英国文学中涉及到的一些术语

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英国文学九大重要术语

英国文学九大重要术语

1、Epic史诗:A long verse narrative on a serious subject, told in a formal and elevated style, and centered on a heroic or quasi-divine figure on whose actions depends the fate of a tribe, a nation, or the human race. 一种关于严肃主题的长诗叙事,以正式和高尚的风格讲述,以英雄或准神性人物为中心,其行为取决于一个部落、一个民族或人类的命运。

Traditional epics:were written versions of what had originally been oral poems about a tribal or national hero during a warlike age. e.g. 传统史诗:关于战争年代部落或民族英雄的口头诗的书面版本①The Greek The lliad, The Odysseyo希腊神话,伊利亚特和奥德赛②The Anglo-Saxon Beowulf 8th.c.盎格鲁-撒克逊贝奥武夫8号Literary epics:were composed by individual poetic craftsmen in deliberate imitation of the traditional form. e.g. 文学史诗:由个体诗意工匠精心模仿传统形式创作而成①Milton:Paradise Lost (1667) 弥尔顿:《失乐园》2、Romance浪漫:1、Romance浪漫:a type of narrative that developed in 12th century France, spread to the literature of other countries and displaced the earlier epic and heroic forms. 在12世纪的法国发展起来的一种叙事形式,传播到其他国家的文学中,取代了早期的史诗和英雄形式。

文学术语

文学术语

文学术语Terms in English Literature1.Allegory (寓言)A tale in verse or prose in which characters, actions, or settings represent abstract ideas or moral qualities.寓言,讽喻:一种文学、戏剧或绘画的艺术手法,其中人物和事件代表抽象的观点、原则或支配力。

2.Alliteration (头韵)Alliteration is the repetition of the same initial consonant sound within a line or a group of words.头韵:在一组词的开头或重读音节中对相同辅音或不同元音的重复。

3.Allusion (典故)A reference to a person, a place, an event, or a literary work that a writer expects the reader to recognize and respond to.典故:作者对某些读者熟悉并能够做出反映的特定人物,地点,事件,文学作品的引用。

4.Analogy (类比)A comparison made between two things to show the similarities between them.类比:为了在两个事物之间找出差别而进行的比较。

5. Antagonist (反面主角)The principal character in opposition to the protagonist or hero or heroineof a narrative or drama.反面主角:叙事文学或戏剧中与男女主人公或英雄相对立的主要人物。

6. Antithesis (对仗)The balancing of two contrasting ideas, words, or sentences.对仗:两组相对的思想,言辞,词句的平衡。

英国文学专业术语翻译

英国文学专业术语翻译

英国文学专业术语翻译01. Humanism (人文主义) 02.Renaissance(文艺复兴)03. Metaphysical poetry (玄学派诗歌)04. Classism (古典主义)05. Enlightenment (启蒙运动) 06. Neoclassicism (新古典主义)07. The Graveyard School (墓地派诗歌) 08. Romanticism (浪漫主义)09. Byronic Hero (拜伦式英雄) 10. Critical Realism (批判现实主义)11. Aestheticism(美学主义)13. Modernism (现代主义)14. Stream of consciousness (意识流) (or interior monologue)18. the Age of Realism (现实主义时期)20. Naturalism (自然主义) 21. Local Colorist (乡土文学)22. Imagism (意象主义) 23. The Lost Generation (迷惘的一代)25. The Beat Generation (垮掉的一代) 27. Surrealism (超现实主义)28. Metaphysical poets (玄学派诗人)29. New Criticism (新批评主义)31. Hemingway Code Hero (海明威式英雄32. Impressionism (印象主义)33. Post modernity (后现代主义) 38. Realism (现实主义)39. Meditative Poetry (冥想派诗歌)01. Allegory (寓言) 2. Alliteration (头韵)03. Ballad (民谣) 04. epic (史诗)06. Romance (传奇) 05. Lay (短叙事诗)07. Alexandrine (亚历山大诗行) 08. Blank Verse (无韵诗或素体广义地说09. Comedy (喜剧) 10. Essay (随笔)12. History Plays (历史剧) 13. Masquesc or Masks (假面剧)14. Morality plays (道德剧) 15.Sonnet (十四行诗)16. Spenserian Stanza (斯宾塞诗节) 17. Stanza (诗节)18. Three Unities (三一原则) 19. Tragedy (悲剧)21.Metar (格律24. Soliloquy (独白)25.Narrative Poem (叙述诗) 27. Beowulf (贝奥武甫)29. Cavalier poets (骑士派诗人) 30. Elegy (挽歌)31. Restoration Comedy (复辟时期喜剧) 32. Action (情节33. Adventure novel (探险小说) 34. Archaism (古语)35. Atmosphere (基调)37. Epigram (警句)39. The Heroic Couplet (英雄对偶句) 40. Satire (讽刺)41. Sentimentalism (感伤主义文学) 43.Denouement (戏剧结局)42. Aside (旁白) 44. parable (寓言)45. Genre (流派) 46. Irony (反讽)47. Lyric (抒情诗) 48. Mock Epic (诙谐史诗)49. Ode (颂歌) 51. Pastoral (田园诗)52.Terza Rima (三行诗) 53. Ottava Rima (八行诗)54. Canto (诗章) ke Poets (湖畔诗人)57. Imagery (比喻) 58. Dramatic monologue (戏剧独白)59. Pre-Raphaelites (先拉菲尔派) 60. Psychological novel (心理小说)61.Point of View (叙述角度) 62. plot (情节)63. Allusion (典故)64. Protagonist and Antagonist (正面人物与反面人物)65. Flashback (倒叙) P133 66. Narration67. Ambiguity 69. Symbolism (象征主义)72. Existentialism (存在主义) 73. Anti-hero (反面人物)74 . Round Character (丰满的人物) 75. Flat character (平淡的人物)76. Oedipus complex (俄狄浦斯情结/ 蛮母厌父情结)77.omniscience (无所不知的)78. Poetry (诗歌) 79. Rhyme (押韵)80. Iambic pentameter (五音步诗) 81. Rhyme royal82. Shakespearean sonnet (莎士比亚十四行诗) 83. Italian or petranrchan sonnet(意大利十四行诗)85. Poetic license (诗的破格) 86. Epiphany (主显节)87. Psychological penetration (心理透视) 88. Legend (传说)89. Myth (神话) 90. Pessimism (悲观主义)91. Jacobean age (英王詹姆斯一世时期) 92. Tragicomedy (悲喜剧)93. Comedy of manners (风俗喜剧) 94. Gothic novel (哥特式小说)95. Historical novel (历史小说) 96.Unitarianism (上帝一位论)99. Consonance (和音) 100. Free Verse (自由体诗歌)02. Theme (主题) 06. Theatre of the Absurd (荒谬剧)13. Magic realism (魔幻现实主义)14. Analogy (类比)15. Anapest (抑抑扬格) 16. Antagonist (次要人物)17. Antithesis (对立) 18. Aphorism (格言) 20. Argument (论据) 21. Autobiography (自传) 23. Biography (传记) 26. Character (人物)27. Characterization (性格描绘) 28. Climax (高潮)29. Conflict (冲突) 30. Connotation (隐含意义)31. Couplet (对偶) 32. Dactyl (扬抑抑格)33. Denotation (意义) T 34. Denouement (结局)35. Description (叙述) 36. Diction (措词)37. Dissonance (不协和音) 38. Emblematic image (象征比喻)A verbal picture or figure with a long tradition of moral or religious meaning attached to it.44. Exposition (解释说明) 45. Fable (寓言)46. Figurative language (比喻语言) 47. Figure of speech (修辞特征)48. Foil (衬托) 49. Foot (脚注) 50. Hyperbole (夸张). 51. Iamb (抑扬格) 59. Metaphor (暗喻) 63. Motivation (动机)64. Multiple Point of View (多视角) 65. Narrator (叙述者)67. Nonfiction (写实文学) 68. Novel (小说)69. Octave (八行体诗) 70. Onomatopoeia (拟声法构词)71. Oxymoron (矛盾修辞法) 72. Paradox (自相矛盾)73. Parallelism (平行) 74. Pathos (哀婉) 75. Persuasion (说服) 76. Pictorialism (图像) 77. Pre-Romanticism (先浪漫主义)78. Protagonist (正面人物)79. Psalm (圣歌) 80. Psychological Realism (心理现实主义) 81. Pun (双关语) 82. Quatrain (四行诗)83.Quintain (五行诗) the five-line stanza. 84. Refrain (叠句)85. Rhythm (韵律) 86. Scansion (诗的韵律分析)87. Septet (七重唱)88. Sestet (六重唱) 89. Setting (背景)90. Short Story (短篇小说) 91. Simile (明喻)he Waste Land (荒原)Lord Jim (杰姆老爷)To the Lighthouse (到灯塔去) The Mark on the Wall (墙上瑕疵) Lady Chatterley‘s Lover (查泰来夫人的情人)Sons and Lovers (儿子与情人) The Rainbow (虹)Women in Love (恋爱中的女人) The Lost Girl (迷途的女孩)Dubliners (都柏林人) Ulysses (尤里西斯)Finnegans Wake (非尼金人的觉醒)西方的红楼梦 In a Station of the Metro (地铁站)The Sound and The Fury (喧嚣与愤怒)As I Lay Dying (在我弥留之际)The Quiet Don (静静的顿河)Special Theory of Relativity (专业相对论)General Principles of Relativity (普通相对论)The Interpretation of Dreams (梦的解析)Pentateuch.摩西五经。

英国文学术语

英国文学术语

Epic史诗An epic is a long narrative poem in a formal and elevated style about the achievements of a central hero who usually embodies national ideals.Alliteration 头韵In alliterative verse, certain accented words in a line begin with the same consonant sound. Heroic couplet英雄双韵体Lines of iambic pentameter rhymed in pairs: aa, bb, cc, and so on. (英雄双韵体:以五步抑扬格为基本节奏,每两行押韵,铿锵有力。

)Iambic Pentameter 五音步抑扬格A poetic line consisting of five verse feet (音步) with each foot an iamb (抑扬格).Iambic: a pattern of alternating unstressed and stressed syllables, an unstressed syllable followed by a stressed syllable.Folk/Popular Ballad 民谣A ballad is a story told in song, usually in 4-line stanzas, with the second and fourth lines rhymed.Legend 民间传说A song or narrative handed down from the past.Arthurian legend 亚瑟王王传奇It is a group of tales developed in the Middle Ages concerning King Arthur and his knights. Canto 长诗的篇章,诗章A section or division of a long poem.Romance 传奇故事It was a long composition, sometimes in verse, sometimes in prose, describing the life and adventures of a noble hero.Ballad 大众民谣A ballad is a long song or poem which tells a story in simple language.Humanism人文主义Humanism is defined as a moral and political view based on the worldly existence of man, his all-round development, his worldly life and happiness.Spenserian Stanza斯宾塞诗体Each stanza has nine lines, eight of iambic pentameter followed by one of iambic hexameter(六音步), with the rhyme scheme ababbcbcc.Blank verse 无韵诗verse written in rhymeless iambic pentameter.Sonnet 十四行诗A sonnet is a poem of 14-lines, usually in iambic pentameter with various rhyming schemes. Essay 随笔A piece of prose writing, usually short, that deals with a subject in a limited way and expresses a particular point of view.An essay can be formal, with thorough, serious, and highly organized content; or informal, with a humorous or personal tone and less rigid structure.Elegy 挽歌An elaborately formal lyric poem lamenting the death of a friend or public figure, or reflecting seriously on a solemn subject.allegory 寓言A tale in verse or prose in which characters, actions, or settings represent abstract ideas or moral qualities.Gothic novel 哥特式小说A type of romantic fiction that predominated in the late 18th century. Its principal elements are violence, horror, and the supernatural, which strongly appeals to the reader' s emotio n.Lake Poets 湖畔派诗人Refer to such romantic poets as William Wordsworth, Samuel Taylor Coleridge and Robert Southey who lived in the Lake District. They came to be known as the Lake School or "Lakers". Byronic hero 拜伦式英雄Byron introduced into English poetry a new style of character, which is often referred to as "Byronic Hero".Refer to a proud mysterious rebel figure of noble origin. They are men with fiery passions and unbending will and express the poet' s own ideal of freedom. These heroes rise against tyranny and injustice, but they are merely lone fighters striving for personal freedom and some individualistic ends.Ode颂诗Ode is a dignified and elaborately structured lyric poem of some length, praising and glorifying an individual, commemorating an event, or describing nature intellectually rather than emotionally. Terza Rima 三行诗Terza Rima is an Italian verse that consists of a series of three-line stanzas in which the middle line of each stanza rhymes with the first and third lines of the following stanza, with the rhyming scheme aba, bcb, cdc, ded, etc..Shelley' s "Ode to the West Wind" is a case in point.Dramatic Monologue 戏剧独白A kind of poem in which a single fictional or historical character other than the poet speaks to a silent "audience" of one or more persons. Such poems reveal not the poet' s own thoughts but the mind of the impersonated (扮演的) character, whose personality is revealed unwittingly无意的. (My Last Duchess is his best-known dramatic monologue.)Aestheticism writers 唯美主义①Beauty is the purpose of art; the ultimate and highest and absolute goal.②The purpose of art is found in art itself or beauty of art, not in truth.③Art is independent of reality or life; its value lies outside social value/morality.④Art is above life.⑤Art is objective creation of a subjective world; a product of spiritual loneliness and isolation. Stream of consciousness意识流The continuous flow of sense-perceptions, thoughts, feelings, and memories in the human mind; or literary method of representing such a blending of mental processes in fictional characters, usually in an unpunctuated or disjointed form of interior monologue.Among English writers, James Joyce and Virginia Woolf are two major advocates of this technique.Modernism现代主义Modernism is an international movement in literature and arts, which began in the late 19th century and flourished until 1950s.Modernism takes the irrational philosophy and the theory of psycho-analysis as its theoreticalbase.The modernist writers concentrate more on the private and subjunctive than on the public and objective, mainly concerned with the inner of an individual.James Joyce, T.S. Eliot, Virginia Woolf and William Faulkner are prominent modernist writers.。

英国文学最全名词解释

英国文学最全名词解释

英国文学最全名词解释名词解释1、Alliteration(头韵) It refers to a repeated initial consonant to successive words and it is the most striking feature in its poetic form. In alliterative verse, certain accented words in a line begin with the same consonant sound. It usually have a caesura in the middle and two stresses (or accents) in each half. The number of unstressed syllables in the two halves may vary. Yet, the same consonant is repeated at the beginning of the accented syllables, either twice in the first half of the verse line and once in the second half, or vice versa. Or we can say there are generally 4 accents in a line, three of which show alliteration, and it is the initial sound of the third accented syllable that normally determiners the alliteration. Alliteration makes Anglo-Saxon poetry very musical in sound and acts almost the same part that rhyme plays in later poetry. English poets till today still love to use alliteratione.g. “True is the tale (caesura) I tell of my travels,/ Sing of my seafaring (caesura) sor rows and woes.2、Blank verse无韵诗,素体诗(不押韵的五音步诗行): also called unrhymed poetry, has been the dominant verse form of English drama and narrative poetry since the mid-sixteenth century. In 1540, from Italy, this verse form was brought into English literature by the poet Henry Howard (Earl of Surrey), who first used it in his translation of The Aeneid.Unrhymed lines of iambic pentameter. It is a very flexible English verse form which can attain rhetorical grandeur while echoing the natural rhythms of speech. It was first used by Henry Howard, Earl of Surrey, and soon became a popular form fornarrative and dramatic poetry.E.g. Paradise Lost by Milton3、Comedy of humours: The comedy of humours is a genre of dramatic comedy that focuses on a character or range of characters, each of whom exhibits two or more overriding traits or 'humours' that dominates their personality, desires and conduct. the English playwrights Ben Jonson and George Chapman popularized the genre in the closing years of the sixteenth century. In the later half of the seventeenth century, it was combined with the comedy of manners in Restoration comedy.In which the prevailing eccentricities and ruling passions of character are exposed to ridicule and satireE.g. Every Man in His HumourEvery Man out of His Humour4、Dramatic monologue:a kind of poem in which a single fictional or historical character other than the poet speaks to a silent ‘audience’of one or more persons. Such poems reveal not the poet‘s own thoughts; this distinguishes a dramatic monologue from a lyric,while the implied presence of an auditor distinguishes it from a soliloquy.E.g. My Last Duchess by Browning5、Epic (史诗)appeared in the the Anglo-Saxon Period It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition. A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated. Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple,but full of magnificence. Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf ( the pagan异教徒secular(非宗教的) poetry)Iliad 《伊利亚特》Odyssey《奥德赛》Paradise Lost 《失乐园》The Divine Comedy《神曲》6、Gothic Novels tales of macabre, fantastic and supernatural happenings, set in haunted castles, graveyards, ruins and wild landscapes and often with a weak or innocent heroine going through some horrible experiences. Derives its name from similarities to Medieval(中古的,中世纪) Gothic architecture.A thriller designed not only toterrify or frighten the audience, but to convey a sense of moral failure or spiritual darkness. The Gothic in England begins with The Castle of Otranto in 1760, by Horace Walpole, which emphasized the supernatural mixed with the grotesque in a medieval setting.E.g. Anne Radcliffe in Mysteries of UdolphoFrankenstein(1817) by Mary Shelley7、Heroic Couplet(英雄双韵体)Heroic couplet refers to the rhymed couplet in iambic pentameter Heroic couplets are lines of iambic pentameter that rhyme in pairs (aa, bb, cc). The Heroic Couplet: 1) It means a pair of lines of a type once common in English poetry, in other words, it means iambic pentameter rhymed in two lines. 2) The rhymeis masculine. 3) Use of the heroic couplet was first pioneered by Geoffrey Chaucer.E.g. Cooper's Hillby by John Denham(德纳姆)8、Iambic pentameter: a verse lines of feet of the iambic rhythmIambic(adjective of iambus): a metrical foot consisting of one unstressed syllable followed by a stressed one. (cf. Trochaic/trochee: a metrical foot consisting of one stressedsyllable followed by an unstressed one)Pentameter: a verse line of 5 feet.E.g. sonnet 18 by Shakespeare9、Ode:a poem intended or adapted to be sung in the ancient time, but a rhymed lyric poem often of an address in the modern times, with dignified and exalted or simple and familiar subjects. a long lyric poem, serious and dignified in subject, tone and style, sometimes with an elaborate stanzaic structure, often written to commemorate or celebrate an event or individual. Representative poets: Percy Bysshe Shelley, John Keats Representative:Ode to Psyche, Ode to a Nightingale10、Romance: a medieval tale based on legend, chivalric love and adventures, or a prose narrative treating imaginary characters involved heroic, adventurous, or mysterious events remote in time and place. It became a popular form of literature. The plots of romance tend to be complex, with uprising and even magical actions common.e.g. The Tempest by Shakespeare11、Sonnet:a poem consisting of 14 lines of 10 syllables each in English (11 syllables in Italian and12 syllables in French)The English sonnet: a sonnet of 14 iambic pentameter lines divided into an octave and sestet rhyming abba abba cde cde (or other rhymes in the sestet)The Shakespearian sonnet: a sonnet of 14 iambic pentameter lines divided into a 12-line unit followed by a 2-line conclusion rhyming abab cdcd efef ggE.g. sonnet 18 by Shakespeare12、Three unities (三一律): referring to the rules set by Aristotle for tragedy which are observedin Greek tragedies and Neoclassic drama, that is a tragedy must have one single action which takes place within one day and in one place. It required that the events of a play not exceeda single day (time), be confined to a single location or to several locations within a small area (pla ce), and not have subplots (action). It is term given by Aristotle and strictly adhered in 17th Franc e and then over Europe.e.g. Cid by Pierre Corneille13、Topographical poetry: a local poetry focusing on the presentation of landscapes and praising particular parks, estates and gardens. The emergence of this kind of poetry of which can be traced to the 1730s and was defined by Dr Johnson as “local poe try, of which the fundamental object is some particular landscape.e.g. The Seasons by James Thomson14、Graveyard Poets: This group of poets mainly comprises Thomas Parnell, Edward Young, Robert Blair and Thomas Gray. They wrote melancholy poems, often with the poet meditating on human mortality problems at night or in a graveyard. Gray is the most representative and successful among them and his poem Elegy written in a Country Church-yard is partly responsible for this group to be named graveyard poets.15、Metaphysical Poetry: Metaphysical poetry is defined as poetry dating from the 17th century in Britain that has an abstract and ethereal style. Such poetry used a variety of form and structures, but employed similar styles. The term was first coined by John Dryden in 1693 when he described a poem by John Donne as affecting “the metaphysical.” It was later popularized by Samuel Johnson in 1781.e.g. The flea by John Donne16、Allegory A tale in verse or prose in which characters, actions, orsettings represent abstract ideas or moral qualities. An allegory is astory with two meanings, a literal meaning and a symbolic meaning.Allegory is generally treated as a figure of rhetoric, but an allegory does nor have to be expressed in language: it may be addressed to teh eye, and is often found in realistic painting, sculpture or some other form of mimetic, or represent are.The etylmological meaning of the word is broader than the common use of the word. Though it is similar to other rhetorical comparisons. An allegory is sustained lnger and more fully in its details than a metaphor, and appeals to imagination, while an analogy appeals to reason or logical. The fable or parable is a short allegory with one definite moral.E.g. The Pilgrim's Progress by John Bunyan。

英国文学的一些名词解释

英国文学的一些名词解释

英国文学的一些名词解释英国文学是世界文学宝库中的明珠,众多文学名著诞生于这片土地上。

提到英国文学,我们不仅仅要了解其中众多名著的作者和故事情节,我们还需要掌握一些专业术语和概念。

在本文中,我将为大家解释一些与英国文学相关的名词,帮助读者更好地理解英国文学的精髓。

一、浪漫主义浪漫主义是18世纪末到19世纪初兴起的一种文学运动,它强调个人感受、想象力和超凡脱俗的体验。

浪漫主义充满了激情和对自然、人类内心世界的热爱。

在英国文学史上,浪漫主义给予了众多优秀的作品,如《弗兰肯斯坦》、《唐吉诃德》等。

二、维多利亚时代维多利亚时代是指1837年至1901年英国女王维多利亚统治下的时期。

这个时代是英国工业革命达到巅峰的时期,但也是社会动荡和不平等的时期。

维多利亚时代的文学作品通常描写社会阶级落差、人性的复杂以及对女性地位的思考。

其中最著名的代表作品包括《雾都孤儿》、《呼啸山庄》等。

三、现代主义现代主义是20世纪初兴起的一种文学运动,它试图打破传统的叙事形式,挑战读者的理解和想象力。

现代主义作品通常以碎片化的结构、内心独白和流露出的不确定性为特点。

英国文学史上的现代主义代表作品有《尤利西斯》、《荒原》等。

四、战后文学战后文学是指第二次世界大战结束后,英国文学的新兴潮流。

在这一时期,英国文学持续呈现多样性和实验性。

战后文学关注社会变革、性别政治以及民族认同,并通过多种不同的写作风格和技巧来探索个体心理和文化理解。

该时期的代表作品包括《动物农场》、《1984》等。

五、北方现实主义北方现实主义是19世纪中叶至20世纪初期在英国出现的文学派别,它对于社会的现象和底层人民的生存状况进行了深刻而真实的描写。

北方现实主义作品通常关注社会困境和阶级冲突,以真实主义的手法展现人物的命运和社会环境的影响。

代表作品有《红与黑》、《战争与和平》等。

六、文学奖项文学奖项是评选和表彰优秀文学作品和作者的机构或组织举办的活动,也是文学界的重要盛事。

英国文学术语_Terms

英国文学术语_Terms

Epic(叙事诗): example: BeowulfAlliteration(头韵): Beowulf is an example.Romance(浪漫史):Prevailing form of medieval lit., 2 verse or prose, 3 adventures of knights, 4 devotion to a lady 5 devotion to the church and king, expose vices praise virtues 6 example: Sir Gawain and the Green KnightHeroic couple t(英雄偶句诗): It was introduced by Chaucer from France to English, fully developed in The Canterbury Tales. Heroic couplet was characterized by rhymed lines in the iambic pentameter.Allegory(寓言): a story or visual image with a second distinct meaning partially hidden behind its literal or visible meaning. The principal technique of allegory is personification, whereby abstract qualities are given human shape.Popular Ballad(民谣): Ballads flourished in Scotland from the 15th century onward. It is a folk song or oral literary piece, usu. telling a local story or legend with vivid dialogue, in an impersonal tone. Ballads are normally composed in quatrains with alternating four-stress and three-stress lines, with the second and fourth lines rhyming.The Renaissance(文艺复兴): 1 Generally, it refers to the period between the 14th and mid-17th centuries..2 the rediscovery of ancient Roman and Greek Culture, It was the revival of painting, sculpture and literature.Oxford Reformers, the religious reformers at Oxford University, together with scholars and humanists introduced the Bible and classics that were popularized. 3 The literary giants at that time were Shakespeare, Spenser, Jonson, Sidney, Marlowe, Bacon and Donne. 4 The Renaissance marks a transition from the medieval(中世纪)to the modern world. It was, in essence, an attempt of the humanist thinkers and scholars to get rid of the feudalist ideas(封建思想); recover the purity of the early church from the corruption of the Roman Catholic Church; and to introduce new ideas in the interest of the rising bourgeoisie.Humanism: Humanism is the essence(本质)of the Renaissance. The best representatives of the English humanists are Thomas More, Christopher Marlowe and William Shakespeare.Reformation(宗教改革): The Medieval religious Reformation came from the Continent. A German Protestant(新教徒), Martin Luther (1483-1546) initiated the Reformation.The Petrarchan Sonnet(彼得拉克的十四行诗): Originally invented in Italy, it was introduced to England by Sir Thomas Wyatt(怀亚特)in the 16th century. It is built in 2 parts. The first part is known as “Octave” ,consisting of 8 lines , and the last six lines are “sestet”. Milton uses this but avoids the break in the middle and employs the rhyme cdcdcd in the last 6 lines.The Shakespearean sonnet: It was first used by the Earl Surrey. It consists of three quatrains of four lines each and a final independent couplet. Its rhyme scheme is abab cdcd efef gg.University Wits: They were a professional set of pre-Shakespearean dramatists. They were called so because nearly all of them were educated at Oxford or Cambridge University. “Wit” was the synonym for “scholar”. Their dramatic writings laid the foundation for William Shakespeare.The writers belonging to this group are: John Lyly, Robert Greene; George Peele; Thomas Lodge; Thomas Lodge; Thomas Nashe; Thomas Kyd; and Christopher Marlowe, who was the central man.Blank verse: Surrey introduced blank verse into English poetry in his translations. Blank verse was characterized by unrhymed lines in the iambic pentameter. (In contrast with heroic couplet which is rhymed.)18th centuryEssayFrancis Bacon, late in the sixteenth century, inaugurated the English use of the term in his own Essays; most of them are short discussions such as "Of Truth"; "Of Adversity", "Of Marriage and the Single Life" (formal essays). Alexander Pope (蒲柏) adopted the term for his expository compositions in verse, the Essay on Criticism and the Essay on Man, but the verse essay has had few important exponents after the eighteenth century. In the early eighteenth century Joseph Addison and Sir Richard Steel’s Tatler and Spectator, with their many successors, gave to the essay written in prose its standard modern vehicle, the literary periodical (informal essays) (earlier essays had been published in books).Aestheticism(唯美主义)(art for art's sake)A term applied to the point of view that art is self-sufficient(自负的). It need serve no ulterior purpose, and should not be judged by moral, political or other nonaesthetic standards. Aestheticism in England was influenced greatly by Pre-Raphaelites, Ruskin, and Pater and French symbolist poets. Oscar Wilde was one of its major representatives.It appeared in the late Victorian period. The predecessor of it was the Pre-Raphaelists, who were opposed to the materialism and commercialism and wanted to go back to the medieval age. The movement was influenced by the French symbolists, who used symbols to present an ideal world of which the real world is but a shadow. The first important figure of the movement was Walter Pater, who suggests that the sole duty of an aesthete is to develop his aesthetic sensibility, enjoy all possible varieties of artistic and sensuous experience, and “burns always with a hard gemlike flame. This movement covered a wide range of poets, writers and artists, varying in their attitudes towards life and art.ModernismA movement of experiment in new techniques in writing. Modernist fiction represented atrend drifting away from the tradition of the 19th century realism. It put emphasis on the description ogoometimes it is called modern psychological fiction. Lawrence is a typical representative of it.。

英国文学 下 terms 名词解释 汇总

英国文学  下    terms 名词解释 汇总

1.Romanticism: It was a revolt against aristocratic social and political norms of the Age of Enlightenment. It was influenced by three revolution: American and French revolutions, national liberation movements and democratic movements swept across many European countries.The essence of it is the glorification of instinct and emotion, a deep veneration of nature, and a flaming zeal to remark the world.2.Romantic movement: characteristic--subjectivism\spontaneity\singularity\worship of nature\simplicity\dominating note of melancholy\poets outpoured their feelings and emotions3.Luddite movement:it is a machine-breaking movement named after Ned Ludd. With the invention of new machines, many skilled workers were replaced by women and children. Workers organized themselves and gave voice to their distress by breaking machines. The riots lated from 1811 to 1818.4. Ballad:(1)a narrative poet that tells a story.(2) the beginning is often abrupt(3)have strong dramatic elements(4)often told through dialogue and action(5)the theme is often tragic(6) ballad meter:contains four-line stanzas. The odd numbered lines have four feet each and the even numbered lines have three feet each.Rhymes fall on the even numbered lines. And there is often a refrain at the end of each stanza.5. Byronic heroes: are men with fiery passions and unbending will and express the poet's own ideal of freedom. These heroes rise against tyranny and injustice, but they are merely lone fighters striving for personal freedom and some individualistic ends.6. Lyrical poets:the cavaliers were royalists,whose poetry was marked by courtliness,urbanity,and polish.(the theme is carpe diem,17th at the court reflected the extravanvgance and moral looseness of court life)7.Petrarchan sonnet:consists of an octave and a sestet, and the rhyme scheme is abba,abba,cdcdcd. first eight lines--an octave(abba abba)--raise problems;next six lines--a sestet(cde cde)--answer to the theme.8. Ode: in ancient literature, it is an elaborate, lyrical poem composed for a chorus to chant and to dance, to In modern use, it is a rhymed lyric expressing noble feelings, often addressed to a person or celebrating an event.9. Oxymoron: phrase combining two seemingly incompatible elements10. Terza rima: was used by Dante in The Divine Comedy. The first and third lines rhyme second line is in rhyme with the fourth and sixth lines, the rhyme scheme being aba,bab,cdc,ded,ee. This linked chain gives a feeling of onward motion; the verse has a breathless quality which is in keeping with the onward motion of the wind's movement. The metrical pattern of each line is basically iambic pentameter.11.writers at Victorian period:(victorian literature truthfully represents the reality and spirit of the age, vitality, down-to-earth, good natured humor and unbounded imagination--optimistic) Novelist: George Eliot, Thomas HardyProse writer: Thomas Carlyle, Mathew ArnoldPoets: Alfred Tennyson, Robert Browningthe early Victorian Period (ending around 1870) and the late Victorian Period. Writers associated with the early period are: Alfred, Lord Tennyson (1809-1892), Robert Browning (1812-1889), Elizabeth Barrett Browning (1806-1861), Emily Bronte (1818-1848), Matthew Arnold (1822-1888), Dante Gabriel Rossetti (1828-1882), Christina Rossetti (1830-1894), George Eliot (1819-1880), Anthony Trollope (1815-1882) and Charles Dickens (1812-1870).Writers associated with the late Victorian Period include: George Meredith (1828-1909), Gerard Manley Hopkins (1844-1889), Oscar Wilde (1856-1900), Thomas Hardy (1840-1928), Rudyard Kipling (1865-1936), A.E. Housman (1859-1936), and Robert Louis Stevenson (1850-1894).12. realism: writing that stresses careful description of setting and trapping of daily life, psychological probability and the lives of ordinary people. Its practitioners believe they are presenting life"as it really is" Ibsen's A Doll House is an example.13. Dramatic monologue: perfected by Robert Browning, a type of poem, consists of a single speaker talking to one or more unseen audience,revealing much more about the speaker than he or she seems to intend, know more the personality of speaker rather than what's talking about. Penetrates to depth the psychology of his characters and through their own speeches, analyze and dissects his characters and reveals the innermost secret of their lives14. anapaestic: in the first two line two unaccented syllables of each foot are omitted,but the time is preserved by the three long pauses / (of a metric foot) characterized by two short syllables followed by a long one15. Aesthetic movement: appeared on the literary scene of England in the late Victorian period. It was influenced by the French symbolists. The predecessor of the movement was the Pre-Raphaelists, a group of young writers and artists who were opposed to the materialism and commercialism of the Victorian age and who wanted to create or recreate literary forms like those before the period of Raphaol,that is ,they wanted to go back to the medieval age.16. Hedonism: the belief that pleasure is the chief good in life1.Allegory: is a story or description in which the characters and events symbolize some deeper underlying meaning, and serve to spread moral teaching.It has a primary meaning and underlying meaning.2.Alliteration: the repetition of the same sound at the beginning of two or more words that are next to or close to each other.3.Alliterative verse: paragraphs of long alliterative lines of varying length are followed by a single line of two syllables,called 'the bob' and a group of four-stressed lines called "the wheel"4.Anglo-Saxon prose: Created by King Alfred, not obscure.5.Ballad: (1)a narrative poet that tells a story.(2) the beginning is often abrupt(3)have strong dramatic elements(4)often told through dialogue and action(5)the theme is often tragic(6) ballad meter:contains four-line stanzas. The odd numbered lines have four feet each and the even numbered lines have three feet each.Rhymes fall on the even numbered lines. And there is often a refrain at the end of each stanza.6.Ballad: a narrative poem that tells a story. It has basic characteristics:the beginning is often abrupt;there are strong dramatic elements;the story is often told through dialogue and action;the theme is often tragic7.Border ballad: a group of ballad dealing with blood strifes on the English-Scottish border.8.Blank verse:unrhymed iambic pentameter.the chief verse used by Shakespeare.9.Caesura(中间休止):a cutting, break or pause in a line of peotry.10.Epic: a lengthy narrative poem, containing details of heroic deeds,may be oral ofwritten; have been written down at least since Homer, and Virgil, Dante and John Milton.11.Feminine rhyme: the rhymed words with one or more unaccented syllables as in subtle,rebuttal12.Fytte: one section of a poem13.heroic couplet: this verse form was introduce into English by Geoffrey Chaucer. It is traditional form for English poetry,commonly used for epic and narrative poetry;it refers to poems constructed from a sequence of rhyming pairs(aa,bb...)of iambic pentameter(the ten-syllable line in rhymed couplets)lines.The rhyme is always masculine.14.Humanism(English Renaissance):man should be given full freedom to enrich their intellectual and emotional life. In religion they demanded the reformation of the church. In art and literature,instead of singing praise to God, they sang in praise of man and of the pursuit of happiness in this life. It shattered the shackle of spiritual bondage and opened his eyes to 'a brave new world' in front of him.15.Iambic: two-syllable foot consisting of an unaccented syllable followed by an accented one.Trochaic: if we reverse the order of accented syllable,placing the stressed syllable to the first, we habe a trochaic.16.Kenning(隐喻): a metaphor usually composed of two words, which becomes the formula for a special object.17.Lyrical poets: the cavaliers were royalists,whose poetry was marked by courtliness,urbanity,and polish.(the theme is carpe diem,17th at the court reflected the extravanvgance and moral looseness of court life)18.Meter: meter is the patterned count of accent of syllable group in the line.19.Metaphysical poetry: describing a school of highly intellectual poetry marked by bold and ingenious conceits,incongruous imagery, complexity of thought,frequent use of paradox, and often by deliberate harshness or rigidity of expression.(the main theme are love,death,religion)tonic style(Latinate): instead of using the common English sentence pattern of subject-verb0object order, Milton uses more elaborate patterns drawn from Latin. He is very fond of using inversion and allusions.(the blank verse, the unrhymed lines of iambic pentameter,is used throughout the epic and is characterized by its employment of long and involved sentences,which run on many lines with a variety of pauses,and achieving sometimes an elaborately logical effect. This richness of poetical style has been called "Mliton style")21.Octave: the first eight lines of a sonnet or a eight-line poemSestet(六行诗节): the following six lines of a sonnet22.Petrarchan sonnet: consists of an octave and a sestet, and the rhyme scheme is abba,abba,cdcdcd.23.pun(双关):the usually humorous use of a word in such a way as to suggest two or more of its meanings or the meaning of another word similar in sound. It consists of a deliberate confusion of similar words or phrases for rhetorical effect, whether humorous or serious. It can rely on the assumed equivalency of multiple similar words(homonymy), of different shades of meaning of one word (polysemy), or of a literal meaning with a metaphor. Bad puns are often considered to be cheesy.24.Repetition and variation: the same idea is expressed more than once by the use of different words which are more or less synonyms.25.Rhyme: the pulse or beat in the poetic line.26.rhythm:the basic unit of meter is called the foot, a foot is one unit of rhythm.33.Robinson style: words are plain,simple,almost without any imagery of figure speech.monotonous without rhetorical devices27.Romance: 12th and 13th means the vernacular language;means a tale in verse, embodying the life and adventures of knights, about love, chivalry and religion. Motif is quest and test, meeting the evil, attack infidelity and super-natural elements and imagined maiden to accomplish a mission and a happy ending.(structure is lose, episodic;language is simple, straightforward) It falls three categories:(1) France,Charlemagne the Great(Chanson de Roland)(2) Rome, Alexander the Great and the siege of Troy(3) Britain,Arthurian legend,about Sir Gawain, Launcelot,Merlin, the quest for the Holy Grail, and the death of King Arthur.28.Soliloquy(dramatic irony): the audience know everything,but characters don't.(often used in drama)29.Sonnet:a short song in the original meaning of the word, contains 14 lines,usually in iambic pentameter with various rhymimg schemes.It was first written by Petrarch. Petrarch's sonnet: first eight lines--an octave(abba abba)--raise problems;next six lines--a sestet(cde cde)--answer to the theme.Shakespear's sonnet: consists three quantrains(abab cdcd efef)--theme is put forward and developed ; ends with a couplet rhyming(gg)--a surprise conclusion of shift of ideas.30.Spenser stanza:a group of eight lines of iambic pentameter followed by a six-stress iambic line(an Alexandrine),with a rhyme scheme ababbcbcc31.Synecdoche(提喻):when one uses a part to represent the whole.32.The 18th century: 文学- age of Neo-classicism科学-age of reason人文-age of enlightenment34.Three dramatic units: action,place,time35.The ideal of feudal knighthood:chivalry,chastity, piety,friendliness and free-giving36.The four subjects of Medieval knowledge: Theology, Philosophy, Medicine and Law.。

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1.Romance: It is a popular term in the medieval England. It is concerned with knights, chivalry and courtly love.2.Alliteration: A repetition of the initial sounds of several words in a line on group3.Ballad: It is also known as the folk ballad. It is a song, transmitted orally and passed from generation to generation. Robin Hood is a famous ballad.4.Couplet: A pair of rhymed lines that are equal in length.5.Heroic couplet:refers to lines of iambic pentameter which rhyme in pairs: aa, bb, cc, and so on. The adjective “heroic” was applied in the later seventeenth century because of the frequent use of such couplets in heroic poems and dramas. This verse form was introduced into English poetry by Geoffrey Chaucer. From the age of John Dryden through that of Samuel Johnson, the heroic couplet was the predominant English measure for all the poetic kinds; some poets, including Alexander Pope, used it almost to the exclusion of other meters.6.Humanism: It is the essence of Renaissance. It emphasizes the dignity of human beings and the importance of the present life. Man was the center of the universe7.Spenserian stanza: Created by Edmund Spencer. It refers to a stanza of nine lines, with the first 8 lines in iambic pentameter and the last line in iambic hexameter, rhyming ababbcbcc. The Fearie Queene was a representative.8.Metaphysical poetry: 17th century writers under the influence of John Donne. The diction is simple. The imaginary is drawn from actual life.9.Sonnet: A lyric consisting of 14 lines, usually in iambic pentameter, restricted to a definite rhyme scheme. Shakespeare’s are well known.10.Blank Verse: Verse written in unrhymed iambic pentameter. It is the verse form used in some of the greatest English poetry, including that of Shakespeare and John Donne.11.Allegory: A story told to explain or teach something. It used extended metaphors to convey moral meanings. John Bunyan’s Pilgrim’s Progress.12.Soliloquy: A character is alone and speaks his or her thoughts loudly. Hamlet13.The Enlightenment Movement: Flourished in France and swept through Western Europe in the 18th century. Its purpose is to enlighten the whole world with the light of philosophical ideas. It celebrated reason or rationality, equality and science.14.Neoclassicism: The writers took the ancient Greek and Roman classical works as the literary models. Poetry was held to be an imitation on human life. They tried to control literary creation by some fixed rules. It is elegant in diction and structure. They stressed rules, reasons. Harmony, balance and an appeal to the intellect rather than emotion.15.Gothic Novel: It is story of terror and suspense, usually set in a gloomy old castle. Prominent features of Gothic fiction include terror (both psychological and physical), mystery, the supernatural, ghosts, haunted houses and Gothic architecture, castles, darkness, death, decay.16.Sentimentalism: A direct reaction against the cold, hard commercialism and rationalism. Dissatisfied with reason, they appeal to sentiment to the human heart, particularly pity and sympathy. Sentimentalism turns to the countryside for its material.17.Romanticism: It occurred in the middle 18th century. It strongly protests against neoclassism, which emphasized reason and order. The general features are: expressiveness, imagination, individual, worship of nature and freedom.18.Byronic hero: A proud, mysterious rebel figure of noble origin. With immense superiority in his passions and powers, the hero would carry on his shoulders the burden of righting all the wrongs in a corrupt society.19.Critical realism: It occurred in the 1840s. The writers criticized the capitalist system from a democratic viewpoint. They are concerned about the fate of the common people and described what was faithful to reality. Charles Dickens.20.Dramatic monologue: A single speaker speaks to a silent audience. Such poems reveal not the poet’s own thoughts but the mind of the impersonated character. .21.Psychological novel: A kind of novel that dwells on a complex psychological development and presents much of the narration through the inner workings of the character’s mind.22.Naturalism: A post-Darwinism movement of the 19th century that tried to apply the laws of scientific determination of fiction. A person is controlled by environment and heredity. Most of the works are pessimistic and detachment from the story23.Modernism: Began in the late 19th century and flourished until 1950s. It takes the irrational philosophy and the theory of psycho-analysis as its theoretical base. The major themes are the distorted, alienated and ill relationships between men and men, men and society, man and himself. They are more concerned with the inner world of an individual. They move from the objective to the subjective. It also include: alienation, loss of identity, loneliness, meaningless life, absurdity of the world, dehumanization of the society. Frequent techniques: juxtaposition and multiple points of view.24.Steam of consciousness: It is used to depict the mental and emotional reactions of characters to external events, rather than the events themselves. It adopts the psycho-analytic approach to explore the existence of unconscious and unconscious elements in the mind. The action is presented in terms of images and attitudes within the mind of one or more figures, often to get at the psychic nature of the character.25.Bildungsroman: A novel of the youthful development of a hero or a heroine. It describes the process by which maturity is achieved through various steps.26.Feminist criticism: Occurred in the late 1960s. It is an attempt to describe and interpret women’s experience as depicted in various kinds of novel. It attacks male notions of value in literature and challenges the accepted male ideas about the nature of women. Thus, it questions prejudices and assumptions about women made male writers.27.Post-modernism: Refers to certain radically experimental works of literature and art after WWⅡ. Much of the works reveals and highlights the alienation of individuals the meaningless of human existence. They use new devices, forms.28.Post-structuralism: An attempt to subvert structuralism and to formulate new theories. It was initiated by deconstructors. Each word exists in a complex web of language and has a variety of denotation and connotation that no one meaning can be final, stable to substitution.。

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