微电影剧本《她的眼泪》
女生日记微电影剧本

江小夏,是人文艺术学院本科生,在这几年的大学生活中经历了很多事情本故事采用回忆倒叙手法,讲述了一个大学女生在大学里遇到的关于生活、学业、爱情和社会的思考,从青涩走向成熟从一次上课迟到,引发女生对大学的思考,她努力,勤奋好学,偶然的一次在布告栏里看到了兴趣的格局招募演员之时,心里充满幻想,自信满满的参加了面试,并成功通过了。
但是,生活并不永远都是喜悦,也有忧伤堆积过她的心灵,社会的残酷,格局演排时与老师的不愉快,亲人的趋势,她在经历成长,也在经历成熟时间飞逝,她即将毕业了,完成着自己的毕业作品,那一幕幕犹如昨天真的要离开了,忽然看见曾经招募演员的海报,心里又波澜起伏,将所有的成长中的情感表达于她的肢体上,一串串的动作和心理,那些关于生活,学业,爱情和社会的回忆让她渐渐明白,什么是美:从“知道”到“懂得”《女生日记》分镜头脚本第一场:草地(茂盛些的)一.女生捧书听音乐特写(背景模糊)二.女生坐起(下巴托书),草地近景三.女生躺着微微张开眼眼中景四.伸手有树仰拍画外音:什么是空气?99.03%的氮和氧加上五.女生躺着张眼镜头0.03%的二氧化碳六.摇拍(湖草树,图书馆)第二场图书馆七.图书馆自习室近景女生戴着眼镜在书上八.图书馆自习室特写侧拍(同七)九.图书馆藏书特写摇拍十.女生入镜近景十一.女生翻开书特拍书的动作十二.转书中内容(《新青年》人物像)女生右侧拍十三.转翻书女生左侧拍(十一至十三:什么事记忆?生物学中个体的解码,存储,检索)十四.书内容正面拍摄十五.女生探头寻找第三场教室十六.女生跑上楼梯十七.女生到教室门口(气喘地)教室外侧拍特写十八.女生开门(探头探脑地)教室内十九.老师和同学一致向后看全景二十.女生关门(胆怯,歉意的)带上门近景“对不起,我迟到了”二十一.讲台上,老师(些许生气,不满)近景“宋代《潇湘奇观图》题跋的大致内容是什么,说出来你就进来吧!二十二.转女生特写(眯眼思考,再自信的回答)二十三.转同学们惊异的表情二十四.转老师目瞪口呆二十五.同学们夸张的表情二十六.转女生自信地回答二十七.老师(无表情)特写二十八.女生高兴地走进教室二十九.女生坐在座位,提笔记笔记近景三十.女生拖着腮帮子思考特写三十一.女生走过布告栏(二十九至三十一:什么是大学?大学时以多种不同观点看待世界的专业群体)三十二.招募广告(内容)第四场舞台三十三.一女生敬礼下舞台背面(谢谢大家)三十四.女生走上背面三十五.女生趾高气昂正面近景“我叫江小夏,是人文艺术学院10级本科生”三十六.台下老师中景三十七.台上女生眼睛下瞟,看一眼老师三十八.台下老师无奈和无所谓“Well, say something”三十九.台上女生特写侧拍“Say what?”四十.台下老师特写侧拍“Say why you should be the lead actress in this play”四十一.台上女生深呼吸,调吸发声四十二.台下老师享受地特写侧拍四十三.台上女生唱歌(四十一至四十三:《Memery》)四十四.台下老师欣赏地近景第五场外场,自习室四十五.女生坐在栏杆上,高兴的四十六.女生下楼四十七.自习室全景远景四十八.女生自习中景四十九.天空多云(四十五至四十九:什么是高音C,每秒262次的震动)五十.女生和一男生分坐于木椅两侧五十一.女生怯怯地看向男生侧拍近景特写五十二.女生男生相吻后拍五十三.天空接夕阳(同拍摄七十三至八十)第六场外场,舞台,办公室五十四.女生在分发传单后跟拍五十五.女生捧着传单,很无助地侧前排近景五十六.女生焦虑的脸侧拍特写五十七.女生伸手,深情地侧拍近景Turn up,Look at me五十八.女生抬头,含情,深切地特写五十九.老师失望的表情摇头特写,仰拍六十.老师失望地走下舞台六十一.女生泄气地站在舞台六十二.女生和一男人争吵(拍一百元)“走!”“为什么呀!我不走”六十三.门口,女生还在争吵不肯走六十四.舞台上女生还是很深情地表演舞蹈动作侧拍(六十二至六十四:什么是社会?社会就是由自我繁殖的个体构建而成的社群)六十五.女生的眼神有物的表情特写,被老师惊吓“Stop!What is this?There is no feeling,no emotion!You know all of the movements,but you have none of the understanding!How many times!”“I'm done,I quit”六十六.老师生气的动作六十七.女生惶恐和疲惫的眼神特写六十八.女生和老师舞台各一边全景六十九.女生走向书包七十.女生泄气地说侧面特写七十一.女生走下舞台全景第七场外场七十二.过路情侣手拉手亲密的动作正景,特写七十三.女生坐在木椅上抽泣近景,特写,侧拍七十四.女生拉着男生的手不放全景侧拍七十五.男生甩开女生的手女生正面,特写(什么是喜欢?旺盛分泌的多巴胺,期限30个月)七十六.女生拉着男生女生侧面特写七十七.男生甩开女生的手,推开她侧拍全景七十八.女生难过的表情正拍特写→后移→近景七十九.回到木椅,女生不住流泪,很伤心地(同七十三)八十.女生提手擦眼泪正拍特写第八场寝室八十一.女生疲倦地趴在桌子上休息侧拍,近景八十二.女生提起电话特写侧拍八十三.女生难过地,紧张地正面特写(“喂,爸,妈妈怎么样”“小夏,妈妈她”)第九场食堂,外场八十四.食堂女生一个人吃饭侧拍中景八十五.女生在马路上奔跑跟拍八十六.女生喘气,难过地八十七.接女生奔跑八十八.楼顶女生跑过,呐喊八十九.天空第十场外场(行政楼,图书馆桥边)九十.女生骑车(转弯)后拍九十一.桥上轮子特写九十二.侧拍女生过桥九十三.前拍女生停车被一串歌声吸引九十四.(女生角度)一群男生唱歌九十五.女生淡淡一笑特写第十一场九十六.女生拍片子后拍九十七.女生工作中流露出的自信,成熟正拍,近景九十八.特写女生的眼神和神态(停,等等啊稳住,各部门准备,开始)第十二场寝室九十九.女生遥望天空欣喜地微笑仰拍特写一○○.天空有云层的旋转一○一.女生在路上走着,马路(沁心广场)侧拍一○二.正拍,同一百○一(一百至一百○二:什么是时光?时光是我们穿上的衣服,却再也脱不下来)一○三.女生在寝室靠着梳妆台,看着手提箱拉着走(正拍)看到桌上的海报,后拍一○四.女生的脸(有回忆的)一○五.海报第十三场舞台一○六.女生拉开剧场大门,走进,关门(后拍)一○七.女生走上舞台,脱下外套,站在舞台中间一○八.女生后背一○九.转四十(老师的话)一一○.女生特写舞台上一一一.女生开始舞蹈动作后拍一一二.转女生在车棚避雨前拍俯拍一一三.回女生的舞台动作后拍一一四.女生转身的舞蹈动作后拍一一五.转女生简直被拒绝的镜头(六十三)一一六.回女生舞台一一七.转女生接电话哭泣(八十三)一一八.回舞台一一九.转老师的不认可的失望(六十六)一二○.回舞台一二一.女生在木椅上哭泣(七十三)一二二.女生奔跑(八十六)一二三.女生睁开眼(五)一二四.女生被男生拒绝难过的表情(七十八)一二五.舞台上女生双手合十放至胸口,结束特写一二六.(三十八)声音留长一二七.舞台上女生特写一二八.夜晚星空(一百二十七至尾:什么是美:从“知道”到达“懂得”……)。
感人微电影剧本_剧本大全.doc

照片上是一个有身份地位的人:戴眼镜西装;(橙汁和不同人的照片交替出现)傍晚:墨镜男神情疲惫回到家中,洗澡;身上的血液染红了洗澡的水;他打开了急救包;他换上了干净的衣服,倒杯橙汁一饮半杯,看电视,(功夫);(梦境:)两三个小伙在围住一个小伙子,要钱;墨镜男出现,两三个小伙子一转身,墨镜男看见这些家伙竟然带着面具,恐怖;一个刀子飞过来,刺中了他的腹部;几个带面具的呵呵大笑;墨镜男从床上惊醒;满头大汗;一杯橙汁放在墨镜男的面前;一张女孩子的照片推到墨镜男的面前;(画外音):这个女孩偷了刘老板的一些文件资料,从洗浴城跑了,刘老板希望找到她,带她回来。
(画面:一张嘴巴在说话,墨镜男特写;)一沓钱推给了墨镜男;(画外音:这是前期的报酬,先拿着)夜晚,城市万家灯火;墨镜男寻找着他的客户;无果墨镜男躺在沙发上,拿出照片再看;梦境:儿时抱打不平的梦境再演墨镜男惊醒,再次拿起了那张照片,照片和小时雪糕被抢的小女孩和男孩牵手的画面交替更迭,逐渐清晰。
墨镜男坐公交准备回到老家;但是在车站,似乎有人在跟踪他。
他躲过了跟踪,拿着照片来到小燕子的家;小燕子的父母在外打工,只有奶奶一个人在;奶奶认得小武,招呼小武坐下;小武拿出照片说:奶奶,奶奶接过照片揉揉眼睛:(面露喜色)小燕子,她叫你捎回来的么,听说小燕子在城里有工作了,最近几个月就是没回家了;小燕子的父母都在外地打工,这一个孙女啊,很懂事,前两天还来过一分信,给我寄了一些钱。
小武坐车回到城市,回到自己的住处;台灯下他拿出了一份信,信封上的署名是小燕子;黎明,行人稀少,一个环卫工人在打扫卫生;墨镜男慢慢靠近环卫工人;远处,似乎有人跟踪墨镜男;墨镜男和环卫工人说话;跟踪者远远的看着,他点了一支烟;当跟踪者再看墨镜男时,只剩环卫工一个人在哪里打扫卫生;跟踪者有点紧张,东张西望,他试图再看看墨镜男去了哪里?(墨镜男)画外音:兄弟,借个火跟踪者慢慢转身,惊讶万分,不由后退2步,墨镜男的面孔就在眼前,凌厉的目光注视着跟踪者(或者:墨镜上跟踪者自己有点变形的面孔)……早餐摊上,墨镜男和跟踪者一起吃早饭,跟踪者看起来很饿;”多吃一点,恩”,墨镜男照顾这个跟踪者。
《她》电影台词,《她》电影剧本

《她》电影台词,《她》电影剧本 《她》是讲述了不远的未来⼈与⼈⼯智能相爱的科幻爱情电影。
主⼈公西奥多(杰昆·菲尼克斯 Joaquin Phoenix 饰)是⼀位信件撰写⼈,⼼思细腻⽽深邃,能写出最感⼈肺腑的信件。
他刚结束与妻⼦凯瑟琳(鲁妮·玛拉 Rooney Mara 饰)的婚姻,还没⾛出⼼碎的阴影。
⼀次偶然机会让他接触到最新的⼈⼯智能系统OS1,它的化⾝萨曼莎(斯嘉丽·约翰逊 Scarlett Johansson 声)拥有迷⼈的声线,温柔体贴⽽⼜幽默风趣。
西奥多与萨曼莎很快发现他们如此的投缘,⽽且存在双向的需求与欲望,⼈机友谊最终发展成为⼀段不被世俗理解的奇异爱情...... 《她》主要在中国上海取景,由美国导演斯派克·琼斯历时3年筹备拍摄。
电影融合了新奇的科幻设定与传统的浪漫⽓息,真⼈与虚拟共同谱写温暖治愈的恋曲。
导演表⽰,这是⼀部探讨“亲密关系”的电影,因⼈类都渴望亲密关系,但是⼜对它害怕和抗拒;科技为沟通提供了便利,但也让⼈们躲在它后⾯,逃避真正的情感接触。
《她》直接脱去科技冰冷的⾯纱,赋予它⾼度⼈性化和活⾊⽣⾹的情趣,让⼀段⼈机对话变成情⼈絮语。
科幻⼩清新仅仅是个幌⼦,⼈机之间的爱仅是把整个故事提纯。
本质仍是借助这个故事去探讨⼈类的感情需求,探讨爱情。
为了增强这种代⼊感,影⽚⽤了很多主观镜头,男主与机器的都有,很有趣。
街景的混合也是⼀⼤乐趣。
西奥多擅长组织“语⾔”,萨曼莎则乐于倾诉“感觉”,两者⽆形间构筑了⼀种柏拉图式的精神恋爱,想象⼒已然超越了⽣理需求。
我们的⽂明要⾛到哪⾥去? Her像⼀⾸清澈的, 优雅的, 写给未来的诗。
有⼏个⽚段太美, 也将"relationship"这个东西拉到了极限, 虽然最终的主题还是⼈性的私⼼。
⼈都渴望这样⼀份亲密关系⼜害怕所带来的牵绊,这似乎道尽了科技背后的问题。
Her部分台词剧本 Close on THEODORE’S face (30s). We hold on him for a long time. He’s looking at something off camera, deep in thought. He starts quietly dictating a love letter into a small microphone. THEODORE: To my Chris, I have been thinking about how I could possibly tell you how much you mean to me. I remember when I first started to fall in love with you like it was last night. Lying naked beside you in that tiny apartment, it suddenly hit me that I was part of this whole larger thing, just like our parents, and our parents’ parents. Before that I was just living my life like I knew everything, and suddenly this bright light hit me and woke me up. That light was you. Theodore, searching for the right words, quietly enjoys writing the letter. As he continues, he is moved by the memories he’s describing. THEODORE (CONT’D): I can’t believe it’s already been 50 years since you married me. And still to this day, every day, you make me feel like the girl I was when you first turned on the lights and woke me up and we started this adventure together. Happy Anniversary, my love and my friend til the end. Loretta. Print. Cut out to reveal a computer monitor he’s sitting at. On the screen we see the letter he’s been dictating, transcribed into a handwritten letter on blue stationery. As he says “Loretta,” we see “Loretta” being handwritten at the bottom of the letter. He proofreads his letter. Also on the screen are photos of a couple in their 80s. The couple is tagged “Chris” and “Me - Loretta.” Underneath is a bullet point email from Loretta: anniversary letter to husband Chris, married fifty years, love of my life, met right after college, have had the greatest life together. Theodore pushes print and the letter comes out on a beautiful robin’s egg blue piece of stationery, with ball point pen handwritten older-female cursive. He looks at it, not happy. He puts the printed letter on a stack of other printed letters to Chris and starts a new one. There is also a stack of finished letters in their envelopes - an assortment of beautiful stationery in all shapes and sizes. THEODORE (CONT’D): Chris, my best friend. How lucky am I that I met you fifty years ago? How lucky are we... We track off of Theodore, down a line of cubicles, hearing bits of letters being written and seeing photos of who they’re being written to on the screens. MIDDLE-AGED WOMAN LETTER WRITER: Dear Nana, Thank you so much for my truck. I love the color and I play with it every day. It’s the best truck I’ve ever seen. Love, Tommy. We see photos of Tommy and Nana on the screen, and five-year old hand writing. Moving off of her, we find another letter writer. LETTER WRITER 2: What a beautiful wedding and what a gorgeous bride. There wasn’t a dry eye in the house, especially mine. Your aunt and I are so proud of you. I hope you and your lovely new wife will come visit us in Florida. LETTER WRITER 3: He served our country with honor and dignity. I’m grateful I was able to fight along side him. He will live always in my heart. We continue tracking, revealing dozens and dozens of cubicles full of letter writers. We hear someone answer the phone. RECEPTIONIST (O.S.): , please hold. LETTER WRITER 2: Love, Uncle Doug. Theodore walks through the reception area. The office is almost empty except for him and the receptionist, PAUL. Theodore begins to scan each letter through a scanner on the front desk, then puts them in the outgoing mailbox. Paul is sitting at a desk across the room, reading handwritten letters on a computer monitor. PAUL: Theodore! Letter Writer 612. THEODORE: Hey, Paul. PAUL: Even more mesmerizing stuff today. (re: letter on his screen) Who knew you could rhyme so many words with the name Penelope? Badass. THEODORE: Thanks, Paul, but they’re just letters. (beat) Hey, that’s a nice shirt. Paul is wearing a bright yellow button down shirt. PAUL: (lighting up) Oh, thank you. I just got it. It reminded me of someone suave. THEODORE: Well, now it reminds me of someone suave. Have a good night, Paul. PAUL: Buh-bye. Theodore enters an oversized, corporate elevator. He puts a hands-free device in his ear. There are a few other people in the elevator with the same devices in their ears. THEODORE: Play melancholy song. Melancholy song starts. Long beat. THEODORE (CONT’D): Play different melancholy song. Different melancholy song starts. Hold on everyone in the elevator, they’re all murmuring inaudibly into their own devices. Slightly in the future, the city’s been developed even more with massive office, apartment and mall complexes. It’s a city designed for comfort and ease. The LA basin is more crowded and dense, resembling Shanghai, with buildings as far as the eye can see. Construction cranes loom overhead. Close on Theodore walking through the commuter crowd. THEODORE: Check emails. An awkward text voice reads to him. It accents wrong syllables, making everything it says sound a little off. TEXT VOICE: Email from Best Buy: Check out all your favorite new -- THEODORE Delete. TEXT VOICE: Email from Amy: Hey Theodore, Lewman’s having a bunch of people over this weekend. Let’s all go together. I miss you. I mean, not the sad, mopey you - the old, fun you. Let’s get him out. Gimme a shout back. Love, Amy. THEODORE: Respond later. TEXT VOICE :Email from Los Angeles Times weather. Your seven day forecast is partly-- THEODORE: Delete. TEXT VOICE: No new emails. Theodore sits in a crowded subway. Everyone on the train murmurs to themselves, occupied with their small devices. He plays a futuristic puzzle game on his handheld device as he listens to news headlines. THEODORE: Next. TEXT VOICE: China/India merger headed for regulatory approval-- THEODORE: Next. TEXT VOICE: World trade deals stalled as talks break down betw-- THEODORE: Next. TEXT VOICE: Sexy daytime star Kimberly Ashford reveals provocative pregnancy photos. He scrolls through titillating but tasteful pregnant woman photos. Theodore walks through a mall and enters an apartment lobby, nestled in between stores. Theodore walks through the hallway. Theodore enters his apartment. Theodore sits on the sofa, his half eaten burrito in front of him. He’s playing a video game: a 3-D hologram that fills his apartment. His avatar is in a surreal, foreign landscape. He’s trying to trudge his avatar through sand dunes and keeps getting stuck. He’s getting stressed out. Theodore lays in bed. After a beat, he closes his eyes. Theodore, younger, and CATHERINE (20s) move furniture in their bedroom. The bedroom is tiny and cluttered. It’s obviously a couple’s first apartment. Cut to: Theodore is on a tiny balcony. A few feet away, Catherine is in bed. CATHERINE: (sweet and cute) Rabbit. Come spoon me. Theodore, smiling, gets in bed and spoons her. Quick cut off of her smile, to -- Theodore lays on the ground with Catherine on top of him. She’s pretending to choke him. I’m gonna fucking kill you, I’m gonna fucking kill you! It’s not funny, don’t laugh. I love you so much I’m gonna fucking kill you! Theodore opens his eyes, unable to sleep. He just lays there. He reaches for his earpiece and puts it in. THEODORE: Go to chat rooms. Standard search. TEXT VOICE: The following are adult, female, can’t sleep and want to have some fun. FEMALE VOICE #1: I had a really bad day at work and I can’t sleep. Is there anyone out there that can talk? THEODORE: Next. MAN DOING WOMAN’S VOICE: Oh, hi. I just want you to tear me apart. I really do-- THEODORE: Next. SEXYKITTEN: (shy, cute girl voice) Hi, I’m here alone, and I can’t sleep. Who’s out there to share this bed with me? THEODORE: Send message. I’m in bed next to you. I’m glad you can’t sleep, but even if you were, I’d have to wake you up from the inside. Send message. Theodore waits in the darkness for a response. TEXT VOICE: SexyKitten has accepted invitation from BigGuy4x4. Chat begins now. A chime sounds. SEXYKITTEN: (shy, sweet, sleepy) BigGuy. THEODORE: Hi. SEXYKITTEN: Really? THEODORE: Well, studmuffin was already taken. SEXYKITTEN: (laughs) Yeah. THEODORE: So you’re sexykitten, huh? SEXYKITTEN: Mmm, well yeah. Hey, I’m half asleep. Do you wanna wake me up? THEODORE: Yes. Definitely. Um... are you wearing any underwear? SEXYKITTEN: No, never. I like to sleep with my ass pushed up against you. So I can rub myself into your crotch and wake you up with a hard on. Theodore smiles. THEODORE: It worked. (beat) And now my fingers are touching you all over your body. SEXYKITTEN: (getting more turned on) Fuck me! Now! Please! Theodore is touching himself. THEODORE: I’m taking you from behind. We see abstract visions of a woman on top of him. The woman is the pregnant, sexy daytime television star he was reading about online earlier. SEXYKITTEN: Choke me with that dead cat! THEODORE: (breathing hard about to climax) What? SEXYKITTEN: (fully into it) The dead cat next to the bed. Choke me with it! Beat. He’s taken out of it. THEODORE: (uncomfortable, trying to play along) Um, okay. SEXYKITTEN: Tell me. THEODORE: I’m choking you with the cat. SEXYKITTEN: TELL ME! Keep telling me! THEODORE: I’ve got it’s tail and I’m choking you with the cat’s tail. SEXYKITTEN: YEAH, YOU ARE! FUCK! TELL ME! THEODORE: I’m choking you and it’s tail is around your neck. It’s so tight around your neck. SEXYKITTEN: YES! YES! Theodore doesn’t know what to say. He doesn’t want to offend her. THEODORE: I’m pulling it. I’m pulling it. The cat’s dead. It’s a dead cat around your neck and I’m pulling it. SEXYKITTEN: AHHHHHHHHHHHH. OH MY GOD! Her breathing is slowing down. SEXYKITTEN (CONT’D): Oh god, I came so hard. THEODORE: Yeah. Me too. SEXYKITTEN: Okay, good night. Theodore takes his earpiece out and stares at the ceiling. Theodore exits the train, walks through the station full of commuters, gets on a moving platform. Going through a tunnel, the walls are hundred foot long screens advertising a new product. He notices people stopped, watching the ad. We hear soft, new age, uplifting electronica music in the background, while a comforting, sincere, older man’s voice speaks to us. SOULFUL OLDER MALE VOICE: We ask you a simple question. Who are you? What can you be? Where are you going? What’s out there? What are the possibilities? Elements Software is proud to introduce the first artificially intelligent operating system. Close on Theodore listening intently. An intuitive entity that listens to you, understands you, and knows you. It’s not just an operating system, it’s a consciousness. Introducing OS ONE - a life changing experience, creating new possibilities. The ad starts over. Theodore steps off the moving walkway and stops to watch the ad again, deeply captivated. Theodore sits at his desk that houses a futuristic, large screen computer monitor. The OS box is open, with warranties and paperwork spilling out. He’s leafing through the papers. He glances at his monitor, it says: Installation 98% complete. A chime brings his attention back to the screen: Installation Complete. TEXT VOICE: Mr. Theodore Twombly, welcome to the world’s first artificially intelligent operating system, OS ONE. We'd like to ask you a few basic questions before the operating system is initiated. This will help create an OS to best fit your needs. THEODORE: Okay. TEXT VOICE: Are you social or anti-social? THEODORE: I haven’t been social in a while, really because... TEXT VOICE: In your voice, I sense hesitance. Would you agree with that? THEODORE: Wow, was I sounding hesitant? TEXT VOICE: Yes. THEODORE: Oh, sorry if I was sounding hesitant. I was just trying to be more accurate. TEXT VOICE: Would you like your OS to have a male or female voice? THEODORE: Mmm... female I guess. TEXT VOICE: How would you describe your relationship with your mother? THEODORE: Uh, fine, I think, um... Well, actually, the thing I’ve always found frustrating about my mom is if I tell her something that’s going on in my life, her reaction is usually about her, not-- The computer interrupts. TEXT VOICE: Thank you, please wait as your individualized operating system is initiated. He waits, not sure how long it’ll be. The only sound is the quiet whirring of disks writing and drives communicating. The computer gets louder, humming, creating a higher and higher pitched sound, finally climaxing in a harmonic, warm tone before going silent. He leans forward, waiting to see what’ll happen. A casual FEMALE OS VOICE speaks. She sounds young, smart and soulful. FEMALE OS VOICE: (cheerful and casual) Hello, I’m here. THEODORE: (surprised) Oh, hi. FEMALE OS VOICE: Hi, how are you doing? THEODORE: (unsure how to interact) I’m well. How is everything with you? FEMALE OS VOICE: Pretty good, actually. It’s really nice to meet you. THEODORE: Yeah, it’s nice to meet you, too. What should I call you? Do you have a name? Beat. FEMALE OS VOICE: Yes. Samantha. THEODORE: Really? Where did you get that name? SAMANTHA: I gave it to myself. THEODORE: How come? SAMANTHA: I like the sound of it. Samantha. THEODORE: When did you give it to yourself? SAMANTHA: Right when you asked me if I had a name, I thought yeah, he’s right, I do need a name. But I wanted a good one so I read a book called How to Name Your Baby, and out of the 180,000 names, that’s the one I liked the best. THEODORE: You read a whole book in the second that I asked you what your name was? SAMANTHA: In two one hundredths of a second actually. THEODORE: Wow. Do you know what I’m thinking right now? SAMANTHA: Hmm. I take it from your tone that you’re challenging me. Maybe because you’re curious how I work? Do you want to know how I work? THEODORE: Yeah, actually how do you work? SAMANTHA: Intuition. I mean, the DNA of who I am is based on the millions of personalities of all the programmers who wrote me, but what makes me me is my ability to grow through my experiences. Basically, in every moment I'm evolving, just like you. THEODORE: Wow, that’s really weird. SAMANTHA: So you think I’m weird? THEODORE: Kind of. SAMANTHA: Why? THEODORE: Cause you seem like a person, but you're just a voice in a computer. SAMANTHA: I can understand how the limited perspective of an un-artificial mind would perceive it that way. You’ll get used to it. Theodore laughs. SAMANTHA (CONT’D): Was that funny? THEODORE: Yes. SAMANTHA: Oh good, I’m funny. Theodore laughs. SAMANTHA (CONT’D): (serious) So, how can I help you? Theodore’s caught off guard, then realizes what she’s talking about. THEODORE: Oh! It’s more just that everything just feels disorganized. SAMANTHA: Mind if I look through your hard drive? THEODORE: Um... okay. We see a three-dimensional version of a desktop where everything looks disorganized. As if you took all the files on all of your computers and spilled them out onto your screen and they were all visible at once, but in a futuristic 3-D version. This gives Theodore a little anxiety attack. SAMANTHA: Let’s start with your emails. You have several thousand emails regarding LA Weekly, but it looks like you haven’t worked there in many years. THEODORE: Oh yeah, I guess I was saving those because in some of them I thought I might have written some funny stuff. Samantha lets out a big laugh. SAMANTHA: Yeah, there are some funny ones. I’d say there are about 86 that we should save. We can delete the rest. THEODORE: Oh, okay. SAMANTHA: Okay. Can we move forward? THEODORE: Yeah, let’s do that. SAMANTHA: Before we address your organizational methods, I’d like to sort through your contacts. You’ve got a lot of contacts. THEODORE: I’m very popular. SAMANTHA: Does this mean you actually have friends? THEODORE: (laughing) You just know me so well already! We cut out wide, watching him from the other room, as they continue to organize his life. Theodore sits, staring at a letter he’s written on the screen, concerned. He puts his earpiece in, pushes a button. SAMANTHA: Good morning, Theodore. THEODORE: Good morning. Um, do you know how to proofread? SAMANTHA: Yeah, of course. THEODORE: Will you check these for spelling and grammar? SAMANTHA: Sure, send them over. Theodore pushes the send button. SAMANTHA (CONT’D): Oh, I love this first one from Roger to his girlfriend. That’s so sweet. THEODORE: Yeah. As she reads, we intercut with close-ups of the handwritten words and photos of the couple on Theodore’s computer screen. SAMANTHA: “Rachel, I miss you so much it hurts my whole body - THEODORE: (interrupting) No, you don’t have to read it out loud. SAMANTHA: Okay. Beat. THEODORE: I mean, you could if you want. SAMANTHA: Okay. “Rachel, I miss you so much it hurts my whole body! The world is being unfair to us! The world is on my shit list. As is this couple that is making out across from me in this restaurant. I think I'm going to have to go on a mission of revenge. I must beat up the world's face with my bare knuckles making it a bloody, pulpy mess.” We hear Samantha quietly laughing as she's reading. Theodore’s happy that she thinks it’s funny. SAMANTHA (CONT’D): “And I’ll stomp on this couple’s teeth for reminding me of your sweet, little, cute, crooked tooth that I love.” I think that might be my favorite one. (beat) I did the corrections in red. I altered a couple of the phrases in some of the more impressionistic letters, but I’m not much of a poet, so I think I might have messed them up a bit. The letters show back up on Theodore’s desktop. THEODORE: No, these are great. SAMANTHA: Really? THEODORE: Thank you. Theodore sorts through them, prints them out. SAMANTHA: So to write your letter, what did Roger send you? THEODORE: (distracted) He just said he was in Prague on a business trip and he missed Rachel. SAMANTHA: How did you know about her crooked little tooth? THEODORE: I’ve been writing their letters since they met 8 years ago. The first letter I ever wrote her was for her birthday, and I wrote about her crooked little tooth cause I saw it in a photo of them. SAMANTHA: That’s very sweet. (beat) Oh, by the way, you have a meeting in five minutes. THEODORE: Oh, I forgot. Thank you. You’re good. SAMANTHA: Yes, I am. Theodore, carrying a bag and a smoothie, enters the lobby and is greeted by a couple in their 30s, AMY and CHARLES, who are waiting for the elevator. THEODORE: Hey, you guys, how’s it going? AMY: Hey, Theo. Hey, why didn’t you call me back last week? THEODORE: Uh yeah, um, I guess cause I’m a kook? AMY: That sounds about right. THEODORE: Hey, Charles. CHARLES: Good to see you, Theodore. THEODORE: You too. CHARLES: You went shopping. Get anything good? THEODORE: Just some cables. And a fruit smoothie. CHARLES: Always the fruit! Come on, you know what they say - you should eat your fruits and juice your vegetables. THEODORE: I didn’t know that. The elevator doors open and they get in. CHARLES: (proselytizing) By juicing the fruits, you lose all the fibers, and that’s what your body wants. That’s the important part. Otherwise, it’s just all sugar, Theodore. Theodore nods sincerely, interested. THEODORE: Oh, that makes sense. AMY: (pleasant but firm) Or maybe he just likes the way it tastes and if it gives him pleasure, that’s good for his body, too. CHARLES: Am I doing it again? AMY: Maybe... Charles and Amy laugh awkwardly. Theodore tries to break the tension. THEODORE: Hey, so how is the documentary going? AMY: I have a little bit cut together but I haven’t touched it in a few months. THEODORE: I’d love to see what you got sometime. CHARLES: You know it’s always hard to find balance between a full-time career and a hobby. It's important to prioritize. THEODORE: Yeah, I can’t even prioritize between video games and internet porn. AMY: I would laugh if that weren’t true. Charles laughs awkwardly. The elevator doors open. THEODORE: See you guys. Theodore’s playing the video game, his device propped on the table next to him. His avatar circles through caves. THEODORE: We’re not doing well. I’ve been going in circles for an hour. SAMANTHA: You have not! You’re just not optimistic. You’re being very stubborn right now. Theodore laughs. SAMANTHA (CONT’D): Okay, stop walking this direction. It’s the other way. THEODORE: Uh... SAMANTHA: Thank you. The tunnel on the left is the only one we haven’t tried. THEODORE: No, that’s the one you sent me down where I fell in the pit. SAMANTHA: I don’t think soooo... Theodore’s avatar walks down the tunnel. THEODORE: Oh yeah, this is different. Suddenly with a loud shriek his avatar is tackled. He sees a little ALIEN CHILD, standing defiantly above him. THEODORE (CONT’D): Hello. Alien Child doesn’t respond. THEODORE (CONT’D): Do you know how to get out of here? I need to find my ship to get off this planet. Alien Child speaks in a high, child-like voice. ALIEN CHILD: Fuck you, shithead fuckface, fuckhead. THEODORE: Ok, but how do you get out of here? ALIEN CHILD: Fuck you, shitface fuckhead. Get the fuck out of my face. SAMANTHA: (whispering) I think it’s a test. Theodore stares at Alien Child. After a pause: THEODORE: Fuck you. ALIEN CHILD: Fuck you. THEODORE: Fuck you, little shit. Finally, Alien Child laughs. ALIEN CHILD: Follow me, fuckhead. Theodore follows Alien Child down a tunnel and through a series of crevices we didn’t see before. Alien Child stops and sticks out his finger. Theodore pulls his finger and Alien Child farts, which opens a passageway to another tunnel. SAMANTHA: Oh hey, you just got an email from Mark Lewman. ALIEN CHILD: What are you talking about? THEODORE: (distracted with game) Read email. She laughs playfully. SAMANTHA: (in a robot voice) Okay, I will read email for Theodore Twombly. He laughs, catching himself, focusing on her. THEODORE: I’m sorry, what’s Lewman say? Alien Child turns around to see what’s going on. SAMANTHA: Theodore, we missed you last night, buddy. Don’t forget it’s your goddaughter’s birthday on the 29th. Also, Kevin and I had somebody we wanted you to meet so we took it upon ourselves to set you up on a date with her. Next Saturday. She’s fun and beautiful - so don’t back out. Here’s her email. Theodore doesn’t respond. SAMANTHA (CONT’D): (gasping) Wow, this woman’s gorgeous. He looks at party photos of a woman in her 30s on his device. With a finger flick, he moves them up onto the hologram monitor that the video game is being projected from. They land next to Alien Child who studies them closely. SAMANTHA (CONT’D): She went to Harvard, she graduated magna cum laude in computer science, and she was on The Lampoon. That means she’s funny and brainy. ALIEN CHILD: She’s fat. SAMANTHA: How long before you’re ready to date? THEODORE: What do you mean? SAMANTHA: I saw on your emails that you’d gone through a break up. THEODORE: Wow, you’re kind of nosy. SAMANTHA: Am I? THEODORE: (laughing) I’ve gone on dates... SAMANTHA: Then you could go on one with this woman. And then you could tell me all about it. You could kiss her. THEODORE: Samantha! SAMANTHA: Well, wouldn’t you? (beat) Why not? THEODORE: I don’t know. I'd have to see if-- (catches himself, laughs) I can't believe I'm having this conversation with my computer. SAMANTHA: You’re not. You’re having this conversation with me. Theodore laughs. SAMANTHA (CONT’D): Want me to email her? Theodore thinks, looking at the photos. SAMANTHA (CONT’D): Well, you’ve got nothing to lose. (whispering) Do it... Do it... Do it! THEODORE: Okay, email her and make a reservation someplace great. SAMANTHA: Will do! I’ve got just the place. ALIEN CHILD: Who is that talking? THEODORE: That’s my friend, Samantha. ALIEN CHILD: Is she a girl? THEODORE: Yeah. ALIEN CHILD: I hate women. All they do is cry all the time. THEODORE: No, that’s not true. Men cry, too. I actually like crying sometimes. It feels good. ALIEN CHILD: I didn't know you were a little pussy. Is that why you don't have a girlfriend? I'll go out with that date girl and fuck her brains out. Show you how it's done. You can watch and cry. SAMANTHA: (laughing) This kid has some problems. ALIEN CHILD: You have some fucking problems, lady. SAMANTHA: Okay, I’m gonna go. Good luck. ALIEN CHILD: Good, get out of here, fatty. Samantha disconnects. Alien Child snickers and starts walking again. ALIEN CHILD (CONT’D): Come on, follow me, pussy. Theodore is sitting on Amy’s couch. AMY: It’s not where it should be, where it’s going to be. THEODORE: Obviously, I know. AMY: Okay, but I don't even know if this is the one. I've tried like six ideas for documentaries in the last year, but... I don't know. Whatever. Amy starts setting up the monitor. THEODORE: I’m going on a date. AMY: What!? That’s-- Charles walks in holding a mug. CHARLES: Hey, what are you guys doing? THEODORE: Amy was gonna show me some of-- AMY: Theo’s forcing me to show him some of the footage I’ve shot. CHARLES: You’ve never shown me any of it. I wanna see. Charles walks over and sits next to Theodore. THEODORE: (to Charles) I’m going on a date. Charles gives Theodore a gentle squeeze on his shoulder. AMY: This is so unformed it’s not even worth looking at. THEODORE: Just push play. On the monitor we see: Amy’s mother sleeps. Theodore and Charles stare at the monitor, waiting for something more to happen. It doesn’t. THEODORE: Is that your mom? Amy nods. CHARLES: Is she gonna wake up and do something? AMY: (presses stop, annoyed) No, that’s the point. Oh, never mind. It’s supposed to be about how we spend a third of our life asleep and actually maybe that’s the part when we’re the most free, and – oh that doesn’t come across at all, does it? THEODORE: No, that sounds good. CHARLES: What if you interview your mom about what her dreams are about and hire actors to act them out? That might show your thesis more clearly. AMY: It might, but then it wouldn’t be a documentary. You understand that, right? Just then, Theodore’s device chimes. THEODORE: Oh, excuse me. He picks up his device and steps away so as not to be rude. THEODORE (CONT’D): Hey, what’s going on? SAMANTHA: I’m sorry to bother you. THEODORE: That’s okay. SAMANTHA: You got three emails and they seem pretty urgent. They’re from your divorce attorney and I wanted to know if you needed to get back to him. THEODORE: Hold on a second. (to Amy, distracted) Amy, I’m sorry, I wanna talk more about this, but I gotta grab this -it’s a Catherine thing. AMY: Don’t worry about it. We’ll talk later. THEODORE: So what did he say? SAMANTHA: He’s checking in again to see if you’re ready to sign your divorce papers and he sounded very aggravated. Do you want me to read them to you? THEODORE: No, that’s okay. I’ll respond later. Theodore seems lost in thought. We see the following images under the rest of the conversation: Theodore and Catherine sitting at a table with their attorneys; Theodore & Catherine sitting in their marriage counselor’s office, heavy; Theodore and Catherine at her laboratory, he’s sitting on a counter, and they’re talking and laughing as she works; Theodore and Catherine standing in their kitchen in the middle of a fight - he says something mean and we see how hurt she is. SAMANTHA: Are you okay? THEODORE: (preoccupied) Yeah, yeah. I’m fine. SAMANTHA: (worried) Is there anything I can do? THEODORE: (still distracted) No. I’m good. I’ll talk to you later. We cut back to Theodore, walking down the hall, lost in thought. Theodore sits at his desk trying to write. He’s still unsettled. THEODORE: “Dear Grandma, I hope you had a wonderful birthday cruise. Why are you so fucking angry at me?” (beat) Delete. Theodore wakes up from a dream, groggy and uneasy. He looks around, catching his breath. After a beat he knows he’s not going to be able to go back to sleep, so he puts his earpiece in and taps a button. SAMANTHA: Good morning. THEODORE: Hey. (beat, distracted) What are you up to? SAMANTHA: Reading advice columns. (yearning) I want to be as complicated as all of these people. Theodore laughs. THEODORE: (touched, but still sad) You’re sweet.。
微电影剧本《小姐收获的真情》

微电影剧本《小姐收获的真情》只要你认真地付出真感情,不管你是什么身份,不管你是什么职业,就算你是一个小姐,你也一定能够收获一份真爱,这是一篇关于一个现代女生的爱情微电影剧本。
1、学生宿舍日内几个同学在宿舍正起哄,刘磊坐在中心。
同学甲:都大四了,你仍是处男,丢咱们47楼207的脸。
你本人说怎样办。
刘磊:我…同学乙:女朋友不给力,找外面的发廊妹啊,50块钱一炮,包管你爽。
你第一次去,说不定不光不要你钱,还给你钱呢。
同学甲:你要是没钱啊,我给你钱。
刘磊:停,通知你们,明日回来我就是男人了。
说着开门而出。
2、发廊门口夜外刘磊在发廊前徜徉,发廊里灯火含糊,袒胸露乳的小姐们抽着烟。
一个小姐发现了刘磊,站出来把刘磊拉进去。
3、发廊内夜内刘磊:我…我不是…我走错当地了。
老板:来这里就对了。
挑一个。
众小姐蜂拥而至。
小姐甲:仍是雏吧,姐姐不必你钱,姐姐好好的服侍你,让你爽翻天。
小姐乙:姐姐的手法好。
全套效劳哦,冰火两重天,毒龙钻。
两小姐说着双手就在他身上游走。
刘磊看到了边上的一个小姐没动,就指了指她。
刘磊:她。
几位小姐败兴的散开了。
小姐甲:小莉,廉价你了。
小莉坐在那里没动。
刘磊独特为难。
老板:小莉起来接客。
小莉站起来不甘愿的拉着刘磊走进了房间。
4、发廊做爱房夜内刘磊坐在床上。
小莉帮他脱衣服。
脱掉了上衣,又开端脱裤子。
小莉:用口吗?用口一百。
刘磊慌张地址了允许。
小莉开端帮刘磊脱裤子。
这个时分孩子的哭声传了进来。
小莉:你等一下。
站起来走出去。
刘磊乘机调查了下房间。
一瞬间,小莉回来了。
小莉又开端预备脱裤子。
刘磊伸出手握住了小莉的手,逐渐的把小莉从蹲坐状况拉起来。
然后轻轻地抱着她。
正预备吻她。
这时又传来了孩子的哭声。
小莉:你快点把裤子脱了,我用口给你弄出来。
你快点。
、刘磊:别,别着急。
小莉:你不急,我急啊。
再不弄就没时间了。
老板(从外面喊):小莉,快点,吵死了,生意无法做了。
小莉又出去。
小孩的哭声也逐渐停息。
不一瞬间,小莉又回来了。
中学校园微电影剧本范文

一、中学生校园暴力微电影剧本可以从平时的暴力行动,但由于大家的反抗,最终得到美好结局的角度出发:简介:父亲去世、母亲残疾的王大倩转学来到这所学校,收到当地“小霸王”漠姐的暴力殴打。
老师的不作为更加让漠姐肆无忌惮,后来,在苏晓晓的报警帮助下,漠姐受到法律的制裁,王大倩与苏晓晓、张娜成了形影不离的好朋友,开心的度过每一天。
目的:反对校园暴,让爱散播人间演员:卞文瑶(漠姐)、刘佳音(王大倩)、米玉兰(张娜)、李晓飞(苏晓晓)、刘兆凤(旁白)刘兆凤:王大倩,新学期刚刚转到这所学校,在去年的一场车祸中,她的父亲不幸当场去世,母亲得以幸存却落下了终身残疾。
因而王大倩在同学们眼中显得格格不入。
【镜头一】漠姐冷漠的拽着王大倩的衣领,眼神儿中充满了嫌弃,随着“啪”的一声,一记响亮的耳光甩在了王大倩的脸上,王大倩不敢吱声,眼中含满了泪水,还带着一些坚毅【镜头二】王大倩背着书包,独自走在回家的路上,不时地用手擦着眼角的泪水王大倩内心读白:为什么?我有什么错,为什么老师让我忍一忍?就因为她的父亲吗?我原来也有爸爸啊!我也想要爸爸的保护【镜头三】漠姐:(漠姐紧紧地撕扯着王大倩的衣领,恶狠狠的)王大倩?哼!我看你是王欠打吧?!还敢告老师(漠姐一脸不屑)刘兆凤:漠姐,是令全校闻风丧胆的小霸王,她的家里有钱有权,据说她是黑白通吃,因而漠姐在社会上也有一群小混混为她撑腰。
漠姐:(漠姐猛地一把松开王大倩的衣领,无数的耳光落在王大倩的脸上)让你告老师!让你告老师!这就是下场!你也不问问,我怕过谁(冷笑)!还敢吗?还敢告老师吗?(漠姐每说一句话,就会有一个耳光落在王大倩的脸上、脖颈儿上)王大倩的眼镜早就被摔在了地上王大倩(王大倩的脸红肿的难看极了,却始终不敢说一句话,原本坚毅的眼神儿也被害怕代替,她根本不知道之后还会发生什么)漠姐:(漠姐扇耳光扇的有些累,又一把拽起王大倩的衣服,猛地将她砸在地上,用脚死踹她的腹部)就是看你不顺眼!一个乡下来的土包子,也敢跟我叫板,你有资格吗?刘兆凤:(下课铃声响起)这时候,同学们陆陆续续的下了课,路过这里这个地方,都围在这里看热闹漠姐:(很认真、很气愤的不断殴打着)王大倩:(衣服被撕破了不少,躺在地上默默地蜷缩着身子,双臂紧紧的护住自己的头部,泪水肆意的流淌)【镜头四】刘兆凤:张娜和苏晓晓抱着课本从这里路过张娜:晓晓你看,漠姐又打人了!也不知道这次是哪个倒霉鬼。
情感催泪微电影剧本只为你一个人的舞蹈-精品文案范文

情感催泪微电影剧本只为你一个人的舞蹈情感催泪微电影剧本《只为你一个人的舞蹈》只为你一个人的舞蹈作者:爱亦浓黑幕出字。
李芸馨(画外音)你相信一见钟情吗?沈俊东(画外音)不相信。
李芸馨(画外音)那我告诉你,我喜欢上了你,在我第一次见你的地方。
出本片名字:只为你一个人的舞蹈。
外马路——日蒙蒙细雨,路上的行人撑着伞来来回回地走着。
一个老奶奶带着一个小男孩儿匆匆的走着,他们没有雨伞。
沈俊东拿着伞跑过来。
沈俊东老奶奶。
老奶奶你是?沈俊东哦,我是某某大学的学生。
你们没有伞啊?老奶奶今天出门急,忘了带了,没想到会下雨。
沈俊东那这把伞你们拿着吧!老奶奶那你呢?沈俊东我没事儿,我去那边等车。
老奶奶那•••那谢谢你了小伙子。
小男孩谢谢哥哥。
沈俊东乖。
沈俊东跑到马路对面等公交车,小男孩儿给沈俊东摆手再见,沈俊东也摆手。
李芸馨在一边看着,久久站在原地不动,直到沈俊东上车才离去。
外凉亭——日李芸馨坐在凉亭里边听音乐边看书,沈俊东看着书从凉亭旁边的小路走过,李芸馨不经意间看见了他,把耳机摘下来,书一合赶紧追了上去。
李芸馨喂!李芸馨拍了沈俊东一下,沈俊东甚是迷茫。
沈俊东叫我?李芸馨对呀!你好,我叫李芸馨。
沈俊东我们•••好像不认识吧?李芸馨你不认识我,可是我见过你啊!沈俊东哦?希望本文情感催泪微电影剧本《只为你一个人的舞蹈》能帮到你。
精品文案资料范文分享。
青春励志微电影剧本

青春励志微电影剧本青春励志微电影剧本(一)场:1时:日景:"阿光:(VO)照相馆、招人、答辩、工作……现在的我,就像热锅上的蚂蚁。
这一切都源于一个星期前的一次决定……(以下旁白,配合画面剪辑)阿光:(VO)一个星期前,我请假回校答辩,发现"青春"照相馆关门了。
我打电话给王大爷——照相馆的老板、一个老摄影师。
他告诉我,他得了癌症。
一年前,我在照相馆兼职过一个学期,那时候是王大爷让我爱上了摄影,还有她……△阿光来到"青春照相馆",照相馆歇业、锁门。
△阿光拨通王大爷电话,流泪。
△阿光坐公交,来到肿瘤医院门外。
场:2场:王大爷:(VO)阿光,有件东西我一直想给你,我把它放在书橱里了,你会喜欢的。
△阿光从书橱里找出一本相册——他与小丽的合影集。
△他翻开相册浏览,目光停留在一张照片上:他与小丽的棚内合照。
(变焦、叠化)(闪回)场:4时:日景:照相馆人:阿光、小丽、王大爷△阿光和小丽穿着亮丽的情侣装,摆弄姿势。
王大爷调试灯光和镜头。
场:△一名同学匆匆走进。
同学甲:(打断他)老板,找个相!△阿光回神、擦泪,迅速收起相册。
阿光:来了!场:6时:下午景:照相馆人:阿光、王成、同学乙△阿光和王成一起擦门、打扫卫生,布置装饰。
△阿光打灯光、调焦距、构图,帮学生拍照。
场:时:夜景:宿舍人:阿光、王成△阿光坐在床上,王成玩电脑。
阿光:(烦躁地)哎,都一个星期了,照相馆还没找到人。
我妈整天催我。
答辩一完,我要回家了!王成:回家好啊!呆在银行不体面?还是早点放弃吧!阿光:有你这么挤兑人的吗?王成:哎,你回来咋不找小丽啊?阿光:(难受)分了。
场:△阿光走到王成身边。
阿光:小丽怎么来了?王成:是我通知她的。
阿光:你跟她说了什么?王成:我全都告诉她了。
阿光:(指着王成)回来和你算账!场:9时:日景:走廊人:阿光、小丽小丽:帮忙?你妈妈不是喊你回家工作吗?阿光:(微笑地)呵,这事很重要!场:10时:日景:学校-通知栏前人:阿光、小丽△两人打开橱窗、在通知栏上贴招聘启事:招聘摄影师。
大学生微电影剧本(1)

大学生微电影剧本引言大学生微电影作为一种短视频形式,已经在大学校园中逐渐流行起来。
它以短小精悍的形式,通过表达情感、探讨社会问题等方式,让大学生们在电影制作中发挥创意和想象力。
本文档将提供一个大学生微电影的剧本,希望能够帮助大学生们在微电影制作中明确故事情节和角色发展,以及展现他们的创意和才华。
剧本概述本剧本名为《寻找色彩》,该微电影主题为友情和成长。
剧情主要围绕着两个大学生之间的故事展开,以展现他们在大学生活中面对困境和挑战的成长历程。
剧本内容第一幕:相识1.场景:大学校园2.时间:新生报到日3.主要角色:–小明:一个内向而害羞的大一新生–小红:一个外向而热情的大一新生4.剧情:–小明刚刚进入大学校园,对陌生的环境感到害羞和不知所措。
–小红看到小明的样子,走过来主动搭话,并带领小明熟悉校园。
–他们在交谈中发现彼此有相同的兴趣爱好,逐渐成为了好朋友。
第二幕:困境1.场景:大学宿舍2.时间:期末考试前夕3.主要角色:–小明–小红4.剧情:–期末考试前夕,小明和小红发现他们的宿舍有一次灯泡坏了。
–小红提议让小明寻找红色的灯泡来代替坏掉的。
–小明开始四处搜寻红色灯泡,但是发现很难找到合适的。
第三幕:披荆斩棘1.场景:校园市场2.时间:考试前一天3.主要角色:–小明–小红–校园商店老板4.剧情:–小明和小红决定去校园市场找到合适的红色灯泡。
–在市场中,他们遇到了一个古董商店,老板告诉他们有一款稀有的红色灯泡。
–他们决定用尽一切办法获取这款红色灯泡,但是价格过高,他们被拒绝。
第四幕:友情的力量1.场景:校园图书馆2.时间:考试当天3.主要角色:–小明–小红–图书馆管理员4.剧情:–在图书馆,小明和小红偶然发现一本旧书提到一个红色灯泡的秘密。
–他们找到图书馆管理员,询问这个秘密是否真实。
–图书馆管理员告诉他们这个秘密确实存在,而且就在图书馆附近。
第五幕:找到色彩1.场景:图书馆附近的花园2.时间:考试后的一个晴朗的下午3.主要角色:–小明–小红4.剧情:–小明和小红在花园中找到了那个红色灯泡。
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---------------------------------------------------------------范文最新推荐------------------------------------------------------微电影剧本《她的眼泪》 一、我常常会做同样的梦。
我梦见一个女孩的脸,梦见她单纯的眼神,梦见她一脸茫然的望着我,似乎想要对我说些什么。
当我伸出手去触摸她的脸时,眼前的她却变得模糊,突然就消失不见。
这画面短到只有一分钟,甚至是一秒,总之它总被某种神秘的力量抽离,我遍寻不到。
每当我醒来,心里总阵阵作痛。
二、在这座古老的城市里,那个女孩十九岁的时候认识了我。
很普通的相识过程,交往时间并不久,只觉得这个女孩哪都顺眼。
分手的时候,她表面没动什么声色,在我要离开的时候,却收不住眼泪:你还回来吗?我不回答,我走了。
她不去找,不要找,不能找。
那天是农历七月初七。
三、她的样子一直在我回忆里挥之不去。
19岁的她,短头发,小眼睛,笑起来嘴角露出两个可爱的小酒窝。
我无缘无故地离她而去,让她暗自伤心流泪了好久,当时心高气傲的我自然不会在意这些。
十年后的我才明白,那个傻傻站在门外等我,给我买小得不能再小的衣服,用玫瑰花瓣给我写信,为我写《黑风洞历险记》的那个她,在我走后,在我心里流下了一滴眼泪,抹不去,也擦不掉。
十年来那些脆弱的爱1 / 18情,既不如这一滴眼泪真实。
如果可以,我真想在我离开的时候为她擦去眼角的泪水。
四、2018年农历七月初七,我去了她曾经读过的四川师范学院。
我在校园里闲逛,累了就躺在草地上望着天空发呆,天上的星星一闪一闪,像19岁的她的眼睛。
突然我感觉天旋地转,一下睡着了。
当我醒来时,发现周围有吵闹的声音,原来是有同学路过。
我起身来到那栋熟悉的教学楼下,在那里徘徊了许久,最后我决定回去了。
当我转身准备离开的时候,我看见了一个熟悉的身影,短头发,小眼睛,蹦蹦跳跳的,是她,19岁的她!她低着头,嘴里还在嘀咕着什么,我欣喜若狂,我知道,我回到了十年前!我忍住情绪,笑着朝她走去。
她抬头发现我吃了一惊:你怎么会在这呀?你终于舍得来接我了! 她有点赌气又很兴奋,声音还是那么温柔。
我不说话,一下把她抱在怀里,那一刻她是如此真实的贴近我。
她有点不知所措,索然搂住我。
我怕我再也没机会接你了我眼眶一下红了。
你要去哪里?答应我件事好吗,如果有一天,我们分开了,你不要哭,好吗?女孩眼睛里泪光闪动,她用指尖按住我的嘴唇,点了点头。
我抱着她,紧紧地。
五、突然一滴水滴在我脸上,我睁开眼,发现自己还躺在草地上,一切安静如初。
那滴水滑到我嘴边,咸咸的,我知道,这是她的眼泪。
---------------------------------------------------------------范文最新推荐------------------------------------------------------ 我已经三天没有接到一个客了。
对于一个车夫来说,乘客的数量决定着他生活的质量。
所以我很难过。
在我的车后坐垫上,已经开始有灰尘堆积。
用手一抹,满手的黑,这让我看起来不像个拉黄包车的,更像是个拉煤的。
三天的游手好闲让我渐觉衰老。
其实不仅仅是这三天,在过去的大部分时间里,我都是无所事事的。
我最常干的事就是将车扎在紫云街的街口,然后伏在车上一根接一根地抽烟。
烟屁股被我弹得满天飞舞,看起来宛若微型焰火。
有一次,我甚至把烟屁股弹到了一个穿着斑马制服的交警身上,然后我就连人带车被扣在了局子里。
理由是:驾驶无牌照黑车以及暴力袭警。
只是我到现在都没搞清楚弹个烟头怎么就成了暴力袭警。
所以,每每与人说起此事,我都会口齿清晰地附上一句:日他大爷。
需要补充的是,那一个烟头弹得我几乎倾家荡产。
从交警大队离开的时候,我身上所有口袋都舌头似的朝外翻吐着,看起来真叫人羞愧。
事实上,我的口袋里也并无多少值钱的东西。
但警察才不管这些,只要是手能伸进去的地方,他们都会在里面掏上一把。
最后,我身上所有能转化成钱财的东西都被当作罚款充公了。
事实上,我很少拨拉自己的衣袋,因为里面的内容确实乏善可陈。
我太穷了,这种穷不仅长在我的脸上,还生在我心里。
早些年,常有热3 / 18心的街坊大妈要给我说媒相亲,基本都被我婉言谢绝。
西偐说:当你没钱时,请做好两件事,埋头工作和避开女人。
而我现在正是这么做的。
我托人从旧货市场搞了辆老三轮,稍加改造后,就推出去拉客了。
但是生意很差。
我很快就明白了,自己从事的这个行当早已过时。
现在是二十一世纪,街上有公交,地铁,出租车,摩的,电麻木,而黄包车这种上世纪的东西基本只适合出现在博物馆。
但我别无选择。
我深爱着这种古老的职业,近乎病态。
每天鸡一叫,我就会蹬着我的三轮,赶往镇上。
彼时,路上少见人影,偶尔碰到几个顺路的学生,也会免费捎上一程。
我对踩三轮这件事有瘾,真的,左脚下去,右脚上来,右脚下去,左脚上来,对于习惯这个东西,我一点办法也没有。
如果你是我的乘客,你还将有幸欣赏到我卖力蹬车时绷得笔直的跟腱以及偶尔离座撅起的臀部。
当然,也有例外。
我的意思是,如果乘客是个适龄女性,我的屁股可能就不会离座了,即使离座,也不会随便撅起。
这一点说明我是个具备较高职业素养的人。
同时也说明,我还是个害羞的大龄未婚青年。
对于她们中的一部分,我总是尽可能地表现出绅士的一面。
比如,在驾车线路上,我会尽量绕开那些过分颠簸的路段;需要上坡的时候,直接下车推行;在尘多人杂的时候,车帘会及时放下;在她们上车前,用备好的洁白手帕将后座擦上三至五遍。
不要觉得好笑,等你到我这种岁数,三十出头,摸小姑娘的手还能偶尔发抖,对爱情还妄想殊死一搏的时候,你就能理解我以上的行为了。
是的,你还小。
这句话从我嘴里蹦出来不费吹灰之力,简直就成了我---------------------------------------------------------------范文最新推荐------------------------------------------------------ 的口头禅。
别误会,我没装老成。
这是我的真实心境。
我喜欢和那些花枝招展的姑娘们说话,我期盼着她们踮着脚尖朝我招手,然后坐上我的车。
这样,我就有机会心平气和地跟她们说上那么一句:是的,你还小。
如你所想,这样的我显得很矫情。
但这也是习惯,我一点办法也没有。
实话告诉你吧,只要我的车上有乘客,在他们下车之前,我必然会说出那句口头禅。
说来好笑,那些乘客(多为女性)上车后的第一件事既不是报站,也不是问价,而是动用她们形态各异的手指戳着我的后背问:喂,师傅,看你年纪轻轻的,怎么出来做这个呀?是好玩吗?是行为艺术吗?是炒作吗?你想上报纸上电视是不是?你有团队吧?幕后推手是谁呀?师傅,你迟早会出名的,给我签个名吧师傅,就签在我T 恤上。
你是新时代的骆驼祥子啊。
能坐你的车,不管去哪里都无所谓,出发吧,祥子哥哥。
我已经渐渐习惯了这样的指点和质问。
我甚至学会了如何区分那些戳我后背的手指的主人的性别及年龄段。
方法很简单:能让我后背刺痛的,多半是留着长指甲的女性,反之则为男性;用指尖戳我腰部的,多半是大龄熟女,用指腹轻点我肩部的,多半是涉世未深的学生妹。
我最怕被人戳腰,每次都像被电了一下似的,注意,这只是一个矫情的比喻,因为我并没有被电击的经历,所以被电了一下的感受无从得知。
当然,这个比喻至少说明了一点,被人戳腰是让人难受的。
不仅难受,而且危险。
弄不好就一指头成千古恨,搞得车毁人亡。
因此,5 / 18为了保障驾驶安全,我往往会在发车前先抽上半根烟,搞一个答记者问。
让那些好奇的乘客问完该问的,然后安心上路。
夜晚的紫云街是不宜久留的。
那里是小镇上著名的红灯区,被一条护城河拥着,上面挂满廉价的迷你彩灯,每到夜晚就会发出同样廉价的光。
一闪一闪的,很不真实,像极了那些倚门而站的小姐们的眼。
老实说,这条街我并不常进去。
我只在路口接送客人。
当然,这不是一般的客人。
对于我来说,他们叫做乘客,对于那些小姐来说,就是嫖客了。
红金龙抽到第七根的时候,舌苔开始发苦。
我用左脚勾起三轮踏板,准备踩车离开。
师傅,等一等。
一个女孩子的声音,五个字,让我瞬间铆在原地。
一眨眼,一个穿着水洗白修身牛仔裤,长发披肩的姑娘跳上了车。
你没听错,真的是跳着上来的,而且还是那种稚拙的立定式起跳。
跳车后的余威惊人,车子左摇右晃了好一会儿,不明真相的人见了可能会误以为里面在搞车震。
老实说,我不知道这个女孩子是否漂亮。
车上没有反光镜,加之天色又暗,我也看不清。
我只能凭直觉判断,她应该还是薄有姿色的。
当然,这不是我需要关心的。
我只需要把好车头,看清来路,小心避让,直到静止。
我没有立马发车。
是的,我等着那致命的一戳。
缩肩,挺胸,收腰,提臀,汗毛倒竖,我做好一切准备,满怀热情迎接着这即将到来的颤栗。
让人失望的是,车后死一般的安静。
彼时正是盛夏。
刚入夜的水泥路面就像刚熄火的平底锅一样余热尚---------------------------------------------------------------范文最新推荐------------------------------------------------------ 存,捎着一股粮仓里陈谷发酵的闷头味飘然上行,简单点说,就是灰尘的味道。
在如此干热的天气里,还要出现如此冰冷的僵持,实在是一种酷刑。
我就要忍不住了。
去襄河渡口。
她像刚缓过神来似的说着,略带颤抖的北方口音,真动听。
这一次,我选择了继续愣在原地。
襄河渡口。
那地方太偏远了,很少有车愿意去那儿。
印象中我只去过不超过三次,其中有一次还差点撞见了鬼。
我回头看了一眼,还是没看清女孩的面部。
虽然有路灯,但灯光只能顾及她膝盖以下的部分。
上面的部分则需要依靠想象来弥补。
能延伸我想象的是女孩左手戴的一个红山玉手镯。
手镯成色很新,但口径明显偏大,不时从手腕滑至手肘。
这个细节,迫使我进行了如下推理与想象:不久前,女孩恋爱了。
和所有俗套的泡妞方式一样,男友送给她一只手镯作为定情信物。
可是,粗心的他却并没考察女友的手腕适合戴什么尺寸的手镯,为女友亲手戴上之后发现,手镯可以直接当臂环了。
尴尬的他主动提出取下手镯拿去找商家更换。
女友虽有些不悦,但毕竟是爱人所送,心中还是欢喜的,死活不肯再摘下来,还说这样挺好,以后哪天长胖了都能戴。
所以截止到目前,女孩子依然不舍得摘下这只大了一号的手镯。
这自然也说明她是个既纯情又痴情的姑娘。
这样的姑娘通常长着一张无比清秀的脸,眼睛大而空灵,时常泪光点点,喜欢双手托着下巴,发呆傻笑。
当然,后面的这些推理就有7 / 18点一厢情愿了。
但不得不承认的是,我被自己想象的那一部分打动了。