外文翻译--服装设计中的创意性灵感.doc
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服装设计的创意灵感从何而来
服装设计的创意灵感从何而来在时尚的舞台上，服装设计无疑是一场充满魅力与创意的艺术之旅。
每一件令人惊艳的服装作品背后，都蕴含着设计师独特的创意灵感。
那么，这些灵感究竟从何而来呢？生活，无疑是服装设计创意灵感的重要源泉。
我们身处的世界丰富多彩，日常的点滴都可能成为灵感的火花。
比如，城市的街道、建筑的风格、大自然的景色，甚至是人们的生活方式和文化传统。
当设计师漫步在古老的小镇，那些古老的砖石、独特的门窗造型可能会启发他们创作出具有复古韵味的服装款式和图案。
而大自然中的花朵、树木、山川河流，其色彩、形态和纹理，都能为服装设计带来无尽的想象空间。
设计师可能会从春天绽放的樱花中获取粉嫩柔和的色彩灵感，运用到轻薄的春装设计中；也可能从秋日的枫叶中汲取暖色调，打造出温馨而富有质感的秋冬服饰。
文化也是服装设计灵感的一座宝库。
不同的国家和地区拥有各自独特的文化遗产，包括传统服饰、民间艺术、宗教信仰等。
中国的汉服、日本的和服、印度的纱丽等传统服饰，都蕴含着深厚的文化内涵和精湛的工艺技巧。
设计师可以从中汲取元素，进行现代的演绎和创新。
例如，将汉服的交领、宽袖等特征与现代时尚元素相结合，创造出既有古典韵味又符合现代审美的服装。
此外，民间艺术如刺绣、剪纸、扎染等工艺，也能为服装设计增添独特的装饰和细节。
音乐和艺术同样能激发设计师的创意灵感。
音乐的旋律、节奏和情感能够唤起设计师内心深处的某种感受，从而转化为服装设计的语言。
比如，激昂的摇滚乐可能会启发设计师创作出充满个性和力量感的服装；而舒缓的古典音乐可能带来优雅、柔和的设计风格。
艺术作品，无论是绘画、雕塑还是摄影，都以其独特的视觉表现形式为服装设计提供了丰富的素材。
画家笔下的色彩组合、雕塑作品的线条和形态，以及摄影作品所捕捉的瞬间和氛围，都能成为设计师的灵感之源。
设计师可能会从一幅抽象画中获得独特的图案创意，或者从一张充满张力的摄影作品中获取服装造型的灵感。
历史的长河也是服装设计灵感的无尽源泉。
服装设计灵感来源于什么.doc
服装设计灵感来源于什么服装设计创意灵感来源(1)从历史文化中寻求服装设计灵感。
历史文化中有许多值得借鉴的地方，炫美的壁画、大气的青铜方鼎、清秀的青花瓷韵、浑朴的书法、优美的国画等等。
在前人积累的文化遗产和审美趣味中，可以提取精华，使之变成设计服装的灵感来源。
(2)从民间艺术中寻求服装设计灵感。
民间的手工艺品也是服饰的来源，传统、民间艺术是我国上下五千年文化艺术的珍宝，它是中华民族的智慧结晶，其中的许多奥妙之处仍值得现代服装的借鉴。
世界的每一个民族都有着自己的风俗、文化。
例如：贵州的蜡染、东阳的木雕、苏州的刺绣等，其中一个造型、一个图案、一朵绣花、一组配色等都是很有特点的素材，经常给创作者以美妙的灵感!(3)从姊妹艺术中寻求服装设计灵感。
音乐、舞蹈、建筑、摄影、书法等即为姊妹艺术，它们是服装设计最主要的灵感来源。
艺术中的许多语言是相通的，尤其在这些姐妹艺术中，包含着许多服装上所需要的信息。
姊妹艺术与服装的流行和发展有不解之缘，服装也被称为凝固的音乐、流动的建筑、绚丽的绘画、变幻的电影等。
陈道明同款夹克就是灵感来源于丹麦一幢名为Tietgenkollegiet的建筑。
远远看上去，它奇异的造型显得颇为与众不同。
这座造形特别的圆形建筑物于落成，由夺得过英国皇家建筑师学会国际奖的丹麦建筑师Lundgaard和TranebergArkitekter共同设计，创作灵感则来自中国福建的土楼，而其外形与土楼建筑也十分相似。
(4)从自然生态中寻求服装设计灵感。
自然生态变化万千，千姿百态，蕴含丰富的万物，如山川、悬崖、海洋、天空、动物、人物、植物等一切自然景物都是可以借鉴学习的，它们是人类服装设计灵感来源的重要途径。
例如利郎夏季系列中，就运用了大自然作为设计灵感，蓝天椰树以及海浪白云等元素。
(5)从个人爱好中寻求服装设计灵感。
每个人都会有许多兴趣爱好，对于设计师广泛的个人爱好，往往是服装设计灵感的主要来源之一。
有人喜欢集邮，服装上有会讲述有关邮票的故事;有人喜欢收集蝴蝶标本，蝴蝶的造型和色彩便飞满他的设计;还有人喜欢绿色，作品中就充满了绿色的翠绿欲滴。
服装设计的创意灵感从何而来
服装设计的创意灵感从何而来服装设计是一门充满创造力和想象力的艺术，它不仅仅是将布料拼接在一起，更是通过各种元素的组合来展现个性、风格和文化。
那么，那些令人眼前一亮的服装设计创意灵感究竟从何而来呢？首先，大自然是服装设计取之不尽的灵感宝库。
无论是山川湖泊的壮丽景色，还是花草树木的婀娜姿态，都能为设计师提供丰富的色彩、图案和形态。
比如，春天绽放的樱花可以启发设计师运用柔和的粉色和细腻的花瓣图案来制作服装；秋天枫叶的斑斓色彩则可能成为秋冬系列服装的色彩搭配灵感。
还有那蝴蝶翅膀上的精美纹理、鸟儿羽毛的独特质感，都有可能被巧妙地转化为服装的面料或装饰细节。
其次，历史和传统文化也是重要的灵感源泉。
各个时代的服装风格都反映了当时的社会背景、审美观念和技术水平。
从古代的宫廷服饰到民间的传统服饰，都蕴含着丰富的文化内涵和独特的设计元素。
设计师可以从中汲取灵感，将传统的剪裁、图案、配饰等与现代的设计理念相结合，创造出既有文化底蕴又符合现代审美的作品。
比如，中国的旗袍元素在现代服装设计中经常被重新演绎，通过改变面料、款式和细节，使其更适应现代生活的需求和时尚潮流。
再者，艺术作品也能为服装设计带来无限创意。
绘画、雕塑、摄影等艺术形式中的色彩搭配、构图方式和表现手法都可以激发设计师的灵感。
一幅抽象画中的色彩组合可能会启发设计师创造出大胆而独特的服装配色方案；一件雕塑作品的线条和形态也许能为服装的剪裁提供新的思路。
此外，电影、音乐、舞蹈等表演艺术也能为设计师带来灵感，比如电影中的角色造型、音乐中的情感氛围、舞蹈中的动作姿态，都有可能成为服装设计的创意起点。
不同的民族和地域文化也为服装设计提供了丰富多样的灵感。
世界各地的民族服饰都有着独特的风格和特点，反映了当地的生活方式、宗教信仰和审美习惯。
非洲部落的鲜艳色彩和夸张图案、印度传统服饰的华丽刺绣和精致配饰、日本和服的优雅剪裁和独特腰带，这些都是设计师可以借鉴和创新的元素。
通过对不同民族和地域文化的研究和理解，设计师能够创造出具有多元文化特色的服装作品，促进文化的交流与融合。
服装设计外文翻译
文献出处：Nkrumah E. The Effect of Garment Fit and Zipper Application on The Performance of Zipper on The Ghanaian Market [J]. African Journal of Applied Research (AJAR), 2015, 1(1).原文THE EFFECT OF GARMENT FIT AND ZIPPER APPLICATION ON THE PERFORMANCE OF ZIPPER ON THE GHANAIAN MARKETNkrumah, E.ABSTRACTZippers are one of the commonly used fasteners in the clothing industry in Ghana because zipper costs relatively less and are easier to fasten than other fasteners. However, it is perceived that most zippers on the Ghanaian market do not function effectively as they should due to incorrect practices in dressmaking. The aim of the study was to examine the factors in garment construction that affect the performance of zippers. The objectives are to identify the effect of garment fit on zipper performance and to determine the effect of zipper application method on zipper performance. The research design used was cross-sectional survey and the simple random sampling technique was used to sample 325 tailors, dressmakers and fashion students from the Cape Coast Metropolis for their views on the performance of zippers on the Ghanaian market. The main findings of the study were that Close fitted garments and the concealed zipper application method all affected zipper performance negatively. The study therefore recommended that dressmakers should upgrade their skills on appropriate garment fit and correct zipper application to reduce zipper failure.Keywords: Zipper; Fastener; Performance; Garment; GhanaINTRODUCTIONZippers are one of the commonly used fasteners in the clothing industry worldwide. Gaddis (2011) argued that zippers were the first machines that people learnt to master in their childhood and have remained the most common mechanismsof daily lives. It may in fact be just a little startling to think of zippers as machines, but surely that is what they are; carefully fitted pieces of metal and plastic that must move in close coordination. When this coordination fails, the garment may be unusable until the zipper is repaired or replaced.AimThe aim of the study was to examine the effect garment fit and zipper application method on the performance of zippers on the Ghanaian market.ObjectivesThe specific objectives are to:1. Identify the effect of garment fit on zipper performance.2. Determine the effect of zipper application method on zipper performance. Research Questions1 How does the fit of garments affect zipper performance as perceived by the users of zippers?2 What are the views of the users of zippers on the effect of zipper application on zipper performance?LITERATURE REVIEWAccording to Jyler (2008), zippers are the principal items used in clothing that are partly textile in nature and partly non-textile, hard material. They provide a neat strong fastening in garments, and can be functional or decorative or both. They provide two edges that will mesh together and resist pulling apart when stressed on a tape support that can be sewn into the garment (White, 2009). Frings (2002) also added that, zipper are fastening devices consisting of parallel rows of metal, plastic, or nylon teeth on adjacent edges of an opening that are interlocked by a sliding tab. Thomas (2009) also indicated that, the zipper can also be used in divers ways for decorating clothes. The zipper is a recent addition to the family of sewn in closures, but it has pretty much taken over as the universal closure since its introduction.According to Jyler (2008), zipper can vary in the materials of the tape, the form and materials of the meshing sections, and in the overall construction and function of the zipper. The latter affects predominantly their methods of attachment to garments.However, Stone (2004) added that all these zippers are produced to different specifications and their selection should be based on higher quality specification.Different authors classify zipper differently, these classification vary according to zipper properties such as: form, material and purpose. Buchanan and Mayer (2002), and Jyler (2008) all classified zippers according to their form. Buchanan and Mayer classified zippers into two main groups which are: chain zipper (medium weight zippers with metal or plastic teeth) coil zipper (synthetic coils of polyester or nylon attached to a woven type) useful for fine fabrics. Jyler again indicated that the major types of zipper are: individual metal teeth, spiral coil, plastic molded teeth, and invisible zippers. These two classifications were based on the nature of meshing sections of the zippers.Zipper ApplicationZipper application is the process of attaching zippers on a garment. This process can sometimes prove a bit difficult for beginners but they are really easy if the correct procedures are followed, and the zipper or cording foot is used on the machine (Diamond & Diamond, 2007). Inserting a zipper without this attachment may break the machine needle, perhaps damage the machine, and it’s doubtful that the zipper will look trim once it’s in the garment and may cause permanent damage to the z ipper. There are various zipper applications depending on the placement of the zipper in the garment, and the type of garment. In addition, the type of zipper will also certainly determine the application method to be used. Generally zippers are centered in a slot seam or hidden in a lapped seam. Most zippers are inserted into seams.Garment FitAccording to Stone (2004), the fit of a garment also affect the performance of closures on them. There are three basic types of garment fit and these are loss fitting, semi close fitting and close fitting. There is no problem with the loss and semi close fitting garments however the problem is with the close fitting garments. The closeness of garments to the body put extra strain on the zipper (Gaddis, 2011). When these zippers get over stretched to their elastic limits due to the stress on it the teeth eventually pop open from the middle causing a permanent damage to the zipper.Ironically, many people buy or sew their clothes a little bit snug with the idea that it will make them look slimmer. The opposite is true. Too-tight clothing can make one look pounds heavier (Robison, 2010).RESEARCH METHODOLOGYCross-sectional survey was used to collect data to seek zipper consumers’ perceptions on the performance of zippers used in the industry from a population of 600 garment producers which comprised of 439 tailors and dressmakers in the Cape Coast Metropolis and 161 fashion students of Cape Coast Polytechnic and Cape Coast Technical Institute. Simple random sampling procedure was used to get the sample size of 325 respondents comprised of tailors, dressmakers and fashion students. Based on the objectives of the study, questionnaires were employed for the data collection. The administered questionnaires were edited and grouped under emerging themes based on the objectives of the study for easy analysis. Each response was coded and entered into Statistical Product and Service Solutions (SPSS) version 17 for analysis. Descriptive statistics such as frequencies, percentages, tables and figures were used to present the results.FINDINGS AND DISCUSSIONZipper Application Method most Prone to Failure According to Stone (2004), improper zipper application can disturb operability and consequently lead to permanent damage of the zipper, so an investigation into the zipper application method used by the dressmakers which was most prone to failure was done.These findings confirm the findings from the data tabulated in Table 8, where 72.8% of the respondents found the concealed zipper application method to be the most difficult method as compared to other methods. Hence, the suspicion that concealed zipper application method was the first reason for zipper failure on garments. The failure of zippers during garment construction was likely to have come from the use of the concealed method. The method may result in failure, and zipper damage due to bad application may be considerably high for inexperienced consumers because for a professional finish, one would have to stitch very close to the zipper teeth and also the use of the correct foot, when not properly done, can disturboperability and consequently lead to permanent damage of the zipper as stated by Stone (2004).CONCLUSIONBased on the results, the following conclusions were drawn:1. Close fitted garments exert more pressure on the garment; this pressure is felt more on the weakest areas of the garment which are the seams and the zipper, with the zipper being weaker generally than the seams.2. Again, incorrect zipper application affected zipper performance negatively, the concealed zipper application method were a major cause of zipper failure in garments. The concealed zipper application method requires special expertise and zipper-foot for a professional finish however, the zipper-foots are very expensive when available. RecommendationsTo ensure reliable zippers for the clothing industry in Ghana the study recommends:1. Dressmakers should not make garments to fit snugly to the body as this puts extra strain on the zipper to forcefully ply open.2. Dressmakers should occasionally upgrade their skills on the correct application of zippers through workshops and short courses in order to reduce the incidence of zippers failure due to improper zipper application.译文服装的合体性和拉链的应用对加纳市场的影响恩克鲁玛摘要拉链是服装行业中常用的配件之一，在加纳地区，这主要是因为拉链的成本相对较低，并且更容易使用，效果也比其他紧固件好。
创意服装设计的灵感来源
创意服装设计的灵感来源服装设计是一门创意性极强的艺术，设计师们常常会从各种不同的地方获得创意灵感，从而打造出充满个性和独特性的作品。
下面我们将探讨一些创意服装设计的灵感来源。
1. 自然界自然界是无穷无尽的灵感宝库，服装设计师们可以从大自然中汲取灵感，创造出具有植物、动物、天空、水流等元素的设计。
例如，一朵鲜花的色彩搭配、一只蝴蝶的翅膀纹理、一片树叶的形状等都可以成为服装设计的灵感来源。
自然的美丽和多样性为服装设计注入了生机与活力。
2. 文化艺术每个文化都有独特的传统和艺术风格，服装设计师可以通过研究不同文化的服饰、建筑、绘画等，获取设计灵感。
例如，中国传统的汉服、日本的和服、印度的锦缎等都可以成为服装设计师的创作灵感。
将不同文化元素融入服装设计中，可以打造出独具魅力的作品。
3. 艺术家作品众多艺术家的作品也可以为服装设计师提供无限灵感。
从绘画、雕塑到建筑、摄影，都有可能启发设计师的创作灵感。
例如，梵高的星空、达利的梦幻世界、毕加索的几何图形等都可以成为服装设计的灵感来源。
将艺术作品中的色彩、线条、形状等元素融入到服装设计中，可以呈现出独特的艺术风格。
4. 当代社会当代社会是多元化和开放的，服装设计师可以从社会现象、流行趋势中获取设计灵感。
例如，电影、音乐、时尚杂志、街头潮流等都是设计师们获取灵感的重要来源。
通过对时尚潮流的敏锐观察和把握，设计师可以创造出符合时代精神的作品，吸引更多的消费者。
5. 抽象思维除了从外部世界获取灵感，设计师还可以通过抽象思维和想象力来创造出独特的设计。
通过对空间、时间、情感等概念的思考和诠释，设计师可以打破传统的设计框架，创造出具有未来感和前卫性的作品。
抽象思维可以激发设计师的创作激情，推动他们不断突破自我，创造出更具创意和惊喜的作品。
总的来说，创意服装设计的灵感来源是多样化和丰富的，设计师们可以从自然界、文化艺术、艺术家作品、当代社会和抽象思维等方面获取灵感，创造出与众不同的作品。
服装设计创意灵感来源
服装设计创意灵感来源
1.自然界：自然界是创意的宝库，可以从花卉、植物、动物、天空等
自然元素中获得灵感，例如花朵的色彩组合、蝴蝶的美丽图案等。
2.文化传统：各个文化传统中都有独特的服装元素和风格，可以从中
汲取创意灵感，如中国的旗袍、印度的纱丽、日本的和服等。
3.古代艺术：古代绘画、雕塑、建筑等艺术形式中的图案、颜色和结
构可以启发设计师的创意，如文艺复兴时期的绘画作品、埃及金字塔的结
构等。
5.历史传奇：历史上的传奇人物、故事和事件可以激发设计师的想象力，如玛丽安托瓦内特的奢华和浪漫、埃及艳后克利奥帕特拉的魅力等。
6.影视作品：电影、电视剧和舞台剧中的服装设计常常具有独特的风
格和形式，可以给设计师提供灵感和创意，如《疯狂原始人》中的原始人
服装、《海角七号》中的校服等。
7.艺术家的作品：当代艺术家创作的绘画、雕塑和装置作品可以给设
计师带来新奇的创意灵感，如杨福东的织女装、克里斯蒂安·迪奥的抽象
绘画等。
9.技术和科学：新的技术和科学发现也可以给服装设计带来新的创意
灵感，如三维打印技术、可穿戴设备等。
10.艺术和设计展览：参观艺术和设计展览是一个获取灵感的好方法，可以接触到各种独特的作品和创作。
服装设计中英文对照外文翻译文献
服装设计中英文对照外文翻译文献文献信息：文文献献标标题题：：Proactive Fashion Design for Sustainable Consumption（可持续消费的具有前瞻性的服装设计）国外作者：Kirsi Niinimäki文献出处：《Nordic Te____tile Journal》，20________，1:60-69. 字数统计：英文 3104 单词，17881 字符；中文 5737 汉字外文文献：Proactive Fashion Design for Sustainable ConsumptionAbstractThis article presents a study that investigates product satisfaction inthe conte____t of clothing.The paper furthermore presents suggestions on how this knowledge can be used to create proactive fashion design for sustainable consumption.One of the main challenges in today’s consumer society is how to design products that encourage consumers to engage in more environmentally responsible behaviour, sustainable consumption.This paper opens the discussion on how to change current unsustainable consumption behaviour related toclothing through a visionary, far- sighted design approach.Designers can create future-oriented sustainable designs that can transform consumption patterns towards more sustainable ones.Design for sustainability can thus be a redirective practice that aims for sustainable consumption, and the ways in which fashion design can be a proactive process with this aim will be described.Keywords: proactive design, sustainable design, sustainable consumption, emotional satisfaction, PSS.IntroductionProducts configure consumer needs and use patterns; hence, design can be said to be “practice-oriented”, creating certain everyday practices and consumption behaviour (Shove et al.20__,134–136).Current industrial design and mass- manufacturing systems stimulate consumerism and the production of disposable products (Walker 20__,51).Fast changing trends lead to consumers’ unsustainable consumption behaviour.To create a new, sustainable balance between design, manufacturing and consumption, alternative ways to create products are required to drive more sustainable consumption behaviour.Therefore, designers should evaluate how each design decision affects a consumer’s consumption patterns.Understood in this way, sustainable designcan be a redirective or a proactive practice that aims for sustainable practices in consumption (Fry 2021, 53).Higher production volumes and simultaneous growing consumption have caused an increase in material consumption (Throne-Holst et al.20__).Ever-changingfashion trends, affordable product prices and low-quality products cause consumers to engage in unsustainable consumption behaviour, such as impulse purchases, overconsumption, short use time and premature disposal of products.The increase in the purchase of short-lifespan products results in a notable increase in waste.Currently, appro____imately 70 percent of disposed clothing and te____tiles end up in landfills, and in many Western countries clothing and te____tile waste is estimated to be the fastest growing waste stream (Fletcher 2021, 98).Consumers discard gaments not only because they are worn out but also because they actively seek novelty.Nevertheless, product durability and longterm use are prerequisites for sustainable consumption: i.e.e____tending the life span of products is essential when the goal is sustainable consumption (Cooper 20__).Importantly, however, consumers associate durability with high quality and not with environmental impact.Emotions lie at the centre of human life, and they influence mostof our behaviours, motivations and thought processes (Desmet 2021, 379).Emotions alsoplay a strong role in consumption.The interplay between wants, needs, values, attitudes ande____periences is emotionally meaningful for a contemporary consumer.Clothing and fashion itemsbelong to the category of self-e____pressive products, and with such products, consumption-related emotions are important to the consumer.As Richins (2021) argued, these consumption emotions are important elements in contemporary society and especially after the purchase event.The purchase situation bees a strong positivee____perience for a consumer, but it is very shortterm in nature and has no connection to thee____perience of deeper satisfaction or person– product attachment (ibid).Through a new purchase event, the consumer can again e____perience e____citement, enjoyment, joy and pleasure, at least momentarily.From an environmental point of view, studying consumption patterns and themeanings of consumption is important when sustained positive emotions in person– product relationships are desired or solutions are sought to replace materialistic consumption with other positive emotional states.The design process should focus on sustainable consumer satisfaction with a product or with the person–product attachmentprocess.Moreover, a new kind of product service system (PSS) should be developed that aims to prolong the enjoyable use time of the product.A PSS strategy can also offer the consumer new emotional e____periences, which can postpone the disposal of the product; PSS thinking can thereby aim to avoid a new garment purchase, which is an opportunity to decrease materialistic consumption. Sustainable Satisfaction with ClothingIf current unsustainable consumption patterns are to be transformed into more sustainable ones, the ways in which design can offer sustainable satisfaction must be investigated.To gain a deeper understanding of the opportunities to deliver satisfaction by designand how the enjoyable use of garments can bee____tended, the satisfaction process must first bee____plained.According to Swan and bs (1976), the performanceof clothing can be separatedintoinstrumentalperformance(physicalproperties)ande____pressive performance.E____pressive performance is linked to a consumer’s psychological response to the garment, such as the e____perience of beauty.Instrumental requirements (e.g.qualitye____pectations) must be satisfied first.Nevertheless, only fulfilling instrumental requirements will not result in satisfaction.Therefore clothing must also meet consumers’ emotional needs if it is to deliver satisfaction (Swan and bs 1976).Hence good intrinsic quality is optimal for ensuring consumersatisfaction and to guarantee the longevity of clothing.High quality means durable materials and high manufacturing quality.The ageing process of a pleasant, aesthetic garment requires not only maintaining high intrinsic quality but also the design of a more classical style and use of durable materials.Somete____tile materials look old after a short usetime.The material might e____perience pilling or may look old after a few washes.Garments needing frequent washing may look old rather quickly; therefore, recognising materials that age in a more aesthetically pleasing manner is important.Studies have shown (Niinimäki 2021) that consumers e____periencee.g.wool and real leather to age in an aesthetically pleasant way.Consumers report that with high quality wool the ageing process does not show as obviously and in leather the ageing process is e____perienced as an attractive temporal dimension (ibid.).Consumersrespect aesthetic attributes in the long-term use of clothing, and aesthetic attributes correspond toe____pressive performance in clothingsatisfaction.Accordingly, e____pressive performance affects the psychological response to clothing.The aesthetic attributes that correlate to the longevity of clothing are good fit, personal cut, nice colours and fortable materials,as well as a classic look (see Table 1).Garment tactility is important to the wearer and a pleasant tactile e____perience during the use situation is one attribute for enjoyable long-term use of clothing.Table I: Attributes that enable longevity in clothingThe attributes that enable longevity in clothing are the following:Quality: Durable materials Durability in use Durability in laundering High manufacturing quality Functionality: Easy maintenance Suitability in the use situation (physiological and psychological suitability)Satisfying use e____perienceBeauty, style, colour, fit Aesthetic E____pressive beauty above average attributes: Tactile e____periencefortable materials Values: Product’s values have to meet consumer’s personal values Not only quali ty, functionality and aesthetics are important attributes; the values behind the product are also important to consumer satisfaction.Clothing choices must connect strongly with the wearer’s self-image, identity and values.Wang and Wallendorf (20__) have argued that consumers with high materialistic values seek novelty and evaluate their possessions more often than consumers with lower materialistic values.They also highlight that materialistic consumers have less appreciation for deeper person–product relationships that develop during longer use situations.Consumers’ materialistic values may also connect with social status-related elements in garments and possessions.Consumers with lower materialistic values may have greater appreciation for the personal meanings attributable to the product that emerge during long-term use (Wang &; Wallendorf20__).Consumers with high environmental and ethical interests place high importance on being able to findenvironmental value behind a product.These consumers respect credence quality attributes – local and ethical production, eco-materials and long garmentlife spans – and they want to see these attributes and environmental values in the products they purchase.The value aspect is most important and cons umers’ value e____pectationsshould be fulfilled to create deep product satisfaction (Niinimäki 2021). Fashion Designfor Sustainable SatisfactionHow can a designer offer sustainable satisfaction to the consumer and how can s/he propose a prolonged use time of the product to the consumer? Firstly identifying the attributes associated withsatisfaction and including them in the design is the most important strategy.Secondly identifying the determinants that lead to dissatisfaction helps the designer to avoid these elements in design and concentrate on design for sustainable satisfaction.The previous section described the satisfaction elements in clothing: -good intrinsic quality;-good functionality;-aesthetics;-values in the product, in manufacturing or the pany’s values.The easiest way to offer product satisfaction is to increase the product’s intrinsic quality and inform the consumer accordingly.However the clothing satisfaction process is ple____ and not easy for a designer to control.Table 2 presents the temporal dimensions in clothing satisfaction, bining those elements and attributes that enable satisfaction to emerge or even create person-product attachments in the field of clothing.These are the elements that a designer should try to embed in design if s/ he is aiming for proactive fashion, deep productsatisfaction and e____tended use time of the products.Table 2: Elements of proactive sustainable fashion designPAST PRESENT FUTUREMeaningful memoriesMeaningful associations, which create person-product attachments Good functionality Aesthetical dimensionsEnjoyable e____periences during use Continuing satisfaction with the product Product or servicefulfils consumer’s changing needsHigh intrinsic quality New elements in designProduct utility New e____periences with the productConnection to self, identityThe following section presents several design approaches to deeper person- product satisfaction in the field of clothing.With these design strategies the designer can aim to achieve proactive and sustainable design. Fashion Design with Meaningful Uniqueness Products carry symbolic meaning, which consumers use to construct their own personality andidentity.Consumers use products to e____press themselves and want association with the characteristics, uniqueness or values symbolised by a product (Norman 20__).If products are easilypersonalised, the opportunity e____ists to connect the product more deeply with consumers’ identity construction and to create deeper product satisfaction and an emotional attachment through theperson–product relationship (Chapman 2021).This opportunity enables the product to be more meaningful to the wearer, making possible an e____tension of the product’s lifetime.Design services are one opportunity to address consumer satisfaction by deeply connecting the design oute with a consumer’s personal needs.By using digital technologies that enable individual design or measurements, meaningful uniqueness can be designed.Furthermore, unique design and “made-to-measur e” services offer improved product satisfaction by meeting a consumer’s individual needs and preferences better than mass-manufactured garments.The pany NOMO Jeans offersputer-assisted made-to-measure jeans by using a 3D scanner (Nomo Jeans).Jeans are made individually according to each customer’s measurements.Thecustomer can also choose the cut, colour, effects and details of his/her jeans.An enterprise can also base its function only on consumer orders.The designer can create their own collections, produce a couple of sle collections and enable consumers to specify all orders and measurements on an individual basis.Garments can then be created based on each wearer’s measurements, thus enabling him/her to e____perience greater satisfaction.This design and manufacturing strategy may also help producers avoid the problem of overproduction.Small enterprises could offer their collections in small shops carrying a sle collection and obtain orders directly from consumers, allowing them to avoid e____tra production.Designer Anna Ruohonen creates long lasting and high quality fashion (Anna Ruohonen).She has created a timeless collection called Black Classic, where the designs are permanent but it is possible to order them in seasonalcolours.Garments are manufactured only according to customer’s order and according to each customer’sindividual measurements.This strategy helps to avoid overproduction.Moreover the good fit of the clothing helps ensure deeper garment satisfaction. Co-creation One possibility for creating deeperperson–product attachment is through a consumer’s own efforts during the design orrealisation process.A sense of personal achievement is strongly connected to a positive sense of self (Norman 20__) and allows the product to begin to be more important to the wearer.The consumer’s own achievement through a “made by me” approach todesign creates positive e____periences through the sense of effort and the opportunity to realise her/his own creative skills.If the user builds the product herself/himself, s/he acquires a deeper knowledge of the product and, therefore, has the ability to repair the product (Papanek 1995).Kit-based design andhalfway products give the consumer a more active rolein the realisation process.One option for includingthe consumer in the design or manufacturing process isto offer her/him an opportunity to make decisions during the process.Consumers have shown an interest in taking part in the design or manufacturing process by using the Inter (Niinimäki 2021).If the design is based on a modular structure and the consumer is allowed to make her/his own choices – even from a limited selection – in creating a unique style, this process gives consumers new power and a more active role.Opening fashion field is one way to offer the consumer more active stwear is a pany that offers ready-made garments, halfway clothing (kit-based) and patterns of their fashion designs (Lastwear clothing pany).They also invest in quality and offer a guarantee on their garments, which is a good way to ensure product satisfaction.Giving consumers more power is also possible by offering environmentally- related options.Consumers may be allowed to select a manufacturing location and different materials – and be provided with corresponding prices – enabling them to e____press their values through their choices.For e____le, many consumers, especially thosewho consider themselves ethical consumers, would like to buy locally manufactured garments even if they are more e____pensive (Niinimäki 2021). Fulfilling Consumers’ Changing Needs Through PSSThe symbolic meanings of products are connected to psychological satisfaction through an emotional response.When the product no longer offers a positive emotional response because, for e____le, it falls out of fashion or the wearer bees otherwise tired of it, the consumer e____periences psychological obsolescence and easily replaces the product with a newone.Accordingly emotional and psychological obsolescence results in premature disposal of a product that may still be functional.Consumers’ needs and aesthetic preferences that change over time raise the question of how to avoid the psychological obsolescence of garments.The challengein e____tending product lifetimes is to achieve continuing satisfaction with the product.The PSS approach allows the creation of new e____periences with a product or changes to a product to enable it tobetter suit a consumer’s changing needs.Positive ways that a product’s lifetime can be e____tended include upgradability services, modification services ande____change stocks.These strategies can postpone garment disposal by keeping the consumer satisfied longer.Modification or redesign possibilities for quality garments allow for an e____tension of a product’s life span.Many websites already advise consumers on how to modify their old garments themselves and encourage consumers to e____tend the use of their garments.Many small and locally functioning repair and redesign studios also already e____ist, where the consumer can repair a damaged garment but can also order a redesigned garment made from old ones.A design based on a modular clothing structure also offers the possibility to create services to upgrade garments.This strategy offers the opportunity to update the appearance in a sustainable way (Fletcher &; Grose 20________, 82).It is possible to play with the clothing elements to create unique binations of colours or shapes to develop a newlook.The consumer does not need to then buy a new garment; instead s/he can simply change some parts or elements in the garment to have the e____perience of newness.Garment e____change or renting services offer possibilities for consumers to make changes to their clothing in more sustainable ways.New and interesting e____les of clothing membership clubs e____ist.By paying a monthly membership fee, a consumer can select a certain number of garments to use, giving him or her the opportunity to change the appearance in a more sustainable way.This type of business strategy has emerged e.g.in the field of children’sclothing.Consumers can rent children’s outfits and when the child outgrows a size, the parent can obtain larger-size garments from the clothing club.ConclusionsThis study investigated product satisfaction in the conte____t of clothing and this knowledge was used to understand and define proactive fashion design for sustainable consumption.It opened views into the process of consumer satisfaction.A main issue thatarises when aiming to e____tend the life of garments is to increase their durability and intrinsic quality.Moreover, fulfilling consumers’ othere____pectationsregardingthe garment’s aesthetic and functional attributes is important to ensure product satisfaction.Finally the issue of value is most important with regard to deep product satisfaction: values associated with the product, the manufacturing process and behind the panies have to meet the consumers’ own value base so that the consumer feels pletely satisfied with the product.By identifying the reasons for the short and long-term use of clothing, it is possible to find new ways to create sustainable designs that can result in a redirective practice directed towards sustainable consumption.Proactive fashion design for sustainable consumption takes these reasons into account, thus enabling clothing longevity.Satisfying consumers’e____pectations regarding quality, functionality, aesthetics and value is a key to e____tending the usetime of a product.Moreover, the emotional side of consumption must be understood to provide more sustainable ways to ensure customer satisfaction.The PSS approach provides an opportunity to e____tend the enjoyable use of aproduct and thus avoid psychological obsolescence and a garment’s premature disposal.Stimulating asenseofmeaningfuluniquenessandachievement through design services or “self-made” approaches is a promising route to enhancing consumer satisfaction.If a consumer is satisfied, then strengthening the emotional bondbetweentheproductandconsumerispossible. Inturn,this meaningful attachment is the best way to postpone a product’s disposal.When the product or its use is somehow special to the consumer, s/he will take good care of it to e____tend its enjoyable use time.The most promising sustainable design strategy is the bination of product design with service elements: PSS strategies are therefore a future path to proactive and sustainable design. 中文译文：可持续消费的具有前瞻性的服装设计【摘要】：^p本文从服装的角度对产品满意度进行了研究。
功能性服装工程和设计外文文献翻译
出处：Gupta D. Design and engineering of functional clothing[J]. Indian Journal of Fibre and Textile Research, 2011, 36(4): 327.原文：Designandengineering of functionalclothing------Deepti Gupta 出处：Gupta D. Design and engineering of functional clothing[J]. Indian Journal of Fibre and Textile Research, 2011, 36(4): 327.1.1 Stretch FabricsStretch fabrics are integral to design of functional clothing. From additional comfort to enhanced mobility, muscle support, muscle alignment and body part compression—all are now possible by strategic use of stretch fabrics. The efficiency and performance of textile sensors and electrodes, in particular, depends on the nature of contact with the body which can be controlled by the stretch characteristics of the fabric. Fabrics with 1 way,2 way and 4 way stretch are being developed to offer controlled stretch and functioning. Patternpieces have to be suitably engineered to provide the required stretch and fit in a product.1.2 Smart TextilesSmart textiles are materials that sense and react to environmental conditions or stimuli, such as those from mechanical, thermal, chemical, electrical,magnetic or other sources. Examples include chromatic materials which change colourwithchange in environment, phase change materials for thermoregulation and shape memory polymers which change shape with change in temperature.1.3 Biomimetic TextilesBiomimetics is a field which deals with development of materials which are inspired by natural phenomenon. From mimicking skin’s function to enhancing skin performance, more andmore materials are being developed which imitate livingsystems. Breathable wet suits - based on the pores of leaves, self cleaning effects based on the lotus leaf and sharkskin effect (Fig. 2) for better hydrodynamics in water are some concepts which have already been commercialized.1.4 Nanotechnology in TextilesDevelopments in nanofibres (electrospinning), nano finishes, nano membranes and nano composites can be used to impart functionalities which were hitherto not possible to achieve in textiles. Antimicrobial, anti UV, stain repellent, fire resistant, antistat, moisture control and thermoregulation properties can be imparted at the molecular level without affecting the inherent flexibility and comfort of fabrics. Progress in this field is expected to yield multifunctional fabrics which are flexible,lightweight and comfortable, making them the ideal choice for complex functional clothing applications.Process of Clothing DesignOnce the user requirements have been established,the next step is to identify and select appropriatematerials, followed by the design of clothingassembly, pattern engineering and the finalassembling of these heterogeneous materials to createmultilayer or composite assemblies in a manner thatallows them to adequately fulfill the requirements ofcomfort, protection and functionalityConclusionDesign and engineering of functional clothing is a complex and challenging process. What adds to thecomplexity is the fact that the existing systems governing the design of fashion clothing cannot beused to design performance wear clothing and no guidelines are available for designing these hightech systems. User requirements and conditions of use play a critical role in the entire process of design, manufacture and testing. Availability ofinnovative materials and associated technologies for production and assembling of clothing ensemblesfor specialized functional applications has paved the path for development of new and innovative garments capable of providing enhanced comfort andproductivity and reduced physiological strain for the users. Joint involvement of engineers, designers,physiologists and ergonomists and the user is needed to fine tune the material choice, composition, sizing and assembling issues related to designing ofclothing for a specific end use.Gupta D. Design and engineering of functional clothing[J]. Indian Journal of Fibre and Textile Research, 2011, 36(4): 327.译文：功能性服装工程和设计----古吉塔1.1弹性布料弹力面料是功能性服装设计不可或缺的。
服装设计的流行趋势与创意灵感
服装设计的流行趋势与创意灵感近年来，服装设计已经成为了人们生活中不可或缺的一部分。
越来越多的人追求个性化的着装风格，而设计师们则致力于推陈出新，追逐时尚的脚步。
本文将探讨服装设计的流行趋势，并提供一些创意灵感，希望能够给读者带来启发与思考。
一、时尚趋势1. 可持续发展：环保和可持续发展已成为时尚行业的重要关键词。
越来越多的设计师开始采用可再生材料和环保工艺来制作服装，同时降低对环境的影响，推动时尚产业向更可持续的方向发展。
2. 多元文化：随着全球化的发展，多元文化的融合成为了时尚设计的一个重要方向。
设计师们将不同文化元素融入到服装设计中，展现出多样性和包容性，使服装更加丰富多彩。
3. 技术创新：科技对于服装设计的影响越来越深远。
智能服装、可穿戴设备等创新产品的出现，给设计师提供了更多的可能性。
设计师们不断尝试将科技与时尚相融合，为消费者带来更加智能、便捷的穿着体验。
二、创意灵感1. 自然界：大自然是一个丰富的创意宝库。
设计师们可以从花朵、植物、动物等自然元素中获取灵感，将其转化为独特的服装设计。
通过运用自然界的色彩、纹理和形态，设计师能够创造出具有生命力和艺术感的作品。
2. 艺术领域：艺术作品是创意的源泉之一。
设计师可以从绘画、雕塑、建筑等艺术作品中寻找创意灵感，将艺术元素融入服装设计中，创造出独特且充满艺术感的服装作品。
3. 历史文化：历史文化是一个丰富的创意矿藏。
设计师们可以从传统服饰、古代建筑、民族风情等方面获取灵感，并将其与现代元素相结合，创造出具有独特文化韵味的服装设计。
4. 城市街头：城市街头是时尚的前沿阵地。
设计师们可以通过观察街头时尚、民众穿着来获取灵感，将其进行巧妙转化和再创造，设计出具有个性与时尚感的服装。
总结：服装设计的流行趋势不断变化，设计师们需要保持创新思维，并从各个方面寻找灵感。
时尚趋势中的可持续发展、多元文化和技术创新是现代服装设计的主要方向。
而自然界、艺术领域、历史文化和城市街头等则是丰富创意的宝藏。
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重庆理工大学 《经济学专业英语》作业
姓 名：崔健 学 号：11302990510 班 级：经济学2班 任课老师：张劼 译文 服装设计中的创意性灵感 法蒂玛 梅特 摘要 研究目的：本文的研究目的就是评估服装设计过程中的创造性灵感源。它旨在分析服装设计行为和服装设计过程的早期阶段，设计灵感的本质是什么，如何收集灵感来源以及它们是如何影响服装设计的创造力和原创性的。 研究方法：目前，已经有很多的学者对成衣服装设计进行了而一系列的实证研究；实地观察、半结构化访谈和约束和半驱动型设计任务。这一实证研究方法，可以有效的使用在传统的知识获取方法不足的情况下，特别需要对一个行业进行一个广泛地了解，比如：时尚界，不只是要对单个人或公司进行实证研究，要尽可能选择更多的案例进行研究。 研究结果：识别服装设计过程中的灵感来源的主要类型，并提供每来源的相关信息。认识到这些灵感来源可以帮助设计师来创建有创意的设计元素。为了培养创意，灵感的来源在整个创意阶段的设计过程中，以及在服装设计研究计划的早期阶段发挥了重要的作用。 创新性：本文突出强调了创造力和创意灵感来源在服装设计过程中的作用。对服装设计师和服装公司都提供了很多实际的帮助。 关键词: 服装设计；服装；创造性思维；设计安排；设计管理
服装设计是一个包含视觉和触觉的感官设计 众所周知，设计包括两件事情: 工艺创造过程和产品展示，这两者之间的关系就好比动词和名词的关系。作为一个设计问题解决方案的过程,它是灵感的来源，并通过计划、组织以实现一个最终目标。而产品是其计划的、最终设计的结果。 服装就是应用设计的一个例子，即使是最激动人心的、最初的构想也必须向人们展示其实用目的。虽然我们已经意识到一些艺术是纯粹的，即“艺术至上艺 术”，但是，世界上大多数艺术作品设计的最初目的都在于其实用性。设计作为一个工艺过程，应当考虑和计划实现某一特定的目标，并适时进行创新。从本质上讲，设计过程的步骤与顺序同样应当考虑产品的实用性。这些步骤与管理规划的过程非常相似。 人为设计的产品和服务可以分为两大部类：感觉和行为。感官设计是通过感官而获得的，可以将其分为视觉、听觉、嗅觉、触觉和味觉的获得。行为设计是有计划的行动。然而，许多产品的创作过程都包括感官设计与行为设计两个方面，因为设计灵感需要通过感官获得并通过行为来解释。例如，一场时装表演既包括感觉设计也包括行为设计。
服装设计的灵感来源 服装设计师从哪里获得新款式设计的构想和灵感呢?答案即灵感无处不在。实际上，任何视觉和触觉上的感官体验都可以是服装设计灵感的源泉。通过电视，设计师可以体验五彩缤纷的全球娱乐世界。在看电影的过程中，设计师则能感受世界各地的艺术与生活方式。通过国际经销，电影观众可以通过有设计灵感的服装接受新时尚。博物馆展品、艺术节目展示、世界事件、博览会、剧院、音乐、舞蹈和旅游都是时装设计师的设计灵感来源。过去的时尚也是他们一个丰富的设计灵感来源。虽然，对于新的和刺激人心的事物，服装设计师们需要时时保持警惕，但他们从来不会忘记过去，通常情况下，他们会采用新的方式去利用旧的东西。 如上所述，一组服装设计的灵感来源多种多样。灵感来源往往与社会“时代精神”（也称之为“时代思潮”）息息相关。在对当前时尚了解的前提下，不断寻找各种创意和灵感源泉，例如博览艺术品和书籍，去巴黎和米兰旅行并进行考察，参观博物馆，或行走于各国观察不同的人群等。我们发现，当直接接触创意来源时，设计师们是最具创造力的。 另一方面，在时尚界，服装设计的创意过程包括两种基本方法: (1)实物能激发服装设计的创作过程； (2)概念化的服装设计过程，如源于宇宙的艺术、大自然或产品。 众所周知，高调时尚的“名誉”设计师提出了这样一个概念模型，为了使其更具有创造力和原创性，我们可以称之为主旋律。
强调以设计为先导的产业，其设计思想的来源包括先前设计的产品、人工产品、自然物品与自然现象。就服装设计来看，之前的设计风格、面料和其他配件在设计师的灵感来源中发挥着十分重要的作用。尽管人们已经广泛认可，大部分的设计过程都是在修改先前创意理念的基础上完成的，深受编织物的启发，服装设计师们便开始寻找设计的新款式和风格。在这种情况下一个样式通常为起点的技术材料的可能性。例如，弹力纤维面料的发展激发了设计师们设计紧身服装的灵感。
服装及其他产品 服装设计师从现在和过去的服装中获取灵感。时装或成衣设计师的作品，历史和民族服装，街头服饰都是服装设计师们的灵感源泉。他们通过参加时装秀、逛商店来获悉时下的流行趋势，观察名人着装，确定新服装季的显著特点以及研究市场引领者和竞争者的服装设计思路。 服装设计师们同时也对时尚杂志和潮流读物上的服装照片进行研究，以此获得对潮流趋势的大致了解。照片虽然没有办法展现技术细节，但它能够展示设计灵感及目标服饰的意象。 历史和民族服饰 设计者的工作就是去发现或体会时代潮流，去获得设计想法和灵感，并将它们转化成有形的东西，这些东西往往是有历史和过去的。设计者们经常从过去（近代或历史）或民族服饰中获取设计灵感和主题。服装可以分为两类：历史服饰（历史上某个时期的服饰潮流）和民族服饰（一个国家或地区的传统服饰）。博物馆的服装藏品，历史电影和书籍都是极佳的服饰参考录。 服装设计师通常对每个历史时期的服装设计元素和设计原则的结合具有敏锐的洞察力。高级时装设计师的设计主题往往基于从历史和民族服饰中获取的灵感。各个历史时期的潮流服饰轮廓和流行的服装细节是设计师的灵感源泉。例如，帝王式服装轮廓在潮流史上反复流行，文艺复兴时期的荷叶领或荷叶袖也许能激 发一个设计系列。 约翰·加利亚诺的2005春夏系列服装是以历史服饰为设计灵感的一个典范。约翰·加利亚诺以“帝国年代”为主题，从拿破仑时代的形象中获取灵感。皇帝的盾徽，像拿破仑皇后约瑟芬·德博阿尔内一样性感的女人形象都是他的灵感源泉。在这一系列服装中，他还把主题阐释为成衣设计的可穿的拿破仑外衣及约瑟芬长袍。 服装设计师也可能受到其他文化的服饰和配饰的影响。他们发现不同文化的民族服饰在颜色，主题，线条，空间融合方面的设计灵感不谋而合。全球化的环境让来自遥远的世界角落的服装颇受欢迎。设计师们从外来文化迥然不同的服装款式和面料中寻找灵感。
结论 实际上任何视觉和触觉感官都可以是服装设计灵感的源泉，设计理念不只是凭空想象。设计师需要收集特殊的和原始的设计素材。因此，更有创意和原始灵感的来源在服装设计中起着重要的作用。 研究和认识是创造力的关键，设计师必须学会用眼睛观察周围的世界，拓展他们的观察技能，吸收视觉创意并融合到他们的作品中去，最终转换成他们的客户会喜欢的衣服。设计过程表明，了解现实的外界的影响和需求，广泛的研究和逻辑思维秩序，消耗了设计师大量的“精力”，但只有这样才能成功设计出时尚的产品。 通过本文的研究可以得出灵感来源于设计的早期阶段，并贯穿整个设计过程中，服装设计灵感来源的作用可以概括如下： ——越来越多的创意和创造力； ——使设计过程变得简单； ——直接获得协调的配色方案； ——保持和谐和统一的集合； ——从产品灵感中派生出艺术，尤其是从以前的衣服； ——了解季节性时尚款式； ——从设计框架中绘制图纸。 原文 The creative role of sources of inspiration in clothing design Fatma Mete Abstract: Purpose - To assess the creative role of sources of inspiration in visual clothing design. It aims to analyse simple, general accounts of observed design behaviour and early stages of the clothing design process, what is the nature of design inspiration, how sources of inspiration are gathered and how they affect the creativity and originality in clothing design. Design/methodology/approach - A progressive series of empirical studies looking at ready-to-wear clothing design has been undertaken; in situ observation, semi-structured interviews and constrained and semi-constrained design tasks. This empirical approach used ethnographic observational methods, which is effective in situations where conventional knowledge acquisition methods are insufficient, when broad understanding of an industry is needed, as in the fashion industry, not just a case study of a single individual or company. Findings - Identifies the major types of idea sources in clothing design and provides information about each source. Recognises that these sources of inspiration help designers to create design elements and principles of individual designs. In order to foster originality, sources of inspiration play a powerful role throughout the creative stage of design process, and also in the early stages of fashion research and strategic collection planning.