Jane Austen 简奥斯汀
Jane Austen简奥斯汀简介
商英三班丁立萍110133010305Jane AustenJane Austen(1775-1817) is an English novelist. She was born in a small country, and her father is a local priest. Austen had never attended normal school, and she just read lots of literature through the guidance of her parents. She started out to writing at her twenties and published six long novels. Sense and Sensibility, which is her maiden work published at 1811, after that, she also published Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815). Northanger Abbey and Persuasion (1818) hadn’t published until after she passed away two years, and which were signed writer’s name. In these works, Pride and Prejudice is a typical one of its early stages, and the rest are later works, and the most prestigious one is Emma.Austen didn’t get married in her life time. Because her personal condition that she lived in small country and in her most time touched with landowner and priests, those people are lived in a quiet and peaceful place, so, in her works, we cannot see much social conflict. Most of her novels are full of humorous and happiness, although most works are related to romance, and it was called custom novel, most still love to read them.My favorite book is Pride and Prejudice, which was wrote in simple words and beautiful sentences, but it shows a complicated story to readers, the whole book was wrote around two words pride, prejudice, it tells a romantic story about Elizabeth and Darcy and their families. From the story, we can found simplest love and truth.She is a great woman and writer who is worth us to study and worship.。
介绍英国有名的作家及其文学作品
介绍英国有名的作家及其文学作品《英国伟大作家及其文学作品》英国是一个享誉世界的文学强国，拥有众多世界级的作家和他们的经典作品。
以下是介绍一些英国著名作家及其文学作品的精选。
1. 《傲慢与偏见》 - 简·奥斯汀（Jane Austen）简·奥斯汀是世界文学史上最出色的女性小说家之一，她以精细的社会描写和幽默的文笔闻名。
《傲慢与偏见》是她最著名的作品之一，描绘了智慧与爱情的故事，饱含对当时社会等级制度的讽刺。
2. 《哈利·波特》系列 - J·K·罗琳（J.K. Rowling）J·K·罗琳被誉为现代英国最重要的作家之一。
她创作的《哈利·波特》系列一经推出，便席卷全球，成为全球畅销书。
这个系列以魔法世界为背景，讲述了哈利·波特成长为一位伟大魔法师的冒险故事。
3. 《奥利弗·吉本斯》 - 查尔斯·狄更斯（Charles Dickens）查尔斯·狄更斯是维多利亚时代最伟大的文学家之一，以描写贫民窟和社会不公而闻名。
《奥利弗·吉本斯》是他的一部经典之作，揭示了伦敦贫穷阶层的苦难和社会问题。
4. 《1984》 - 乔治·奥威尔（George Orwell）乔治·奥威尔是一位政治作家和评论家，他的作品揭示了政府权力和社会审查的黑暗面。
《1984》被认为是奥威尔最具影响力的作品之一，通过描述一个被极权统治的未来社会，警示人们对个人自由的珍惜。
5. 《爱玛》 - 简·奥斯汀（Jane Austen）再次提到简·奥斯汀，她被誉为英国浪漫主义文学的代表。
《爱玛》是她的代表作之一，讲述了一个富裕而自恋的女主角的爱情故事。
小说中充满了细腻的情感描写和对社会约束的讽刺。
6. 《鲁滨逊·克鲁索》 - 丹尼尔·笛福（Daniel Defoe）丹尼尔·笛福是英国文学史上的早期写实主义文学作家之一，《鲁滨逊·克鲁索》是他的代表作。
解析《傲慢与偏见》中的英式语言创作风格
解析《傲慢与偏见》中的英式语言创作风格1. 《傲慢与偏见》简介《傲慢与偏见》是英国著名作家简奥斯汀（Jane Austen）的一部经典小说，首次出版于1813年。
这部作品以独特的英式语言创作风格展现了19世纪英国乡村中产阶级的生活和社会风貌。
故事围绕着女主角伊丽莎白班内特（Elizabeth Bennet）和男主角达西先生（Mr. Darcy）之间的爱情纠葛展开，通过描绘了当时英国社会中各种人物的性格特点、婚姻观念以及社会等级制度，展现了作者对社会现实的深刻洞察。
小说以其精湛的叙事技巧和丰富的人物塑造，被誉为英国文学史上最受欢迎的作品之一。
1.1 作者简介简奥斯汀(Jane Austen),1775年生于英国汉普郡，是英国18世纪末至19世纪初最著名的女作家之一。
她的作品以描绘当时英国社会风俗和家庭生活为主，具有浓厚的现实主义色彩。
奥斯汀的作品风格独特，被誉为“英国文学的瑰宝”。
她的主要代表作品有《傲慢与偏见》、《理智与情感》、《曼斯菲尔德庄园》等。
简奥斯汀在文学创作上注重细节描写，善于捕捉人物性格的细微差别。
她的作品中的角色形象鲜明，具有鲜明的个性特征。
奥斯汀还擅长运用讽刺手法，对当时社会的种种弊端进行批判。
她的作品不仅具有很高的文学价值，还为后世的作家提供了丰富的创作灵感。
1.2 作品背景英国作家简奥斯汀（Jane Austen）创作的长篇小说《傲慢与偏见》是其文学史上的瑰宝。
小说以当时的英国社会背景作为创作的舞台，真实地展现了那个时代的情感和社会面貌。
十八世纪末期的英国，正处于工业革命的前夕，整个社会正处于新旧交替的过渡阶段。
在乡村社会和经济关系不断变化的背景下，小说通过描写年轻男女间的情感纠葛和婚姻问题，折射出了英国社会普遍的价值观和风俗习惯。
小说的语言创作风格，深受当时的社会语境和文学风格的影响，呈现出独特的英式语言特色。
奥斯汀的作品被认为是英国古典文学的杰作之一，不仅继承发展了欧洲传统的文学作品风格，还融入了当时英国社会的时代特征。
《简·奥斯汀：生活与作品》的文学研究
简·奥斯汀：生活与作品1. 简介简·奥斯汀（Jane Austen，1775年-1817年）是英国文学史上最重要的女性小说家之一。
她以描写英国社会庶民生活和情感问题著称，其作品具有深刻的细腻情感描写和幽默的观察力。
本文将从奥斯汀的生平和文学作品两个方面进行研究。
2. 生平简·奥斯汀出生于一个中产阶级家庭，在兄妹中排行第七。
奥斯汀一生过得相对平静，没有结婚也没有孩子。
她主要在家庭中度过，并很少参与社交活动。
尽管如此，她通过书信保持与朋友和亲戚的联系，并表达了对时事、文学及家庭生活的看法。
3. 文学作品3.1 《傲慢与偏见》《傲慢与偏见》是简·奥斯汀最著名的小说之一，讲述了伊丽莎白·班内特与达西先生之间错综复杂的爱情故事。
奥斯汀以犀利的观察力揭露社会中的傲慢和偏见，同时也展现了女性对自由选择和尊严的追求。
3.2 《理智与情感》《理智与情感》是奥斯汀首次出版的小说，讲述了埃莉诺和玛丽安两姐妹之间在爱情、财产和家庭关系上的挫折和奋斗。
该作品彰显了奥斯汀对生活中理性思考与情感表达之间的关系有着独特见解，并深入探讨了社会压力、经济实用主义与人性善良之间的矛盾。
3.3 其他作品除了以上两部作品，简·奥斯汀还创作了一系列其他优秀小说，如《诺桑觉寺》、《劝导》等。
这些作品都以其细腻入微地描绘人物心理和社会风貌而闻名于世。
4. 影响简·奥斯汀的作品不仅在当时引起了广泛关注，而且至今仍然受到全球读者的热爱。
她对小说写作的贡献在于将庶民生活和真实感情带入文学作品，打破当时对于女性作家的刻板印象。
她塑造的深入人心的角色和细腻入微的情感描写成为后世文学创作的重要参考。
5. 结语简·奥斯汀以她细腻独到的文笔，以及对社会庶民生活和情感问题的洞察力，在英国和全球文学界留下了不可磨灭的印记。
通过研究奥斯汀的生平和作品，我们可以更好地理解这位杰出女作家所承载的思想与价值观，并欣赏她独特、雅致而又充满智慧的写作风格。
英国作家简奥斯汀的历史故事
英国作家简奥斯汀的历史故事简奥斯汀（Jane Austen）是英国文学史上著名的女作家之一，她以她的历史故事和关于社会礼仪的描写而闻名于世。
简·奥斯汀于1775年12月16日出生在英国汉普郡的斯蒂文顿，是一个贫穷的贵族家庭的女儿。
她的作品具有独特的幽默感和对人性的深刻洞察力，被公认为英国文学的经典之作，而且至今仍然受到广大读者的喜爱。
简·奥斯汀的作品多以女性为主角，描绘了当时英国社会的一些令人头疼的问题，比如女性的婚姻和经济地位的局限，社会等级的固化以及面对爱情时的选择困境等等。
她的作品常常通过她精细入微的观察和调侃的手法描绘了这些问题，以幽默的方式嘲笑社会的荒谬和虚伪。
尽管她的作品写于两个世纪之前，但是其中许多主题和情节至今仍然有深入人心的共鸣。
《傲慢与偏见》是简·奥斯汀最著名的作品之一，也是她最受欢迎的小说之一。
这部小说以女主人公伊丽莎白·班纳特的婚姻为线索展开，通过她与富有但自大的达西先生之间的对话和争吵，讲述了一个爱情故事的同时，也呈现了当时社会上的封建观念和各个人物的性格特点。
奥斯汀通过娴熟的描写和对话，将人物的内心世界展现得淋漓尽致，使读者对人物的行为和动机产生共鸣。
简·奥斯汀的作品也有一些经典的特点。
首先，她的作品往往注重对细节的刻画，对当时社会各个阶层的生活和礼仪进行了深入研究，并将这些细节融入到故事情节中，使得小说更具真实感和可信度。
其次，奥斯汀的作品充满了讽刺和幽默，通过对社会习俗和人性弱点的调侃，表达了她对社会现象的看法。
最后，奥斯汀的作品通常以爱情为主题，表达了她对爱情的理解和对婚姻制度的思考。
除了《傲慢与偏见》，简·奥斯汀的其他著名作品还包括《理智与情感》、《劝导》、《诺桑觉寺》等等。
这些作品都以女性的视角写作，揭示了当时英国社会中女性的生存状态和社会地位的局限。
她的作品不仅具有文学价值，也为后来的作家提供了灵感和启示。
素材积累人物,事迹,适用主题
素材积累人物，事迹，适用主题素材积累是创作过程中至关重要的一环，而人物和事迹是构建故事情节和描绘情感的重要元素。
合理选择适用主题，能够更好地展现人物的性格和故事的发展。
本文将探讨如何进行素材积累，介绍几种具有启发性和代表性的人物事迹，以及它们适用的主题。
人物1. Jane Austen简·奥斯汀（Jane Austen），英国19世纪四大女作家之一，以描写社会底层妇女和风俗习惯见长。
她的作品充满机智和幽默，如《傲慢与偏见》和《爱玛》等，通过细腻的笔触揭示人物内心世界。
2. Nelson Mandela纳尔逊·曼德拉（Nelson Mandela），南非政治家和反种族隔离活动家，曾因参与反对种族隔离而被捕入狱多年。
他的坚韧和智慧在历经磨难后实现了南非种族平等的和平转变。
事迹1. 坚持梦想无论是简·奥斯汀创作过程中的经历，还是纳尔逊·曼德拉在囚禁中的坚持，都体现了对梦想和信念的追求。
这种坚持不懈的精神可以激励人们在困难面前不放弃。
2. 社会正义简·奥斯汀和纳尔逊·曼德拉在不同领域都致力于社会正义和平等。
通过描绘他们争取公正的过程，可以引发读者对社会问题的反思和关注。
适用主题1. 勇气与坚持这个主题适用于描绘人物面对挑战时所展现出的勇气和坚持。
无论是追求梦想、抗争不公还是战胜困难，都可以在这一主题下展开鲜活的故事。
2. 友情与背叛友情和背叛是叙事中常见的主题，可以通过描绘人物之间的情感纠葛和道义抉择展现人性和情感的复杂性，增加故事的戏剧性和张力。
通过充分积累素材，选择具有代表性的人物和事迹，结合适用的主题，可以使故事更具深度和吸引力。
不同主题下的人物表现和情节发展，将为读者带来多样的阅读体验。
Jane Austen 简奥斯丁
Jane Austen 简•奥斯丁(1775-1817)：◆Introduction：奥斯丁兄弟姐妹八人。
父亲在该地担任了四十多年的教区长。
他是个学问渊博的牧师，妻子出身于比较富有的家庭，也具有一定的文化修养。
因此，奥斯丁虽然没有进过正规学校，但是家庭的优良条件和读书环境，给了她自学的条件，培养了她写作的兴趣。
她在十三四岁就开始写东西，显示了她在语言表达方面的才能。
奥斯丁终身未婚，家道小康。
由于居住在乡村小镇，接触到的是中小地主、牧师等人物以及他们恬静、舒适的生活环境，因此她的作品里没有重大的社会矛盾。
她以女性特有的细致入微的观察力，真实地描绘了她周围世界的小天地，尤其是绅士淑女间的婚姻和爱情风波。
她的作品格调轻松诙谐，富有戏剧性冲突，深受读者欢迎。
简·奥斯丁是“第一个现实地描绘日常平凡生活中平凡人物的小说家”，（她的作品）反映了当时英国中产阶级生活的喜剧，显示了‘家庭’文学的可能性。
她多次探索青年女主角从恋爱到结婚中自我发现的过程。
这种着力分析人物性格以及女主角和社会之间紧张关系的做法，使她的小说摆脱十八世纪的传统而接近于现代的生活。
现代评论家也赞佩奥斯丁小说的高超的组织结构，以及她能于平凡而狭窄有限的情节中揭示生活的悲喜剧的精湛技巧。
她的小说出现在19世纪初叶，一扫风行一时的假浪漫主义潮流，继承和发展了英国18世纪优秀的现实主义传统，为19世纪现实主义小说的高潮做了准备。
在英国小说的发展史上有承上启下的意义，被誉为地位“可与莎士比亚平起平坐的作家。
”◆Works：Sense and Sensibility, 1811 《理智与情感》(又名)《理性与感性》Pride and Prejudice, 1813 《傲慢与偏见》（原名：《最初的印象》First Impression）Mansfield Park, 1814 《曼斯菲尔德庄园》Emma, 1816 《爱玛》Northanger Abbey, 1818 《诺桑觉寺》Persuasion, 1818 《劝导》◆Appreciation: Pride and Prejudice,《傲慢与偏见》CHAPTER 1It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered the rightful property of some one or other of their daughters.“My dear Mr. Bennet,” said his lady to him one day, "have you heard that Netherfield Park is let at last?"Mr. Bennet replied that he had not.“But it is,” returned she; “for Mrs. Long has just been here, and she told me all about it.”Mr. Bennet made no answer.“Do not you want to know who has taken it?" cried his wife impatiently.“Y ou want to tell me, and I h ave no objection to hearing it.”This was invitation enough.“Why, my dear, you must know, Mrs. Long says that Netherfield is taken by a young man of large fortune from the northagreed with Mr. Morris immediately; that he is to take possession before Michaelmas, and some of his servants are to be in the house by the end of next week."“What is his name?”“Bingley.”“Is he married or single?”“Oh! Single, my dear, to be sure! A single man of large fortune; four or five thousand a year. What a fine thing for our girls!”“How so? How can it affect them?”“My dear Mr. Bennet,” replied his wife, “how can you be so tiresome! You must know that I am thinking of his marrying one of them.”“Is th at his design in settling here?”“Design! Nonsense, how can you talk so! But it is very likely that he may fall in love with one of them, and therefore you must visit him as soon as he comes."“I see no occasion for that. You and the girls may go, or you may send them by themselves, which perhaps will be still better, for as you are as handsome as any of them, Mr. Bingley might like you the best of the party."“My dear, you flatter me. I certainly have had my share of beauty, but I do not pretend to be anything extraordinary now. When a woman has five grown-up daughters, she ought to give o ver thinking of her own beauty.”“In such cases, a woman has not often much beauty to think of.”“But, my dear, you must indeed go and see Mr. Bingley when h e comes into the neighbourhood.”“It is more than I engage for, I ass ure you.”“But consider your daughters. Only think what an establishment it would be for one of them. Sir William and Lady Lucas are determined to go, merely on that account, for in general you know they visit no new comers. Indeed you must go, for it will be impossible for us to visit him, if you do not.”“You are over scrupulous, surely. I dare say Mr. Bingley will be very glad to see you; and I will send a few lines by you to assure him of my hearty consent to his marrying whichever he chooses of the girls; though I must throw in a good word for my little Lizzy.”“I desire you will do no such thing. Lizzy is not a bit better than the others; and I am sure she is not half so handsome as Jane, nor half so good humoured as Lydia. But you are always giving her the preference."“They have none of them much to recommend them,” replied he; “they are all silly and ignorant like other girls; but Lizzy has something more of quickness than her sisters.”“Mr. Bennet, how can you abuse your own children in such a way? You take delight in vexing me. You have no compassion for my poor nerves.”“You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these last twenty years at least.”“Ah! You do not know what I suffer.”“But I hope you will get over it, and live to see many young men of four thousand a year come into the neighbourhood.”“It will be no use to us, if twenty such should come, since you will not visit them.”“Depend upon it, my dear, that when there are twenty, I will visit them all.”Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character. Her mind was less difficult to develop. She was a woman of mean understanding, little information, and uncertain temper. When she was discontented, she fancied herself nervous. The business of her life was to get her daughters married; its solace was visiting and news.其它浪漫主义诗歌赏析:The Sick Rose-------William BlakeO Rose, thou art sick.The invisible wormThat flies in the nightIn the howling stormHas found out thy bedOf crimson joy,And his dark secret loveDoes thy life destroy.A Red, Red Rose-------Robert Burns1O, my luve’s like a red, red rose,That’s newly sprung in June. O, my luve’s like the melodie,That’s sweetly play’d in tune.2As fair art thou, my bonie lass,So deep in luve am I,And I will luve thee still, my dear,Till a’the seas gang dry.3Till a’the seas gang dry, my dear,And the rocks melt wi’ the sun, O, I will luve thee still, my dear,While the sands o’life shall run.4And fare thee weel, my only luve,And fare thee weel a while! And I will come again, my luve,Tho’ it were ten thousand mile!She Walks in Beauty-------ByronShe walks in beauty, like the nightOf cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes:Thus mellow’d to that tender light Which heaven to gaudy day denies.One shade the more, one ray the less, Had half impair’d the nameless grace Which waves in every raven tress,Or softly lightens o’er her face;Where thoughts serenely sweet express How pure, how dear their dwelling-place.And on that cheek, and o’er that brow, So soft, so calm, yet eloquent,The smiles that win, the tints that glow, But tell of days in goodness spent,A mind at peace with all below.A heart whose love is innocent!。
简·奥斯汀的爱情观与社会风尚
简·奥斯汀的爱情观与社会风尚简·奥斯汀简介简·奥斯汀（Jane Austen）是英国19世纪著名小说家，以其独特的写作风格和深入描绘女性角色而闻名于世。
她的作品多以爱情婚姻为线索，通过剖析当时英国上层社会的社交规则和道德观念，展现了女性在那个时代所面对的激动人心而又曲折复杂的恋爱关系。
文化背景与社会风尚在奥斯汀所生活的18-19世纪英国，上层社会被确定、传统、保守的价值观所主导。
阶级分明、礼仪荣耀至上、经济地位及血统显赫等成为人们评价一个人身份的重要标志。
这种文化背景下，恋爱婚姻变得复杂并充满了挑战。
奥斯汀作品中的爱情观1.自由婚姻与利益婚姻：奥斯汀强调自由选择配偶和真爱之间关系的重要性。
她的小说角色常常面临财富、地位与真爱之间的选择，通过展示自由婚姻与利益婚姻背后的种种复杂因素，揭示了其中存在的困境和挑战。
2.真实与虚荣：奥斯汀作品中，女性角色具备独立思考和判断能力，并更注重内在品质而非外貌和财富。
奥斯汀倡导真实与坦诚的感情交流，并强调不应受到外界追求名誉和虚荣心所左右。
3.社交规则和约束：社交礼仪对于英国上层社会至关重要，而奥斯汀在作品中赋予了社交规则以极大的意义。
角色们必须懂得适时、适度地表现出自己，在这种环境下进行细致入微的恋爱游戏。
对当代社会的启示简·奥斯汀作品中呈现出来的爱情观念和社会风尚仍然对当代社会有着一定程度的启示： 1. 真爱价值：不受外界干扰，通过深入了解并相互支持与尊重，可以找到真正的幸福。
2. 自主选择：坚持自己的价值观和理想，不被社会规范与他人眼光左右。
3. 诚实沟通：避免虚伪和欺骗，保持诚实而开放的沟通方式。
简·奥斯汀通过其小说作品中所揭示的爱情观与社会风尚，成功地展示了个人自由、内心追求和家庭责任之间微妙的平衡关系，并为当代读者提供了对于恋爱和婚姻的思考。
她独特细腻而又幽默的写作风格，使得她成为文学史上备受推崇的作家之一。
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(Chaptery about it yourself. Tell her that you insist upon her marrying him.'' ``Let her be called down. She shall hear my opinion.'' Mrs. Bennet rang the bell, and Miss Elizabeth was summoned to the library. ``Come here, child,'' cried her father as she appeared. ``I have sent for you on an affair of importance. I understand that Mr. Collins has made you an offer of marriage. Is it true?'' Elizabeth replied that it was. ``Very well -- and this offer of marriage you have refused?'' ``I have, Sir.''
Austen is a neoclassicism advocate, upholding those traditional ideas of order, reason, proportion and gracefulness in novel writing. Austen’s work has a very narrow literary field. She is particularly preoccupied with the relationship between men and women in love.
Make brief comments on Austen’s simple language.
Austen writes her novel in simple language. At her time, women are usually deprived of the rights of school education. What’s more, most of the eminent native English writers tend to write in simple language (e.g. Wordsworth) while those immigrant writers (e.g. Conrad) tend to write in sophisticated language. (everyday life versus historical theme)
Appreciating Austen’s Humor
MR. BENNET raised his eyes from his book as she entered, and fixed them on her face with a calm unconcern which was not in the least altered by her communication. ``I have not the pleasure of understanding you,'' said he, when she had finished her speech. ``Of what are you talking?'' ``Of Mr. Collins and Lizzy. Lizzy declares she will not have Mr. Collins, and Mr. Collins begins to say that he will not have Lizzy.'' ``And what am I to do on the occasion? -- It seems an hopeless business.''
The best way (short-cut) for a lady to climb up in the social status is to get married to a rich husband in a dignified manner. Jane Austen is the first important woman writer in English literature. However, she is not necessarily a feminist writer. (In her opinion, a lady should be dependent upon an honest rich gentleman.)
Sum up the characterization of Mr. And Mrs. Bennet.
Mr. and Mrs. Bennet are the two bestdepicted characters in the excerpt. Mrs. Bennet is vulgar, ignorant, and snobbish. Her only business is to marry her daughters to wealthy young men. Mr. Bennet is kind-hearted, humorous, but a bit pedantic.
Pride and Prejudice
Give a feminist explanation of the first sentence.
The gentlemen are always in favorable condition in marriage. The ladies are under the mercy of the gentlemen. In the eighteenth century, an ideal husband must be in possession of a good fortune.
Jane Austen (1775-1871)
Biographical Introduction Major Works Brief Comments Detailed Study of Pride and Prejudice
Jane Austen
Austen was born into a country clergyman’s family. She was educated at home with her sisters. She lived an uneventful life. She began to write novels for her family entertainment. Her novels were later published anonymously due to the prejudice against women writers.
Major Works
Pride and Prejudice《傲慢与偏见》 Sense and Sensibility《理智与情感》 Emma《爱玛》 Mansfield Park《曼斯菲尔德公园》 Northanger Abbey《诺桑觉寺》 Persuasion 《好事多磨》
Make brief comments on the neoclassical elements of the novel after watching the episodes from the movie.
Jane Austen is a neoclassicism advocate, upholding those traditional ideas of order, reason, proportion and gracefulness in novel writing. The protagonists in Pride and Prejudice are invariably graceful. Gentlemen are gentlemanly and ladies are ladylike on all occasions. There are no passionate love scenes (e.g. hugging or kissing) like those in Jane Eyre.
``Very well. We now come to the point. Your mother insists upon your accepting it. Is not it so, Mrs. Bennet?'' ``Yes, or I will never see her again.'' ``An unhappy alternative is before you, Elizabeth. From this day you must be a stranger to one of your parents. -- Your mother will never see you again if you do not marry Mr. Collins, and I will never see you again if you do.'' Elizabeth could not but smile at such a conclusion of such a beginning; but Mrs. Bennet, who had persuaded herself that her husband regarded the affair as she wished, was excessively disappointed. ``What do you mean, Mr. Bennet, by talking in this way? You promised me to insist upon her marrying him.''