shooting an elephant
shooting an elephant译文

shooting an elephant译文
"Shooting an Elephant" 中文意思是“射杀一头大象”,它是乔治·奥威尔(George Orwell)的一篇著名散文,这篇作品讲述了作者在缅甸担任警察期间,由于受到当地民众压力而不得不射杀一头失控大象的故事。
该故事深入探讨了殖民统治下的道德困境和个人良知与职责之间的矛盾。
以下是一个简要的中文译文概述:
奥威尔在文中描述了自己作为英国殖民地官员,在面对一头逃逸并造成破坏的大象时所遭遇的心理挣扎。
尽管他内心并不愿意伤害这头无辜的动物,但在当地民众围观和期待下,为了维护自己的权威与面子,他最终还是被迫做出了射杀大象的决定。
这一行为既体现了殖民者的无奈与无力,也揭示了权力与舆论对个体选择的扭曲影响。
我最喜欢的运动是射击英语作文

My Favorite Sport: ShootingSports have always been a passion of mine, and among them, shooting stands out as my absolute favorite. The precision, focus, and stillness required in this sport are what draw me to it. It's not just about aiming and firing; it's about mastering the art of precision and control.The allure of shooting lies in its simplicity and complexity. On the one hand, the basic mechanics of aiming and firing seem straightforward. However, mastering the subtle nuances that lead to success requires hours of practice and dedication. The slightest movement, the blink of an eye, or even a shallow breath can affect the outcome. This is where the real challenge lies.I remember my first experience with shooting. It was ata local shooting range, and I was immediately fascinated by the precision and control required. As I held the gun in my hands, I could feel the weight and the power it held. The excitement and anticipation grew as I aimed at the target, taking my time to line up the sights perfectly. The click of the trigger and the recoil of the gun were thrilling,and the sense of accomplishment when I hit the bullseye was unlike anything I had ever experienced before.Shooting has not only taught me precision and control but also patience and discipline. Waiting for the perfect moment, holding my breath, and steadying my aim require immense patience. This has translated into other areas of my life, making me more focused and determined.Moreover, shooting has provided me with a unique bond with fellow shooters. We share a common language and understanding that goes beyond the sport itself. The camaraderie and support among shooters are unparalleled, and I have made lifelong friends through this sport.In conclusion, shooting is not just a sport; it's a way of life. It teaches precision, control, patience, discipline, and the importance of community. For me, it's a perfect blend of challenge and reward that continues to inspire me to push my boundaries and excel in this sport that I love so much.**射击——我最喜欢的运动**运动一直是我的热爱,其中,射击更是我情有独钟的最爱。
Unit3 Text2Shooting an Elephant

Shooting an ElephantGeorge Orwell1(Abridged)1The elephant was standing eighty yards from the road, his left side towards us. He took not the slightest notice of the crowd,s approach. Hewas tearing up bunches of grass,beating them against his knees to cleanthem and stuffing them into his mouth. As soon as I saw the elephant Iknew with perfect certainty that I ought not to shoot him.2But at that moment I glanced round at the crowd that had followed me. It was an immense crowd, two thousand at the least and growing everyminute. It blocked the road for a long distance on either side. I looked atthe sea of yellow faces above the garish clothe s—faces all happy andexcited over this bit of fun, all certain that the elephant was going to beshot. They were watching me as they would watch a conjuror about toperform a trick. They did not like me, but with the magical rifle in myhands I was momentarily worth watching .And suddenly I realized that Ishould have to shoot the elephant after all. The people expected of me andI had got to do it; I could feel their two thousand wills pressing me forward,irresistibly. And it was at this moment ,as I stood there with the rifle in myhands, that I first grasped the hollowness ,the futility of the white me n,sdominion in the East2 .Here was I ,the white man with his gun ,standing infront of the unarmed native crowd—seemingly the leading actor of thepiece ,but in reality I was only an absurd puppet pushed to and fro by thewill of those yellow faces behind .I perceived in this moment that when thewhite man turns tyrant it is his own freedom that he destroys. He becomesa sort of hollow, posing dummy, the conventionalized figure of asahib3 .For it is the condition of his rule that he shall spend his life intrying to impress the“natives4”and so in every crisis he has got to dowhat the “natives”expect of him .He wears a mark, and his face grows tofit it .I had got to shoot the elephant. I had committed myself to doing itwhen I first sent for the rifle .A sahib has got to act like a sahib: he has gotto appear resolute ,to know his own mind and do definite thing .To comeall the way ,rifle in hand ,with two thousand people marching at my heels,and then to trail feebly away ,having done nothin g—no, that wasimpossible .The crowd would laugh at me .And my whole life ,every whiteman,s life in the East , was one long struggle to be laughed at.3But I did not want to shoot the elephant. I watched him beating his bunch of grass against his knees, with that preoccupied grandmotherly airthat elephants have, it seemed to me that it would be murder to shoothim .At that age I was not squeamish about killing animals, but I had nevershot an elephant and never wanted to. (Somehow it always seems worse tokill a large animal.) Besides, there was the beas t,s owner to be considered.Alive, the elephant was worth at least a hundred pounds; dead ,he wouldonly be worth the value of his tusk s—five pounds ,possibly. But I had gotto act quickly. I turned to some experienced- looking Burmans who hadbeen there when we arrived, and asked them how the elephant had beenbehaving. They all said the same thing: he took no notice of you if you lefthim alone, but he might charge if you went too close to him.4It was perfectly clear to me what I ought to do .I ought to walkup to within, say ,twenty-five yards of the elephant and test his behavior. If hecharged I could shoot, if he took no notice of me it would be safe to leavehim until the mahout came back. But also I know that I was going to do nosuch thing. I was a poor shot with a rifle and the ground was soft mud intowhich one would sink at every step. If the elephant charged and I missedhim ,I should have about as much chance as a toad under a steam-roller5,But even then I was not thinking particularly of my own skin ,only thewatchful yellow faces behind .For at that moment ,with the crowdwatching me ,I was not afraid in the ordinary sense ,as I would have beenif I had been alone .A white man mustn’t be frightened in front of“natives”,and so, in general , he isn’t frightened. The sole thought in my mind wasthat if anything went wrong those two thousand Burmans would see mepursued ,caught, trampled on and reduced to a grinning corpse like thatIndian up the hill6. And if that happened it was quite probable that some ofthem would laugh. That would never to do. There was only one alternative.I shoved the cartridges into the magazine and lay down on the road to get abetter aim.5The crowd grew very still, and a deep, happy sigh, as of people who see the theatre curtain go up at last, breathed from innumerable throats.They were going to have their bit of fun after all. The rifle was a beautifulGerman thing with cross-hair sights, I did not then know that in shootingan elephant one should cut an imaginary bar running from ear-hole toear-hole 7, I ought to therefore, as the elephant was sideways on, to haveaimed straight at his ear-hole; actually I aimed several inches in front ofthis, thinking the brain would be further forward.6When I pulled the trigger I did not hear the bang or feel the kic k—one never does when a shot goes home—but I heard the devilish roar of gleethat went up from the crowd .In that instant ,in too short a time ,one wouldhave thought ,even for the bullet to get there ,a mysterious , terrible changehad come over the elephant .He neither stirred nor fell , but every line ofhis body had altered . He looked suddenly stricken, shrunken immenselyold, as though the frightful impact of the bullet had paralyzed him withoutknocking him down. At last ,after what seemed a long tim e—it might havebeen five seconds, I dare say—he sagged flabbily to his knees .His mouthslobbered . An enormous senility seemed to have settled upon him .Onecould have imagined him thousands of years old. I fired again into thesame spot .At the second shot he did not collapse but climbed withdesperate slowness to his feet and stood weakly upright , with legs saggingand head drooping. I fired a third time .That was the shot that did for him.You could see the agony of it jolt his whole body and knock the lastremnant strength from his legs. But in falling he seemed for a moment torise, for as his hind legs collapsed beneath him he seemed to towerupwards like a huge rock toppling, his trunk reaching skyward like a tree.He trumpeted, for the first and only time. And then down he came, hisbelly towards us, with a crash that seemed to shake the ground even whereI lay.1,246 wordsN otes1. About the author See Note 1 of Tex tⅠ.2.…I first grasped the hollowness, the futility of the white men’s dominion in the East. (Paragraph 2) I first understood the worthlessness and failure of the white men’s control over the countries in Asia.3.sahib (Paragraph2)(in former times)a male European in India ,Pakistan or Southeast Asia especially with some official position or rank4. natives (Paragraph2)Burmans5.…I should have about as much change as a toad under a steam-roller.(Paragraph 4) If I missed the elephant ,I would likely be caught and trampled on by him just as a toad was knocked down and rolled over by a steam-roller.6. a grinning corpse like that Indian up the hill(Paragraph4) The present selection is an extract ravaging the bazaar and had killed a black Dravidian coolie.7.I did not then know that in shooting an elephant one should cut an imaginary bar running from ear-hole to ear-hole .(Paragraph5)I was not ,at that time ,aware that in shooting an elephant one should imagine a bar going into its head from one ear-hole and coming out from the other .Q uestions for discussion1.Did the author initially intend to kill the elephant?2.What confirmed his conviction that he ought not to shoot the elephant?3.What prompted the author to change his mind?4.Where did the author tell his reasons for shooting the elephant?5.What is the significance of the story?。
中国传统故事曹冲称象英文版PPT课件

Someone said,"We can only weigh it if we build a huge set of scales."But imagine how big that set of scales would have to be! And even with such scales, it would be impossible to weigh a living elephant on them!
Everybody watched with their eyes wide open, but nobody had the slightest clue what was going on.
After that, Cao Chong asked people to aet a lot of rocks and slowly load them onto the boat. The more rocks that were loaded, the deeper the boat sank.As soon as the boat sank to the level where the waterline met the mark on the side of the boat, Cao Chong shouted,"Stop!"
On hearing this, everyone burst into laughter.Why would anyone kill an elephant just to have it weighed!
Just then, Cao Chong walked in front of everybody and said,"I have a solution to weigh the elephant properly.”
orwell shooting an elephant解析

orwell shooting an elephant解析乔治·奥威尔《射象》解析
乔治·奥威尔的短篇小说《射象》是一部犀利而具有思想深度的作品。
这篇小
说以奥威尔在英属缅甸工作时的真实经历为背景,以个人经历展示了帝国主义的荒谬和压迫。
通过对作者心理的描写,小说探讨了权力、道义和良知的冲突。
故事发生在英属缅甸的一个小镇,奥威尔是当地的一名英国官员。
他在该地区
的权威和负责任的地位使他备受期待,这也加剧了他内心的困惑。
主要冲突开始于一只即将破坏当地村庄的大象。
他面临一个抉择:按照当地人的期待行事,射杀大象,还是追随自己的内心,避免无辜动物的死亡?
作者在这个抉择中反思了帝国主义体制对于个人道德和良知的压迫。
他解析了
权力对个人的影响和依赖,揭示了政治力量和道德责任之间的矛盾。
奥威尔意识到虽然他对当地人来说是权威的象征,但他自己却拥有一种无能为力的感觉,因为他心知肚明,射杀大象只是为了维持权力的象征。
在小说的结尾,奥威尔以一种令人不寒而栗的方式传达了他对帝国主义的批判。
当他意识到大象已经失去原本威胁,成为温顺的生物时,他充满内疚地射杀了它,以满足观众的期待和为个人保持权力。
这一凄凉而令人备受震撼的场景成为整个故事的高潮,也是对帝国主义和殖民主义的强烈谴责。
《射象》是一部令人深思的作品,挖掘了个人道德和政治权力之间的冲突。
通
过作者与大象和当地居民的互动,他给我们展示了帝国主义的丑陋面孔以及被压迫者的无奈和无力感。
奥威尔在这篇小说中明确表达了他对帝国主义的强烈批判,并让我们思考什么是真正的正义和道德。
营救野生象英语续写作文

营救野生象英语续写作文English:After receiving a distress call about a wild elephant trapped in a pit, a rescue team immediately sprang into action. The team consisted of wildlife experts, veterinarians, and local volunteers who were determined to save the endangered creature. The elephant, distressed and exhausted, had fallen into the pit while foraging for food in the forest. The rescue operation was a race against time, as the deep pit posed a serious threat to the elephant's life. With careful planning and coordination, the team managed to sedate the elephant and carefully hoist it out of the pit using a crane. It was a tense and nerve-wracking operation, but when the elephant was finally free from the pit and able to walk away into the forest, the team breathed a sigh of relief. The successful rescue was a reminder of the importance of protecting and conserving the habitat of wild animals like elephants, who play a vital role in maintaining the balance of the ecosystem.中文翻译:接到一份有关一只被困在坑里的野生大象的求救电话后,一个营救团队立即行动起来。
shooting an elephant读后感

shooting an elephant读后感摘要:1.作品简介2.主题分析3.人物角色4.写作技巧5.读后感悟正文:【提纲】1.作品简介《Shooting an Elephant》是英国作家乔治·奥威尔创作的一篇散文,讲述了一个警察在缅甸殖民地射杀了一头大象的故事。
这篇文章以第一人称视角叙述,通过描述主人公的行动和思考,揭示了殖民主义者的无奈和罪恶感。
2.主题分析这篇文章的主题是殖民主义者的道德困境。
在故事中,主人公作为一名警察,被迫执行殖民政府命令,射杀一头无辜的大象。
这使得他在正义与邪恶之间挣扎,对自己的身份和所作所为产生了怀疑。
3.人物角色文章的主人公是乔治,他是这篇散文的核心。
乔治在故事中是一个充满矛盾的人物,一方面他想保护当地人民免受大象的伤害,另一方面他又不愿成为殖民统治的工具。
这个角色展现了殖民者在面对道德抉择时的无奈和挣扎。
4.写作技巧奥威尔在作品中运用了讽刺、对比和心理描写等手法。
首先,文章的标题就是一个讽刺,暗示着射杀大象的行为是合理的。
其次,通过对比乔治的内心矛盾和外部环境,强调了殖民者的道德困境。
最后,文章通过心理描写揭示了乔治对殖民统治的不满和对当地人民的同情。
5.读后感悟《Shooting an Elephant》这篇文章让我们思考殖民主义者和被殖民者之间的关系,以及道德和现实之间的矛盾。
在现实生活中,我们也会面临类似的抉择,如何在遵循道德原则的同时,面对现实社会的挑战。
这篇文章提醒我们要时刻关注自己的行为对他人的影响,以及对社会现象进行深入思考。
总之,《Shooting an Elephant》是一篇具有深刻内涵的散文,通过讲述一个射杀大象的故事,揭示了殖民者的道德困境和对社会现象的反思。
世界英文散文精粹中英对照文本经典

hope, cheer, courage and power from men and from the infinite,
希望、欢乐、鼓舞和 力量信息,
so long as you are young.
你就会年轻 多长时间
其实像这样画出来的 美人
but the painter that made them.
,恐怕只表现了画 家本人的某种偏爱。
Not but I think a painter may make a better face than ever was;
画家不能通过这样 画出更好看的脸
but he must do it by a kind of felicity
美犹如盛夏的水果,是 容易腐烂而难保持的
and for the most part it makes a dissolute youth,
世上有许多美人 他们有过放荡的青春
and an age a little out of countenance;
却迎受着愧悔的晚年
but yet certainly again, if it light well,
因此,应该把美的 形貌与美的德行 结合起来
it maketh virtue shine, and vices blush.
这样,美才会发出夺目 的光辉。
02_Youth青春
Nobody grows merely by a number of years we grow older by deserting our ideas.
美不在颜色艳丽 而在面目端正,
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What does the Elephant Stand for?Background information: Britain conquered Burma over a period of sixty-two years, during which three Anglo-Burmese Wars took place and incorporated it into its Indian Empire .Burma was administrated as a province of India until 1937when it became a separate ,self-governing colony. George Orwell wrote the story in 1936, which is a very time for Burmese having great hatred toward Britain. It‟s a period of intense anti- European sentiment.In the story the writer gave us five vivid scenes as follows.A.The scene of the writer being mocked by the locals-------It created apseudo morph that the writer seemed complaining about the local people‟s insults towards him .Actually it is a misunderstanding of writer‟s purpose, which only by giving objective facts to reveal he could fully understand people‟s sentimental insults on him.. As a sub-divisional police officer of the town, he was an obvious target for Burmese. It shows people‟s great hatred on Britain.B.The scene of the wretched prisoners ---------He felt an intolerable sense of guiltwhen the writer depicted the scene. Despite the local people…s insults on him, he still confirmed that imperialism was an evil thing .It‟s a comparison of writer‟s attitudes towards Burmese and colonist. “I was all for Burmese and all against imperial power.” That clearly shows the writer‟s distinct political stance. Therefore we can understand why the writer was subjected to constant baiting and mocks by local people. Here we can also see the narrator‟s dilemma. The different attitudes towards Britain and Burmese aroused our curiosity and provoked us to deliberate on the reason.C.The scene of the dead Indian coolie-------It depicted the elephant‟s savagedamage in the town but meanwhile it revealed the misery of the working people there. An elephant ravaging bazaar is a tiny incident itself, which yet made the writer recognize the real nature of imperialism. The savage elephant can be comparable to the despotic government.Both of them have produced destructive effects to the people here.(similarity 1)D.The scene of people’s following when writer ready to shoot theelephant-----The scene impressed me most not only because of its vividness but also thementality development of two kinds of groups: the Burmese and the writer. At first, the writer didn‟t intend to shoot the elephant out of sympathy. But meanwhile the writer was propelled by ever–growing followers towards the elephant .The Burmese felt excited and showed a lot of interest on the writer shooting the elephant. At this time the narrator seems like a leader of an army with a rifle, but he almost had no actual right and freedom. He was just the puppy of imperialism. Eventually he determined to shoot the elephant not as what he said is he wanted to avoid being laughed at by Burmese .The real implication is that he wanted to arouse colonists‟ introspection. The dilemma he encountered was to blame themselves .It is the tyrant that destroyed his own freedom. The tyrant initially sent the writer do on the will ofimperialism. He seemingly was the leading actor of the piece, but in reality he was nothing but an absurd puppy push to and fro by the will of the locals. By enforcing the strict British rule, he is forfeiting his freedom while currently oppressing the Burmese .A call to end imperialism “shooting an elephant”, ironically, the real intention is that he wanted to appeal to the British to cease colonialism to maintain their “freedom”.E.The scene of the dying elephant’s final struggle-----The writer spent muchspace describing the elephant‟s reactions after being shot. The elephant was an old one which owned an unimaginable vitality which was not so easy to be destructed so thoroughly just like the British colonist.(similarity 2) Britain occupied Burma for a long time and had huge power which was not easy for locals to repel thoroughly. Burmese they felt helpless but also had uplift in anti –imperialism during the scenes.Conclusion: As far as I am concerned, the elephant in the story is the symbol of imperialism .They share many similarities just mentioned above the paragraph. Shooting an elephant virtually is to end imperialism on the will of the Burmese. The writer showed his rage against the evil (empire)-spirited beast (elephant) implied in his writings. The writing style of this story is very much like as the Marrakech. They show the writer‟s political stance in an lucid and ironical way by illustrating objective facts. The sympathy on Burmese and great hatred on Britain is a comparison of revealing writer‟s stance. Appeal Britain to cease imperialism is to liberate them to get freedom ironically.。