文体学整理
文体学章节总结

文体学1~7章总结第一章关于文体学本章先阐释了现代文体学的概念,即:文体学是用语言学方法研究文体风格的一门学问。
它包括普通文体学和文学文体学。
我们学习的是普通文体学,学的是多种主要语言形式的文体特点。
为了更好地理解文体学,首先,得知道语言是什么?现代语言学的开端是索素尔,他认为语言就是一个符号系统。
而布卢姆菲尔德把语言看做是一个统一的结构,是使用语言习惯的集合。
还有人说语言是社会符号。
从哲学角度看,语言是产生于社会的语言活动。
接着说了言语事件的特点,即具有实物性,形式性和情境性。
根据言语事件的特点可知语言具有多样性,如古英语,现代英语,英式英语,美式英语,口头英语,书面英语等。
接着来了解一下语言的功能。
语言具有表达人们看法的概念功能,建立和保持人际关系的人际功能,根据上下文和当前情境选词义。
这三种功能表明语言必须适应人的交流需要。
讲了文,再来了解体,即风格。
风格就是个人或群体在一定情境下的语言习惯。
再来了解文体学的研究。
这得提到索素尔,他改变了自古以来历时研究文体学的风潮,他强调共时研究。
我们学习文体学重点在于学习语言多样性的三个特点,多样性的分类标准,语言描述的特点和主要的多样性功能。
第二章学习文体学的必要性1.学习文体学有助于养成得体的言语意识。
不同情境都符合他的不同语言风格,只有学好文体学,才能更好地交流。
2.学习文体学有助于提高对文学作品的理解和鉴赏水平,作者在进行文学创作时,得考虑选择合适的词句和构建文章的结构,学习文体学,我们才知道作者为何做出这样的选择,才能更好地理解作品。
说到这,得提一下由对文学作品的不同理解而产生的文学评论。
文学评论有三个步骤,即描述、理解,评论。
文学评论也是有价值的文学创作。
3.学习文体学有助于达到得体的翻译。
我们知道,语言具有多样性,所以在翻译是有时很难翻出原始意义,译者应该了解目标语言和被翻译语言的习惯用法,这样才能翻出既尊重原文意思又能让读者身临其境的好文章。
重要文体知识、文学常识

识记五七至九年级重要文体知识、文学常识一、重要文体(一)古代重要文体1.说——一种文体,可以记叙,可以议论,也可以抒情,但都是作者为了说理或发表某种观点或看法的一种体裁。
如《爱莲说》《马说》。
2.铭——本是刻在金属器物或石碑上用来警戒自己或颂扬他人的文字,一般都用韵,后来成为一种专门文体。
如《陋室铭》。
3.表——古时臣下向帝王上书言事的一种文体,战国时期称为“书”,到了汉代被分成四个小类,即章、奏、表、议。
可议论,也可以记叙和抒情,“动之以情”是这种文体的一个基本特征。
如《出师表》。
4.记——古代一种散文体裁,可叙事、写景、状物,抒发情怀抱负,阐述作者的某些观点。
如《桃花源记》《小石潭记》《岳阳楼记》《醉翁亭记》等。
5.序——亦称“叙”,或称“引”,又名“序言”“前言”“引言”,是放在著作或正文之前的文章。
作者自己写的叫“自序”,内容多说明该书的内容、写作缘由、经过、旨趣和特点;别人代写的序叫“代序”,内容多介绍和评论该书的思想内容和艺术特色。
古代另有一种序是惜别赠言的文字,叫作“赠序”,内容多是对于所赠亲友的赞许、推崇或勉励之辞,是临别赠言性质的文体。
如《送东阳马生序》。
6.诗——文学体裁的一种,通过有节奏和韵律的语言反映生活,抒发情感或阐述道理等。
以唐代作为标准,古诗分为古体诗与近体诗。
近体诗又分为绝句和律诗,绝句每首四句,有五言绝句、七言绝句之分,律诗每首八句,有五言律诗、七言律诗之分,超过八句的称为排律(或长律)。
将五言、七言律诗截一半就是绝句,故而绝句又叫截句。
7.词——一种诗的别体,萌芽于南朝,是隋唐时兴起的一种新的文学样式。
到了宋代,进入到词的全盛时期。
词最初称为“曲词”或者“曲子词”,别称有:近体乐府、长短句、曲子、曲词、乐章、琴趣、诗余等。
从长度分为小令(58字以内)、中调(59—90字)和长调(91字以上)。
是配合宴乐乐曲而填写的歌诗。
词牌是词的调子的名称,不同的词牌在总句数、句数,每句的字数、平仄上都有规定。
文体学复习材料汇总

文体学复习材料汇总Part 1 Stylistics: Definitions―Stylistics is a branch of linguistics which applies the theory and methodology of modern linguistics to the study of Style.―Simply defined, Stylistics is a discipline that studies the ways in which language is used: it is a discipline that studies the styles of language in use.‖―The stylistics we are discussing here is Modern Stylistics, a discipline that applies concepts and techniques of modern linguistics to the study of styles of language use.‖General stylistics concentrates solely on the general features of various types of language use. It studies the stylistic features of the main varieties of language, covering the functional varieties from the dimension of fields of discourse (different social activities), formal vs informal varieties from the dimension of tenors of discourse (different addresser-addressee relationships), and the spoken vs written varieties from the dimension of modes of discourse (different mediums). ?Meanwhile, general stylistics covers the various genres of literature (fiction, drama, poetry) in its study. But it focuses on the interpretation of the overall characteristics of respective genres, with selected extracts of literary texts as samples. Literary stylistics: concentrates solely on unique and overall linguistic features of the various genres of literature. (考点)Part 2: Views on Language/doc/7411926710.html,nguage as a social activity. Language is also a social phenomenon, or institution, whereby people communicate and interact with each other.2.The philosophical view of Language or A language is related to the actual occurrence of language in society –what are called language activities. All utterances (whether a word, a sentence, or several sentences) can be thought of as goal-directed actions. (Austin, 1962; Searle, 1969) Such actions as carried out through language are Speech Acts. Social activities in which language (either spoken or written) plays an important role such as conversation, discussion, lecture, etc., are Speech Events.‖/doc/7411926710.html,nguage is often compared to a Code, a system of signals or symbols used for sending a Message, a piece of information. In any act of verbal communication (both spoken and written, primarily spoken), language has been regarded as a system for translating meanings in the Addresser‘s (the speaker‘s / writer‘s) mind into sounds / letters, i.e., Encoding (meaning-to-sound/letter), or conversely, for translating sounds/letters into meanings in the Addressee‘s (the hear‘s / reader‘s mind, ie Decoding.(sound / letter-to-meaning), with lexis and grammar as the formal code mediating between meanin g and sound / letter.‖―But we must keep in mind that, unlike other signaling codes, language code does not operate in a fixed way – it is open-ended in that it permits generation of new meanings and new forms (such as metaphorical meanings, and neologisms); ie it is in a way creatively extendibl e.‖―Text, then, is verbal communication (either spoken or written) seen as a message coded in a linear pattern of sound waves, or in a linear sequence of visible marks on paper.‖Part 3: Text―A text is any passage, spoken or written, of whatever length,that forms a unified whole. It may be the product of a single speaker/writer (e.g. a sign, a letter, a news report, a statute, a novel), or that of several speakers (e.g. a piece of conversation, a debate).‖A text is realized by a sequence of language units, whether they are sentences or not. The connection among parts of a text is achieved by various cohesive devices, and by semantic and pragmatic implication.‖材料Examine the following conversation, find out whether linguistic units in it are overtly cohesive or not.A: See who that is. B: I‘m in pyjamas. A: OK.Linguistic units in the conversation are not overtly cohesive. In this text, the relevance of B‘s remar k to A‘s first remark is conveyed by pragmatic implication. ―I‘m in pyjamas‖ implies an excuse for not complying with A‘s command (= ―No, I can‘t, because I‘m in pyjamas.‖) A‘s second remark implies that he accepts B‘s excuse and undertakes to do himself w hat he originally asked B to do (= OK. I‘ll go myself and see.‖ Texts are therefore recognized as appropriately coherent in actual use. A full understanding of a text is often impossible without reference to the context in which it occurs.Part 4: Aspects of the Speech Event―Language is transmitted, patterned, and embedded in the human social experience. So it is both possible and useful to discern three crucial aspects of a speech event: the substantial, the formal, and the situational.‖Contextual factors that are socially, regionally or situa-tionally relevant to the production and interpretation of texts fall into the two following categories:1) Characteristics of the User of language: a. Age; b. Sex; c.Socio-regional or ethnic background; d. Education2) Characteristics of the Use of language in situation: a. Medium of communication –speech or writing; b. Setting –private or public; c. Role-relationship between addresser and addressee – the degree of intimacy; the degree of social distance;d. Purpose for which language is used,e.g. to inform, to command, to express feelings, to establish social relations, etc.; e. Subject matter (of limited stylistic significance.Practice 4. Analyze the following conversation(Jenny comes to Alan‘s house. She is conducting a survey for the government.)Alan: Won‘t you come in, Miss-er-.Jenny: Cartwright, Jenny Cartwright.Alan: I‘m Alan Marlow. (Alan shows Jenny into the living room.)Alan: Oh won‘t you make yourself comfortable, Jenny?(After some minutes of talk, which is omitted here)Jenny: Mr. Marlow … Alan: Call me Alan. (The Marlows, Episode 11)The context shows clearly that Alan and Jenny are total strangers. The conven-tional address form between strangers is Title + Sur-name (Mr./Miss So-and-so). But Alan addresses the girl by her first name and later asks her to do the same. His adoption of first-naming is an example of the manipulation of language. It is a move towards a friendlier relationship, indicating that Alan does not want their encounter to be formal and distant, as it is customary between strangers. In contrast, Jenny chooses to remain formal and distant by addressing Alan as ―Mr. Marlow‖.Part 5: Language varieties and function1.影响文体变化的因素多种多样,主要可以归为三个方面:第一方面是讲话内容(field of discourse),第二是讲话方式(mode of discourse), 第三是讲话人和听话人的地位关系(tenor of discourse)2.The Ideational / Referential function serves for expressing the speaker‘s/writer‘s experience of thereal world, including the inner world of his/her own consciousness.The Interpersonal or Expressive/Social function serves to establish and maintain social relations, for the expression of social roles, and also for getting things done by means of interaction between one person and another.The Textual function provides means for making links within the text itself and with features of its immediate situation.Part 6: StyleDefinition:*Style may refer to a person‘s distinctive language habits, or the set of individual characteristics of language use.*Style may refer to a set of collective characteristics of language use.To be exact, we shall regard Style as the language habits of a person or group of persons in a given situation.Part 8: The Concern of Stylistic StudyStylistics: It is a discipline that studies the sum of stylistic features characteristic of the different varieties of language.Stylistic study concerns itself with the situational features that influence variations in language use, the criterion for the classification of language variety, and the description and interpretation of the linguistic features and functions of the main varieties (both literary and non-literary) of a language – here, of the Modern English language.*The Need for Stylistic Study1) Style is an integral part of meaning.Practice 5. Analyze the following text.Policeman: What‘s your name, boy?Black psychiatrist: Dr. Poussiant. I‘m a physician.Poli ceman: What‘s your first name, boy?Black psychiatrist: Alvin.The word ?boy‘ may be used to address a male inferior. In above conversation, the form is used to address a physician, who is usually accorded high respect in the US and is addressed as ?Dr. So-and-so‘ (Title + Surname). Insistently using the form ?boy‘, the white policeman shows his racist contempt of and prejudice against the black people.2) Stylistics may help us to acquire a ?sense of style‘.3) Stylistics prepares the way to the intrinsic study of literature.Session 5 Varieties of Language5.1 Two kinds of varieties: Dialectal varieties, Diatypic varieties (语言变体或语域) DIALECTAL VARIETIES, commonly called DIALECTs, are language varieties that areassociated with different users of the language. As users in a society can be defined in terms of their individual, temporal, regional, and social affiliations, and their range of intelligibility, there are individual, temporal, regional, social and standard varieties respectively. These are relatively permanent features of the language user in a speech event.DIATYPIC VARIETIES, commonly called REGISTERs, are language variations that are associated with the different use to which they are put. Such varieties do not depend on the people who use the language, but on the occasion when it is used.Different types of language are selected as appropriate to different types of occasion. The choice is determined by the convention that a certain kind of language is appropriate to a certain use. The occasions can be classified along three dimensions, each presenting an aspect of the situation and the part played by the language in them. In this way, registers may be distinguished according to field of discourse, mode of discourse and tenor of discourse.Temporal Dialect: A variety which correlates with the various periods of the development of language.Social Dialect: A variety associated with certain social group.1) Socioeconomic status varieties 2) Ethnic varieties3) Gender varieties 4) Age varieties 5) Standard Dialect5.3 Registers语域1) Field of Discourse语场is the linguistic reflection of the purposive role of the language user, --the type of social activity the language user is engaged in doing in the situation in which the text has occurred.a. Some roles are non-specialist in nature and relate to non-specialist fields such as 'establishing personal contact' or 'phatic communion'. They are likely to have related topics: weather, health, news, etc.b. Field of discourse can be more or less restricted in language.c. The language of legal documents and the language of religious observance are also highly situation-tied.d. Technical fields have their own special vocabulary and favorite grammatical patterns.e. More radical grammatical differences are found in thelanguage of legal documents.2) Mode of Discourse 语式is the linguistic reflection of the relationship that the language user has to the medium of communication.3) Tenor of Discourse 语旨is the linguistic reflection of the personal relationships between speaker/writer and hearer/reader—called personal tenor, and of what the user is trying to do with language for/to his or her addressee (s) -- called functional tenor.*Personal tenor is concerned with the degrees of formality of the language used.*Functional tenor is concerned with the intention of the user in using the language.4) The Notion of RegisterThe concurrence of instances of contextual categories: field, mode, tenors of discourse-produces text varieties called registers, which can be defined in terms of phonological, lexical, and grammatical features.Registers are distinctive varieties of language used in different types of situation.5.5 The Social Meaning of Language Varietiesl) the period of development of the language in which the speaker/ writer spoke or wrote it (temporal dialect);2) the geographical area he or she is from (regional dialect);3) the social group he or she belongs to (social dialect);4) the range of intelligibility of his or her language (standard or non-standard dialect);5) the activity he or she is engaged in (field);6) the medium he or she is using (mode);7) the social relationship existing between him or her and hisor her addressee (s) (personal tenor);8) the intention in his or her mind in conveying the message (functional tenor);9) the distinctive language habits he or she has shown (idiolect).Session 6 Linguistic Description* The level of lexis and grammar1) Morphology and syntaxGrammar studies the sentence structures in a language, and the way they function in sequences. Traditionally, grammar consists of two parts: morphology (the internal structure of words and word-formation rules) and syntax (external relationships of words in a sentence).2) Lexicology studies the choice of specific lexical items in a text, their distribution in relation to one another, and their meanings.* The levels of semanticsSemantics (here) studies the overall meaning of a text, the meaning derived not from the formal properties of words and structures but from the way sentences / utterances are used and the way they are related to the context in which they are used / uttered.6.4 Procedure of linguistic description1) Work systematically through the text and note down points we feel of some stylistic significance respectively under the various headings.2) Quantify the frequency of a linguistic feature.3) Assess the importance of stylistic features.4) Make statements about the overall linguistic picture of the text in question, bringing together diverse features to show howthey form a coherent, integrated pattern, and making judgments about or interpreting the significance of such patterns in relation to the context of the text as a whole.Session 9 Formal vs Informal Language9.3 Functional tenor and degrees of formality1.Functional tenor tells us the addresser‘s intention of using the langua ge.2.Certain functional tenors can hit any point on the personal tenor formality continuum.*an expository speech: formal, with many passive constructions and a technical vocabulary; or, informal, in an ad-lib manner, with personal anecdotes, reference to the audience.*an insult: formal (formal structure and vocabulary, calm or deliberate delivery) or informal. 9.4 Martin Joos‘ classi fication (Martin Joos, 1967) The range of formality:frozen, formal, consultative, casual, and intimate.The frozen level: In Joos' analysis, the frozen level is used for written legal documents or highly solemn speech which consists of memorized sentences that must be repeated verbatim. These might include quotations from proverbs or ritual expressions which are part of a formal ceremony.The formal level is used for public addresses such as lectures or speeches where the audience is not known to the speaker personally or where personal acquaintance is not acknowledged. This level requires much attention to form (with well-planned thematic structure and phonological, lexical and syntactical coherence), and allows little or no interaction. It is typically marked with the use of may place of might , can (in 'May I present Mr Smith ?'). The speaker is usually considered to be an authority and, therefore, has higher status than the hearers for thatparticular event.The consultative level is used at less formal gatherings such as committee meetings where status is still fairly clearly designated, but where participants interact. There is still considerable attention to form (with rather clear pronunciation, accurate wording and complete sentences), andparticipants may not know each other well. It may be necessary for speakers to elaborate and givea significant amount of background material.In contrast, the casual level is used among friends, or peers who know each other well enough that little elaboration is necessary. Participants pay very little attention to form (shown by the use of slang and ellipsis as in 'Been a good thing if...') and concentrate totally on content and relationship. One of the markers of this level is the use of 'Come on' with the implication 'Consider yourself among friends'.The final level identified by Joos is 'intimate', language used between people who see each other daily (family members for instance) and share the majority of their daily life experiences. As a result, language is unelaborated and conversation may be meaningless to outsiders because of its telegraphic quality. No attention is paid to form.e.g.1) My beloved parent has just passed to his heavenly reward.2) My dear father has just expired.3) My father has just passed away.4) My dad has died.5) My old man just kicked the bucket. --- by Martin JoosJoos' categories present an efficient way of looking at degrees of formality. It is fairly easy to distinguish the frozen styleof (written) legal documents with their Latinate diction and impersonal syntax, from the intimate style of (spoken) interchanges between close friends, with their slang and elliptical syntax. But it is not easy to categorize the intervening degrees, or relate them to linguistic features. So most linguists agree that the situation is more complex than Joos imagined and see the range as a continuum from the most formal to the most Situation and Formality informal/intimate, with an infinite number of stopping places in between.Session 10 Spoken vs Written Language10.1 Striking differences1) Hearer/Reader involvement.*Generally most speeches assume the presence of the hearer *Non-verbal signals like facial expressions of incomprehension or boredom, feedback in the way of laughter, applause and even booing (feedback from audience attening a lecture and the like).* A written text normally presumes the absence of the reader, and direct feedback from the reader is not possible.2) Linguistic explicitness*In speech, the participants rely heavily on their common background knowledge and the immediate context for much of their information.*The immediate context can eliminate the ambiguity or dark information carried by implicit linguistic structures, bring some words with concrete referents, and recrysta-lize the denotations of some otherwise abstract words.*Writing, generally, does not rely on the immediate context for understanding. Nor can the writer normally hope that his /her readers share with him/her much of the personal backgroundknowledge needed for the understanding of the written text. On the contrary he/she must give great explicitness to whatever he/she is trying to say on paper.3) Preparedness*Writing is on the whole more ?careful‘ than speaking.*Permanent record, a clear idea about the subject matter and logical arrangement of thought, compact and self-contained.*Speech, esp. conversation, is often spontaneous. Random shift of topic, a general lack of conscious planning, features of hesitation, slips of the tongue, overlapping or simultaneous speech.10.2 Stylistic differencesSpoken texts contrast with written texts in terms of grammatical, lexical and phonological/ graphological features.Gregory(19107):1) Distinctions amongst speechSpeech can be spontaneous (such as casual conversation) or non-spontaneous (as what actors and teachers are doing).*Within spontaneous speech, there is conversing (with the participation of others) versus monologuing (with no interruption from others). The latter kind of sustained spontaneous speech is found in classroom teaching, TV interviewing, radio commenting, and the talking between scholars.*Non-spontaneous speech can be sub-categorized as reciting (such as story telling, poem recitation and singing) and as the speaking of what is written. In literate cultures, most non-spontaneous speech is the speaking of what has been written.2) Distinctions amongst writingThe text that has been written may be written to be spokenas if not written, or written to be spoken, or even written not necessarily to be spoken.a) Texts written to be spoken as if not written such as the lines in a drama, sound like real speech. But they are speeches that have been planned and prepared, whereas ordinary speech is spontaneous; and their situations are more compact and self-contained than those of conversing and monologuing.b) Texts written to be spoken with no effort to conceal their written origin such as scripts for sermons, speeches, lectures, news bulletins and commentaries, can be really the reading of an article or essay but the hearer is not in the same situation as the reader where he/she can turn back a page to check his/her understanding. Hence their repeating of the main points in a slightly different way and their manipulation of prosodic and paralinguistic features for the spoken mode.c) Texts written not necessarily to be spoken with no relation to the spoken mode such as a telephone book or a dictionary may be described as written to be read.d) Texts written not necessarily to be spoken but with a relationship with the spoken mode such as dialogue in a novel, may be categorized as written to be read as speech (as if heard); and the interior monologue related to such texts may be categorized as written to be read as if thought (as if overheard).10.5 Mode, field, and tenors●The mode of discourse is primarily related to the textual function of language. Yet it has some relations with the ideational function of language by way of field of discourse: some fields such as legal statutes and dictionaries tend to occur in the written mode; some fields such as telephone conversation and spontaneous speech tend to occur in the spoken mode.●Mode also has relations with the interpersonal function of language by way of personal and functional tenors of discourse: the written texts tend to be formal and the spoken tend to be informal; the phatic function is common in the spoken as is the descriptive function in the written.。
文体常识和文学常识汇总复习_写作技巧

文体常识和文学常识汇总复习一、知识要点复习:内容涉及面较广泛。
一是文体知识:记叙文(要素、人称、顺序、中心、详略),说明文(对象、特征、顺序、方法),议论文(论点、论据、论证),应用文(书信、电报、规则、计划、总结)等常识。
二是文学常识:基本课文涉及的重要作家和作品,还有小说、、诗歌、戏剧的常识,还有教材中交代的主要文化知识,日常生活经常用到的一些文化常识。
(一)小说散文诗歌戏剧常识1、小说:是一种通过人物,情节和环境的具体描写来反映现实升活的文学体裁。
小说三要素:人物:典型的艺术形象情节:(序幕) 开端发展高潮结局 (尾声) 环境:自然环境,社会环境2、散文的含义和特征散文有广义和狭义之分。
广义的散文通常指除诗歌、小说、戏剧、曲艺等以外的其他所有文章。
狭义的散文是指同诗歌、小说、戏剧相并列的一种文章体裁。
近年来,杂文、报告文学、回忆录等已从散文中分离出来,成为新的文学体裁,散文这一概念的外延逐步缩小。
这里所说的散文就是狭义范围内的散文。
根据散文的表现内容和表达方式,散文一般可以分为三类:记叙性散文、抒情性散文和议论性散文,当然也有将记叙、抒情和议论融为一体的。
散文作为一种独立的文体样式,有以下特征:(1)取材广泛散文的题材包罗万象,大千世界中具有认识意义、思想价值、美学意蕴的人、事、物、景,都能成为散文的题材范围。
散文的这一特点使它能够迅速地表达作者的生活感受。
(2)形散神聚形散神聚又叫形散神不散,是大多数散文的基本的特征。
形散指取材广泛、形式自由、手法灵活、思路开阔,从内容到形式要散得开。
神聚指文章整体结构严谨,材料层次井然,有统一的主题。
散文贵散,但要散而不乱,思路清晰,首尾一贯,做到撒得开,收得拢。
(3)形式自由散文无定体,笔法无定格,凡写人、叙事、议论、抒情,兴之所至,挥洒自如,涉笔成趣。
这使得散文形式自由灵活,多种多样,随笔、游记、札记、访问记都是散文家族的成员。
只要能很好地表现内容,在形式上是不受任何限制的。
文体学总结

文体学第一章文体学的范围什么是文体学?文体学就是一门教我们怎么使用语言,怎么应用不同风格的语言的一门学科。
文体学具体指的是文体特征,指适用于现代语言学的概念以及其技巧的,学习语言文体使用的一门学科,括普通文体学和文学文体学。
什么是语言,不同的人对语言的定义,时间的发展,语言的定义在不断的变化完善。
语言本质上是一种社会活动。
哲学观认为,语言系统是语言在社会上的作用、活动。
语码与语言相比较。
语码通常指一系列的标志符号,象征着信息的传递。
单位量小的信息是指发话人一系列要表达的意思转化成声音并让受话人接收到这一系列信息的过程。
演讲方面语言的使用。
语言在人类社会活动中不断的被使用,在演讲中由三个坏境因素决定:活动的规范性、大小、类型。
语言的变体和功能:语言的使用方式受使用场合的的影响,不同的场合必须使用不同的语言。
不同的场景,不同的人,不同的时间,不同的地点,不同的媒体,不同的社会坏境使用不同的的语言。
语言有今古,有书写体和口语,有概念功能与指称功能之分(一个为说话表达人服务,一个为书写真实世界而服务)。
文体是区分不同语言习惯的关键,每个人都会有自己的语言风格。
例如“莎士比风格”。
文体就是一个人的语言习惯和一个群体语言坏境。
文体的学习:文体学被有的人称为文体,文体学的学习在西方很早开始就出现了。
而文体学作为一个独立的语言规范需要我们对他有充分的了解,文体学学的学习使得文体更趋于规范化,理论化,使语言学的描述更加严密规范。
文体学的学习是现代学的根本;与文学息息相关;她是修辞学的继续和发展;他用新的形象接近批判性文学并为之提供一个支撑点。
第二章学习文体学的必要文体学的学习帮助我们培养一个正确的语感。
语言不是统一性质的现象,他是一个广泛的系列。
只有在不同的情况下使用不同的正确的语言人们才能正常的交流。
因此,我们就有必要去培养一个很好的语感,使得我们在交流中表达的更容易更让别人听得舒服。
文体学的学习使得理解和欣赏的文学工作变得更简单容易。
古代文体学

古代文体学1.先秦文学。
先秦文学有两源,现实主义和浪漫。
《诗经》分为风雅颂,反映现实三百篇;手法牢记赋比兴,名篇《硕鼠》与《伐檀》。
浪漫主义是《楚辞》,《离骚》作者叫屈原。
先秦散文有两派,“诸子”、史书要记全。
儒墨道法兵杂名,阴阳纵横小说农。
儒家《论语》及《孟子》,墨家《墨子》传世间。
道家《老子》及《庄子》,法家韩非著名篇。
历史散文有两体,分作“国别”和“编年”。
前者《国语》《战国策》,后者《春秋》与《左传》。
2.两汉魏晋南北朝文学。
两汉魏晋南北朝,诗歌成就比较高。
“乐府双璧”人称赞,建安文学推“三曹”。
田园鼻祖是陶潜,“采菊”遗风见节操。
《史记》首开纪传体,号称“无韵之离骚”。
班固承续司马意,《汉书》断代创新招。
贾谊雄文《过秦论》,气势酣畅冲云霄。
“出师”二表名后世,《桃花源记》乐逍遥。
辞赋盛行易空洞,张衡《二京》似惊涛。
文学批评也兴起,《文心雕龙》真高超。
骈文追求形式美,小说初起尚粗糙。
3.唐代文学。
唐诗鼎盛巍例如山,“初唐四杰”不理想,中考自学方法。
王杨卢骆溢华彩,律诗、绝句形已现。
唯美诗人发推李白,一路高歌《蜀道难》。
现实主义存有杜甫,“三吏三别”不通常。
乐天提倡新乐府,“琵琶”“长恨”领名篇。
田园诗派遣存有王孟,高岑诗歌演唱塞边。
中唐李贺多极秘,贾岛“斟酌”天下传。
晚唐兴起“小李杜”,此后衰落例如尘烟。
韩柳古文技术创新体,《阿房宫赋》演唱千年。
唐代传奇已明朗,名作当发推《柳毅传》。
4.宋代文学。
宋词如海甚汪洋,分成婉约与豪放。
柳永秦观李清照,风花雪月多柔肠。
苏轼首开豪放派,“大江东去”气昂昂。
磊落坦荡辛弃疾,“金戈铁马”势高扬。
三苏王曾欧阳修,继承韩柳作华章。
范公作品虽不多,《岳阳楼记》放光芒。
南宋诗人陆放翁,《示儿》犹念复家邦。
人生自古谁无死?后世感怀文天祥。
编年通史第一部,《资治通鉴》司马光。
《梦溪笔谈》小百科,沈括从此美名扬。
5.元明清文学。
元代散曲分后两种,小令、套数各相同。
杂剧代表四大家,成就首推关汉卿。
文体学概论期末总结

文体学概论期末总结一、引言文体学作为一门文艺理论学科,主要研究文学作品的形式和体裁之间的关系,是文学研究的重要组成部分。
通过学习文体学,我对文学作品的形式与内容、情感与思想、艺术与道德等方面有了更深入的理解和认识。
以下是我对这门课程的学习体会和总结。
二、课程内容回顾在这门课上,我们首先学习了文体学的基本概念和研究方法,包括文体的定义、分类和特征,以及文体学与其他学科的关系。
然后,我们深入研究了不同文体的特点和应用,如叙事文体、抒情文体、戏剧文体等。
在学习过程中,我们还阅读了一些经典文学作品,并分析了它们的文体特征和表现手法。
最后,我们还学习了文体变异和文体创新的问题,以及文体史和文体转型的研究。
三、学习收获与体会1. 深入理解了文学作品的形式与内容之间的关系。
通过学习文体学,我认识到文学作品的形式和内容是相互关联、相互作用的。
文学作品的形式不仅是内容的外在呈现,而且对内容的表达起着重要作用。
不同的文体有不同的表现手法和修辞技巧,能够传递不同的思想情感。
在阅读文学作品时,我们需要注意文体的选择和运用,才能更好地理解作品的意义和价值。
2. 深刻领会了艺术与道德的辩证关系。
在学习文体学的过程中,我也思考了艺术与道德之间的关系。
文学作品不仅是一种艺术形式,也具有一定的道德价值。
艺术的目的在于美的表达,但同时也不能违背社会道德和伦理。
作为文学评论家和读者,我们需要正确认识和评价文学作品的艺术和道德两个方面,既要对作品的艺术性给予充分肯定,又要对其道德性进行必要的批评和评价。
3. 增强了文学鉴赏和评论的能力。
通过学习文体学,我不仅对文学作品的形式和体裁有了更深入的理解,也提高了自己的文学鉴赏和评论能力。
在阅读文学作品时,我能够更加敏锐地捕捉到作品的文体特点和表现手法,能够分析和评价作品的艺术效果和意义。
这对于我将来从事文学创作、编辑和评论工作都是十分重要的。
四、课程反思与改进在学习文体学的过程中,我也遇到了一些困难和问题。
说明文文体知识要点整理

说明文文体知识要点整理说明文是一种以说明为主要表达方式的文章体裁。
对客观事物做出说明或对抽象事理的阐释,使人们对事物的形态、构造、性质、种类、成因、功能、关系或对事理的概念、特点、来源、演变、异同等能有科学的认识,以下是小编为大家整理的说明文文体知识要点整理,仅供参考,希望能够帮助大家。
说明文文体知识要点整理1说明文的说明顺序有:空间顺序,时间顺序,逻辑顺序,是我们最常见的文体之一。
说明文文体知识要点(1)以说明为主要表达方式,按一定的要求解说事物或事理的文章称为说明文。
说明文的语言特点:准确,平实,简洁。
(2)说明事物的前提是抓住事物的特征。
所谓特征就是事物间相互区别的标志。
(3)说明文的说明顺序有:空间顺序,时间顺序,逻辑顺序,(有总说后分说,先主要后次要,先原因后结果,由现象到本质,由性能到功用等)(4)常用的说明方法有:分类别,作解释,举例子,打比方,作比较,用数字,列图表。
(5)说明文按说明对象和内容分有:说明实体事物和说明抽象事理两大类。
说明文按写作方法和表达方式分有:平实性说明文和文艺性说明文。
(6)平实性说明文和文艺性说明文的区别在于:平实性说明文纯用说明的表达方式,语言朴实简明,内容具体,切实使人读了就能明白。
如自然科学的各类教科书。
科技信息资料,实验报告,说明书等。
文艺性说明文以说明为主,辅以叙述,描写,抒情等多种表达方式,并常用借助一些修辞方法,形象化地介绍事物或阐述事理,使读者在获得知识的同时,还能得到艺术的享受,这类说明文通常称知识小品或科学小品。
(7)说明文的描写和记叙文中的描写区别:a 目的不同:记叙文中的描写是为了使人有所感,;说明文的描写是为了使人有所知。
b 记叙文可以根据中心思想的需要,使用各种描写方法起到多方面的作用。
说明文的描写则只能在说明事物的过程中,借助某钟形象化的手法,对事物的特征作一些必要的描绘,主要是起到使说明的事物特征更具体,更形象。
c 记叙文中的描写可以发挥艺术想象,可以夸张,渲染,而说明文中的描写在务真求实的前提下进行语言加工,做到既形象生动,又真实可信。
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StylisticsIntroduction to stylistics: Necessity of the course1) the ultimate aim: cultivation of creative thinking2) general education3) an interdisciplinary field of study—involves the combining of the two or more academic field into one single discipline4) the study and interpretation of texts from a linguistic perspectiveChapter 1 Style and Stylistics1.1 A T aste of StyleStyle is considered an important factor in writing, and is an important part of a writing course. But often people payFrom the perspective of the users of the language, style is speakers addressing different people in different ways.From the perspective of the function of the text, style is the functions of texts for different purposes.The definition of style used in this book is a general, linguistic-oriented one: Manners indicating prominent liguistic features,features of different varieties of language at different levels. Stylistics is an inter ‗disciplinary(跨学科的,学科间的) field of2.Spelling. → Graphology3.Words. → Lexicon4.Grammar. → Syntax5.Meaning. → SemanticsSound features:Pun双关: Using the same sound to express different meanings in the same context.1. Seven days without water makes one weak. 七天不进水,人就会虚弱。
weak和week是同音异义词。
因此这句话听起来可以理解为:Seven days without water makes one week2. Y ou earn your living and you urn your dead. 人们谋求生计,火化死者。
(首先)、(with)might and main (尽全力地)、saints and sinners (圣人与罪人)、(in)(无论是福是祸)Up above the world so high,Like a diamond in the sky!Twinkle, twinkle, little star,Waitin' for me /I 'aven‘t3.Words used in different contexts can result in different styles, such as ―spitting‖ and ―expectoration‖, ―die‖, ―pass away‖, and ―kick the bucket‖.4.Grammar:1.The change of active voice to passive2.The inversion of the sentence structures3.The use of it-construction4.The use of parallel structures平行结构Said the fly, ―Let us flee,‖Said the flee, ―Let us fly,‖省略句, simple sentences or complex sentencesThe meaning can also be manipulated to achieve a particular style, such as the personification of animals.1.3 Example 1:She did not even turn her head when she heard him[her son]come stomping into the kichen. She heard him pull up a chair, sit, sigh, and draw off his muddy shoes; they fell to the floor with heavy thuds. Soon the kitchen was full of the scent of his drying socks and his burning pipe. Tha boys hongry. She paused and looked at him over his shoulder: he was puffing at his pipe with his head tilted back and his feet propped up on the edge of the stove; his eyelids drooped and his wet clothes steamed from the heat of the fire. Lawd, that boy gits ma like his pa every day he livers, she mused, her lips breaking in a slow faint smile. Hols tha pipe in his mouth just like his pa usta hol his. Wondah how they woulda got erlong ef his pa hada lived. They oughta like each other, they so mucha likd.Example 2:At half-past eleven her husband came. His cheeks were very red and very shiny above his black moustache. His head nodded slightly. He was pleased with himself.―Oh! Oh! Waitin' for me, lass? I‘ve bin 'elpi' Anthony, an' what‘s think he‘s gen me? Nowt b'r a lousy hae f-crown, an' that‘s ivry penny.‖―He thinks you‘ve made the rest up in beer,‖ she said shortly.―An 'I 'aven‘t– that I 'aven‘t. you 'b'lieve me. I‘ve 'ad very little this day. I have an' all.‖ His voice went tender. ―Here, an' I browt thee a bit' o brandysnap, an' acoconut for th' children.‖He laid the gingerbread and the coconut, a hairy object, on the table. ―Nay, tha niver said thank yer for nowt I' thy life, did ter?‖1.5 The Scope of Study1. General StylisticsGeneral stylistics studies different varieties of language. For example, according to field of discourse, with the related functions of language used in different genres(文学作品类型), novels, poetry, scientific treatises协议条约, and legal documents.2. Literary StylisticsLiterary Stylistics studies variations characteristic of different literary genres----poetry, novels, drama, etc., with the purpose of promoting literary texts as communicative acts.3. Theoretical StylisticsTheoretical Stylistics studies the theories, the origin, the trend, and the historical development of stylistics as well asb) textual analysisC) contextual factors analysis2.1 Linguistic DescriptionLinguistic description refers to the exploration and classification of linguistic features of a given text.⏹A linguistic feature is shown by its consistency and relative frequency.⏹Linguistic description: phonology, graphology, lexis, syntax/grammar, and semantics.⏹Phonetics studies the characteristics of human sound-making.⏹Phonology studies the inventory of distinctive sounds and the patterns.2.2.1 The phonological categoryPhoneme: the basic unit in phonological analysis 音位,音素It is any of the units of sound in a specified language that distinguish one word from another.一个语言系统中能够区分词义的最小的语音单位 E.G. pad, pat, bad, batsound pattern:Certain phonemes can be put together to form some patterns, and such patterns can be used to achieve stylistic effects (including alliteration, assonance, consonance, etc)Alliteration refers to the repetition of the initial sound, usually a consonant, or a vowel at the first position, in two or more words that occur close together.Example:Cold are the crabs that crawl on yonder hills.Colder are the cucumber that grow beneath…Alliteration头韵is used to link together words that are similar in feeling or thought. Here it seems useful to point out that in English there is an idiom‖as cool as a cucumber‖ which means ―very cool or calm‖.Assonance类韵refers to the use of the same, or related, vowel sounds in successive words.Example:Think from how many treesDead leaves are broughtTo earth on seed or wing…trees→ leaves → seedConsonance尾韵refers to the repetition of the last consonants of the words at the end of the lines. Example:1.The fair breeze blew, the white foam flew,The furrow followed free.We were the first that ever burstInto that silent sea.2.Nothing lovelier than that lonely call,Bare and singular, like a gull,And three notes or four, then that was all.It drew up from the quiet like a well,Waited, sang, and vanishing, was still.头韵——breeze,blew. Foam,flew furrow,followed,free类韵——first,bust breeze,free,sea尾韵——free,seaRhyme includes end rhyme, para-rhyme, reverse rhyme and internal rhyme1.End rhyme/rhyme refers to a rhyme scheme in which the vowel and the final consonant keep constant while the initial consonant keeps changing.E.g. Mrs. WhiteHad a frightIn the middle of the nightSaw a ghostEating toastHalf way up a lamppost⏹Masculine rhym e单韵and feminine rhyme: Masculine rhyme: a rhyme only consists of a stressed syllable.THOU mastering meFeminine rhyme,Internal Rhyme中间韵E.G.Para-rhyme副韵:YReverse Rhyme倒尾韵final consonants keep changing.Example:Function of Rhyme:The general function of rhymes is to get the texts mo re organized and to bestow ‗music‘ to the text.2.2.2The Graphological CategoryPeriodPeriod typically occurs at the end of a declarative sentence. If period occurs in high frequency of occurrence, it often means that the text mainly functions to provide information, such as expositionor narration. But when a period is absent from a place it should occur, it can also produce some stylistic effect.Example:School‘s Out Cats run,Girls scream, Horses shy;Boys shout; Into treesDogs bark, Birds fly.School‘s out Babes wake Old man, Open-eyed; Hobble home; If they can, Merry mites, Tramps hide. Welcome.CommaExample:1.How, is, my, lit,tle, friend? How, is, my, lit,tle, friend.2.syllable refers to a word or part of a wordwhich contains a single vowel sound. 一个元音可构成一个音节,一个元音和一个或几个辅音音素结合也可以构成一个音节.但英语辅音字母中有 4 个辅音[m],[n],[ng],[l]是响音,它们和辅音音素结合,也可构成音节。