apocalypse now review 电影《现代启示录》英文观后感
类似于战争的电影作文英文
类似于战争的电影作文英文英文：When it comes to war movies, there are a few thatreally stand out for me. One of my all-time favorites is "Saving Private Ryan." This film is a powerful and emotional portrayal of the horrors of war, and it really brings to life the sacrifices and bravery of the soldiers who fought in World War II.The opening scene of the movie, which depicts the D-Day invasion of Normandy, is one of the most intense and realistic portrayals of combat that I have ever seen. The chaos and violence of the battle are captured in such a raw and visceral way that it's impossible not to be affected by it. The film also does a great job of showing the bondsthat are formed between soldiers during wartime, and the lengths that they will go to in order to protect and support each other.Another war movie that has left a lasting impression on me is "Apocalypse Now." This film takes a more surreal and psychological approach to war, and it's a haunting and thought-provoking exploration of the madness and brutality that can arise in combat situations. The character of Colonel Kurtz, played by Marlon Brando, is a truly chilling portrayal of a man who has been driven to the brink of insanity by the horrors of war.War movies like these are important because they allow us to gain a deeper understanding of the human experienceof war. They show us the heroism and camaraderie that can emerge in the midst of conflict, but they also force us to confront the darker aspects of human nature that arebrought to the surface in times of war.中文：说到战争电影，有几部电影让我印象深刻。
关于电影的英语作文带翻译
关于电影的英语作文带翻译英文回答：Cinema, a captivating art form, has evolvedsignificantly throughout the decades, mesmerizing audiences with its ability to narrate tales, provoke emotions, and transport us to other worlds. From the silent era of flickering black-and-white images to the immersive experience of 3D and VR, films have come a long way in entertaining, educating, and inspiring.Silent films, such as Charlie Chaplin's iconic "Modern Times" (1936), relied heavily on physical comedy and expressive gestures to convey emotions. As sound technology emerged, films gained the ability to enhance their storytelling through dialogue and music, as exemplified by Alfred Hitchcock's suspenseful masterpiece "Psycho" (1960) and John Williams' unforgettable score for "Star Wars" (1977).The advent of color further augmented the visual appeal of films, revolutionizing the way stories were told. From the vibrant hues of "The Wizard of Oz" (1939) to the ethereal lighting of "Apocalypse Now" (1979), color has become an integral part of the cinematic experience.Special effects have also played a pivotal role in enhancing the believability and spectacle of films. From the groundbreaking practical effects of "Jurassic Park" (1993) to the intricate CGI artistry of "Avatar" (2009), special effects have pushed the boundaries of what is visually possible.Modern filmmaking techniques, such as handheld cameras and unconventional editing, have challenged traditional storytelling conventions. Films like "The Blair Witch Project" (1999) and "Memento" (2000) have demonstrated the power of shaky, fragmented narratives to create immersive and thought-provoking experiences.The role of cinema in society cannot be overstated. Films have the ability to reflect our collectiveexperiences, challenge social norms, and promote understanding. From the poignant anti-war message of "Schindler's List" (1993) to the groundbreaking LGBTQ+ representation in "Moonlight" (2016), films can be powerful agents of change.中文回答：电影作为一种迷人的艺术形式，在过去的几十年中发生了显着变化，以其讲述故事、引发情感和将我们带入其他世界的能力吸引着观众。
Apocalypse Now Redux(现代启示录)1979经典电影英文影评
Apocalypse Now Redux（现代启示录）1979Francis Ford Coppola's legendary Vietnam epic, now with 50 extra minutes of footage. Only a restored sequence set in a French plantation truly enhances our understanding of the filmAs wonderful as it is to see Coppola's epic back where it belongs, Apocalypse Now Redux comes with a caveat. Whatever you might have heard about the 50 plus minutes of new footage, there's little here that qualifies as must-see material. A new scene with the Playboy bunnies, a bit more splashing about in the surf, bonus footage of Brando mooching about - as with the Star Wars special editions, you'll search out the new stuff rather than have the new stuff present you with a fresh take on the film.There is one exception - the French plantation sequence, glimpsed in the excellent documentary Hearts Of Darkness, is so enlightening, it's hard to see how the movie worked without it. Besides providing Clean (Fishburne) with a send-off, the scene satisfyingly rounds-out the character of Chef (Forrest), who, as a New Orleans native, speaks French and is actually a chef. And in Christian Marquand's landowner, Hubert De Marais, we find the embodiment of why America's war effort is as stupid as it is doomed to fail. Of course, some will argue that adding more minutes to Apocalypse Now simply makes a big, pretentious movie bigger and more pretentious. But for all the film's indulgences, it's still the small moments such as Lance (Bottoms) 'burying' Chief (Hall) that remain the most powerful.And if Apocalypse Now is what happens when a filmmaker reaches too far, we can only hope that i) more directors follow suit and ii) Coppola stops wasting time on trivia like Jack and gets back in the boat he never should have got out of.1。
《现代启示录》电影影评
《现代启示录》电影影评第一次写观感，文字很散漫，如果有人看得到，实属不幸。
电影的结尾带有很强的寓言感，这让我很开心，因为有了过度解读的空间。
在我看来，这个寓言有三个重要的节点，分别是开飞机的军官和冲浪板的故事、法国庄园以及最后进入丛林神庙。
从头至尾，都是现代性对人的异化。
开飞机的军官和披头士们如出一辙，都是未来主义政治的体现。
军官将越南视为游乐场，士兵们则盲目跟从，发泄着激情，而后在迷乱中死去，这淋漓尽致地展现了无政府状态。
披头士也是一样，年轻人们居住在吉普赛式的社群中，美国社会给予他们绝对自由的实验空间。
这预示着无限关照自我的极端方式，政治将走向分散式主权。
在现代扁平的社会结构和高度发达的生产力条件下，分散式主权有了实现的可能。
人们在无数被精细划分的部落中，找到一些志同道合的人，发展出独特的自我发泄激情的方式，然后在迷幻中走向死亡。
作为“民族”的公共性被彻底取缔，人们的全部生活都融入了名为“社群”的大家庭。
法国庄园的存在对整个越南战争的体系几乎没有产生任何影响，它更像是一个与世隔绝的世外桃源，或者说是旧有秩序的记忆碎片。
理性的系统、秩序和传统规范都属于现代之前的事物，自一战前开始的现代化进程摧毁了一切常识，只留下表面的现象。
二战作为一战的延续，是对过去的总结和分离。
在这个时期，原有的世界政治等级秩序（殖民帝国、普通民族国家和殖民地国家）消失了，其背后的殖民经济结构也被破坏殆尽，政治文化中占据主导地位的三种思潮展开了一场旷日持久的决战，而这场决战一直持续到了今天。
法国庄园作为在业已崩溃的大系统边缘上的一小点，不断提醒着主人公和观众，时代已经发生了变化。
当然，这一段的细节也非常有趣。
当房屋主人说这里的家将家人凝聚在一起时，镜头却切换到了空无一人的餐桌，这在“辱法”段子中居于上层，同时也体现了他们喜欢打嘴炮的特点，实在是令人捧腹。
最后进入丛林神庙是最具寓言色彩的部分。
由于我文化水平有限，无法理解其中很多的文本内容，因此只能将它们视为一些没有实际意义的事情。
现代启示录影评
现代启示录影评电影《现代启示录》是一部由斯坦利·库布里克执导的经典之作。
上映于1968年，该片以科幻和哲学为主题，深入探讨了人类的本质、意识的起源以及未来发展的可能性。
虽然已经过去了几十年，但这部电影仍然具有巨大的观赏价值和深思熟虑的主题。
《现代启示录》以一个故事情节的方式叙述了人类发展史和未来的预言。
电影的开头展示了猿人刚刚学会使用工具的场景，以此来暗示人类文明的起源。
然后，故事逐渐转向了现代社会，展示了人类的科技发展和对工具的过度依赖。
最终，电影进入了一个神秘的太空航行时代，通过与外星文明的接触，探讨了人类的进化和意识的进一步提升。
电影的镜头运用非常出色，并以无声的方式传递了强烈的感受。
例如，在电影的开头和结尾，使用了相似的画面，来突出人类的进化和相似性。
镜头切换的速度和节奏都非常精确，使人联想起不同时期的社会发展和变化。
另外，音乐也起到了重要的作用，尤其是在和外星智慧生命接触的场景中，音乐的选择非常契合情景，给人以震撼和敬畏之情。
电影除了强调科技进步的同时，也提出了对于人类的警示。
人类的过度依赖科技会导致割裂的社会、自我毁灭的可能性以及对于人类本质的遗忘。
通过电影中人类对外星生命的探索和接触，也引发了对人类自身的重要问题的思考，例如意识的本质和进化的方向。
这些思考都在电影的画面和情节中得到了很好的体现。
《现代启示录》是一部非常深度和有思想的电影，它引发了观众对现代社会和科技发展的反思。
电影中的许多场景和情节都充满了象征意义，需要观众自行解读。
尽管电影已经过去了几十年，但其中的主题和观点仍然非常具有现实意义。
电影通过对科技与人类关系的探讨，让观众反思自己与科技的关系，并思考人类的未来发展方向。
这些都使得《现代启示录》成为一部具有深远影响的经典之作。
总结起来，《现代启示录》是一部极具思想深度和艺术价值的电影。
它通过精密的镜头运用和音乐选择，展示了人类的进化和在科技发展中的种种问题。
同时，电影也呼吁观众对人类自身与科技的关系进行反思，并思考人类的未来发展方向。
现代启示录 影评
现代启示录影评
《现代启示录》是一部充满震撼力和深刻思考的电影，它让观众在观影过程中产生了强烈的情感共鸣。
首先，影片以其惊人的视觉效果和动作场面吸引了我的注意。
导演通过精心设计的镜头和特效，将战争的残酷和混乱展现得淋漓尽致，让人不禁为战争带来的破坏和伤害感到震惊和心痛。
其次，影片通过对人性的深刻探讨，让我对自己和世界产生了更多的思考。
在战争的背景下，人们的欲望和野心被放大，道德和良知被置于次要位置。
影片中的角色在面对生死存亡时展现出了各种不同的人性面貌，让我深刻地反思了人性的复杂和多样性。
最让我感动的是影片中对和平与希望的呼唤。
在战争的硝烟中，导演通过一些细小的情节和对话，展现了人们对和平与美好生活的向往和渴望。
这种对和平的渴望让我产生了共鸣，也让我更加珍惜眼前的和平与幸福。
总的来说，《现代启示录》是一部充满力量和深度的电影，它让我在观影过程中产生了强烈的情感共鸣。
这部电影不仅仅是一部关于战争的影片，更是一部关于人性、和平与希望的启示录，它让观众在观影过程中得到了深刻的思考和感悟。
现代启示录——影评
现代启示录——影评在他的《我生命中的电影》一书里，法国导演弗朗索瓦·特吕弗说了这么一番有意思的话。
他说他曾经相信，一部成功的电影必须同时表现出“一种世界观和一种电影观”；但现在，“我要求一部电影或能表现出拍电影的喜悦，或能表现出拍电影的苦恼。
我对夹在这当中的东西没兴趣，我对那些没有脉搏的电影不感兴趣。
”关于《现代启示录》的影评，却用这么一番话来开始，看似有点奇怪。
但如果你再好好回味一下，会发现这段话其实正好完美契合了这部鸿篇巨制的影片。
排斥《现代启示录》的影评人，大部分仍处于特吕弗所说的早期阶段：他们对《现代启示录》里关于这世界和战争的概念有不同意见，抑或他们只是不赞成这电影需要三千一百万才拍成的事实，不赞成导演科波拉尚未弄清结局好不好就已经把它送去世界各地的事实。
银幕上的那“另一部”电影——那部我们因其概念而非画面展开争论的电影——是引起诸多非议的《现代启示录》。
我们都已经读到过，科波拉的灵感来源是约瑟夫·康拉德(Joseph Conrad)的小说《黑暗之心》(Heart of Darkness)，他将小说中的刚果之行变成了对另一次热带丛林运河之旅的隐喻，变成了“越战之心”。
我们也都读到了科波拉气势磅礴的话语。
(最令人难忘的是：“这并非一部关于越南的电影，这电影就是越南。
”)我们也都听说了马龙·白兰度凭借他最后那场戏就拿了一百万酬金，还有科波拉为完成影片，把自己个人身家全都押上去了，还有，老天啊，我们甚至还看到了导演妻子写的日记《〈现代启示录〉拍摄手记》，1979年出版，作者艾莉诺·科波拉。
但我相信，所有这些考量与《现代启示录》为什么是一部优秀且重要的电影——一部杰作——其实并无多大关系。
多年之后，当科波拉的这些成本啊什么的问题都早已被人遗忘后，我相信这部电影仍会继续作为一次伟大的、厉害的、疯狂的、充满灵感的电影制作行为而存在于世——它有着那些风格和规模上形似歌剧的时刻，也有如此宁静的时刻，静得我们仿佛都能听到导演心里正在想些什么。
现代启示录观后感
现代启示录观后感《现代启示录》观后感电影《现代启示录》是一部由斯坦利·库布里克导演的经典黑白零预算科幻片。
它于1968年上映，却给了现代观众许多启示和思考。
本片通过一个银幕上令人难以置信的视觉和哲学之旅，将人类的本质和社会的困境展现给观众，引发了对人类文明发展的深刻反思，正如标题所言，本片给了我深邃的观后感。
观看《现代启示录》是一次令人难以忘怀的体验。
首先，电影采用了大量的慢镜头和缓慢的编辑节奏，这种处理方式让观众有时间去思考影片中的主题和情感。
这与当时流行的电影节奏形成了鲜明的对比，给人一种独特的震撼感。
其次，影片的意象和符号极具象征意义。
比如，开篇的猩猩和骷髅图像让人不禁联想到人类的起源和未来。
这样的图像充满了宗教、哲学和科学意味，使观众深入思考人类的进化和存在意义。
影片中的音乐也是不可忽视的一部分，尤其是奥斯卡获奖的钢琴曲《反复变奏曲》。
这首曲子在整个影片中贯穿始终，以它特有的节奏和旋律塑造了影片的氛围。
音乐似乎与视觉元素融为一体，加深了对观众情感和意识的影响。
电影中对科技的探索和对人类前途的警示也是观后感中的重要部分。
《现代启示录》中的“HAL 9000”这一人工智能计算机，展示了科技在对人类的帮助和控制中的双重性。
HAL既是船上最重要的工具，也成为人类的敌人。
这给人们以警醒，引发了对科技发展的深思。
影片中描绘的人类未来社会同样给观众留下深刻印象。
在太空船上，人类的生活变得极度单调乏味，缺乏真正的人性。
影片中几乎没有情感和人际互动，这给观众带来对孤独和虚无感的思考。
这似乎是对当时社会的警示，显示了现代文明和科技极度发展背后可能出现的人性危机。
《现代启示录》不仅通过视觉和符号，还通过情节和剧情展示了人类的困境和挣扎。
在太空中漫长的旅程中，人们面临着无聊和无尽延伸的时间，这对他们的身心健康产生了负面影响。
与此同时，对未知事物的恐惧和对机器人智能的依赖也使他们无法得到真正的解脱。
这些情节引发了对现代人类生活方式的思考。
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Ladies and gentlemen, today I want toceremoniously recommend you a great moviethat towers over everything that has been attempted by an American filmmaker in a very long time.33 years after it was first shown, the 1979 American epic war film Apocalypse Now continues to fascinate scholars, critics and viewers as a cultural phenomenon, a media event rather than simply a Hollywood movie.It is considered to bethe best Vietnam film, at once a noble use of the medium and a tireless expression of the horrorand the national anguish of war.Now let me introduce to you its basic information, the aspects of the Vietnam War it reveals and its profound influence on Americanculture as well as ideology.
Let’s start with its basic information.This 200-minute-long movie Apocalypse Now is a set during the Vietnam War, directed and produced by Francis Ford Coppola and starring Marlon Brando, Robert Duvall and Martin Sheen. It is a successful adaption ofthe famous book Heart of Darkness by Joseph Conrad, which is an enigmatic story about the cruelties of colonialism in Congo.The central character in the movie is US Army special operationOfficer Captain Benjamin L. Willard ofMACV(Military Assistance Command Vietnam). Hewas sent asan assassin to follow the Nung River into the remote Cambodian jungle, find and 'terminate with extreme prejudice' the US Special Forces Colonel Walter E. Kurtz, who wasonce considered a model officer and future general butlater went insaneand was commanding his own Montagnard troops inside neutral Cambodia, leading his tribesmen on random genocide missions.
When it comes to the aspects of the Vietnam War it reveals, first comes its condemnation of the atrocity of war. Ladies and gentlemen, question: do you know what the word apocalypse means? The word apocalypse refers to any End Time scenario or to the end of the world in general.Alternately a brilliant and bizarre film, Cappola’s masterpiece Apocalypse Now offers the definitive validation to the old saw, "war is hell." The atrocity of the Vietnam War just indicates the Apocalypse of the world.As Captain Willard approached Kurtz's outpost, he saw the coastline was littered with bodies, severed heads were scattered about the nearby temple that serves as Kurtz's living quarters. The purposeless brutality of the war, the absence of military leadership, and the imagery of machinery destroying naturerepeatedly reflectsthe film’s anti-war theme.
The second aspect of VietnamWar it reveals is the absurd inanities of the American involvement in Vietnam.Willard is drawn to the jungle's primeval mystique and power, only to realize that the horror and savagery lie not in the jungle but within American culture itself. The atrocities and of Kurtz’s camp is in effect the microcosm of the brutalities of the American government.Everything about the Taliban, al-Qaida, the pressures that took American people into Afghanistan and Iraq, the assault on Abbottabad and the deadly troubles that lie ahead are to be found here in Willard's journey.It's the first film to directly excoriate US involvement in the Indochina war. To be sure, inhumane attitudes surfaced on both sides as inevitable consequences of a misunderstood conflict, but Coppola wields a wide brush in painting Americans as either "conspiratorial" or "homicidal," with no one in between.
Finally, Apocalypse now exerts profound influence on American culture and ideology. By using the unique iconography of Vietnam: helicopters, disposable weaponry, rock music, acid drugs, psychedelic sensibility, the film offers a candid, operatic view of America's longest and most tumultuous war. It calls for Americans’philosophical inquiry into the atrocity of war and the absurd dominance of the US government. On the review aggregate website Rotten Tomatoes, Apocalypse Now has a 99% "Certified Fresh" rating, with an Average Rating of an 8.9/10. Also the quote in the movie "I love the smell of napalm in the morning" was number 12 on the AFI's 100 Years... 100 Movie Quotes list and has been widely used in TV shows, radios, movies and daily talks.
Ladies and gentlemen, watch this movie and I am sure you will never regret.。