艾米莉狄金森诗歌中的死亡和永恒主题
艾米莉·狄金森死亡与永生主题诗歌的矛盾

文史博览(理论)Culture And History Vision(Theory)2016年8月Aug. 2016艾米莉·狄金森死亡与永生主题诗歌的矛盾李 慧[摘 要] 狄金森是美国十九世纪著名的女诗人。
她以清新洗练的笔触,抒写了许多关于死亡与永生主题的诗歌。
狄金森成长的社会环境,传统思想与新思想交替影响所形成的文化氛围,造成诗人复杂的精神世界。
本文作者意图结合女诗人的人生经历及社会历史背景,对所选的两首诗歌进行文本分析,揭示在其诗作中所反映出的矛盾,分析导致这些矛盾产生的原因,去探寻诗人内心世界的神秘和她诗歌中的独特魅力。
[关键词] 艾米莉·狄金森;诗歌;矛盾;死亡;永生中图分类号:I106.2 文献标识码:A 文章编号:1672-8653(2016)08-0015-03美国女诗人艾米莉·狄金森(Emily Dickinson, 1830-1886)成长的社会环境,传统思想与新思想交替影响所形成的文化氛围,造成诗人复杂的精神世界。
她在浓郁的加尔文教的氛围中长大,家人都是虔诚的清教徒,但她却是一个满脑子“自我”思想的叛逆女孩,她不愿意接受宗教中的原罪思想,但又对未知的死后生活心存畏惧,对上帝时而怀疑时而信赖,在宗教信仰上充满痛苦倍感孤独。
她对死亡的认识独特而矛盾,变化无常,她时而认为死亡是不可知的,时而似乎接受永生和死后生活的可能性,时而又陷入困惑的绝境,死亡与永生是她一生都在苦苦思索而始终无法破解的谜。
在仔细阅读了狄金森诗歌总集、书信、传记及相关研究成果之后,试结合女诗人的人生经历及社会历史背景,对其诗歌进行文本分析,揭示其诗歌中流露出的矛盾,分析矛盾产生的社会历史原因,进一步揭示其诗歌的神秘性。
一、影响狄金森矛盾死亡与永生观的因素狄金森生活在一个新旧思想此消彼长的时代。
她出生之时,大觉醒运动余潮未退,她在浓郁的加尔文教的氛围中长大,家人都是虔诚的清教徒。
在有生之年,经历了美国历史上八次重大历史事件,其中包括美国对墨西哥战争,美国内战等[1]。
艾米莉狄金森诗歌中的死亡和永恒主题

艾米莉狄金森诗歌中的死亡和永恒主题Death and eternity themes in Emily Dickinson’s poemsAbstract: Death and eternity are the major themes in most of Emily Dickinson’s poems. “Because I could not stop for death” is one of her classic poems. Through the analysis, this essay clarifies infinite conceptions by the dialectical relationship between reality and imagination, the known and the unknown. And it tells what’s eternity in Dickson’s eyes.Keywords: death, eternity, finite, infiniteIntroductionEmily Dickinson(1830-1886), the American best-known female poet ,was one of the foremost authors in American literature. Emily Dickinson’s poems, as well as Walt Whitman’s, were considered as a part of "American renaissance"; they were regarded as pioneers of imagism. Both of them rejected custom and received wisdom and experimented with poetic style. She however differs from Whitman in a variety of ways. For one thing, Whitman seems to keep his eye on society at large; Dickinson explores the inner life of the individual. Whereas Whitman is "national" in his outlook, Dickinson is "regional"Emily Dickinson was born in Amherst, Massachusetts, on December 10,1830. She lived almost her entire life in the same town (much of it in the same house), traveled infrequently, never married, and in her last years never left the grounds of her family. So she was called "vestal of Amherst". And yet despite this narrow -- some might say -- pathologically constricted-outward experience, she was an extremely intelligent, highly sensitive, and deeply passionate person who throughout her adult life wrote poems (add up to around 2000) that were startlingly original inboth content and technique, poems that would profoundly influence several generations of American poets and that would win her a secure position as one of the greatest poets that America has ever produced. Dickin son’s simply constructed yet intensely felt, acutely intellectual writings take as their subject issues vital to humanity: the agonies and ecstasies of love, sexuality, the unfathomable nature of death, the horrors of war, God and religious belief, the importance of humor, and musings on the significance of literature, music, and art.Emily Dickinson enjoys the King James Version of the Bible, as well as authors such as English WRTERS William Shakespeare, John Milton, Charles Dickens, Elizabeth Barrett Browning, George Eliot, and Thomas Carlyle. Dickinson’s early styl e shows the strong influence of William Shakespeare, Barrett Browning, Scottish poet Robert Browning, and English poets John Keats and George Herbert. And Dickinson read Emerson appreciatively, who became a pervasive and, in a sense, formative influence over her. As George F. Whicher notes, "Her sole function was to test the Transcendentalist ethic in its application to the inner life".1、“death” in Emily Dickinson’s poetsFor as long as history has been recorded and probably for much longer, man has always been different idea of his own death. Even those of us who have accepted death graciously, have at least in some way, --- feared, dreaded, or attempted to delay its arrival. We have personified death-- as an evildoer dressed in all black, its presence swoops down upon us and chokes the life from us as though it were some street murder with malicious intent. But in reality, we know that death is not the chaotic grim reaper of fairy tales and mythology. Rather than being a cruel and unfair prankster of evil, death is an unavoidableand natural part of life itself.Death and immorality is the major theme in the largest portion of Emily Dickinson’s poetry. Her preoccupation with these subjects amounted to an obsession so that about one third of her poems dwell on them. Dickinson’s many friends died before her, and the fact that death seemed to occuroften in the Amherst of the time added to her gloomy meditation. Dickinson’s is not sheer depiction of death, but an emphatic one of relations between life and death, death and love, death and eternity. Death is a must-be-crossed bridge. She did not fear it, because the arrival in another world is only through the grave and the forgiveness from God is the only way to eternity.。
论艾米莉_狄金森的死亡美学

第32卷 第5期长江大学学报(社会科学版)Vol 132No 152009年10月Journal of Yangtze University (Social Sciences )Oct.2009收稿日期:20090620作者简介:薛玉秀(1972—),女,江苏盐城人,讲师,硕士,主要从事英美文学研究。
论艾米莉・狄金森的死亡美学薛玉秀(盐城工学院大学外语部,江苏盐城224001) 摘 要:美国女诗人艾米莉・狄金森在其1700余首诗稿中,以死亡为题材或与死亡相关的诗作多达近六百首,超过其诗作总数的三分之一。
这些诗歌从不同角度和层面折射了诗人对死亡的独特理解。
诗人于死亡的意境中,向世人展现了其美学追求与生命的价值建构,阐释了生命的终极意义。
关键词:艾米莉・狄金森;死亡;美学分类号:I106.2 文献标识码:A 文章编号:1673-1395(2009)05-0038-04 艾米莉・狄金森(1830年~1886年),美国19世纪伟大而富有影响力的女诗人,在其生命的最后二十多年里足不逾户,弃绝社交,隐居在家,且终身未嫁,于非凡的孤独中留给后人大量隽永的诗作。
在其1700余首诗稿中,以死亡为题材或与死亡相关的诗作超过其诗作总数的三分之一。
这些诗歌从不同角度、不同层面折射了诗人的内心世界,表述了诗人对死亡的态度,从而向世人揭示了生命的本质。
一、死亡之意象美海德格尔说:“只要人在,人就处在死的困境中。
”对于具有自我修养、自我意识的人而言,有关死亡的必然性是伴随终生的,对于死亡的想象更是一种潜意识的倾向。
这也是死亡成为吸引着无数文人骚客的永恒却又新鲜的主题的原因之一。
人从呱呱坠地开始,不管其寿命长短,人生或辉煌或暗淡,都不可避免地走向死亡。
死亡的不可知性和不确定性加剧了人们潜意识里对死亡的焦虑,建构了人们普遍的乐生怕死的信念,而自身经历之外的有关死亡的知识又激发了人们对死亡的联想和幻化。
诗人狄金森因其发表梦想遭遇遏制,成名的梦想得不到实现,精神上又找不到“逃跑之路”,于是对“精神与肉体的归宿,是心灵最强烈的虚无和悬浮”[1](P216)的“死亡”这一主题更是以前无古人,后无来者的热情反复吟咏:或侧面描述将死者的所感所触,或生动刻画一个死亡场景,或描述一次死亡的整个历程,或抒发对死者的怀念,或于死亡的畅想中渴望永恒 (2)诗人于死亡的体验、想象以及对死亡的冷静的思考与探索中,向读者阐释生命的终极意义;诗人于死亡的意境中,向世人展现其美学追求与生命的价值建构,使读者时刻体会到“死亡犹如惟一的真理在那里存在”[3](P65)。
艾米丽.迪金森死亡主题诗歌解读

艾米丽.迪金森死亡主题诗歌解读发布时间:2022-11-15T01:38:14.344Z 来源:《中国教师》2022年13期第7月作者:苏晓凤指导老师:王淑[导读] 艾米莉·狄金森(1830-1886)是19世纪美国最杰出的诗人之一。
她一生共创作了1800多首诗歌,苏晓凤指导老师:王淑山东协和学院山东省济南市 250109摘要:艾米莉·狄金森(1830-1886)是19世纪美国最杰出的诗人之一。
她一生共创作了1800多首诗歌,其中死亡主题诗歌数量将近三分之一,这些诗歌主要由三部分组成,分别是对死亡场景的描述、对死亡和永生的探讨以及对上帝和死亡的态度。
关键词:艾米莉·狄金森;主题;死亡诗歌艾米莉·狄金森于1830年12月10日出生在美国马萨诸塞州的阿默斯特。
她在阿默斯特学校完成了中学教育,随后进入芒特获利约克女子学院学习。
从25岁起,她放弃了社交活动,除了做家务外,还致力于写诗,并在1886年5月15日因长期患病去世。
在她一生中写的1800多首诗中,有三分之一是以死亡为主题的。
她以女诗人的敏感和清教徒的开放心态,从多个角度描绘了死亡,她的死亡主题是复杂而深刻的。
综观她的诗作,可以发现狄金森诗歌中的死亡主题有三个方面:对死亡的观察,对死亡场景的描写,以及对永生和死亡的思考。
1.对死亡的观察狄金森通过观察现实生活中的死亡来描述死亡的时刻和过程。
首先,她描述了死亡的瞬间:I’ve seen a Dying EyeRun round and round a Room——In search of Something—as it seemed——Then cloudier becomAnd then, obscure with fog——And then be soldered downWithout disclosing what it be,‘T were blessed to have seen——在这首诗中,死亡显示了它的不确定性和不可控制性。
艾米莉·狄金森《我为美而死》及诗歌中死亡意象

艾米莉·狄金森《我为美而死》及诗歌中死亡意象艾米莉·狄金森(EmilyDickinson,1830—1886),美国女诗人。
出生于律师家庭,青少年时代生活单调而平静,受正规宗教教育。
20岁开始写诗,早期的诗大都已散失。
从25岁起弃绝社交,女尼似的闭门不出,在孤独中埋头写诗30年,在文学史上被称为“阿默斯特的女尼”,留下诗稿1775首,生前只发表过7首,其余的都是在死后才出版,并被世人所知,名气极大。
狄更生的诗主要写生活情趣,自然、生命、信仰、友谊、爱情。
诗风凝练婉约、意向清新,描绘真切、精微,思想深沉、凝聚力强,极富独创性,被视为20世纪现代主义诗歌的先驱之一。
I Died for BeautyI died for beauty--but was scarceAdjusted in the TombWhen one who died for Truth,was lainIn the adjoining Room--He questioned softly“Why I failed?”“For beauty,”I replied--“And I--for Truth--Themself are OneWe Brethren,are,”He said--And so,as Kinsmen,met a Night--We talked between the Rooms--Until the Moss had reached our lips--And covered up--our names--我为美而死去我为美而死——对坟墓几乎,还不适应一个殉真理的烈士就成了我的近邻——他轻声问我“为什么倒下?”我回答他:“为了美”——他说:“我为真理,真与美——是一体,我们是兄弟”——就这样,像亲人,黑夜相逢——我们,隔着房间谈心——直到苍苔长上我们的嘴唇——覆盖掉,我们的姓名——《我为美而死》是女诗人对美与真理关系进行探讨的一首诗。
诗人世界里的永恒——解读艾米莉·狄金森和莎士比亚诗歌里的死亡意象

诗人世界里的永恒——解读艾米莉·狄金森和莎士比亚诗歌里的死亡意象作者:冯辉来源:《名作欣赏·学术版》 2019年第11期冯辉[南京邮电大学外国语学院,南京210023]摘要:死亡和永恒是不断被重复的主题。
艾米莉·狄金森以及莎士比亚以自己的视角对死亡进行诠释。
艾米莉·狄金森的诗证实了现实和想象,宇宙和生命局限性之间的关系;莎士比亚的十四行诗以深刻的洞察力和复杂性,描述了那个时代英国的独一无二。
读他的十四行诗,读者可以很容易解读作品里多维度(美学、情感、现实和哲学)下的死亡意象。
通过对比,我们既欣赏不同诗歌里的理想和现实、情感和心境,又感受两位世界级诗人眼里的死亡以及死亡里隐含的主题——永恒。
关键词:死亡永恒无限十四行诗多维度一、艾米莉·狄金森的视角:死亡= 永恒美国19 世纪著名诗人艾米莉·狄金森创作的诗歌有三分之一钟情于描写“死亡”,以各种笔调:轻快、庄重、落寞、平静等。
1862 年狄金森经历了一场感情危机,期间的诗歌以思考生命和最终的人生归宿为主题,On becasue Icould not stop to death(《因为我不能停步等候死神》)即是其中之一,描写了一位女子坐上了“绅士”(名叫“死亡”的人)的马车,和“永恒”一起缓慢前行,女子被绅士的温文尔雅所吸引,相携同行穿过校园,孩子们在课间休息,喧闹充满活力;他们越过成熟的庄稼地,看夕阳西下,最后停在一座房子前,这不过是地面上凸起的土包,房顶隐约可见,房檐埋在土里(暗喻坟墓)。
从那时算起,已有几个世纪,是的,几个世纪一眨眼就过去了,马车在驶向永恒。
诗句末尾狄金森以快进的方式突然结尾,喻义死亡即是永恒。
艾米莉·狄金森的这首诗象征了人生的三个阶段:学校,孩子学习的地方代表幼年生活; 凝望麦田指慢慢成熟;落日余晖预示生命走向终结,从整体和层次入手揭示有限和无限之间的相互联系和相互决定性。
艾米莉·狄金森论文:死亡与永恒的探索

艾米莉·狄金森论文:死亡与永恒的探索摘要:本文通过对艾米莉·狄金森的名作《我不能等候死神》的分析,揭示出她对“死亡”认识的独特观点,以及她对“死亡”和“永恒”之间矛盾的探索,从而引发了读者对“死亡”和“永恒”的种种思考。
关键词:艾米莉·狄金森;死亡;永恒;探索艾米莉·狄金森(emily dickinson 1830-1886)是19世纪最杰出的女诗人。
她出身富裕家庭,受过良好的教育。
由于早年情场失意,退隐闺中,大半生远离尘嚣,致力与对个人内心的探求。
这使她的诗奇特而简洁。
也正是这一点使她的诗歌与传统那些大众或是主流诗大相径庭。
不同于惠特曼和朗费罗[1]她通常是通过具体的家庭小事和阐明生活中的事理而构成令人陶醉的诗歌。
一、诗歌内容梗概这首梦幻般的诗歌描写了一位女子坐上了停下来等待她的、名叫“死亡”的绅士的马车,随行的还有“永生”。
他们缓慢地行走,女子被绅士的温文尔雅所吸引,放弃了工作和闲暇。
他们穿过孩子们课间休息的校园,越过成熟的庄稼地,经历了夕阳西下的景色。
这时她感觉到晚间寒冷的露水,想起了自己薄如蝉翼的衣衫。
二、诗歌分析从第一节来看,第一行中的“stop for”在此可理解为:(我不能)停下(世间的事物)等待;而第二行中的“stopped for” 意思可以理解为:(死神为我)停车过访;而第四行中的“immortality”被描写成第三行中与“我和死神”同行出游的第三者,隐含着“死亡”(物质形态的消亡)与“不朽”(精神或灵魂的不朽)同在的思想。
这个词是本节的中心词也是重音应落下地方。
本节中的另一个中心词为“kindly”,此词具有特殊的意义,因为它是对死神善意的刻画。
通常死神在人们脑海中是一种狰狞,恐怖的意象。
在这简洁的四句诗中,诗人不仅用隐喻的修辞手法介绍了人物,而且对他们分别进行了描写刻画。
另外她还设计了一个舞台视角,设置了合适的地点,推动了剧情的发展并给读者以空间思维的余地。
爱情·死亡·永恒——艾米莉·狄金森诗歌解读

校园英语 / 文艺鉴赏爱情•死亡•永恒——艾米莉•狄金森诗歌解读乐山职业技术学院/雷唯蔚【摘要】艾米莉•狄金森是美国十九世纪的著名女诗人,有“白衣修女”之称。
在其默默无闻的一生中,创作了1700多首诗歌,其中的500多首以死亡为主体,更多的诗歌主题关乎到爱情和永恒。
本论文旨在对艾米莉•狄金森诗歌进行解读,以寻求其理想的爱情,对死亡的超然认识以及所追求的超现实化的永恒。
【关键词】艾米莉•狄金森诗歌 爱情 死亡 永恒美国十九世纪的著名女诗人艾米丽•狄金森(E m i l y Dickinson,1830-1886)一生所创作的1700多首诗歌中,主题中融汇了爱情、死亡与永恒,与美国诗人惠特曼(Whitman)并称为“美国诗歌的两座高峰”。
这位深居简出、终身未嫁的女诗人过着修女一般的生活,因不愿意与出版商妥协而仅仅发表了7首诗歌。
艾米丽•狄金森不因经济利益而拍卖自己的灵魂,而是与自己的灵魂对话,不断地追求自己的理想。
她所留下的诗篇内容含蓄而敏锐,却又包含着深刻的韵味,开创了美国文学创作的意象派之先河。
一、艾米丽•狄金森诗歌中的死亡和永恒艾米丽•狄金森的诗歌以抒情为主,通过对美的事物和景物艺术化而迸发出激情,其委婉的诗歌表达形式是动感的,更是其内心情感的呈现,形成了高度的思想概括。
虽然诗歌创作具有浪漫主义情怀,然艾米丽•狄金森的独特之处在于,其所创作的诗歌是运用委婉的语句表达真情实感,使得读者在阅读艾米丽•狄金森的诗歌时,要从诗歌的艺术性角度对诗歌创作内容深入体会,以从诗歌中能够准确地捕捉诗人的创作意境。
与其他的诗歌作品相比,艾米丽•狄金森的诗歌不仅感性、浪漫,还充满着哲学味道,透过简短的诗句,就能够从中悟出人生道理。
比如,艾米丽•狄金森在创作自然景物描写的诗篇时,并不是对单纯的景物以感想,而是更多地赋予了景物以道德意义。
以“冬日的斜阳”为例:冬日的午后,有一道斜阳。
……每当它来临时,大地屏住呼吸。
这首诗歌中,“冬日的斜阳”所象征的就是死亡,当斜阳来临,“大地屏住呼吸”,浓重的死亡气息被暗示出来。
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Death and eternity themes in Emily Dickinson’s poems
Abstract: Death and eternity are the major themes in most of Emily Dickinson’s poems. “Because I could not stop for death” is one of her classic poems. Through the analysis, this essay clarifies infinite conceptions by the dialectical relationship between reality and imagination, the known and the unknown. And it tells what’s eternity in Dickson’s eyes.
Keywords: death, eternity, finite, infinite
Introduction
Emily Dickinson(1830-1886), the American best-known female poet ,was one of the foremost authors in American literature. Emily Dickinson’s poems, as well as Walt Whitman’s, were considered as a part of "American renaissance"; they were regarded as pioneers of imagism. Both of them rejected custom and received wisdom and experimented with poetic style. She however differs from Whitman in a variety of ways. For one thing, Whitman seems to keep his eye on society at large; Dickinson explores the inner life of the individual. Whereas Whitman is "national" in his outlook, Dickinson is "regional"
Emily Dickinson was born in Amherst, Massachusetts, on December 10,1830. She lived almost her entire life in the same town (much of it in the same house), traveled infrequently, never married, and in her last years never left the grounds of her family. So she was called "vestal of Amherst". And yet despite this narrow -- some might say -- pathologically constricted-outward experience, she was an extremely intelligent, highly sensitive, and deeply passionate person who throughout her adult life wrote poems (add up to around 2000) that were startlingly original in both content and technique, poems that would profoundly influence several generations of American poets and that would win her a secure position as one of the greatest poets that America has ever produced. Dickinson’s simply constructed yet intensely felt, acutely intellectual writings take as their subject issues vital to humanity: the agonies and ecstasies of love, sexuality, the unfathomable nature of death, the horrors of war, God and religious belief, the importance of humor, and musings on the significance of literature, music, and art.
Emily Dickinson enjoys the King James Version of the Bible, as well as authors such as English WRTERS William Shakespeare, John Milton, Charles Dickens, Elizabeth Barrett Browning, George Eliot, and Thomas Carlyle. Dickinson’s early styl e shows the strong influence of William Shakespeare, Barrett Browning, Scottish poet Robert Browning, and English poets John Keats and George Herbert. And Dickinson read Emerson appreciatively, who became a pervasive and, in a sense, formative influence over her. As George F. Whicher notes, "Her sole function was to test the Transcendentalist ethic in its application to the inner life".
1、“death” in Emily Dickinson’s poets
For as long as history has been recorded and probably for much longer, man has always been different idea of his own death. Even those of us who have accepted death graciously, have at least in some way, --- feared, dreaded, or attempted to delay its arrival. We have personified death-- as an evildoer dressed in all black, its presence swoops down upon us and chokes the life from us as though it were some street murder with malicious intent. But in reality, we know that death is not the chaotic grim reaper of fairy tales and mythology. Rather than being a cruel and unfair prankster of evil, death is an unavoidable and natural part of life itself.
Death and immorality is the major theme in the largest portion of Emily Dickinson’s poetry. Her preoccupation with these subjects amounted to an obsession so that about one third of her poems dwell on them. Dickinson’s many friends died before her, and the fact that death seemed to occur
often in the Amherst of the time added to her gloomy meditation. Dickinson’s is not sheer depiction of death, but an emphatic one of relations between life and death, death and love, death and eternity. Death is a must-be-crossed bridge. She did not fear it, because the arrival in another world is only through the grave and the forgiveness from God is the only way to eternity.。