曼努埃尔_艾利斯_马特乌斯_建筑_为了生活的艺术

曼努埃尔·艾利斯·马特乌斯/ Manuel Aires Mateus （以下简称MAM ）克劳迪娅·塔博达/Claudia Taborda （以下简称CT ）CT : 建筑……你如何理解实践意义上的建筑学；也就是作为开展业务和社会活动的建筑？MAM : 我得说自己对建筑学的兴趣在于它有可能对一种老生常谈的活动进行转变；这种活动就是建造房屋的过程，建筑学能够把它转变为一种赋有诗意的实践。

就是说，这种转变能够揭示出，每一种语境和每一个问题都是各不相同且独一无二的。

建筑学能把一个问题转变为一次文化行动。

当然，这也并不是说建筑总能成为某种文化行动。

建筑和建造的关系就好像文学与写作的关系。

并不是所有的文字都可以成为文学、诗歌。

尽管如此，我还是认为，建筑是在对一个非常陈腐平庸的过程进行诗意地表达，而这个过程就是房屋的建造。

CT : 要产生一座建筑，首先必须具备一系列重要的经济条件。

最近的金融和经济波动显得反复无常、变化不定，为建筑领域提供的各种机会也在地理位置上发生了转移。

即使欧洲地区的城市密度差别甚大，也依然受到这一状况的巨大影响。

然而，并不是只有经济形势才能决定建筑能否获得各种必要的手段。

在这种情况下，在你看来，建筑如何能在手段有限、甚至非常匮乏的情况下维持它的社会文化角色？MAM : 可获得的手段有限，反而能使建筑更为准确地应对设计要求。

所以，这不是一个问题。

它是一种品质。

当人们面对完全的开放、并有可能获得任何手段的时候，要做出正确的选择是非常困难的。

当然，这也是有可能做到的，并且已有许多伟大的建筑师、还仍将有许多人能在面对可以实现所有可能性的时候做到这一点。

但一般而言，无限开放的可能性及其过程不免令人感到头晕目眩、迷惑不解。

相反，可获得的手段数量有限时，却可以要求建筑师必须找到清晰、准确而曼努埃尔·艾利斯·马特乌斯：建筑，为了生活的艺术Manuel aires Mateus: an architecture for the art of life克劳迪娅·塔博达/Claudia Taborda 徐知兰 译/Translated by XU ZhilanCT : Architecture...How do you think of architecture as praxis; as practice and as sociological operation?MAM : I would say my interest in architecture is the possibility of transformation of a banal activity; this is construction, into a poetic praxis. It means transformation reveals each context, each problem as difference and uniqueness. Architecture transforms a problem into a cultural act. This does not mean necessarily architecture becomes always a cultural act. Architecture can be paired to construction as writing to literature. Not all that is written becomes literature, poetry. Though, I think architecture as such is the poetic expression of a very banal process, which is to build.CT : For architecture to happen a set of core economy based conditions needs to take place. Recently, financial and economical dynamics have unveiled volatile realities, uncertainty, and geographic transference of the opportunities for architecture. This has been tremendously impactful in Europe, despite its different degrees of intensity. However , not just economy assigns the availability of means. Thus, how can architecture, as you de fineit, endure its social and cultural role when means are limited or scarce?MAM : From the limitation of means architecture becomes more precise. Thus, it is not a problem. It is a quality. Choice is very dif ficult when one is before a complete openness and possibilities of means. Surely, it can take place and great architects have done and will continue to do it within all possible contexts.Generally, numberless open possibilities as well as their processes let one feel and experience a certain inebriant effect and confusion. Contrarily, limited means demand from architects the need for clear, precise and rigorous options. This can be found in architectures more rooted in locality and its specificity or architectures that manifest themselves as a precise solution for precise problems within very specific contexts, and these are the result of a concrete thinking. But it also can happen in a particular society or moment that is or becomes more limited economically. When this happens architecture embodies precision and clear thought in regards to what architecture is.CT : The 90's of the XX century and early years of this century offered abundant grounds, means作者简介：毕业于葡萄牙埃武拉大学和美国哈佛大学设计研究 生院景观建筑专业，目前是北京标准营造事务所的 景观建筑负责人。

收稿日期：2012-09-15曼努埃尔·艾利斯·马特乌斯1963年出生于葡萄牙里斯本，建筑师，1986年毕业于里斯本科技大学建筑系。

弗朗西斯科·艾利斯·马特乌斯1964年出生于葡萄牙里斯本，建筑师，1987年毕业于里斯本科技大学建筑系。

他们二人从1983年开始同贡萨洛·伯恩合作。

1988年，二人开始联合执业。

曾在2002年和2005年执教于哈佛大学设计研究生院；2001年开始，执教于瑞士门德里西奥建筑学院；1998年开始，执教于里斯本自治大学。

其作品曾获得多个国际奖项：圣蒂尔苏呼叫中心获2012A I T（办公类）一等奖（法兰克福，2012）；萨尔堡老人之家获2012A I T（健康类）提名奖（法兰克福，2012）及2012维纳博艮砖筑奖（维尔纳，2012）；富尔纳斯勘测中心获国际砖建筑奖（维罗纳，2011）；WeltLiteratur获Premis FAD临时建筑奖（巴塞罗那，2010）；锡尼什艺术中心获Premio Enor2006奖（维哥，2006）， Contractworld 2007奖（汉堡，2006）；阿泽托住宅获2004住宅设计一等奖（马德里，2004）。

曾参加威尼斯双年展（威尼斯，2010），“6个葡萄牙建筑工作室”展（伦敦，2007），“最新作品”展（苏黎世，2007）。

Manuel Aires MateusBorn in Lisbon, Portugal in 1963. Architect, graduated from the Faculty of Architecture, Technical University of Lisbon in 1986.Francisco Aires MateusBorn in Lisbon, Portugal in 1964. Architect, graduated from the Faculty of Architecture, Technical University of Lisbon in 1987.They have both collaborated with Gon çalo Byrne since 1983 and together as authors since 1988. Teachers in Graduate School of Design, Harvard University, USA, in 2002 and 2005, in Accademia di Architectura, Mendr ízio, Switzerland, since 2001, and in Universidade Aut ónoma, Lisbon, since 1998. Their main international awards include: Call Center in Santo Tirso-AIT Award 2012 (office category), 1st prize (Frankfurt, 2012); Nursing Home in Alc ácer do Sal-AIT Award 2012 (health and care category), finalist project (Frankfurt, 2012), and Brick Award 2012, 1st prize (Wien, 2012); Furnas Investigation Centre-International Award Architecture In Stone (Veronafiere, 2011); WeltLiteratur－Premis FAD－Temporary Interventions (Barcelona, 2010); Sines Arts Centre－Premio Enor 2006 (Vigo, 2006),and Contractworld 2007 (Hamburg, 2006); House in Azeit ão, RS04－Residencia Singular 2004－1st Prize (Madrid, 2004). And main international exhibitions participated include: La biennale di venezia (2010); Six Portuguese Architecture Studios (London, 2007); Recent projects (Zurich, 2007).弗朗西斯科·艾利斯·马特乌斯（左），曼努埃尔·艾利斯·马特乌斯（右）/Francisco Aires Mateus (left), Manuel Aires Mateus（right）11网络出版时间：2012-10-12 10:09网络出版地址：/kcms/detail/11.1847.TU.20121012.1009.001.html严谨的少数几种选择。