麦克风使用说明书中英译文
Sennheiser e 914 麦克风说明书
e 914 Instruction manualDelivery includesDelivery includes• e 914• MZQ 800 microphone clamp • MZW 64 windshield • pouch • quick guide •safety guideThe microphone head is not compatible with the K6 powering module.Product overview1. Sound inlet basket2. XLR-3 connector3. Adjusting the sensitivity4. Adjusting the bass filterInstallationInstallationAttaching the microphoneScrew the microphone clamp to a stand.Place the microphone with its back end into the microphone clamp.Orient the microphone together with the microphone clamp.Connecting the microphoneConnect the XLR-3 socket of the microphone cable (optional accessories) to the XLR-3 socket of the microphone.Using the windshieldPlace the MZW 64 (optional accessories) windshield over the microphone head.OperationPositioning the microphone: Drums / PercussionsAttention: When closing the hi-hat, a strong air current is created on the edge. If the microphone is positioned too close to the edge, interfering noise due to the air current can occur.It is vital to observe the following notes:mentaryA Position the microphone a few centimetres above the outer edge of the hi-hataiming down. If necessary, remove unwanted low-frequency signal portions by highpass filtering.B Good starting position for live miking applications. If the overhead microphones areonly used for picking up the cymbals, unwanted signal portions can be attenuatedby high pass filtering.In order to prevent interference due to crosstalk between adjacent sound sources, try to position the microphone so that the interfering sound source is located in the angle area of the highest can-cellation of the microphone (approx. 180°, see polar diagram).Positioning the monitor loudspeakersTo prevent feedback and crosstalk, postion your monitor loudspeakers in the angle area of the highest cancellation of the microphone (approx. 180°).Sensitivity and bass filterThe e 914 is equipped with a three-position sensitivity switch and a bass filter switch.Adjusting the sensitivityThe microphone sensitvity can remain unchanged (0) or be reduced by 10 dB or 20 dB. The latter is recommended when there is a risk that the microphone or subsequent microphone input is overmo-dulated, e.g. due to high sound pressure levels from drums, brass instruments, etc.We recommend that you mute the corresponding microphone channel on the mixing consolebefore connecting and disconnecting the microphone cable, switching on and off the phantom powering or setting the switches (see figure above).Adjusting the bass filterThe e 914 has been designed for an extended low-frequency bass response. With certain live or close instrument miking applications, an over-emphasis of the low frequencies can occur. This can be compensated for by the 6 dB/octave roll-off filter. The cut-off filter reduces low-frequency wind noise by 18 dB/octave.Cleaning and maintaining the e 914Cleaning and maintaining the e 914CAUTIONLIQUIDS CAN DAMAGE THE ELECTRONICS OF THE PRODUCT!Liquids entering the housing of the product can cause a short-circuit and damage the electronics.Keep all liquids away from the product.Do not use any solvents or cleansing agents.Disconnect the products from the power supply system and remove rechargeable batteries and batteries before you begin cleaning.Clean all products only with a soft, dry cloth.SpecificationsSpecificationsTransducer principle pre-polarised condenser microphone Frequency response 20 - 20,000 Hz Pick-up patterncardioidSensitivity (free field, no load) with pre-attenuation 7 mV/Pa2.3 mV/Pa / 0.7 mV/Pa Nominal impedance (at 1 kHz)100 ΩMin. terminating impedance 1 kΩMax. sound pressure level (at 1 kHz)137/147/157 dB SPL (depending on pre-attenua-tion)Equivalent noise levelA-weighted (DIN IEC 651) CCIR-weighted (CCIR 468-3)19 dB 30 dBPre-attenuation 0 dB, -10 dB, -20 dB Bass filterlinearroll-off 130 Hz, 6 dB/oct.cut-off 85 Hz, 18 dB/oct.Phantom powering 48 V / 2.2 mA Connector XLR-3Dimensions ⌀ 24 x 157 mm Weight198 gPolar pattern30°0°180°150°120°60°90°0510152025dB30°0°180°150°120°60°90°125 Hz 250 Hz 500 Hz 1,000 Hz 2,000 Hz 4,000 Hz8,000 Hz 16,000 HzFrequency responseflat roll offcut off501002005001,0002,0005,00010,00020,000H z0- 10- 20dBOverview of applications Connector assignmentBALANCEDOverview of applicationsPrimary applicationSecondary application。
Stone Mountain Phoenix 扬声器麦克风用户手册说明书
Stone Mountain, Ltd. 1597 Eagle Point Road Huddleston, VA 24104Customer Support: 540.297.6434 x200 Effective 07Oct19Stone Mountain Phoenix Speaker Microphone User ManualConnecting the Speaker Microphone (SM):1. Turn off the portable radio.2. Gently wipe the contacts on the radio accessory connector witha clean, dry, soft cloth.3. Carefully align and attach the SM’s connector to the portable radio'saccessory connector. Misalignment and/or rough handling duringattachment may cause damage to the connector pogo pin contacts,resulting in SM malfunction.4. Tighten the mounting screw (if applicable) on the SM’s connector tosecure it to the portable radio. Be careful not to over tighten.Operating the Speaker MicrophoneTransmitting Audio (Tx)To transmit audio, depress the large PTT button and speak into themicrophone opening near the top left side of the SM. Release the PTTbutton when finished transmitting.Receiving Audio (Rx)Incoming audio will automatically be received via the SM speaker.Optional Receive Audio Volume ControlReceive audio volume is adjusted using the button directly below the PTT. Pressing the button toggles between Hi and Lo volume. Note the button does not change position between Hi and Lo, nor is there any audible click. The change in volume is about 12 dB between Hi and Lo.Optional Emergency/Man Down AlertDepending upon your portable radio features and programming, you may declare an emergency/man down condition by depressing the red button on the top of the SM (if applicable). Stone Mountain suggests the User consult their radio technician about this feature before using the SM. If the button on the top of the SM is black, this optional feature is not active. Optional Audio Accessory Interface2.5mm and3.5mm accessory jack: These interfaces support remote receive audio accessories, e.g. surveillance kits, etc.. The speaker in the SM is disabled when a receive audio accessory is connected to the audio accessory jack.Six pin Hirose accessory jack with SureTact TM: The Hirose connector supports a wide variety of accessories that may include receive audio, transmit audio and/or remote PTT. Pressing the button on the lower right side of the SM enables the SureTact TM system to toggle between activating the remote accessory Tx/Rx and the SM Tx/Rx. The SM PTT remains active regardless of accessory attachment.The SureTact TM system is factory set to disable both Rx and Tx on the SM when the SureTact TM button is pressed. The SM can further be programmed to disable Tx only or Rx only. Consult Customer Support at 540.297.6434 with any questions.For all SM models equipped with an audio accessory jack, keep the rubber connector cover inserted when an audio accessory is not attached. Note that only Stone Mountain Omaha series accessories are guaranteed to function correctly with Stone Mountain products. Consult your Stone Mountain Product Guide for a complete list of available accessories or contact Customer Support at 540.297.6434 with any inquiries.If you would like to activate an optional feature(s) on your SM, contact Customer Support at 540.297.6434 to learn about the exciting Feature Upgrade Program. Note, not all models support all optional features.General care▪Do not use solvents, abrasives or other cleaning solutions to clean your Speaker Microphone.▪Clean with mild soap and tap water.▪Do not insert objects into the speaker chamber or the microphone port, as this will adversely impact the audio quality and may result in subsequent water leakage. Such action will void the warranty.To review the Stone Mountain, Ltd. Conditions of Sale and Warranty Statement, go to:/conditions-sale-warranty-statement/Innovation... Quality... PassionDesigned, Assembled, Tested and Supported with Pride in the USA, at Stone Mountain we strive to provide our customers with innovative products of the highest quality, reliability and value. We welcome and appreciate your input - Feel free to contact us.。
Aston Spirit电子麦克风说明书
On behalf of the whole team at Aston Microphones I’d like to thank you for investing in your Aston product.Our microphones are designed and built in the UK to the most exacting standards. Every Aston product is individually tested at each key stage during manufacture to ensure reliable and consistent performance, and the most musical sound capture possible, so we’re sure that your new baby will provide you with many years of perfect service.Aston microphones are built using a tumbled stainless steel body so there is no paintwork to chip or scratch and legends are laser etched so will never wear off. Our packaging has been designed to save space, and focus on being as environmentally sustainable as possible, using 84% recycled materials and being 100% recyclable.Your Aston microphone has been voiced and tuned following extensive blind listening tests by a panel of some of the biggest names in British music recording and production. Only when an overwhelming consensus put one particular combination of capsule and circuitry way out in front of both competingmicrophones and our other prototypes did we approve the designs. We hope you enjoy what we’ve created, and thank you for supporting our brandJames Young Aston Microphones Hitchin, UKThank you!Weights & MeasuresFeatures:•Wave-form mesh head - this unique design provides shock absorption to protect the capsule, with elastic mesh memory.•Built-in pop ilter using the latest stainless steel mesh-knit technology.•Direct to stand microphone mounting option.•2mm, solid stainless steel, laser-cut and etched chassis.•Capsule - The Aston Sound - developed by professional artists, engineers and producers.•Hi-Spec PCB and electronic components.•Eco-friendly packaging. Well-designed, re-usable and recyclable packaging.Product length 125mm 4.92in 175mm 6.89in Product width 54mm 2.13in 54mm 2.13in Product weight 450g0.99lb625g1.38lb100% recyclable and biodegradable card box(84% recycled fibre)72g 0.16lb 72g 0.16lb100% recyclable and biodegradable card sleeve22g 0.05lb 22g 0.05lb100% recyclable non cross-linked Ethafoam 150 PE25 insert40g 0.09lb 37g 0.08lbAston OriginAston SpiritPlease register your product to extend your 2 year limited replacement warranty to 3 years, free of charge.You’ll be automatically given membership to our exclusive Aston Owners Club once you’ve registered here: /owners-clubAston Owners ClubAston Origin & SpiritThe Aston Origin is a high-performance cardioid pattern capacitor microphone utilising a one inch capsule with a gold evaporated Mylar diaphragm. It is versatile enough to use with most instruments, excelling on both acoustic guitar and vocals. Its hand-selected capsule is teamed with high-end transformer-less circuitry using only the highest quality selected components.The Origin is designed to deliver a direct, smooth and intimate sound with the perfect balance of warmth and clarity for a natural-sounding and transparent recording.Origin specifications:Transducer Type: CapacitorAcoustic Operating Principle: Pressure Gradient Directional Polar Pattern: CardioidFrequency Response: 20Hz - 20kHz (+/- 3dB) Equivalent Noise Level: 18dB A-Weighted Sensitivity at 1 kHz into 1kohm: 23mV/Pa Maximum SPL for THD 0.5%: 127dB Pad Switch: -10dB/0 dB Low-Cut Filter: 80Hz48 Volt Phantom power (+/- 4 Volts) is required for operationAston OriginPolar PatternFrequency ResponseCardioid CondenserAston SpiritThe Aston Spirit is a high-performance, switchable pattern, microphone utilising a one inch, dual diaphragm, goldevaporated capsule. A switch on the mic body selects from Omni, Cardioid or figure-of-eight polar patterns. It is versatile enough to use with most instruments in addition to main and backing vocals. Its hand-selected capsule is teamed with high-end transformer balanced circuitry using only the highest quality electronic components. Its dual pad option allows it to accommodate very high SPLs while its low cut filter cuts the ultra-lows.The Spirit is designed to deliver a beautifully open sound with sparkling harmonics. This microphone is capable of delivering a stunningly natural and transparent sound with just a subtle hint of flattery, capturing all the detail in the high range but without adding the harshness that some capacitor microphones are prone to.Spirit specifications:Transducer Type: CapacitorAcoustic Operating Principle: Pressure Gradient Frequency Response: 20Hz - 20kHz (+/-3dB) Equivalent Noise Level: 14dB A-Weighted Sensitivity at 1kHz into 1kohm: 23.7mV/Pa Maximum SPL for THD 0.5%: 138dBPolar pattern: Omni/Cardioid/Figure-of-Eight Pad Switches: -20dB/-10dB/0dB Low-Cut Filter: 80Hz48 Volt Phantom power (+/- 4 Volts) is required for operationFrequency ResponseMulti-Pattern CondenserSpirit-10dB0dBFigure-of-EightCardioidOmni-DirectionalWeights & MeasuresProduct length 181mm 7.13in 181mm 7.13in Product width (with laser)36mm1.42in36mm1.42inProduct width (without laser)26mm 1.02in 26mm 1.02in Product weight 251g 0.55lb 502g 1.1lb Accessory weight 52g0.11lb392g0.86lb100% recyclable and biodegradable card box(84% recycled fibre)72g 0.16lb 164g 0.36lb100% recyclable and biodegradable card sleeve22g 0.05lb 55g 0.12lb100% recyclable non cross-linked Ethafoam 150 PE25 insert44g 0.10lb 130g 0.29lbAston StarlightAston Starlight Stereo PairSmall Diaphragm Cardioid CondenserAston StarlightThe Starlight is a small diaphragm, end fire condenser microphone featuring a sintered metal head which combines extreme durability with extraordinary audio transparency.The addition of a laser not only makes precise alignment easy, it also helps achieve consistency when re-establishing the microphone position after de-rigging.The 20mm gold sputtered capsule feeds into custom designed transformerless electronics, with low noise and ultra-low distortion as priorities. Using proprietary circuitry at the input stage of the mic amp rather than simple post-EQ, we have also given Starlight three different voices accessed via a switch on the microphone body.guide, sintered head and multiple voices, Starlight is the most comprehensive instrument mic package on the market today.Starlight audio specifications:Transducer Type: CapacitorAcoustic Operating Principle: Pressure Gradient Directional Polar Pattern: CardioidFrequency Response: 20Hz - 20kHz (+/- 10dB)Equivalent Noise Level: 15dB A-Weighted Sensitivity at 1kHz into 1kohm: 42.1mV/PaMaximum SPL for THD 0.5%: 130dB/ 140dB/ 150dB Signal-to-Noise Ratio (rel. 94dB SPL): 79dB A-Weighted Pad Switches: -20dB/-10dB/0dB Low-Cut Filters: 80Hz, 140Hz48 Volt Phantom power (+/- 4 Volts) is required for operationFrequency ResponseStarlight LaserThe Aston Starlight is equipped with a Class 2 Laser driven by 48V phantom power provided via the XLR cable from a mixing console/mic preamp. It does not require any batteries.The Starlight’s laser is emitted through the laser aperture located on the top front of the microphone. Switch the Laser to the “I” position to turn it on and “O” position to turn it off.The Laser is not designed to be left on during use.Starlight laser specifications:Wavelength: 650nmDivergence (Spot Size or Beam Diameter): 10x10mm @ 5m Maximum Average Power: 0.9mWPolar PatternModern Hybrid Vintage 80Hz HPF 140Hz HPFdB +20-2050Hz1002005001K2K5K10K20K0°CAUTIONThough the laser is of a very low power, the following precautions should be observed. Never aim a laser into the eyes or stare directly into the beam and only activate the laser while setting up the microphone position. Check that nobody is in the path of the laser before switching it on. When working outdoors, ensure that the laser is never aimed into the flightpath of aircraft or into the audience. Use of controls or adjustments or perfor-mance of procedures other than those specified herein mayresult in hazardous radiation exposure.Weights & Measures•Aston’s legendary build quality•Sound developed by 92 top engineers, producers and artists and the Aston 33 panel•Supplied with quick release stand mountStudio & Live MicrophoneProduct length 196mm 7.72in Product width 58mm 2.28in Product weight 692g 1.52lb Clip - US/European thread adaptor 48g0.10lb100% recyclable and biodegradable card box(84% recycled fibre)144g 0.28lb100% recyclable and biodegradable card insert154g 0.30lb100% recyclableand biodegradable card sleeve22g 0.05lbAston Stealth2120The Aston Stealth is a large chassis, broadcast quality, end fire dynamic mic with four switchable voice settings, each tailored to deliver unparalleled performance across a broad range of applications: The settings are:V1 (Vocal 1): This was voted top in blind testing for a range of male vocal takes, regardless of the pitch of the singer.V2 (Vocal 2): This setting came top for a range of female vocal takes. As with V1 this was more to do with timbre than pitch. In both cases these results are subjective and we recommend trusting your ears to find the best settings for your needs.G (Guitar): At home on anything from Spanish guitar through to raucous guitar cabs!D (Dark): A vintage sound, reminiscent of classic ribbon mics.Stealth works with or without 48V phantom power. In passive mode (unpowered) the active circuit is completely bypassed and Stealth operates with the simplest possible signal chain to give a beautifully clean sound.When in active mode Stealth features a high quality built-inClass A Mic Pre Amp, dispensing with the need for an expensive external gain lifting device.A unique built-in Autodetect function senses the presence of 48V phantom power and will automatically switch the mic to active mode.Phantom power mode is indicated by purple LED floodlights. These can be switched off when the mic is to be heard but not seen, for example in broadcast and video environments.Stealth includes a proprietary internal shock mount design with the capsule suspended in mid-air, completely isolated from the mic chassis, and supported at 3 points by Sorboathane polymer hemispheres.Stealth comes supplied with a specially designed adjustable quick-release stand mount.Stealth specifications:Transducer Type: Moving coilDirectional Polar Pattern: Cardioid Frequency Response: 20Hz - 20kHz Equivalent Noise Level: 10dBSensitivity (passive mode) at 1 kHz into 1 kOhm: ave. 1mV/Pa*Sensitivity (active mode) at 1 kHz into 1 kOhm: ave. 150mV/Pa*Maximum SPL for THD 0.5%: 140dB* Varies across the 4 voicesAston StealthStudio & Live MicrophonePolar PatternFrequency ResponseProposition 65 information for California residents:WARNING: This product contains chemicals known to the State of California to cause cancer and cause birth defects or other reproductive harm. (California law requires this warning to be given to customers in the State of California.)For more information:2322Ultimate Reflection FilterWeights & MeasuresProduct length(assembled)175mm6.89in135mm5.31in170mm6.69inProduct width(assembled)145mm 5.71in 60mm 2.36in 145mm 5.71inProduct height (assembled)160mm 6.30in 530mm 20.87in 60mm 2.36inProduct weight190g 0.42lb 270g 0.6lb 140g 0.31lbShield surface area 158 x 135mm 6.22 x 5.31in 158 x 135mm 6.22 x 5.31inn/a n/aGooseneck length n/a n/a 392mm 15.43in n/a n/a100%recycleable blister pack90g 0.2lb 90g 0.2lb 90g 0.2lbSwiftShieldShield GNSwift2524Aston SwiftShield combines the Aston Swift shock mount and the Aston Shield pop filter into one bundle, to give you the perfect set up for your studio vocal mic.The Aston Swift shock mount takes microphone mounting to the next level of ease. With 2 quick release spring clips designed to fit a wide range of mics, from 40-60 mm diameter, mounting your microphone takes seconds.We have reconceived the shock system, and as with all ourproducts worked from the ground up on an entirely new design idea. The ‘ShockStar’ suspension eliminates the need for fiddly rubber bands, but offers a high level of elasticity for maximum isolation. As with all Aston products, the use of novel materials and our unique, architectural, approach to design is setting new standards for the industry.The pop filter itself features a unique, solid stainless steel shield, with precisely acid etched hexagonal filter holes, to give crystal clear vocals, with perfect acoustic performance for plosive (pop) control. It also presents a large surface area and curves around the mic, so vocalist movement is never an issue. Together with your mic, the Aston SwiftShield set will give you everything you need for vocal mic applications, and really make your set up stand out from the crowd.The Aston Shield GN pop filter has been engineered to give you a perfect fit on any mic stand in seconds and has one of the best quality goose-necks you’ll ever see… no more limp or hanging pop shields, no more fiddly thumb screws… The Aston Shield GN has a big, sturdy, crocodile clip to mount quickly and easily onto mic stands of any shape or size, and has an exceptionally well-engineered goose-neck support with matte-black rubberised finish, which stays exactly where you put it. You’ll LOVE using this product.Aston SwiftShield,Shield GN & Swift2726Weights & Measures•Better diffusion, for both direct source and primary reflectionsto the rear of the filter •Lightweight•Proprietary ‘easy-mount’ hardware also accommodates your microphone mounting hardwareProduct depth 302mm 11.89in 302mm 11.89in Product width 530mm 20.87in 530mm 20.87in Product weight 1.85kg4.08lb1.85kg4.08lb100% recyclable and biodegradable card box(84% recycled fibre) 2.25kg 4.96lb 2.25g 4.96lb100% recyclable and biodegradable covering box0.8kg 1.77lb 0.8kg 1.77lbAston HaloAston Halo ShadowUltimate Reflection Filter2928The Aston Halo/ Halo Shadow microphone screen is designed to address the shortcomings of other ‘reflection filter’ style products combining low weight with minimal audio colouration.Designed, engineered and tested in the UK, the Halo combines modern advances in material technology and production, cutting edge patented manufacturing processes and rigorous acoustic testing to bring you the ultimate in portable acoustic devices. Using patented PET Felt and beautifully engineered hardware components, your Aston Halo has been created to the most exacting standards. PET felt is one of the most lightweight and efficient, technical acoustic products available on the global market today. An additional side benefit is that PET acoustic felt is made from 70% recycled PET plastic bottle material and so is also very environmentally friendly.The Halo is actually made from two PET felt shells, with 100mm of loose PET acoustic material sandwiched internally. These rigid shells provide the structure as well as the absorbing surface, removing the need for any internal support, making Haloincredibly light and strong. Halo’s hardware allows easy, fast and stable mounting. Every Aston Halo is individually tested during manufacture to ensure reliable and consistent performance and the most musical sound capture possible.The Halo offers radically improved performance while maintaining the green credentials of our manufacturing process (as with our mic packaging which is 100% recyclable and 84% recycled material). It also contributes both sonically and visually to the creative environment, helping the artist to get the best from every take. In our opinion, the Halo offers the very best possible solution for portable room acoustics available today.Aston Halo & Halo ShadowUsing Y our Aston MicrophoneIf you are an experienced audio practitioner, then you’ll need little instruction in using Aston microphones - just applystandard 48 Volt Phantom power to our capacitor models and you’re in business. For the Spirit and Origin models, the Aston badge denotes the front of the microphone when using cardioid pattern for main vocals, guitars and so on. When using the Spirit in figure-of-eight mode, the logo denotes the ‘positive’ side of the microphone. The Starlight is end-fire, meaning that it needs to be aimed directly at the sound source where the laser helps with exact placement.You can find detailed information on using your Aston product, and hints & tips on setting up for best results, here:https:///EN/product/Mics/Origin#tab4https:///EN/product/Mics/Spirit#tab4https:///EN/product/Mics/Starlight#tab4Microphone TerminologyPad: The pad switch on a microphone reduces its output level, which is often necessary when working close to very loud sound sources such as kick drums, guitar amplifiers or brass instru- ments. At very high sound levels the electrical signal generated by the microphone can cause distortion both in the microphone circuity itself and in the pre-amp to which it is connected. If your pre-amp meters indicate a safe level but you are still hearing distortion, then try the 10dB pad position. Mics that have a 20dB pad setting can deal with even higher sound levels, but unless you are in the habit of recording tank battles at close quarters, you’ll probably find that the 10dB pad does the trick. Do not use the pad when working with quiet or moderate level sounds as under those circumstances it may lead to slightly more back- ground noise (circuit hiss).Low-cut Filter: The low cut filter reduces the level of signals at the bottom of the audio spectrum and in most cases will have little or no effect on the tonality of vocal recordings.Its purpose is to reduce the level of those very low frequenciesMicrophone T erminology & General Carethat you don’t need to capture, and unless you are recordingbass instruments or kick drums, you can usually leave the filterengaged. Where the mic has two filter settings, try both and usethe highest one if you can’t hear any tonal changes in what youare recording. When recording vocals a low-cut filter will reducerumble from traffic noise or from vibrations passing up the micstand from the floor and will also compensate for the bass liftthat occurs naturally when a cardioid pattern mic is used closeto the mouth. It can also help reduce the effect of ‘popping’when enunciating M, P and B sounds, though a separate popscreen is to be recommended where the singer works close tothe microphone.General CareWhile Aston microphones are amongst the most durablecapacitor microphones on the market, they should still behandled with care. If cleaning is required, use only a damp clothor pre-moistened screen wipe pads and avoid harsh or solventbased cleaners. Also never spray any type of contact cleaner orpolish near the capsule or basket area.The high impedances inside capacitor microphones make themsusceptible to moisture or condensation, so if you hear anystrange crackling sounds, leave the mic to dry out in a warmroom. This is particularly important when moving a microphonefrom a cold vehicle to a warm studio where a vocalist’s dampbreath can otherwise cause problems. Once dried out theperformance should return to normal.Obviously dropping microphones is to be avoided but oneadvantage of the Origin and Spirit basket design is that theouter Wavespring is designed to deform if subjected to a knockor impact, thus absorbing much of the energy. This can easilybe pushed back into place making dented baskets a thing of thepast. When not in use, it is good practice to store microphonesin their boxes or to cover them with a plastic bag to avoid theingress of dust.When using a typical boom stand, make sure that the boomis aligned with one of the three legs as this provides the moststable configuration and reduces the risk of toppling.3031®ASTON MICROPHONESBUILT IN BRITAIN3 Hunting Gate, Hitchin, Hertfordshire, SG4 0TJ, United KingdomTel. +44 (0)845 500 2 500。
Shure WH30 电容式头戴麦克风用户指南说明书
©2006, Shure Incorporated 27G3121 (Rev. 9)Printed in U.S.A.Models WH30TQG and WH30XLR User GuideWH30XLRONLYMODEL WH30 CONDENSER HEADSET MICROPHONEMICROFONO ACONDENSATORECON SUPPORTO ACUFFIA SHUREMODELLO WH30MICROFONO DECONDENSADOR DECABEZA MODELOWH30 SHUREKONDENSATORKOPFMIKROFON-MODELL SHURE WH30MICROPHONE DE CASQUEÉLECTROSTATIQUESHURE MODÈLEWH30INTRODUCTIONThe Shure Model WH30 is a light yet rugged headset microphone. Designed for vocalists and instrument-playing vocalists, the WH30 utilizes a high quality electret-condenser car-tridge suitable for all applications where mobility, comfort, low microphone-visibility, and high sound quality are required. Because of its cardioid (unidirectional) pickup pattern, the WH30 provides isolation from extraneous sound sources and high gain-before-feedback. The wireframe and gooseneck adjust to any head size and shape. An integrated elastic headband comfortably pads and secures the headset. The WH30 is supplied with two snap-on windscreens, clothing clip, storage bag and cable-management device. FEATURES•Smooth, natural frequency response comparable to professional condenser hand-held microphones•Lightweight wireframe and headband adjust for a secure, comfortable fit•Extra-strong, small-diameter microphone cable resists breakage•Moisture-proof cartridge housing•Sturdy gooseneck-boom holds mic securely in place•lsolation shock mount for reduced handling noise•Matte black finish for low visibility•High input clipping level helps avoid overload distortion•Low self-noise and high sound pressure level capability•Reliable at temperature and humidity extremesMODEL VARIATIONS•WH30TQG: For wireless use, the WH30TQG has a 1.2m (4 ft.) high-flex cable anda mini TA4F connector for direct connection to Shure body pack transmitters.Note: For information about use with Shure W10BT or other transmitters without a mini TA4F connector, contact Shure Customer Service).•WH30XLR: For wired applications, the WH30XLR is supplied with a 1.2m (4 ft.) hi-flex cable and high quality mic preamplifier (RPM420) with a three pin XLR con-nector. The RPM420 preamplifier requires phantom power from any 11 - 52 V source.2MICROPHONE PARTSThe WH30 consists of the following parts (see Figure 1).WH30 HEADSET MICROPHONE PARTSFIGURE 1COLLAPSIBLE MICROPHONE BOOMThe WH30 headset features a collapsible boom for shipment and storage. Before wearing the headset, unfold the boom by rotating it away from the wireframe until it snaps into place. Refold for storage or transportation.3WEARING THE HEADSETPlace the headset wireframe around your head so that the elastic headband band lay hor-izontally across the back of your head and the ends of the wireframe fit over your ears. You may position the elastic headband either above or below the wireframe for the great-est comfort and stability. The blue “SHURE” logo should face outward (see Figure 2).POSITIONING THE MICROPHONE For maximum gain-before-feedback, position the microphone and boom so that the mi-crophone is within 13 mm (1/2 inch) of the right corner of your mouth (see Figure 3). Thiswill also help minimize breath noise or “popping”.WEARING THE HEADSET FIGURE 2POSITIONING THE MICROPHONE FIGURE 35ADJUSTING THE HEADSET•If the headset feels loose or uncomfortable, carefully bend the sides of the wire-frame to make it tighter or looser (see Figure 4A). The angle of the wireframe ear-pieces may also need adjustment (see Figure 4B).ADJUSTING THE WIREFRAME FIGURE 4•Adjust the tension of the elastic headband across the back of the head by sliding it up or down the ends of the wireframe (see Figure 5).ADJUSTING THE ELASTIC HEADBANDFIGURE 5USING THE CABLE RETAINER AND CLOTHING CLIPUse the cable retainer on the wire frame of the headset to position the microphone cable as desired. The supplied spring-loaded clothing clip secures the microphone cable to the user's clothing to help avoid entanglement.CONNECTING THE WH30 TO A SOUND SYSTEMWireless Applications (WH30TQG)1.Connect the mini TA4F connector from the WH30 to a wireless microphone trans-mitter such as the Shure T1 bodypack transmitter.2.See the user guide for your wireless transmitter and receiver system for adjustinggain and other parameters.Wired Applications (WH30XLR)Connect the output of the RPM420 preamplifier to an input channel of a mixing or record-ing console. Most consoles will provide phantom power to the RMP420 preamplifier. If phantom power is unavailable, use a separate phantom power supply such as the Shure PS1A.WASHING THE ELASTIC HEADBANDWhen necessary, remove and wash the elastic headband according to these steps.1.Remove the microphone cable retainer from the wireframe.2.Slide the elastic headband off the wireframe.3.Wash the headband in mild, soapy water and rinse it in clean water.4.Allow the headband to air-dry thoroughly.5.Slide the headband around the wireframe to its original position. Reattach the cablewith the plastic retainer.WASHING THE FOAM WINDSCREENThe foam windscreen protects the WH30's microphone element from dirt and moisture. When necessary, it can be removed and cleaned in a mild soapy water solution.I mportant: Never clean the windscreen with any liquid solution without firstremoving the windscreen from the microphone boom.1.Hold the windscreen loosely by the plastic retaining ring at its base.2.Gently pull the windscreen away from microphone. The plastic retaining ring willexpand to allow the windscreen to slip off the microphone. If necessary, you can expand the ring manually with a small screwdriver as you pull the windscreen.3.Immerse the windscreen in mild soapy water and gently squeeze it several times.64.Rinse the windscreen in clean water and dry it with a clean cloth or paper towel.Allow it to air-dry thoroughly.5.When the windscreen is dry, slide it over the WH30 microphone until the retain-ing ring snaps into place.CERTIFICATIONWH30XLR : Conforms to European EMC Directive 89/336/EEC, and is eligible to bear the CE marking. Meets applicable tests and performance criteria in European standard EN 55103 (1996) parts 1 and 2, for residential (E1) and light industrial (E2) environments.WH30TQG: Conforms to European EMC Directive 89/33/EEC, and is eligible to bear the CE marking. Meets EMC require-ments as an ancillary device per EN 300 445 (1996)REPLACEMENT PARTSCable Connector (for WH30TQG only)..........................................................WA330 Connector Belt Clip (for WH30XLR only)...................................................RK200BC Elastic Headband........................................................................................80A505B Wireframe, Headband, Boom Hinge, Boom, Shock Mount,Cartridge Housing and Cable...............................................................RPM520 Preamplifier Assembly.................................................................................RPM420 Black Windscreens (2) and Clothing Clip................................................90WP13717SPECIFICATIONS WH30TQG WH30XLRType Condenser, electret bias Condenser, electret bias withintegrated preamplifier Frequency Response40 to 20,000 Hz (See Figure 6)Polar Pattern Unidirectional (cardioid) (see Figure 7)Output Impedance (at 1kHz)2400 ΩRated 150 Ω (actual) (Toleratesloads as low as 150 Ω withreduced clipping level)Output Level(at 1 kHz; 0 dB = 1 V/Pascal)–55.5 dB (1.7 mV)–54.5 dB (1.9 mV)Signal to noise ratio (ref.A-weighted noise)63.0 dB at 94 dB SPL (IEC 651)Output Clipping Level (at 1000 Hz)–22 dBV (0.08 V) 2.5KΩ Load: –8 dBV (0.4V)1 KΩ Load: –8 dBV (0.4V)Maximum SPL130 dB 2.5KΩ Load: 142 dB1 KΩ Load: 142 dB Dynamic Range (max. SPL toA-weighted noise level)99 dB111 dBOutput Noise (equivalent SPL)31 dB (typical, A-weighted)Recommended Operating Voltage 5 VDC(pin 2 to pins 3 and 4)11-52 VDC Phantom powerPolarity Positive sound pressure ondiaphragm produces positivevoltage on pins 3 and 4 relative topin 1 (ground) on the mini TA4Fconnector.Positive sound pressure on the diaphragm produces positive voltage on pin 2 relative to pin 3 of preamplifier output connector.Environmental Conditions Operating Temperature –7° to 49° C (20° to 120° F)Storage Temperature –29° to 74° C (–20° to 165° F)Humidity: 0 to 95% (operating or storage)Cable 1.2 m (4 ft.) two-conductor, shieldedCable Connector mini TA4F XLRNet Weight Headset: 65 g (2.3 oz)Headset and cord: 60 g (2.1 oz)Preamplifier: 99 g (3.5 oz)89FIGURE 6TYPICAL WH30 POLAR PATTERNSFIGURE 710WIRING DIAGRAMS WH30 WIRING DIAGRAMSFIGURE 84748SHURE Incorporated United States, Canada, Latin America, Caribbean:5800 W. Touhy Avenue, Niles, IL 60714-4608, U.S.A.Phone: 847-600-2000 U.S. Fax: 847-600-1212 Intl Fax: 847-600-6446Europe, Middle East, Africa:Shure Europe GmbH, Phone: 49-7131-72140 Fax: 49-7131-721414Asia, Pacific:Shure Asia Limited, Phone: 852-2893-4290 Fax: 852-2893-4055TRADE MARK NOTICES: The stylized Shure logo and the Word “Shure” are registered trademark of Shure Incorporated in the United States. “Teflon” is a registered trademark of E.I. duPont de Nemours and Company in the United States.。
Sennheiser EM 300 SK 300无线麦克风说明书
Tastensymbole /Button icons /Icônes de touches /Simboli dei tasti /Símbolos de las teclas / Toetssymbolen / Símbolos dos botões / Символыкнопок/ 按键图标EM 300 SK 300РусскийNederlands Español Italiano Français Português 中文Tastensymbole / Button icons / Icônes de touches / Simboli dei tasti /S ímbolos de las teclas / Toetssymbolen / Símbolos dos botões /Символы кнопок / 按键图标SKM 300目录目录重要安全提示 (2)设备系统 (2)接收机 (2)背包式发射机和无线麦克风 (3)革命无线ew 300 G3系列 (4)频道库系统 (4)产品总览 (5)接收机EM 300总览 (5)EM 300显示总览 (6)背包式发射机SK 300总览 (8)SK 300显示总览 (9)无线麦克风SKM 300总览 (10)SKM 300显示总览 (11)设备使用前的准备 (12)接收机EM 300 (12)背包式发射机SK 300 (14)无线麦克风SKM 300 (15)设备的使用 (17)打开/关闭设备 (18)同步调整发射机和接收机 (21)暂时解除按键锁 (21)静音设置音频信号或关闭无线电信号 (22)选择标准显示 (25)操作菜单总览 (25)设备的清洁和维护 (29)技术参数 (32)制造商声明 (36)您可以在本公司网页中产品栏目下看到一个动画形式的使用说明。
无线麦克风A1-说明书
无线麦克风A1-说明书(完整版)-中英文-中性成品：65x75mm 展开：585x75mm印色：K+K 正面反面无线麦克风A1-说明书(完整版)-中英文-中性成品：65x75mm 展开：585x75mm印色：K+K 正面反面This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.Any Changes or modifications not expressly approved by the party responsible for compliance could void the user's authority to operate the equipment.Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:-Reorient or relocate the receiving antenna.-Increase the separation between the equipment and receiver.-Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.-Consult the dealer or an experienced radio/TV technician for help.。
sE X1 S 电子麦克风说明书
X1 SUser Manual - EN Thank youWe would like to thank you cordially for choosing this sE microphone! This manual contains some important instructions for setting up and operating your new equipment. Please take a few minutes to read the instructions below carefully. We hope you will enjoy working with it as much as we enjoyed designing and building it for you.Most Sincerely,Your sE TeamBrief DescriptionThe X1 S is a high-quality condenser microphone intended for a wide range of studio applications, from vocals to drums to acoustic instruments and beyond. Thanks to its custom design and hand-crafted 1” true condenser capsule, it delivers pristine sound quality and an even, well-balanced frequency response.The electronics and the switchable attenuation pads ensure a high dynamic range, with high sound pressure level (SPL) handling capability and extremely low-noise components. The switchable low cut filters eliminate rumble or footfall noise, and can also compensate for an excess of bass frequencies caused by the proximity effect. This enables the X1 S to close-mic many instruments including electric guitar speaker cabinets, brass instruments and drums. Reliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy all-metal design, robust construction, and high quality manufacturing standards. What’s in the boxYour packaging should contain the follow items. If anything is missing, please contact your sE Electronics dealer and let them know.∙X1 S microphone∙microphone stand clip∙thread adapterControlsThe X1 S features a switch for the attenuation pads and a switch for the low-cut filters. Attenuation SwitchThe Attenuation Switch is located on the front-left side ofthe microphone. When switched on, the incoming signal isreduced by either 10 or 20 dB for capturing of loudinstruments and/or close-miking without distortion. Usingthe switch also helps prevent overloading the input stage ofrecording interfaces, mixing desks and microphonepreamps.Low-Cut SwitchThe Low-Cut Switch is located on the front-right side of themicrophone, and inserts a low-cut filter at 80Hz (leftposition) or 160Hz (right position). The switch’s centerposition removes the filter for a flat frequency response.Wind noise, plosives, footfall noise or rumble might affectthe recorded signal, so enabling the low-cut filters reducessuch unwanted noise and prevents distortion. Additionally,the low-cut filters also minimize the proximity effect whenrecording sound sources at a very short distance.PoweringTo ensure proper operation, the microphone requires a phantom power source providing 48 Voltsaccording to IEC 61938.Risk of damageDo not connect the microphone to any power supply other than aphantom power source (input with phantom power or external IECstandard phantom power supply) with a floating connector, using abalanced cable with studio grade connectors to IEC 268-12 only. Thisis the only way to ensure safe and reliable operation.Safety and maintenanceRisk of damagePlease make sure that the piece of equipment to which yourmicrophone will be connected fulfils the safety regulations enforced inyour country and is fitted with a ground lead.Cleaning the microphoneAfter every use, clean the microphone with a dry, soft cloth tissue and store it in a solid case or a zipper pouch.Technical SpecificationsCapsule Hand-crafted 1“ true condenser capsulePolar patterns CardioidFrequency range 20 – 20,000 HzSensitivity 30 mV/Pa (-30.5 dBV)Max. SPL (0.5% THD) 140 / 150 / 160dB SPL(0/10/20 dB Attenuation pad)Equivalent noise level 9 dB(A)Dynamic range 131 / 141 / 151 dB (0/10/20 dB Attenuation pad)Signal-to-noise ratio 85 dBLow cut filter 80 / 160Hz, 6 dB/Oct, switchableAttenuation pad 10 / 20 dB, switchablePowering 48 Volts according to IEC 61938Electrical Impedance 125 OhmsRecommended load impedance >1k OhmsCurrent consumption 6 mAConnectivity 3-pin male XLR connectorDimensions Diameter: 58 mm (2.28 in.) Length 169 mm (6.65 in.)Weight 440 g (15.52 oz.)Frequency response Polar PatternSupportIn case you are experiencing any problems or have any questions regarding your sE product, please contact your dealer first for the fastest and more direct service. If an authorized service is required, it will be arranged by that dealer: /dealersIf you still have difficulties with support or assistance, please do not hesitate to contact us directly: /contact-usLastly, remember to register your new gear to extend your warranty to a full three years: /registrationContactFeel free to contact us:sE Electronics International, Inc. PO Box 1049 *************************6 Beach RoadTiburonCA 94920 USAOur international distributors & sales representatives: /contact-us This product conforms to the standards listed in the Declaration of Conformity. Please contact us if you want to order a free copy of the Declaration of Conformity. Technical data subject to change without notice.Bedienungsanleitung - DE DankeWir möchten uns bei Dir herzlich bedanken, dass Du Dich für ein Mikrofon von sE Electronics entschieden hast. Diese Bedienungsanleitung beinhaltet wichtige Hinweise zur Inbetriebnahme und zur Anwendung des Produkts. Bitte nimm Dir daher kurz Zeit, diese Anleitung durchzulesen. Wir hoffen, dass Du mit dem Produkt genauso viel Spaß haben wirst, wie wir bei der Entwicklung sowie der sorgfältigen, händischen Fertigung mit viel Liebe zum Detail.Herzliche Grüße,Dein sE TeamKurzbeschreibungDas X1 S ist ein qualitativ hochwertiges Kondensatormikrofon, dass sich für eine Vielzahl an Studioanwendungen eignet –von Gesang über akustische Instrumente bis hin zu Schlagzeug. Dank der handgefertigten Großmembrankapsel in …echter“ Kondensatortechnik und der hochwertigen Elektronik bietet es unverfälschte Klangqualität und einen geradlinigen, sehr ausgewogenen Frequenzgang.Die mit hochwertigen, diskreten Bauelementen aufgebaute elektronische Schaltung und das schaltbare Vorabschwächungsfilter ermöglichen einen hohen Dynamikbereich, garantieren die saubere Verarbeitung von sehr hohen Schalldrücken und bieten ein geringes Eigenrauschen. Das schaltbare Hochpassfilter unterdrückt niederfrequenten Störschall (zB Trittschall, Rumpel- oder Windgeräusche) und kompensiert die bei geringen Mikrofonierungsabständen auftretende Bassanhebung durch den Nahbesprechungseffekt. Dies ermöglicht auch die Nahfeld-Mikrofonierung von vielen Instrumenten wie zB elektrische Gitarren, Blechblasinstrumente und Schlagzeug.Hohe Zuverlässigkeit auch im anspruchsvollen Bühneneinsatz wird durch die robuste Konstruktion aus Metall und die hohen Produktionsstandards gewährleistet.LieferumfangBitte kontrolliere gleich nach dem Öffnen den Inhalt der Verpackung. Falls sie nicht vollständig ist, kontaktiere bitte Deinen sE Electronics Händler. Folgende Komponenten sollten enthalten sein: ∙X1 S Mikrofon∙Mikrofonhalterung∙GewindeadapterBedienelementeDas X1 S besitzt je einen Schalter für das Vorabschwächungsfilter und den Hochpassfilter. VorabschwächungsfilterDer Schalter für das Vorabschwächungfilter befindet sich auf derlinken Seite des Mikrofons. Ist er aktiviert, schwächt er das Signalvon um 10 oder 20 dB ab, um die Aufnahme von lautenInstrumenten bzw. Nahfeldmikrofonierung ohne Verzerrungen zuermöglichen. Die Verwendung des Abschwächungsfilters verhindertauch die Übersteuerung von Eingangsstufen von Audiointerfaces, Mischpulten und Mikrofonvorverstärkern.HochpassfilterDer Schalter für das Hochpassfilter befindet sich auf derrechten Seite des Mikrofons. Windgeräusche, Popplaute,Trittschall oder Rumpelgeräusche beeinträchtigenmöglicherweise das Aufnahmesignal. Durch Betätigung desSchalters werden derartige Störsignale und darausresultierende Verzerrungen verringert. In der linken Positionsetzt das Filter bei 80Hz ein, in der rechten bei 160Hz.Zusätzlich verringert der Hochpassfilter die bei geringenMikrofonierungsabständen auftretende Bassanhebungdurch den Nahbesprechungseffekt.StromversorgungFür eine einwandfreie Funktion wird eine Phantomspeisung mit 48V gemäß IEC 61938 benötigt.BeschädigungsgefahrSchließe das Mikrofon nur an geeignete Quellen (Eingang mitPhantomspeisung oder externe Speisung mit Phantomspeisung gemäßIEC Standard) mit erdfreien Anschluss und verwende ein symmetrischesKabel mit Studiosteckverbinden IEC 268-12. Nur so kann eineeinwandfreie Funktion gewährleistet werden.Sicherheit und PflegeBeschädigungsgefahrBitte stelle sicher, dass die an das Mikrofon angeschlossenen Geräte diegültigen Sicherheitsbestimmungen erfüllen und mit einerSicherheitserdung verbunden sind.Reinigung des MikrofonsWir empfehlen das Mikrofon nach jedem Gebrauch mit einem trockenen, fusselfreien Tuch zu reinigen und es in einem soliden Koffer oder einemMikrofonetui aufzubewahren. Technische DatenKapsel 1“ KondensatorkapselRichtcharakteristik NiereÜbertragungsbereich 20 – 20.000 HzEmpfindlichkeit 30 mV/Pa (-30,5 dBV)Max. Schalldruck(0,5% Klirrfaktor) 140 / 150 / 160 dB SPL (0/10/20 dB Abschwächungsfilter)Ersatzgeräuschpegel 9 dB(A)Dynamikbereich 131 / 141 / 151 dB (0/10/20 dB Abschwächungsfilter)Signal-Rausch-Verhältnis 85 dB(A)Hochpassfilter 80 / 160Hz, 6 dB/Okt, schaltbarAbschwächungsfilter 10 / 20 dB, schaltbarSpannungsversorgung 48 Volt gemäß IEC 61938Stromaufnahme 6,0 mAAusgangsimpedanz 125 OhmEmpfohlene Lastimpedanz >1kOhmAnschluss 3poliger XLR Anschluss männlichAbmessungen Durchmesser: 58 mm (2,28 in.) Länge 169 mm (6,65 in.)Gewicht 440 g (15,52 oz.)Frequenzgang PolardiagramKundenserviceFalls Du zu Deinem sE Mikrofon Fragen hast oder damit Probleme auftreten sollten, wende Dich für eine möglichst rasche Abwicklung bitte direkt an den Händler. Wenn eine technische Unterstützung erforderlich ist, wird diese durch den Händler angefordert: /dealersSollten dennoch Probleme beim Kundenservice auftreten, wende Dich bitte direkt an uns: /contact-usAbschließend möchten wir Dich an die 3-Jahres-Garantie von sE Electronics erinnern. Bitte registriere Dich dazu hier:/registrationKontaktSo kannst Du mit uns direkten Kontakt aufnehmen:sE Electronics International, Inc. PO Box 1049 *************************6 Beach RoadTiburonCA 94920 USAUnsere internationalen Distributoren und Handelsvertreter:/contact-usDieses Produkt entspricht den in der Konformitätserklärung angegebenen Normen. Du kannst die Konformitätserklärung gerne bei uns kostenlos anfordern.Technische Änderungen vorbehalten.使用手册 - CN 致谢非常感谢您购买我们sE的这款麦克风! 这本使用手册包含了一些如何安装和操作您的新麦克风的使用说明。
枫笛Saramonic一拖二无线话筒中文使用说明书
UwMic9UHF无线麦克风系统使用手册声明请在使用前仔细阅读使用手册，并按照手册严格操作。
请妥善保存本手册以供将来参考。
如果使用手册不能解决您的问题，请向您的零售商寻求帮助，或发送电子邮件给我们:***********************@注意事项1. 请不要在水下或雨中使用，并将产品储存在阴凉，干燥的地方。
2. 请在常温下保存. 请不要在极端条件下使用，请远离热源，如加热器和烤箱。
3. 在使用和存储过程中，请注意避免灰尘和湿气。
4. 为了获得最佳拾音效果，请不要遮盖咪头。
5. 如果长时间不使用，请将电池移除。
目录概述 (4)便携式接收机 UwMic9-RX9 (4)简介 (4)产品结构 (4)安装配件 (5)LCD 显示屏操作指南 (6)腰包式发射机UwMic9-TX9 (10)简介 (10)产品结构 (10)安装配件 (12)LCD 显示屏操作指南 (13)手持式麦克风 UwMic9-HU9 (16)简介 (16)产品结构 (16)设置向导 (17)手雷发射机UwMic9-TX-XLR9 (18)简介 (18)产品结构 (18)安装配件 (20)LCD显示屏操作指南 (21)操作指南 (25)规格 (30)接收机 RX9 (30)发射机 TX9，HU9和TX-XLR9 (31)包装清单 (32)概述Saramonic UwMic9 UHF 无线麦克风套装适用于便携式无线操作，可在多种环境中使用，例如数码单反相机的视频录制，实地录音，广播电视，电子新闻采集，现场采访等。
便携式接收机 UwMic9-RX9介绍枫笛 UwMic9-RX9 便携式接收机可提供数字音频处理级音质和稳定的模拟 FM 调制。
它可提供宽频率范围并覆盖多个通道，易于使用的高清显示屏和小尺寸接收机可完美连接在DSLR摄像机上。
UwMic9-RX9 具有自动扫描功能，可以自动搜索可用传输频率通道设置，同时也可选择输出信号是单声道/立体声。
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以下是麦克风使用说明书，结合所学知识谈谈说明书翻译过程中应注意什么。
•Instruction Manual fro Sharp UD-952 Microphone
Features
(1) This type of microphone employs a double dome diaphragm to achieve a well balanced sound
quality from the lower range to the upper range so that a crystal clear sound quality is
produced.
(2) A light aluminum wire (LAW) is employed for the voice coil to achieve high quality sound.
(3) A reliable Sharp brand connector is employed
Operation Instructions
(1) Insert the microphone plug into the microphone terminal.
(2) Switch the microphone to the “ON” position.
(3) Adjust the volume with the volume control knob on the amplifier before use.
(4) Move the microphone switch to the “OFF” position when you finish the song or speech before
handling the microphone to someone else.
•Precautions:
•(1) If the microphone head is covered by hand or the microphone is carried to the speaker, a sharp noise may be generated, which is caused by the
microphone picking up the sound output from the speaker. To prevent this first decrease the volume, then place the microphone in such a way that it is not pointed to the speaker. Be sure that there is a sufficient distance between the microphone and the speaker.
•(2) The microphone is sensitive equipment. So avoid dropping or hitting it.
Don’t apply strong shock to it.
•(3) Don’t store the microphone in a place with high temperature or humidity.
夏普UD-952麦克风指导手册
特征
(1)这种类型的麦克风用一个双圆顶隔膜使声音从低音到高音变化平稳以便产生清晰明亮的声音。
(2)轻质铝线材音圈可以产生高品质声音。
(3)具备可靠的夏普连接器
操作说明书
(1)把麦克风插头插入麦克风终端。
(2)把麦克风开关置于“ON”位置。
(3)使用前用音量控制钮把音量调节在放大位置。
(4)把麦克风传给别人前把开关置于off位置
注意事项:
(1)如果麦克风的顶部被手遮住或者麦克风移到扬声器前会产生尖锐的噪声，这是因为麦克风接收到从扬声器输出的声音。
为防止这种情况出现，首先把音量降低,然后把麦克风放到不是面向扬声器的位置。
确保麦克风与扬声器间有足够长的距离。
(2)麦克风是敏感设备，所以避免掉落和击打并且不要有强烈震动。
(3)不要在高温或潮湿的地方存放麦克风。