论云南版画的发展与现状

论云南版画的发展与现状

摘要

云南版画在中国版画领域独树一帜，是与黑龙江、江苏、四川相媲美的四大流派之一。云南神奇美丽的自然风光和丰富多彩的民族文化是云南版画创作的源泉。一大批优秀的云南版画家创造了一派富有地方性、民族性、艺术性的版画艺术，他们在作品中倾注了对在这块土地上辛勤耕耘的劳动人民的深厚情感。刻印中的主观随意性，可遇而不可求的偶然性，以及不可逆转的一次性，使创作过程成为充满激情的冒险，在难以预料和难以控制的刀刃木板色彩撞击中，捕捉奇绝的突发效果，使云南版画更富于现代艺术的创造精神。

云南版画发展现状版画是一门独特的艺术,具有自己特殊的艺术语言和表达方式.然而，云南版画曾经辉煌，如今却一直低迷，在其发展道路上也历经曲折。未来云南版画将如何持续发展？这就要求版画家们必须走出地域、民族、传统的误区，闯出一条中国民族、民间艺术传统与西方现代艺术相融合的新路。不断探究不同的版画技法，为版画艺术增添新的领域和新的发展空间，从限制式的创作思维形式走进自由随意的领域。确立立足现状、扬弃传统，立足世界、观照本土，立足自我，面向社会的多元取向，走出云南，走向全国，走向世界。

关键词：云南版画；创新；个性化；多元化

By Yunnan print development and present situation

Abstract: China's Yunnan prints in the field of printmaking is unique, and Heilongjiang, Jiangsu, Sichuan comparable to one of the four schools. Yunnan magical and beautiful natural scenery and colorful ethnic culture of Yunnan is the source of creative art. A large number of outstanding version of the Yunnan painters created a rich local groups, ethnic, artistic graphic art, their works in this land devoted to the hard work of the working people of deep emotion. Marker in the subjective randomness can be met without Rectifiable the chance, as well as an irreversible one-time, the creative process become a passion of adventure, unpredictable and difficult to control bladed wood color impact, the sudden capture Qijue Effect, so that more wealth among the Yunnan modern art prints of the creative spirit.

Yunnan prints development of printmaking is a unique art, the art has its own special language and expression. However, the print was brilliant in Yunnan now has been sluggish in its path of development is also going through twists and turns. How will the future of Yunnan prints sustainable development » This requires that the painter must version out of geographical, ethnic, traditional errors, break a Chinese national, folk art tradition and modern Western art integration of the new path. Constantly explore different techniques of printmaking, graphic art and add new areas and new development space, from the restrictions of the freedom of creative thinking went into the form of random areas. Established based on the status quo, abandoning the traditional, based on the world, local reflection, self-based, multi-oriented social orientation, out of Yunnan, to the country, to the world.

Key words: Yunnan innovative print personalized diversified

引言 (1)

文献综述 (1)

研究方法 (1)

讨论与分析 (2)

一、云南版画的发展 (2)

1.云南古代版画 (2)

2.云南现代版画 (2)

3.改革开放后的云南版画 (2)

4.90年代以来的云南版画 (3)

二、云南版画的现状 (3)

1.云南版画的探索 (3)

2.云南版画面临的困境 (4)

3.云南版画形成“三足鼎立”趋势 (5)

4.云南版画家的发展方向 (7)

结论 (8)

参考文献 (9)