Exploring Architectural Design Cases 1

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探索故宫英文作文

探索故宫英文作文

探索故宫英文作文Exploring the Forbidden City。

The Forbidden City, located in the heart of Beijing, China, is a historical and architectural marvel that has captivated visitors from around the world for centuries. Steeped in rich history and cultural significance, this imperial palace complex served as the home of Chinese emperors and their households for nearly 500 years, spanning the Ming and Qing dynasties. Today, it stands as a UNESCO World Heritage Site and one of China's most visited attractions, offering a glimpse into the opulent lifestyle of ancient Chinese royalty.The Forbidden City, known as "Gu Gong" in Chinese, spans over 180 acres and is comprised of nearly 1,000 buildings, making it the largest imperial palace complex in the world. Its construction began in 1406 during the Ming Dynasty and was completed 14 years later. Surrounded by high walls and a moat, the Forbidden City was designed tobe a secluded sanctuary for the emperor, his family, and his court, inaccessible to the general public without permission.One of the most striking features of the Forbidden City is its remarkable architectural design, which reflects the principles of traditional Chinese geomancy and feng shui. The layout of the complex follows a precise north-south axis, with a series of grand halls, pavilions, courtyards, and gardens arranged symmetrically along this central axis. Each building is adorned with intricate carvings, colorful paintings, and ornate rooftops adorned with glazed tiles, showcasing the finest craftsmanship of the time.As visitors enter the Forbidden City through the Meridian Gate, they are greeted by vast courtyards and imposing halls, each with its own unique significance and function. The Hall of Supreme Harmony, the largest and most important building in the complex, was where the emperor held court ceremonies and state occasions. Its grandeur and scale symbolized the supreme power and authority of the emperor.Adjacent to the Hall of Supreme Harmony is the Hall of Central Harmony and the Hall of Preserving Harmony, which served as venues for imperial examinations, banquets, and other official functions. Further into the complex lies the Inner Court, where the emperor's living quarters, the Palace of Heavenly Purity, and the Palace of Earthly Tranquility are located. These lavishly decorated chambers offer a glimpse into the private life of the imperial family.Beyond its architectural splendor, the Forbidden City also houses a vast collection of cultural relics and artifacts, including ancient paintings, calligraphy, ceramics, jade, and imperial treasures. The Palace Museum, established in 1925, now showcases these priceless treasures to the public, allowing visitors to immerse themselves in the rich cultural heritage of China.Exploring the Forbidden City is not only a journey through China's imperial past but also an opportunity to appreciate the enduring legacy of Chinese civilization.From its majestic architecture to its storied history, the Forbidden City continues to inspire awe and wonder, reminding us of the ingenuity and creativity of the ancient Chinese people. As visitors wander through its hallowed halls and tranquil gardens, they are transported back in time to a world of emperors, concubines, and eunuchs, experiencing firsthand the grandeur and opulence of China's imperial era.。

英语作文建筑师求职信简短

英语作文建筑师求职信简短

英语作文建筑师求职信简短英文回答:Dear [Hiring Manager Name],。

I am writing to express my interest in the Architect position posted on [Your Website]. With my [Number] years of experience in architecture and my proven ability to lead design teams and deliver exceptional results, I am confident that I have the skills and expertise to excel in this role.Throughout my career, I have consistently exceeded expectations in delivering high-quality architectural designs that meet the needs of my clients. My portfolio showcases a diverse range of projects, from residential and commercial buildings to healthcare facilities and educational institutions. I am proficient in all aspects of the architectural design process, from conceptualization and planning to construction documentation and projectmanagement.One of my key strengths is my ability to lead and motivate design teams. I have successfully managed multidisciplinary teams of architects, engineers, and contractors, ensuring seamless collaboration and timely project completion. My strong communication and interpersonal skills allow me to effectively convey project vision, resolve conflicts, and build strong relationships with clients and stakeholders.Furthermore, I am highly proficient in using industry-leading software such as AutoCAD, Revit, and SketchUp. I am also familiar with building codes and sustainability standards, and I am committed to designing sustainable and environmentally friendly buildings.I am eager to contribute my skills and experience to your team. I am confident that I can make a significant contribution to your firm and help you achieve your architectural goals.Thank you for your time and consideration. I look forward to hearing from you soon.Sincerely,。

建筑英文architectural

建筑英文architectural

建筑英文Architectural简介建筑英文(Architectural)是指与建筑有关的一种专业语言,主要用于描述建筑设计、建筑材料、建筑构造等方面的相关内容。

建筑英文在建筑行业中扮演着重要的角色,它不仅被广泛应用于建筑设计、施工图纸、建筑规范等文件中,还被用于与国外建筑师、设计师进行交流和合作。

建筑设计建筑设计(Architectural Design)是指从概念到落地的整个建筑设计过程。

在建筑英文中,建筑设计通常包括以下几个方面的内容:1.Concept:概念–Building Type:建筑类型–Architectural Style:建筑风格–Design Philosophy:设计理念2.Site Analysis:场地分析–Site Location:场地位置–Topography:地形地貌–Climate:气候条件3.Programming:项目规划–Functional Requirements:功能需求–Spatial Organization:空间组织–Building Relationships:建筑关系4.Design Development:设计发展–Plans:平面图–Elevations:立面图–Sections:剖面图–Details:构造细节5.Material Selection:材料选择–Structural Materials:结构材料–Finishing Materials:装饰材料–Sustainable Materials:可持续材料6.Construction Documents:施工图纸–Floor Plans:平面图–Roof Plans:屋顶平面图–Building Sections:建筑剖面图7.Project Management:项目管理–Scheduling:进度安排–Budgeting:预算管理–Quality Control:质量控制建筑材料建筑材料(Architectural Materials)是指用于建筑结构、装饰和室内设计的各种物质。

介绍一个建筑设计师英语作文

介绍一个建筑设计师英语作文

介绍一个建筑设计师英语作文Architecture is a form of art that combines functionality with aesthetic appeal. Among the creative minds shaping the skylines of our cities, architects stand out as visionaries who mold the environment we inhabit. One such architect who has left an indelible mark on the landscape of contemporary design is Zaha Hadid.Zaha Hadid was born in Baghdad, Iraq, in 1950, and later studied mathematics at the American University of Beirut before pursuing architecture at the Architectural Association School of Architecture in London. Her unique upbringing and diverse educational background infused her work with a distinctive blend of cultural influences and mathematical precision.Hadid's architectural style is characterized by fluid forms, bold angles, and innovative use of materials. She embraced technology as a tool for realizing her avant-garde visions, employing advanced software to translate her complex designs into buildable structures. Her buildings often seem to defy gravity, with sweeping curves and dramatic cantilevers challenging traditional notions of space and motion.One of Hadid's most iconic works is the Guangzhou Opera House in China, completed in 2010. Its undulating glass and concrete façade mirrors the flow of the nearby Pearl River, creating a harmonious dialogue between the built environment and the natural landscape. Inside, the building's fluid geometry continues, with sweeping staircases and curving balconies guiding visitors through a mesmerizing spatial experience.Another notable project is the London Aquatics Centre, built for the 2012 Olympic Games. Its dynamic roof, inspired by the fluidity of water, soars over the venue like a wave frozen in time. The undulating form not only serves an aesthetic purpose but also optimizes structural performance, efficiently distributing loads and minimizing material usage.Hadid's influence extends far beyond individual buildings; she was a pioneer in the field of parametric design, exploring new ways of generating and manipulating architectural forms through computational algorithms. Her research laid the groundwork for a generation of architects pushing the boundaries of what is possible in the built environment.In addition to her architectural achievements, Zaha Hadid was a trailblazer for women in a male-dominated profession. She shattered glass ceilings and inspired countless aspiring architects, proving that vision and talent know no gender.Tragically, Zaha Hadid passed away in 2016, leaving behind a legacy that continues to inspire and awe. Her buildings serve as monuments to her fearless creativity and relentless pursuit of innovation. As we marvel at the wonders she created, we are reminded of the transformative power of architecture to shape our world and enrich our lives. Zaha Hadid may be gone, but her visionary spirit lives on in the soaring curves and bold forms of the structures she left behind.。

经典建筑风格英语作文

经典建筑风格英语作文

经典建筑风格英语作文Title: The Timeless Charm of Classic Architectural Styles。

Classic architectural styles have stood the test of time, embodying the essence of beauty, elegance, and cultural heritage. From the majestic columns of ancient Greek temples to the intricate facades of Renaissance palaces, these architectural marvels continue to captivate and inspire generations. In this essay, we will delve into the enduring appeal of classic architectural styles, exploring their characteristics, significance, and influence on contemporary design.One of the most iconic examples of classic architecture is the Greek Doric order, characterized by its sturdy columns, simple capitals, and triglyph metopes. The Parthenon, a symbol of ancient Greek civilization, showcases the grandeur and harmony of Doric architecture. Its majestic columns, meticulously carved friezes, andpediment sculptures reflect the Greeks' reverence for proportion and balance. Despite being built over two millennia ago, the Parthenon remains a timeless masterpiece, attracting millions of visitors from around the world.Another hallmark of classic architecture is the Romanesque style, which flourished in Europe during the medieval period. Characterized by thick walls, rounded arches, and decorative arcading, Romanesque buildings exude strength and solidity. The Durham Cathedral, with its massive stone walls and imposing towers, exemplifies the grandeur of Romanesque architecture. As a symbol ofreligious devotion and architectural prowess, the cathedral continues to inspire awe and admiration among visitors.During the Renaissance period, classical ideals experienced a revival, leading to the emergence of the Renaissance style. Inspired by the architecture of ancient Rome and Greece, Renaissance buildings embraced principlesof symmetry, proportion, and humanism. The Florence Cathedral, with its iconic dome designed by Filippo Brunelleschi, epitomizes the elegance and sophistication ofRenaissance architecture. Its harmonious proportions and graceful curves reflect the period's emphasis on beauty and rationality.In addition to these classical styles, the Baroque and Neoclassical movements also left a lasting impact on architecture. The Baroque style, characterized by its dramatic forms, rich ornamentation, and dynamic use oflight and shadow, reached its zenith in the grandeur of Versailles Palace. Designed by Louis XIV's architects, the palace's opulent interiors, sprawling gardens, andintricate facades epitomize the extravagance and theatricality of the Baroque era.The Neoclassical style, on the other hand, emerged as a reaction to the excesses of the Baroque and Rococo periods, embracing simplicity, clarity, and classical motifs. The United States Capitol in Washington, D.C., designed by William Thornton and later expanded by Thomas Jefferson, is a quintessential example of Neoclassical architecture. Its symmetrical facade, Corinthian columns, and dome inspired by the Pantheon symbolize the democratic ideals andclassical heritage of the young nation.Despite the passage of time, classic architecturalstyles continue to influence contemporary design andinspire architects, designers, and urban planners worldwide. From the sleek skyscrapers of New York City to the avant-garde museums of Bilbao, echoes of classical architecture can be found in the modern built environment. Whether through the use of classical elements, such as columns and arches, or through references to classical proportions and motifs, architects pay homage to the timeless beauty and enduring legacy of classic architecture.In conclusion, classic architectural styles represent the pinnacle of human creativity, ingenuity, and craftsmanship. From the majestic temples of ancient Greeceto the grand palaces of Europe, these architectural marvels continue to inspire awe and admiration centuries aftertheir creation. By studying and appreciating classic architecture, we gain a deeper understanding of ourcultural heritage and a greater appreciation for the enduring power of beauty and design.。

英文介绍建筑专业的作文

英文介绍建筑专业的作文

英文介绍建筑专业的作文Title: Exploring the World of Architecture。

Architecture is more than just buildings; it's a fusion of art, science, and culture. Aspiring architects embark on a journey of creativity and innovation, shaping the landscapes of our cities and the experiences of our lives. In this essay, we delve into the realm of architecture, exploring its significance, challenges, and the path to becoming a professional in this dynamic field.At its core, architecture is about creating spaces that inspire, function, and resonate with the people who inhabit them. It encompasses the design of buildings, urban planning, landscape architecture, and interior design. Architects blend aesthetics with functionality, considering factors such as environmental sustainability, cultural context, and technological advancements.One of the most compelling aspects of architecture isits ability to reflect the values and aspirations of society. From ancient civilizations to modern metropolises, architectural styles evolve in response to cultural, political, and technological shifts. Gothic cathedrals, Renaissance palaces, and contemporary skyscrapers each tell a story of their time, capturing the spirit of an era through design.However, the journey to becoming an architect is not without its challenges. It requires a unique blend of creativity, technical skills, and perseverance. Architectural education is rigorous, encompassing studies in design theory, structural engineering, building materials, and computer-aided design (CAD). Students spend countless hours honing their craft, from sketching initial concepts to constructing detailed models and digital renderings.Beyond the classroom, aspiring architects often face obstacles in navigating the complexities of the industry. Competition for internships and entry-level positions can be fierce, requiring graduates to demonstrate their talentand dedication. Additionally, the path to licensure involves completing a period of practical experience and passing rigorous exams, ensuring that architects are equipped to uphold professional standards and ethics.Despite these challenges, the rewards of a career in architecture are immeasurable. Architects have the opportunity to shape the built environment, influencing how people interact with their surroundings on a daily basis. Whether designing a public plaza, a sustainable housing development, or a cultural landmark, architects play avital role in shaping the future of our cities and communities.Moreover, architecture offers a platform for interdisciplinary collaboration, bringing together professionals from diverse fields such as engineering, construction, and urban planning. By working collaboratively, architects can address complex challenges such as climate change, social equity, and urban sprawl, creating spaces that are both beautiful and functional.In conclusion, architecture is a dynamic and multifaceted profession that blends artistry with technical expertise. As architects, we have the privilege and responsibility to shape the world around us, creating spaces that enrich lives and inspire generations to come. By embracing creativity, innovation, and a commitment to excellence, we can harness the power of architecture to build a brighter future for all.。

英语作文-探索古代建筑,感受建筑艺术之美

英语作文-探索古代建筑,感受建筑艺术之美

英语作文-探索古代建筑,感受建筑艺术之美Exploring Ancient Architecture: Appreciating the Beauty of Architectural Art。

Ancient architecture stands as a testament to human creativity, ingenuity, and craftsmanship. Spanning millennia and encompassing various cultures worldwide, these structures not only serve functional purposes but also embody profound cultural and artistic expressions.One of the most mesmerizing aspects of ancient architecture is its ability to transcend time and connect us with the past. Take, for instance, the Great Pyramid of Giza in Egypt, built over 4,500 years ago. This colossal structure, originally intended as a tomb for the Pharaoh Khufu, continues to awe and inspire visitors with its sheer size and geometric precision. The pyramid's form, aligned with astronomical precision and constructed using millions of limestone blocks, reflects the ancient Egyptians' advanced understanding of engineering and their reverence for the afterlife.Moving across continents to Asia, the Taj Mahal in India emerges as a masterpiece of Mughal architecture. Built in the 17th century by Emperor Shah Jahan in memory of his beloved wife Mumtaz Mahal, this white marble mausoleum represents the pinnacle of Islamic art in India. Its symmetrical layout, intricate marble inlays, and lush gardens symbolize eternal love and spiritual devotion. The Taj Mahal's symphony of domes, minarets, and reflecting pools creates a harmonious blend of beauty and architectural precision, attracting millions of visitors annually.In ancient Greece, the Parthenon stands as a symbol of Athenian democracy and artistic achievement. Constructed in the 5th century BCE, this temple dedicated to the goddess Athena is renowned for its Doric columns, pediment sculptures, and friezes depicting mythological narratives. Despite enduring centuries of war, weathering, and restoration efforts, the Parthenon remains a beacon of classical ideals and architectural proportion, influencing Western architecture for centuries to come.Turning to the Americas, the ancient city of Machu Picchu in Peru showcases the architectural prowess of the Inca civilization. Perched high in the Andes Mountains, Machu Picchu blends seamlessly with its natural surroundings, utilizing sophisticated stone masonry techniques to create terraces, temples, and residential areas. The site's celestial alignments and agricultural terraces highlight the Inca's deep connection with nature and their advanced knowledge of engineering and astronomy.Across the Mediterranean, the Roman Colosseum stands as a testament to Roman engineering and entertainment. Completed in 80 CE, this amphitheater hosted gladiatorial contests, public spectacles, and theatrical performances for thousands of spectators. Its elliptical shape, tiered seating, and elaborate underground chambers underscore the Romans' architectural innovation and organizational prowess, reflecting their societal values of leisure and grandeur.Beyond individual monuments, ancient architecture encompasses a rich tapestry of building styles, materials, and purposes across diverse civilizations. From the mud-brick ziggurats of Mesopotamia to the timber pagodas of East Asia, each structure tells a unique story of human aspiration and cultural identity. The pyramids of Mesoamerica, the temples of Angkor Wat, and the mud mosques of West Africa—all contribute to the global mosaic of architectural heritage.In conclusion, exploring ancient architecture allows us to appreciate not only the technical achievements of past civilizations but also the artistic visions and cultural values that shaped these monumental structures. Whether contemplating the intricate carvings of a temple facade or marveling at the mathematical precision of a pyramid's dimensions, each architectural marvel invites us to contemplate our shared human history and the enduring quest for beauty, meaning, and permanence.Through the lens of ancient architecture, we gain insights into the complexities of human societies and the universal desire to create enduring legacies that transcend generations. As guardians of these architectural treasures, we are tasked with preserving and interpreting their significance for future generations, ensuring that the beauty and lessons of the past continue to inspire and enrich our lives today and beyond.。

建筑设计英文作文范文

建筑设计英文作文范文

建筑设计英文作文范文Sure, here's a sample architectural design essay in English that meets your requirements:The first time I stepped into the Guggenheim Museum in Bilbao, Spain, I was struck by the fluidity of its titanium-clad exterior. It was as if the building itself was in motion, a symphony of curves and volumes that defied the conventional boxy structures of traditional museums.Gazing at the Eiffel Tower, one can't help but marvel at the ingenuity of Gustave Eiffel. His creation stands tall, a testament to the beauty and strength of ironwork. The lattice structure is not just a marvel of engineering but also a symbol of Paris, a city known for its art and culture.Sustainable design is no longer an option but a necessity. Take, for instance, the Bullitt Center in Seattle, a building that produces more energy than it consumes. Its green roof and solar panels are not just aesthetic features but integral to its function, showing us the way forward in eco-friendly architecture.In the heart of Tokyo, the Mode Gakuen Cocoon Tower stands as a beacon of innovation. Its spiraling form is not just visually appealing butalso serves a purpose, maximizing natural light and air circulation within the building. It's a perfect example of how form and function can coexist harmoniously.The ancient temples of Angkor Wat in Cambodia are a testament to the grandeur of Khmer architecture. The intricate carvings and the massive stone structures speak volumes about the craftsmanship of the past. It's a reminder that architecture is not just about creating spaces but also about preserving history.The Louvre Pyramid in Paris is a perfect blend of old and new. The glass and metal structure stands out against the historical backdrop of the Louvre Museum, creating a dialogue between the past and the present. It's a reminder that architecture can bridge the gap between different eras.When I think of modern residential design, the Villa Savoye by Le Corbusier comes to mind. Its open floor plan, ribbon windows, and rooftop terrace redefine what a home can be. It's not just a place to live but a space that encourages interaction with the surrounding environment.The Sydney Opera House is a masterpiece of expressionist architecture. Its sail-like roofs are not just iconic but also functional,designed to reflect the city's maritime heritage. It's a reminder that architecture can be both artistic and practical.Walking through the narrow alleys of Venice, one can't help but be captivated by the charm of its Gothic and Renaissance architecture. The intricate facades and the play of light and shadow create an enchanting atmosphere that is uniquely Venetian.The High Line in New York City is a remarkable example of adaptive reuse. Transforming an abandoned railway into a public park has not only revitalized the neighborhood but also created a space for the community to connect with nature in the heart of a bustling city.Each paragraph showcases a different aspect of architectural design, from historical structures to modern marvels, and from residential spaces to public parks, all written in a conversational tone without any connecting words to maintain the desired jumpiness and immediacy.。

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Exploring Architectural Design Cases 1Marcus Herzog*, Riccardo Peratello*, Christian Kühn**, Wolfgang Slany**Information Systems Department (E184-2), Technical University of Vienna, Paniglg. 16, A-1040 Vienna, Austria{herzog, peratel, wsi}@vexpert.dbai.tuwien.ac.at**Building Design Theory Department (E252), Technical University of Vienna, Karlsplatz 13, A-1040 Vienna, Austriackuehn@email.tuwien.ac.atAbstractinformation. Instead one has to cope with the problem of different theories and typological approaches competing with each other of time. Analogies in architecture depend more on the perception devoted to some theoretical approach than on physical properties of an architectural case.Architects use old solutions as source for inspiration in the design process. We present a model for the representation of architectural design cases. We face the problem of formalizing ill-structured domain knowledge without a consistent theoretical base. We further investigate the relationship between architectural design information and the languages used to represent that information. The theoretical model of language-game abstractions (LGAs) is presented as a means to study these relationships. Based on that model we propose an information structure that supports intelligent reasoning. This is used to retrieve appropriate case material about some design goal. The definition of similarity between design cases is a crucial point in the design of the retrieval algorithm. We use AI-techniques, which are also interesting for other Hypertext applications.In the following we want to present our approach to modelling the representation of architectural design cases. In [Kühn93] we introduced language game abstractions (LGAs) as means for representing architectural design knowledge. Section 2 gives an overview of this model. Section 3 emphasizes briefly the information structure of our current approach. In section 4,retrieval issues are approached and examples of exploration strategies are given. Section 5 summarizes the results and gives further research perspectives.2 Language Game AbstractionsNewell and Simon [Newe63] describe the design process as a search problem. Well defined goal states can be resolved starting from an initial state and using transitions between states. In this model, design is the path from the initial state to the a priori defined goal state.1 IntroductionPrecedents and analogy play an important role in design processes. Many design artefacts have to satisfy the same constraints. Old solutions can be used to extract design rules or can even be treated as solutions to subgoals of a problem.Smithers and Troxell [Smit90] view the problem of design as an exploration process. Exploration emphasizes more the structure of the problem space, defined by properties and operations on these properties. Design is the transformation of an initial incomplete set of requirements into a final set of properties,which define the solution. Within this model of design as exploration, we want to describe the structure and content of design cases.This is especially true for architecture, but also for other technical domains or even for fields like diagnosis problem solving. Architects often use previous design solutions to investigate the context of a new design task. They search for the most appropriate effects that can be attained in a unique context [Arch87]. Old solutions may fit the new context through adaptation, thus being a major source of new ideas.Design cases represent the space of possible solutions. In architecture, natural language, diagrams, drawings, plans, etc.are used to represent design cases. This bulk of information cannot be formalized as a whole. Instead we need to extract a suitable indexing vocabulary. Terms have to be defined to serve as descriptors. On the contrary to text-retrieval systems these terms cannot be extracted directly from the documents. We have to design a descriptive language. This will be complicated because concepts of designers about design problems vary.Using precedents in the design task poses two problems:(a) the storing and managing of large case bases;(b) the retrieval of appropriate case materials.Storing deals with the problem of decomposing large cases. A model of case representation has to fulfil the knowledge demands required to support reasoning over the cases. This is a basic requirement for an intelligent retrieval process.Surveying the literature is a common non computer-based strategy to solve the case retrieval problem. To support the reader, books on architectural design are most often organized employing some sort of typology [Vidl77]. Although architectural typology tends to solve the question, what kind of object is a work of architecture, there is no sound theory on which to base the organizational structure of architectural Following Ludwig Wittgenstein's language-game theory, we use words to describe objects, but also, these objects indicate the meaning of the word [Witt52]. We cannot separate the language used to describe entities from the described entities.See also [Kühn91] for a more detailed analysis regarding the role of natural language in architectural design knowledge.1This work has been partly supported by the "Hochschuljubiläumsfonds der Gemeinde Wien", grant number 163-91.A LGA is the combination of design cases and indexing vocabulary used to describe these cases. The structure of the resulting representation is mainly influenced by the relations between cases and terms as well as by relations within the set of cases and the set of terms. A LGA is used to investigate these relations simultaneously.applied for searching complex structured hypermedia documents. [Frie88].Different models of IR exist in the research field [Salt83]. The major problem of IR in Hypertext is the uncertainty resulting from the use of natural language. There are different approaches to adopt conventional IR methods for the use in Hypertext. Croft and Turtle [Crof89] base their model on "belief networks" using Bayesian inference. Lucarella [Luca89]uses plausible inference founded on fuzzy set theory. Also these seem to be possible solutions no real-world problems have been solved so far.We cannot define one LGA that covers all possible relations in advance. Instead a bunch of different LGAs will appear,competing with each other. Their validity cannot be proven in a mathematical sense. We can only distinguish between effective and non-effective LGAs.The basic function of these IR methods can be perceived as filtering. Nodes in the Hypertext network are ranked according to their "similarity" to a virtual node defined by a query statement. Most retrieval inferences work by spreading activation, starting from one concept that fits best the query. If not enough nodes are retrieved, more related concepts are activated, thus getting more related documents. For example, if an architect is asked to look for theaters s(he) also might look for concert halls, because both types of buildings are used for public performances. If the boundaries of the domain are getting weaker, s(he) also will explore a football stadium, a town hall, and a cinema.3 Information StructureTaking LGAs as a theoretical model we are now presenting an information structure derived from it. The basic structure is a network with nodes representing "data" and links representing "semantic relations". We introduce two levels: one for pure information, the other for explicit knowledge on that information (see Fig. 1).In the information level we use hypermedia techniques to render the architectural design cases. Architectural cases are decomposed into information chunks that try to give an impression of the building as close to reality as possible.Various media types like text, picture, video, sound, etc. are supported. The model of hypertext as a way to represent information that can be browsed is augmented by the definition of different types of nodes and links.As outlined in the introduction we are especially interested in the retrieval of prior design solutions in the respect to some design goal. To achieve a good retrieval resultThe knowledge level consists of a semantic network [Quil68].The crucial point in the design of the semantic network is the definition of a taxonomy of links. These links are used to compute some measurement of similarity between theinformation nodes.Figure 1 summarizes the basic elements of our information structure:(a) Information nodes [I] are information chunks characterized by their structure and appearance [Megh91].(b) Descriptor nodes [D] represent the vocabulary of a LGA.(c) Links between information nodes and descriptor nodes [i-d]define the abstraction level. Descriptors are used as index for the information nodes.(d) Links between information nodes [i-i] render relations between information chunks, which cannot be mapped onto relations between descriptor nodes. These links are not used in the inference algorithm and can be seen as "classical"hypertext links.(e) Links between descriptor nodes [d-d] express different relations between the concepts used to refer to the information chunks. Such relations can be, e.g.generalization, classification, aggregation, etc.4 Exploration IssuesTechniques of Information Retrieval (IR) evolved to support searching in large, unstructured text-documents using some sort of query. Recent works show that these techniques also can bewe have to investigate the relationship between the indexing vocabulary and the document. 4.2 Exploration using browsing strategiesBrowsing is an effective alternative to searching as an information strategy for ill-defined problems. During exploration the user consults nodes that have a high likelihood to be of relevance. Cues and hints support the user in her investigations.4.1 Exploration using search algorithms(1) Exploration within a LGA.Descriptors are used to abstract design cases. Relations between descriptors abstract relations between design cases,e.g. the concept sacred building is a generalization of both church and synagogue. We can use these relations to infer related concepts. In Fig. 1, the descriptors D5 and D6 are related to the descriptor D4 (e.g. by generalization). If we are interested in some "similar" case to I6 (referred to by D6) we can use this relation to infer case I1 and I5 (by D5).Browsing also can be purely random, thus finding relevant information by change. [Carm92] gives an introduction to cognitive aspects of the browsing activity.Within our information structure, the user can browse through information as well as descriptor nodes in a seamless way.4.3 Exploration using both strategies(2) Exploration across the boundaries of LGAs.We can investigate the relations between concepts of different LGAs, e.g. the concept "skeleton construction",belonging to the LGA "Construction" is related to the concept "grid" of the LGA "Geometry". In Fig. 1, the case I5 is referred by descriptor D5. We want to explore the consequences of this fact in the context of LGA 1. All cases with descriptor D5 have to be retrieved and searched for a link to a descriptor of LGA 1. If one descriptor within this resulting set of LGA 1 descriptors predominates, we can infer a relation between these descriptors. If we apply this strategy to descriptor D5, we will find descriptor D2.A combination of both strategies seems to be a promising approach for an effective and efficient retrieval process. The user should simply indicate a case he is interested in which he found during some browsing activity. The system takes this case as a hint and presents semantic related cases arranged in decreasing order of relevance. Also semantic related descriptors are explored.Figure 2 gives an example [Kühn93]. We use two architectural textbooks, Precedents in Architecture [Clar85] and Logic of Form [Torr61] to extract two possible LGAs. The numbers (1)to (11) order the exploration steps chronological.Using our information structure in a design aiding system, the designer may start with the question: How to design a wide-spanned roof sheltering a gymnasium on a rectangular site.After retrieving some design cases described by the concept "Roof" of the LGA "Construction" (1-3), s(he) gets interested in an example of a dome-shaped roof (4). Because s(he) wants to know the consequences of a dome-shaped roof for the ground plan, s(he) seeks for a corresponding example in the LGA "Formative Idea". The descriptor in the LGA "Construction" for the selected roof is "Dome" (5). The system infers a relationship to the concept "Concentric" of the LGA "Formative Idea" by using exploration across the boundaries of a LGA (6). More examples retrieved for "Concentric" prove to be inconsistent with the rectangular site (7). To find similar solutions s(he) may explore within the LGA finding "Double Center" (8) as related term concerning "Enclosure". Examples (9) prove to be suitable for a rectangular site, e.g. two domes. By even more relaxing the constraints and looking for similar "Configuration Patterns"s(he) would find the concept "Binuclear" (10) and an example,showing the addition of two related elements (11).[Carm92] E. Carmel, S. Crawford,and H. Chen, 1992.'Browsing in Hypertext: A Cognitive Study'. in: IEEE Transactions on Systems, Man, Cybernetics, Vol. 22, No. 5,pp. 865-883[Clar85] H. C. Clark and M. Pause, 1985. Precedents in Architecture . Van Nostrand Reinhold Company, Inc., New York, NY [Crof89] W.B. Croft and H.Turtle, 1989. 'A Retrieval Model Incorporating Hypertext Links'. in: Proceedings Hypertext 89, Pittsburgh, pp.213-224[Fris88] M.E. Frisse, 1988, 'Searching for Information in a Hypertext Medical Handbook'. in: Communication of the ACM, Vol.31, No.7, pp.880-886[Kühn91] C. Kühn and M. Herzog, 1991. ’A Language Game Approach to Architectural Typology’. in Pittioni, G. E. (ed)Proceedings of the ECAADE 1991, München, BRD [Kühn93] C. Kühn and M. Herzog, 1993. 'Representing Architectural Design Cases'. in: Automation in Construction , 2 (1993), Elsevier Science Pub., Amsterdam, NL, pp.1-10The results of the exploration process are a list of examples,associated with a set of requirements. Thus starting from an initial set of requirements, the designer gained new experiences during the exploration process and ended up with a refined set of requirements, which will be closer to the description of the final design.[Luca90] D. Lucarella, 1990. 'A Model for Hypertext-Based Information Retrieval'. in: N. Streitz, A. Rizk, and J. Andrù(ed) Proceedings of the First European Conference on Hypertext, INRIA, France, pp. 81-945 Conclusions[Megh91] Meghini, C., Rabitti, F., Thanos, C. 1991.‘Conceptual Modeling of Multimedia Documents’ in: IEEE Computer October 1991, Vol. 24, No. 10, pp. 23 – 30.We presented the model of a LGA as means for structuring architectural design cases. A LGA consists of precedent cases,indexing vocabulary, and the various relations within these objects. This model has been used to infer a knowledge structure for architectural design knowledge. We use the resulting knowledge structure in a design-aiding system, which proposes relevant cases (or parts of cases) in response to some query. Our emphasis lies on the design of an intelligent retrieval algorithm to filter relevant cases.[Newe72] Newell, A. & Simon, H. A. 1972. Human Problem Solving . Prentice-Hall; Englewood Cliffs [Quil68] M.R. Quillian, 1968. 'Semantic Memory'. in: Semantic Information Processing, MIT Press, Cambridge, MA [Salt83] G. Salton and M.J. McGill, 1983. Introduction to Modern Information Retrieval, McGraw-Hill, NY We gave examples of desired exploration strategies.Exploration stands in contrast with search as paradigm for designing. Exploration focuses on the refinement of requirements rather than on the a priori definition of goal states.We use a query to define our information needs. The desired output of our system is a sorted list of cases, associated with a list of corresponding requirements.[Smit90] Smithers, T. & Troxell, W. 1990. ’Design is intelligent behaviour, but what is the formalism?’ in: AI EIDAM, Vol. 4, No. 2, pp. 89-98[Torr61] Torroja, E. 1961. Logik der Form . Verlag Georg D.W. Callwey, München, BRD The following issues have to be considered in the future work:(a) which set of relations can be used in a semantic network to model the structure and content of the knowledge base;[Witt52] Wittgenstein, L. 1952. Philosophische Untersuchungen. Cambridge, England, 1952, reprint in:Wittgenstein, Werkausgabe Bd.I. Tractatus logico-philosophicus. Tagebücher 1914-1916 [u.a.], Suhrkamp-Taschenbuch Wissenschaft; 501, Frankfurt am Main, BRD (b) which topology restrictions exist on the network;(c) which retrieval model incorporates uncertainty best.References[Vidl77] Vidler, A. 1977. ’The Idea of Type: The Transforamtion of the Academic Ideal, 1750 - 1830’. in Oppositions No.8 - 1977[Arch87] J. Archea, 1987. ‘Puzzle-making: What architects do when no one is looking’. in Kalay, Y. E. (ed) Computability of Design. John Wiley & Sons, Inc., New York, NY。

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