 申义更是牵强，无论是"榜样"，还是如今增添的"样品""示 范""实验"等义。
样板戏的人物
•
样板戏人物总而言之就是三突出、高大全 的钢铸铁浇的无产阶级革命英雄形象。他们 在精神上无限高尚、高大，但是却不是普通 人，不具有普通人的七情六欲。因此他们是 一群现实中不存在的理想主义色彩十分浓郁 的英雄。是按照神话中塑造神的手段加以塑 造出来的。
• 三突出： “文化大革命”中提出的文艺创作塑造人物的原 则，即在所有人物中突出正面人物，在正面人物中突出 英雄人物，在英雄人物中突出最主要的中心人物。 • 高大全：没有明明白白的注解，但是根据"三突出"的原则， 主人公必须形象高大、胸怀宽广，是全心全意为人民服 务的没有缺点的形象，总之是一个完人。
样板戏的评价
• 样板戏开了一个戏曲表现程式改革的先河。对传 统程式在现代生活中的表现，对现代人物利用程式 进行的艺术创造，以及对音乐、舞台美术等方面的 改革，应该说是新中国成立以来戏曲改革、戏曲现 代化的最高成就。但是，诚如中国几十年的社会政 治活动一样，我们在否定某人言论的时候，也往往 否定了某人的历史功绩，在否定事物的同时，也否 定了人的一切。对样板戏的否定导致了我们进入新 时期以来戏曲改革的停步不前甚至倒退，甚至出现 了戏曲表演艺术的严重缺失。
样板戏是什么意思
样板戏是什么意思
【答案】
样板戏是指文革时期被树立为“革命样板戏”的以戏剧为主的二十几个舞台艺术作品的俗称。
是我国特殊历史时期的一类以戏剧作品为主、加上少量音乐作品的大中型舞台艺术作品。
【拓展】
文革时期，有一些被树立为文艺榜样的，以戏剧作品为主，加上少量音乐作品的大中型舞台艺术作品，统称为“革命样板戏”或“革命样板作品”，俗称“样板戏”。
其代表性的作品有京剧《智取威虎山》《红灯记》《沙家浜》《杜鹃山》和芭蕾舞剧《红色娘子军》《白毛女》等剧目。
豫剧沙家浜阿庆嫂的凤声紧雨意怒唱段的金词
豫剧沙家浜阿庆嫂的凤声紧雨意怒唱段的金词
八部样板戏之一的《沙家浜》，是根据沪剧《芦荡火种》移植改编的，剧情描述的是以新四军某部指导员郭建光率领18位伤病员在沙家滨养伤，开展武装斗争的故事。
剧中的女主角阿庆嫂，机智、勇敢，为了保护伤病员，与敌人巧周旋，最后取得胜利。
在样板戏《沙家浜》这部剧中，阿庆嫂有一个核心唱段，叫做《定能战胜顽敌渡难关》，唱词是这样的：
风声紧雨意浓天低云暗，不由人一阵阵坐立不安。
亲人们粮缺药尽消息又断，芦荡内怎禁得浪激水淹。
他们是革命的宝贵财产，十八个人和我们骨肉相连。
联络员身负着千斤重担，程书记临行时托附再三。
我岂能遇危难一筹莫展，辜负了党对我的培养多年。
昨夜里赵镇长与四龙去送炒面，为什么到如今不见回还？我本当去把亲人来见，怎奈是难脱身、有鹰犬，那刁德一他派了岗哨又扣船。
怎么办，怎么办，怎么办？事到此间好为难。
党啊，有您的教导，有群众的智慧，我定能战胜顽敌渡难关。
这是阿庆嫂的核心唱段，它表现的是阿庆嫂在极端困难的情况下该如何关照伤病员时的焦急心情，这种焦急的心情，是以内心独白的形式展现给听众的。
其背景在唱词中交待的很清楚，“亲人们粮缺药尽消息又断”、“刁德一他派了岗哨又扣船”。
唱词中一连三个“怎么办”，把阿庆嫂的
这种焦灼不安的情态表现的十分充分。
在困难的条件下，阿庆嫂却充满坚定的信念，相信有党的教导，有群众的智慧，就一定能够战胜敌人，渡过这一难关，体现了阿庆嫂的乐观态度和坚定的必胜信念。
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