英文影视赏析——七宗罪台词
七宗罪英文电影赏析 ppt课件
Movi e
Se
en
The Hook: tension between M and S
The 1st victim: Monday : Gluttony
The 2nd victim: Tuesday : Greedy
Turning Point 1 Discovery of pattern to murders: a serial killing
Байду номын сангаас
OLD VETERAN KNOWLEDGABLE CALM SENSITIVE MODEST Love his job but hate the cruel world
SOMERSET
Character comparison
YOUNG EXPERIENCED
AMBIOUS AGGRESSIVE
IMPULSIVE PRIDE
Envy(嫉妒）
Like greed, envy may be characterized by an insatiable desire; they differ, however, for two main reasons. First, greed is largely associated with material goods, whereas envy may apply more generally. Second, those who commit the sin of envy resent that another person has something they perceive themselves as lacking, and wish the other person to be deprived of it.
七宗罪 英文影评
Se7en-Weaknessof humanityIdeasSe7en is a criminal theme film, unlike other criminal films, it’s a criminal and suspect film which is under the theme of religion. All the plots and clues are related to Christianity. There are seven capital offenses in Christianity, including Lust, Gluttony, Greed, Sloth, Wrath, Envy, Pride, of which the reasons why the victims die. The film seems to show an information to its audience: people who is guilty will be punished by the willing of God. It contains a sense of moral exhortation---This is quite different from those who just telling a simple story.This film cleverly claims the mysterious number—7. Though out the whole film, we can see many elements of “7”---seven criminal cases, seven days of survey, seven rainy days. The murder acted by Kevin Spacey killed 6 people and died for the last offense. People who should die eventually died, and people who shouldn’t die also died, th ese designed circumstances bring a tragedy to us. This is the unavoidable weakness of humanityCharactersThe main characters are two cops, Detective William Samerset and David Mills.Detective Samerset is an old, experienced cop who is retiring. After he conducted the first unmotivated murder, he realized its difficulty and want to quit. He doesn’t understand this place any longer. He had handled with numerous of crimes and witnessed so many helplessness. He is disappointed with society, tired of criminals. He is a lonely solider who is cold and unmoved. He is eager to escape , far away from city. However he still gives Mills a hand whenever Mills needs help, he searches for information in library for Mills, show up to guide Mills. Though he is not as energetic as he used to be, he is still a competent cop, as a teacher, or a friend.Mills is a young fellow who is full of energy, confidence. He has a wife who loves him, and is hopeful towards life. His house is shaky because of metro cross his house on the roof, but he says it’s ok to get used of it. He is always the guy who firstly appears in criminal scenes, the guy who is He’s optimistic, confident and braveDialogueI jus t don’t think I can continue to live in a place that embraces and nurtures aparhy as if it was a virtue. It’s easier to lose yourself in drugs than it is to cope with life. It’s easier to steal what you want than earn it. It’s easier to beat a child than raise it. Love costs, takes effort,work.In the dialogue between Samerset and Mills, Samerset is totally unsatisfied with theSociety while Mills still consider that life here is wonderful. Such a strong differences obviously show their characteristics. In character, one is stable, full of experience, however, Samersetchooses to escape and Mills is emotional, but also optimic towards life though life here is tough.MusicBased on the criminal theme of this movie, the music is consistence to the development of the plots. The music is sometimes warm and relaxed when it shows family love, sometimes it’s nervous when it comes to finding the important cluesSpectacleThe spectacle of this film is not much. Most of them can be seen when Mills runs to catch John, such as gunshot scene.。
七宗罪
《七宗罪》之影评——这世界是个好地方，值得为它奋斗（海明威）“Seven”在宗教上是个神秘的数字，然而有人却让它生念邪恶、罪行。
《七宗罪》恰巧为我们讲述了一桩围绕“7”这个数字的连环杀人案。
在电影里，七罪、七罚、七次下雨、故事发生在七天，甚至结局也由罪犯定在第七天的下午七时，无处不在的“7”暗示观众：它是宿命的罪与罚。
既然如此，宿命的悲剧是必定要属于人间的，“上帝”作为“授意者”和“观望者”，参与了整个事件。
冷血杀手作为传道者莅临人间，最终以身殉道。
从某种角度看，悲剧中没有正邪的区分，作为渺小的人类，只能接受宿命的审判。
故事故事由一个结开始，又由一个局结束。
第一天，一个肥硕无比的胖子被杀死在屋里，他被人连续不停地喂食12个小时，最终吃到胃胀破和内出血，死状令人作呕，但最令人畏惧的是凶手的残忍作案手法。
荆棘缚住被害者的手脚，仿佛他就是犯了大错将被处决的犯人，无法反抗的被迫不停吃东西，最后倒在饭桌前、脸泡在食物中悲哀的死去。
这就是第一宗罪“暴食”。
第二天，一位著名的律师被发现死在自己的办公室里，地上巨大的血字触目惊心，”Greed”——贪婪。
负责这件案子的老探员突然联想到这是圣经里的七宗罪，于是和年轻的米尔警探一起展开深入调查。
第三天，有消息传来，找到一位嫌疑犯，基督教徒，犯过多起案件，最后在律师的帮助下判了轻罪。
巧合的是这位律师就是刚被谋杀的那位，似乎那就是凶手无疑。
于是特警出动前去逮捕。
破旧的老房子中，当人们打开门，只发现一具干枯丑陋的“尸体”，当所有人都以为他死了而懊恼不已时，“尸体”突然剧烈的咳嗽，嘴巴张得老大，死鱼般的眼珠缓慢蠕动，他还活着！他们在他的房间找到一张字条，上面写着“懒惰”。
死者是被人禁锢在那个房子里，然后为他注射大量抗生素，使其及其痛苦却又不至于死去，懒惰带给他的是地狱般的痛楚。
犯罪永无止境，惨案仍在发生，一宗接着一宗。
第四个死去的是一个妓女，凶手用枪指着嫖客的脑袋，强迫他戴上非人的刑具折磨那个妓女，最终惨不忍睹。
Translation 1
Translation 1他通晓多种不常使用的外国语，这使我们感到惊讶。
His familiarity with many rarely used languages surprised us all.He waited for her arrival with a frenzied agitation.他等着她来，急得像热锅上的蚂蚁。
一朝春尽红颜老，花落人亡两不知。
The day that spring takes wing and beauty fades, who will care for the fallen blossom or dead maid?He was the first European head of state to visit their country, and they rolled out the red carpet for him.他是第一个访问该国的欧洲首脑，他们用隆重的礼仪来欢迎他。
the Seven Virtues七大美德：faith信任、Charity仁慈、Justice公正、Fortitude毅力、Temperance节制、Prudence谨慎、Hope希望。
The Seven Deadly Sins七宗罪：Pride 骄傲、Wrath发怒、Envy嫉妒、Lust肉欲、Gluttony 贪吃、Avarice贪婪、Sloth懒惰。
TheSeven Gifts of the Spirit神的七大礼物：Wisdom智慧、Understanding理解、Counsel 忠告、Fortitude 毅力、Knowledge知识、Righteousness 正义、Fear of the Lord畏上帝。
The Seven Heavens七重天: 一重天纯银天Pure Silver, 亚当夏娃的住所；二重天纯金天Pure Gold,约翰和耶稣的领地；三重天珍珠天Pearl; 四重天白金天White Gold,居住着洒泪天使；五重天银天Silver,居住着复仇天使；六重天红宝石天Ruby and Garnet,居住着护卫天使；七重天极乐天The Seven Heavens，是上帝和最高天使的住所。
电影《七宗罪》英文剧本
grime away, brings the rose out more clearly.
He reaches into his suit pocket and takes out a switchblade. He
Strange? There's nothing strange about
this place. The house'll need a little
fixing up, that's for sure...
second-story room. He looks over the ceiling, looks down at the
worn wooden floors, looks at the peeling wallpaper.
He walks to the center of the room, continues his study, taking
his hand.
EXT. OLD HOUSE -- DAY
Somerset stands in front of the old home. He looks out at the
surrounding farms and forests. He ponders something. Birds
flips the thin, lethal blade free. Working deliberately,
delicately, Somerset cuts a square around the rose, then peels
七宗罪 影视鉴赏 英语论文
The Dark Style of Se7enAbstractThis paper centers on the dark style of the film Se7en,which is christened as “film noir”.What Se7en interests and impresses me most is its film noir characters, surreal,nightmarish atmasphere and its disturbing visual style.This paper introduces some basic knowledge of film noir and emphasizes on the analysis of the dark style of Se7en from several aspects,including lighting,setting, and angle.Key Wordsfilm onir;dark; unease1.IntroductionSe7en, a dark, grisly, horrifying and intelligent thriller, may be too disturbing for many people, I imagine. But if you can bear to watch it, you will see filmmaking of a high order. It tells the story of two detectives - one ready to retire, the other at the start of his career - and their attempts to capture a perverted serial killer who is using the Seven Deadly Sins as his scenario. Director David Fincher doesn't want his audience to be comfortable for a moment while watching "Seven." Shaky camera shots, dark sets and a disturbing script that takes its characters to the extremes of emotion all contribute to the film creating a unsettled feeling that stays with you for a couple hours after the credits roll.2.literature reviewThe concept of film noir first emerged in 1940s France.Having been deprived of Hollywood films during the Germa occupation,French critics were finally able to see an numble of Hollywood films that had been made during the war years.The group of films that they saw shared a common visual style and a mood of cynicism,pessimism,and darkness,and they christened them “film noir”.Film noir characters are morally ambivalent,that is to say ,it is often impossible to draw clear lines between the “good” and the “bad”,and the traditional distinctions(cops=good/criminals=bad)no longer apply.Police and law enforcers arefrequently corrupt,or at least corruptible; criminals and lawbreakers may emerge as sympathetic figures;and victims are often themselves also villains.The protagonist is no hero;instead,he is an all-too-human figure who may both perpetrate(as well as suffer)some appalling abuse in the course of the film.A surreal,nightmarish atmasphere characterizes film noir film.This mood is fostered by unexplained motives and confusing plot twists.It is often difficult to establish motives for characters’actions,and equally difficult to predict in which direction the plot will spin. The audience experiences the kind of uncertainty and disorientation,feeling in a dream.The overriding theme of film noir is a fear of the future..The mood of film noir is that of loss,nostalgia,and trepidation.3.Own analysisMuch of the distinctiveness of Se7en can be attributed to its skillful adaption of the conventions of film noir to the contemporary world.There is a common moral ambiguity,which casts heroes as potential villains and villains as potential heroes;a trepidation about the future and nostalgia for a more civilized world that exists only in the imagination;a puzzling and disturding narrative which andermines one’s expectations;and the characteristic noir style of perpetual rainfall,low-key lighting,and a subdued colour palette dominated by dullish grays,murky browns,and putrid.It is a classic film noir,but with a twist—a serial-killer narrative that raises import contemporary questions about the respective roles of morality,culture,and the media in our postmodern urban world.A central feature of most film noir and neo-noir is moral contradiction.It is frequently difficult to draw clear lines between good and bad,or state with certainty who it is that occupies the high maral ground.This is certainly the case with Se7en,in that neither Mills nor Somerset demonstrates unimpeachable standards.In their professional lives,for example,both are prepared to take immoral (and even illegal)measures to achieve their goal of arresting and prosecuting John Doe.Somerset bribes an associate in the FBI for access to the library records of borrowers—of course,the fact that the FBI even keeps such records is of questionable legality—and together they use this illegally gathered information to find out Doe’s address.When they reach his apartment,Mills simply kicksopen the door,rather than follow the correct and legal procedures,and first get hold of a search warrant.Aware that illegally gathered information would be invalid in a court of law,they then proceed to bribe an poor local resident to make up a story that will exculpate them.The victims of Doe’s cruel crimes are definitely no better.The obscenely fat man is an insult to human dignity;the greed of Elias Gould is fed by the money earned from defending rapists and murderers in court;Theodore Allen,punished for sloth,is actually a drug dealer and maker of horrific sexual crimes;the blonde woman is a prostitute in a seedy sex club;and the model was so vain that she could not live without her good looks.“The over-riding noir theme is a passion for the past and the present,but also a fear of the future.The noir hero dreads to look ahead,but instead tries to survive by theday,and if unseccessful at that,he retreats to the past.Thus film noir’s techniques emphasize loss,nostalgia,lack of clear priorities,insecurity;then submerge these self-doubts in mannerism and style.In such a world style becomes paramount;it is all that separates one from meaninglessness.”(Schrader,Paul.1999.Notes on Film Noir.) Se7en employs many of the classic film noir/neo-noir techniques to create its disturbing visual style.The main techniques and their effects are shown below.The look of "Seven" is crucial to its effect. This is a very dark film, the gloom often penetrated only by the flashlights of the detectives. Even when all the lights are turned on in the apartments of the victims, they cast only wan, hopeless pools of light. Gary Wissner, the art director, goes for dark blacks and browns, deep shadows, lights of deep yellow, and a lot of dark wood furniture. Film noir/neo-noir relies on the play of light and darkness for its characteristically oppressive mood,and se7en is no exception.To increase the luminosity of light tones and the density of the darks,director of photography for se7en,Darius Khondji,employed the seldom-used method of silver retention.The contrast is further exaggerated by the use of mise-en-scene:shadows,silhouettes,and flashlights probing into the envenoping darkness are the visual hallmarks of the film.Darkness thus becomes a symbol of that which is hidden beneath the surface;as Amy Taubin remarks,the film’s visuals”literalize the struggle of bringing things to light”.Yet while film noir/neo-noir tends to use darkness to create its sense of unease,this is not inevitably the case.In the final sequence,se7en relies not on darkness but on brightness—the scorching light of the desert—to induce asense of fearful anticipation.Khondji puts it this way,”For me,when I read the script,scary had to do with darkness.But it’s not always the case,sometimes it’s to do with a lot of light and no shadow at all```I thought that the scariest thing to suggest would be that there’s nowhere to hide.”As in most film noir/neo-noir,the setting is the city.Even when,in the final sequence,Mills and Somerset drive out into the desert,the city and its objects are never far away—it is theere in the pylons that ferry electricity to and fro,and it is there in the helicopter circling overhead.Scenes are generally filmed either indarkly lit interiors,or outside when it is raining.This predilection for city settings and dark interiors contributes to the prevailing mood of claustrophobia and entrapment.The low-angle shot is employed with great regularity,and has the effect of making buildings,ceilings,and human figures seem to loom down on the camera(and audience) in a sinister,theatening manner.Wide-angle lenses exaggerate this effect still further by distorting lines of positionally,lines are used to split the screen diagonally;they are used most prominently in this way in the final desert sequence where the electricity cables crisscross the screen.Se7en breaks the 189-degree rule in the scene in which Somerset and Mills drive Doe into the desert.One minute the camera is filming from the left,the next from the right,then from the back towards the front,and then from the front towards the back.This creates an effects of dislocation and visual confusion that is part of the overall sense of unease of film noir.“Even in close-ups,fencher keeps an uneasy distance(he favours low-angled shots,rather than eye-of-God overheads).The camera sometimes seems tofloat,sometimes seems dragged as if by sn undertow.The extremely shallow focus is a way of controlling the view’s eye,making you look at waht you don’t want to see an d suggesting that there;s something worse that you just can’t get a grip on lurking on the periphery.”(Taubin,Amy.2000.The Allure of Decay.)4.ConclusionAll in all,Se7en deserves all the reputation it has received.It gives us such a shock by successfully employing many of the classic film noir/neo-noir techniques.Its lighting,settings,shotting and scenes all together make the film worthy of the name of perfection.Bibliography[1]Schrader,Paul. Notes on FilmNoir.Shanhai: Shanhai Foreign Language Education Press,1999[2]Taubin,Amy.The Allure of Decay.Shanhai: Shanhai Foreign Language Education Press,2000[3] 马爱英(Ma Aiying).《中英文化翻译》.北京：科学出版社,2006。
英文电影影评、讨论、文化现象分析――七宗罪.
IntroductionSomerset is a senior detective, who will soon retire. Mills is new to this place, Monday, a fat man was fed to death at home, the killer left the word "gluttony" behind the refrigerator .Tuesday, a lawyer was bled to death, live the word "greed", then the lazy and the proud.Catholic Church made it clear that gluttony, greed, sloth, pride, lust, envy, and wrath are seven deadly sins. Every victim died in one of them. Somerset did not want to take the cases because he would retire, he had lived in the city for a long time, got used to looking at things coldly. Finally, he stayed to help Mills. After tireless efforts, they finally found the clue. After five murders, who is the next target? No one can foresee. At this point, the killer Surrendered unexpectedly, when there are still two of the “Seven”. Why would he walk into? Perpetrators claimed that his "great masterpiece" still would be completed .What would he do next?The outcome is far beyond people's expectations. The murderer elected energetic impulsive Mills as the last of the seven deadly sins - wrath. The killer envied of Mills’ happy family and his ordinary life, so he killed his beautiful pregnant wife to anger him. With the gunfire, we know John won the game, he managed to let himself to be envy, so Mills , who would have to face the trial, became the wrath.Comments"Seven" really gave me a deep impression and reflection. As far as I am concerned, Seven itself and Mills’ shooting at the end of the film are the most attractive part in the movie.In fact, each of us can commit the seven in daily life, the extent is different. Appropriate envy is our motivation, proper rest is helpful to adjusting ourselves, proper eating can add energy. But when they are excessive, they will change into the Seven.Although the criminal was cruel, indeed he was exhorting people in an abnormal way. At the end Somerset said: Hemingway wrote: This world is a good place, it is worth fighting for it. The last part I agree. It shows the change of cold Somerset .Also the movie want to tell us, first, recognize the world, then jump out from the negative, to strive.Mills did not control his wrath, he shot, let the criminal win the game, and he would face the trial because of that. But I support his shot, after all, there is something precious than the reason. Even if he held back, wouldn’t he regretwhen it was over? The tragic lens and ending touched me deeply, and tell me to cherish something I have overlooked previously.CultureThe film describes a very religious philosophical crime story, so that we know the Western religious culture from another point of view.Seven, the name of the movie is significant. Chinese and Western culture seems to have completely different message to the figure. In Chinese culture, "seven" represents light, luck and joy. While in the West, "seven" is related t o religions and human sin, very mysterious and even secretive. Gluttony, greed, sloth, lust, pride, envy and wrath, was seven deadly sins considered by the Catholic.In the movie, 7 sins, 7 penalties, 7 rain, the story took place in 7 days, and even the ending was determined by the criminal, seven days at 7 pm. Just implie that: Seven is the crime and punishment of the fate. And let us know the power of religion.。
英文电影评析英文版(七宗罪)
SEVEN attract and shocked me deeply.Moreover, I admire Brad Pitt in the extreme.As a result,I have a mind to write my feelings.Seven,the eerie new homicide thriller, has a tantalizingly morbid atmosphere of unease. Early on, a couple of cops -- Morgan Freeman as a veteran on the brink of retirement, and Brad Pitt as his new, hotshot partner -- wander into an abandoned shack and find the corpse of an obese shut-in, his legs bound to a chair, his face smooshed down in a plate of spaghetti. (Apparently, he was force-fed to death.) The scene practically reeks of depravity and rot. In Seven, just about every setting (alleyways, apartments, even a public library) is squalid and cluttered and muffled in shadow, and the streets are drenched in a continual brackish rainfall. The visual moodiness is matched by aural moodiness: The characters' words emerge quietly, from a soundtrack thick with cacophonous murk. We're never quite sure what city we're in -- is it Philadelphia? one of New York's outer boroughs? -- and this casual dislocation enhances our free-floating sense of dread.In nowhere city, a serial killer is slaughtering people according to a playfully fiendish pattern: He commits one murder for each of the seven deadly sins, each victim offered as a hideous ''atonement.'' The fat guy was, of course, killed for gluttony. A rich lawyer dies for greed. And so on. The movie's perverse hook is the gruesomely clever way in which the style of each murder matches the sin (by the time the killer gets to lust, you may be lowering your eyes in shock). Since the mystery psycho is, naturally, a mastermind, he toys with the cops, leaving clues on purpose and, at one point, staging a trick so ghoulish -- a''corpse'' starts to cough -- that it leaves the audience laughing with fright. The killer also has a literary turn of mind. Inspired by Dante, Shakespeare, and other navigators of man's eternal fall, he creates a private liturgical fantasy out of the scrunginess of the human race. Everyone's a sinner! The world must be punished!Seven is a heebie-jeebies thriller, the kind people will go to for a good, cathartic creep-out. The credits sequence, with its jumpy frames andnear-subliminal flashes of psycho paraphernalia, is a small masterpiece of dementia -- the film itself seems to be breaking down in terror. Fincher has lifted a lot of tricks from Manhunter, but the canniest was to reveal just enough clinical carnage so that we re-create the details of the killings in our heads. Balancing out the sleek horror are Freeman and Pitt, who, within a stock old cop-young cop routine, spark each other. Freeman plays nearly every scene in a doleful hush; he makes you lean in to hear his words, to ferret out the hints of anger and regret that haunt this weary knight. It's Pitt's job to blow his cool, which he does with energized grunge charisma, and to act as comic relief (I actually believed his hilarious mispronunciation of the Marquis de Sade).Eventually we meet the killer, whose plan is even fancier than we suspected. This is the most grandiose part of Seven, and it might have been a leap into suspense-movie banality were the killer not played by Kevin Spacey, adevious ham who uses his aging little-boy face to hypnotic deadpan effect. He's like the world's most demonic sissy. The climactic sequence is powered by a visual coup -- Fincher takes the movie out of gloomsville and into a sun-dappled field of electric wires -- but mostly by Spacey's mischievous core of masochism. It's Seven's nastiest stroke of wit that, by the end, what he wants and what the audience wants turn out to be one and the same.。
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老：Get out of the van! 从车里出来！Out ! 出来！递：Jesus Christ, man. Don’t shoot me. 天哪，老兄。
不要开枪。
老：Step away. 离车远点。
Turn around. Put your hands on your head. 转过去，手抱头。
（飞：What the hell is going on? 到底发生了什么？）老：Why and what are you doing here? 你为什么来这里？递：I’m delivering a package man. 我只是送快递而已。
I got a package for this guy, David. 我有个快递要送给戴维。
Detective... 警探David Mills. 戴维•米尔斯老：Get it. Slowly. 拿过来。
慢一点。
（飞：He’s opening the back of van. 他正在打开火车的后备箱。
We’ve got him in sight. 我们瞄准他了。
）递：This guy paid me ﹩500 to bing it out here, man.有人出500块让我把它带过来。
He said he wanted it here at exactly 7 o’clock.他让我在7点钟准时送到。
老：Put it down. 放下来。
We got a box 我们有个盒子。
（飞：We got a box . Call the bomb squad. 有一个盒子，快找拆弹组。
Bomb squad . We got a box . 拆弹组，我们这有个盒子。
）老：Face the van. 面朝货车。
Hands up. 举起手来。
Turn around . 转过来。
Okay. Go. 好的，快走。
Off you go. Go . 快离开这里。
快。
I’m sending the driver out on foot . 我让司机跑着离开了。
（飞：He’s headed north, along the road. 他沿着路往北跑了。
）老：Have him picked up . 找人去接他。
Oh, I don’t know . 我不知道。
I’m going to open it. 我要打开它了。
罪：When i said i admire you , i meant what i said .我说过我很佩服你，我是说真的。
——打开箱子——老：It’s blood . 是血。
罪：You’ve made quite a life for yourself, Detective.你有着美满幸福的生活，警探。
You should be very proud. 你应该很自豪。
轻：Shut the fuck up , you piece of shit . 闭上你的狗嘴，混蛋。
老：California, stay away from here . 加州号，不要靠近。
Stay away from here , now . Don’t, don’t , don’t come in here .离这里远点，不要过来，不要。
（飞：Whatever you hear , stay away . 不管你听到什么，不要靠近。
）老：John Doe has the upper hand . 乔•多伊都算准了。
Mills. 米尔斯。
罪：Here he comes . 他来了。
老：Throw your gun down ! 把你的枪放下！轻：What? 什么？罪：I wish i could have lived like you. 我希望我能像你一样生活。
轻：Shut up . 闭嘴。
What the fuck you talking about? 你他妈到底在说什么？罪：Do you hear me , Detective ? 你听到我说什么了吗，警官？I’m trying to tell you how much . 我想告诉你我多佩服你。
I admire you and your pretty wife . 还有你那漂亮的妻子。
轻：What? 什么？罪：Tracy. 特雷西。
轻：What you fucking say ? 你他妈的说什么？罪：It’s disturbing. 真是烦恼。
How easily a number of the press can purchase information from the men in your precinct. 作为媒体的一员，从你们分局的人手上买到你的资料真是轻而易举。
（飞：What the fuck ? 到底怎么回事？）老：Throw your gun down . 丢掉你的枪！罪：I visited your home this morning...after you left .今早我去了你家,就在你离开之后。
罪：I tried to play husband . 我想扮演好丈夫的角色。
I tried to taste the life of a simple man. 我想尝试一下普通人的生活。
老：Throw it away! 把枪放下。
罪：It didn’t work out . 结果不行。
So... 于是...I took a souvenir. 我取了一点纪念品。
Her pretty head . 她美丽的头颅。
轻：What’s , what’s he talking about ? 他，他说什么？老：Give me the gun . 把枪给我。
轻：What’s going on over there ? 那边到底发生了什么？老：Would you ... Put the gun down . 你...把枪放下。
轻：I saw you with the box . What was in the box ?我看你拿到了一个盒子，盒子里是什么？罪：Because i envy your normal life . 因为我嫉妒你普通人的生活。
老：Put the gun down, David. 放下枪，戴维。
罪：It seems that envy is my sin. 看起来嫉妒就是我犯的罪。
轻：What’s the box? 盒子里是什么？老：Not until you give me the gun . 你先把枪给我。
轻：What’s in the fucking box? 这个鬼盒子里放的是什么？罪：He just told you . 他刚刚告诉你了。
轻：You lie ! You’re a fucking liar ! Shut up ! 你说谎，你他妈的是个骗子，闭嘴。
老：That’s what he wants . He wan...he wants you to shoot him .这就是他想要的，他就想让你开枪杀他。
轻：No !No! You tell me . You tell me that’s not true .不，不，你来告诉我，告诉我那不是真的。
That’s not true . 那不是真的。
罪：Become vengeance , David . 报复我吧，戴维。
轻：She’s all right . You tell me . 告诉我，她没事。
罪：Become ... wrath . 愤怒吧。
轻：Tell me she’s all right ! 快告诉我，她什么事都没有。
老：If you murder a suspect , David. 如果你把嫌犯杀了，戴维轻：No,no... 不，不...老：You just throw it all away and he knows it .你会不顾一切的，他知道这点。
轻：No... 不....罪：She begged for her life ,Detective . 她求我放过她，警探。
老：Shut up! 闭嘴！罪：She begged for her life...and for the life of the baby inside of her.求我放过她肚子里的孩子。
——老扇一耳光——罪：He didn’t know . 他居然不知道。
——轻痛苦状——老：Give me the gun , David . 把枪给我，戴维。
David , if you kill him . 戴维，如果你杀了他。
He will win . 他就赢了。
轻：Oh god ! Oh god ! Oh！不，天哪！不，天哪！奥！（飞：Oh , fuck . He shot him ! 妈的，他把他杀了！）——轻连续开枪——（飞：Set it down somewhere . Come on , set us down.快找点地方降落。
我们快点降落。
Holy Christ , somebody call somebody . 我的主啊，找人快给谁打个电话啊。
）(Well, we’ll take care of him . 放心，我们会照顾他的。
）老：Whatever he needs . 尽量满足他的所有要求。
（Where you gonna be ? 你要去哪里？）老：Around.I’ll be around. 附近吧。
我不会走远的。
老：Ernest Hemingway once wrote , 欧内斯特•海明威曾经写过这样一句话：The world is a fine place and worth fighting for .世界是美好的，是值得我们去奋斗的。
I agree with the second part . 我觉得后面半句说得很对。