傲慢与偏见文献综述教程文件
傲慢与偏见论文参考文献(最新93个)

《傲慢与偏见》在我国知道的人比较多;没读过原文的读过译本,没读过译本的看过由小说改编的电影,至少知道个故事。
这里要讲的是英国十九世纪初期的一部小说《傲慢与偏见》,女作者珍妮·奥斯丁是西洋小说史上不容忽视的大家,近年来越发受到重视。
下面是整理好的93个关于傲慢与偏见论文参考文献,供大家参考。
傲慢与偏见论文参考文献一:[1]单慧芳. 《傲慢与偏见》中的茶文化研究[J]. 福建茶叶,2017,39(12):332-333.[2]黄燕. 《傲慢与偏见》中的女性立场研究[J]. 语文建设,2017(30):25-26.[3]王姝. 从语用学角度看《傲慢与偏见》人物话语[J]. 语文建设,2017(33):56-57.[4]孙亚娟. 从概念功能理论的角度分析《傲慢与偏见》电影片断[J]. 戏剧之家,2018(03):194.[5]吴童. 《傲慢与偏见》的婚恋观及其对当代人的启示[J]. 内江师范学院学报,2018,33(01):66-71.[6]刘美舒. 治愈系影片的映像化表达——文学改编电影《傲慢与偏见》[J]. 电影评介,2017(22):88-90.[7]何心爽. 超越金钱的理想之境——简析《傲慢与偏见》中的婚姻观[J]. 佳木斯职业学院学报,2017(12):73-74+77.[8]任静. 语境对外国文学作品翻译的影响研究——以《傲慢与偏见》为例[J]. 海外英语,2018(02):150-151.[9]杨冬,安琦. 《傲慢与偏见》中的戏剧性场景[J]. 文艺争鸣,2018(02):173-178.[10]顾翰翊. 从语义学与语用学互补角度分析《傲慢与偏见》[J]. 才智,2018(01):182.[11]吴明红. 浅析《傲慢与偏见》中人物性格与婚姻观[J]. 现代交际,2017(17):91.[12]陈莹. 论简·奥斯汀《傲慢与偏见》中伊丽莎白的女性书写[J]. 黑河学院学报,2018,9(01):163-164.[13]王秀秀,屈红. 隐在的男权主义——《傲慢与偏见》的症候式解读[J]. 湖北函授大学学报,2018,31(04):180-181.[14]杨倩倩,王庆勇. 《弗罗斯特山庄》与《傲慢与偏见》的分析比较[J]. 名作欣赏,2018(12):64-66.[15]刘广青. 女性主义视角下《傲慢与偏见》的思想解读[J]. 湖北函授大学学报,2018,31(06):191-192.[16]伞雨晴. 论《傲慢与偏见》和《劝导》中婚姻模式的不同[J]. 佳木斯职业学院学报,2018(03):122.[17]马逸超. 试比较《傲慢与偏见》与《简·爱》女主人公[J]. 农家参谋,2018(07):270.[18]樊丽娜. 英国文学女性意识的承袭与勃发——评《傲慢与偏见》[J]. 中国教育学刊,2018(05):126.[19]林书勤. 《傲慢与偏见》对话语境下人称换称手法威胁受众面子研究[J]. 河北北方学院学报(社会科学版),2018,34(02):80-82+88.[20]龙璐. 奈达功能对等理论视角下幽默语的翻译——以《傲慢与偏见》为例[J]. 海外英语,2018(07):146-147.[21]林夏轩. 翻译认知心理学视域下的小说情景语境翻译初探——以《傲慢与偏见》两个中译本为例[J]. 海外英语,2018(09):105-106.[22]杨志明. 基于《中国英语能力等级量表》之形成性阅读能力测试——以《傲慢与偏见》阅读测试为例[J]. 教育测量与评价,2018(05):5-10.[23]王渝玥. 英汉对话翻译与小说人物形象的再现——以小说《傲慢与偏见》英译汉为例[J]. 中国高新区,2018(12):285-286.[24]郭慧莹,孙彦彤. 言语行为理论视角下《傲慢与偏见》中的反讽研究[J]. 才智,2018(10):201.[25]骆紫燕,尹栋. 《傲慢与偏见》中的婚恋观及对当代大学生的启示[J]. 科技资讯,2018,16(04):220-221.傲慢与偏见论文参考文献二:[26]邓紫晨. 《傲慢与偏见》里的戏剧创作手法研究[J]. 艺术评鉴,2018(10):152-153+184.[27]张威,许超. 历时复译的承袭与创新——李继宏译《傲慢与偏见》论析[J]. 辽宁师范大学学报(社会科学版),2018,41(05):80-85.[28]张亚婷. 《傲慢与偏见》汉译本的生态适应与选择[J]. 淮海工学院学报(人文社会科学版),2018,16(07):63-65.[29]刘相娅. 赏析影片《傲慢与偏见》,透视女大学生婚恋观[J]. 大众文艺,2018(09):158.[30]安旭红. 《傲慢与偏见》——简·奥斯汀婚姻观的缩影[J]. 艺术评鉴,2018(11):185-188.[31]李东青. 论反讽运用在简·奥斯汀作品中的艺术张力——以《傲慢与偏见》为例[J]. 三门峡职业技术学院学报,2018,17(02):79-81+114.[32]傅踢踢. 《创造101》,创造多元的“傲慢与偏见”[J]. 中国广告,2018(07):70-71.[33]何清. 基于《傲慢与偏见》一文的言语行为理论研究(英文)[J]. 考试与评价(大学英语教研版),2018(03):52-56.[34]王宇红. 《傲慢与偏见》英式文学语言创作风格探究[J]. 兰州教育学院学报,2018,34(08):72-73+76.[35]陆红娟. 悲悯交加背后的“傲慢”与“偏见”——试论志贺直哉的女性观及其成因[J]. 江苏大学学报(社会科学版),2018,20(04):61-65.[36]杨安妮. 从目的论三原则看《傲慢与偏见》字幕翻译[J]. 吉林广播电视大学学报,2018(08):116-117+132.[37]林岳斌,匡虹霓. 论《傲慢与偏见》中的聚会角色[J]. 绍兴文理学院学报(人文社会科学),2018,38(04):79-86.[38]黄青青. 《傲慢与偏见》揭示的女性教育缺失[J]. 绍兴文理学院学报(教育版),2018,38(02):116-120.[39]谷劲松. 《傲慢与偏见》与《飘》中女主人公的女性意识比较研究[J]. 北京城市学院学报,2018(04):56-59.[40]蒋莹超,方英. 《傲慢与偏见》的庄园叙事[J]. 大众文艺,2018(16):18-19.[41]. 《傲慢与偏见》中的英国最美庄园[J]. 党员文摘,2018(03):58.[42]邓婕. 《傲慢与偏见》中反讽的回声研究[J]. 黄冈职业技术学院学报,2018,20(04):60-63.[43]刘爱叶. 试论《傲慢与偏见》的语言创作风格[J]. 黑河学院学报,2018,9(08):157-158.[44]曹南. 试论英美文学作品与其改编电影的关联性——以《傲慢与偏见》为例[J]. 新乡学院学报,2018,35(08):41-43.[45]张爽. 纯粹的“傲慢”,细腻的“偏见”——影片《傲慢与偏见》解读[J]. 电视指南,2018(02):23+25.[46]陈钰. 浅评《傲慢与偏见》的创作技巧[J]. 课程教育研究,2018(11):18.[47]董海涛. 小说《傲慢与偏见》的反讽对白分析[J]. 兰州教育学院学报,2018,34(09):51-52.[48]郭雯雯. 基于言语行为理论分析《傲慢与偏见》的反讽[J]. 文化创新比较研究,2018,2(24):67+69.[49]李瑶. 汉英句式翻译中人称与物称主语使用差异对比——以《傲慢与偏见》中文版和《骆驼祥子》英译本为例[J]. 岳阳职业技术学院学报,2018,33(04):83-86.[50]彭澳,何一鸣,杨纪平. 论“传神”在翻译中的体现——比较《傲慢与偏见》樊庆兰与张思婷译本[J]. 海外英语,2018(18):43-45.傲慢与偏见论文参考文献三:[51]刘一帆. 论《傲慢与偏见》中伊丽莎白的人物形象刻画[J]. 黑龙江教育学院学报,2018,37(09):113-115.[52]王珂. 新历史主义视角下《傲慢与偏见》中的海边度假研究[J]. 安徽文学(下半月),2018(08):24-25.[53]杨娜. 简·奥斯汀的幸福婚姻观——解读《傲慢与偏见》[J]. 教育教学论坛,2018(47):80-81.[54]庞新月,刘继华. 从海姆斯语境理论看影视字幕翻译文化因素处理——以《傲慢与偏见》为例[J]. 大众文艺,2018(23):176-178.[55]李雪维. 基于言语行为理论视角分析《傲慢与偏见》中的言语反讽[J]. 现代交际,2018(20):74-75.[56]郑世觅. 《傲慢与偏见》油画[J]. 中国艺术,2018(10):25.[57]林书勤. 基于语料库面子理论视域的人称换称手法研究——《傲慢与偏见》全着对话解读[J]. 齐齐哈尔大学学报(哲学社会科学版),2018(11):144-147.[58]安俐洁. 浅析《傲慢与偏见》中简奥斯汀的婚姻观——基于达西的性格分析[J]. 中国民族博览,2018(11):204-205.[59]曹书乐,董鼎. 傲慢与偏见——对女游戏玩家性别刻板印象的研究[J]. 艺术评论,2018(11):38-49.[60]胡诺祺,刘晓琳. 19世纪工业革命下的英国社会变迁——从《傲慢与偏见》与《南方与北方》的人物对比分析中看英国社会变迁[J]. 海外英语,2018(23):179-180.[61]陈鸣,王荣莉. 从翻译批评视角浅析《傲慢与偏见》王科一译本中的误译[J]. 海外英语,2018(23):124-125.[62]郭欢欢. 女性主义视角下的《傲慢与偏见》[J]. 名作欣赏,2017(05):37-39.[63]赵娟. 《傲慢与偏见》中的婚恋观[J]. 语文建设,2017(11):56-57.[64]吴岩. 对《傲慢与偏见》反讽言语行为的宏观和微观分析[J]. 语文建设,2017(08):18-19.[65]张素玫. 成为经典:《傲慢与偏见》的两百年传播[J]. 贵州师范大学学报(社会科学版),2017(02):137-144.[66]孙佳. 顺应论与小说翻译——以《傲慢与偏见》为例[J]. 郑州铁路职业技术学院学报,2017,29(02):58-60+69.[67]王烈霞. 《傲慢与偏见》中的反讽艺术分析[J]. 开封教育学院学报,2017,37(07):39-40.[68]张韶华. 英美文学中的爱情婚姻观——以《傲慢与偏见》为例[J]. 山东农业工程学院学报,2017,34(06):189-190.[69]李新美. 试论《傲慢与偏见》的戏剧手法及反讽艺术[J]. 黑河学院学报,2017,8(02):169-171.[70]李志娟. 理想与现实的平衡之美——试析《傲慢与偏见》中的浪漫主义美学[J]. 黑河学院学报,2017,8(02):184-185+188.[71]庞凤娇. 合作原则视域下《傲慢与偏见》人物会话含义分析[J]. 佛山科学技术学院学报(社会科学版),2017,35(02):23-28.[72]余芬. 《傲慢与偏见》中的幽默反讽话语翻译比较研究——基于格式塔心理美学视角[J]. 淮海工学院学报(人文社会科学版),2017,15(08):75-78.[73]胡少斐. 论《傲慢与偏见》中的女权主义意识[J]. 语文建设,2017(17):40-41.[74]沈超. 功能对等理论下《傲慢与偏见》中译本赏析[J]. 海外英语,2017(02):207-208+214.[75]邓红花. 从女性意识看《傲慢与偏见》[J]. 萍乡学院学报,2017,34(02):70-74.傲慢与偏见论文参考文献四:[76]曲金燕. 《红楼梦》与《傲慢与偏见》中的婚恋观比较[J]. 重庆科技学院学报(社会科学版),2017(07):69-73.[77]陈光先. 简·奥斯汀的婚姻观及其对当代人的启示——读小说《傲慢与偏见》后的思考[J]. 边疆经济与文化,2017(07):87-88.[78]李睿. 《傲慢与偏见》作品中的茶文化体现[J]. 福建茶叶,2017,39(10):364-365.[79]陈莹. 《傲慢与偏见》中女性意识的体现和局限[J]. 广西民族师范学院学报,2017,34(04):102-104.[80]南云凡. 论《傲慢与偏见》中的女性婚姻观[J]. 文化学刊,2017(08):64-65.[81]王传倩. 从《傲慢与偏见》浅析奥斯丁的婚恋观[J]. 文学教育(上),2017(11):40-41.[82]袁学敏. 论女性自我救赎意识之觉醒——从《再生缘》到《傲慢与偏见》[J]. 攀枝花学院学报,2017,34(04):47-53.[83]蒋跃,余碧燕. 《傲慢与偏见》形容词性物主代词的人机翻译对比[J]. 西安电子科技大学学报(社会科学版),2017,27(02):147-155.[84]孙佳. 顺应论视角下翻译策略的选择研究——以《傲慢与偏见》中Cry一词为例[J]. 湖北经济学院学报(人文社会科学版),2017,14(08):102-104.[85]吴颖. 从英语明喻的模糊语用功能看明喻翻译——以《傲慢与偏见》为例[J]. 英语广场,2017(10):15-17.[86]孙佳. 《傲慢与偏见》中人物形象研究[J]. 语文建设,2017(24):23-24.[87]常虹. 意象的维度分析与英汉翻译的得失——以《傲慢与偏见》开篇句的五个译本为例[J]. 宿州教育学院学报,2017,20(05):46-47+51.[88]周捷. 《傲慢与偏见》中伊丽莎白的人物性格分析[J]. 山西能源学院学报,2017,30(03):189-191.[89]武丹丹. 从《傲慢与偏见》谈语境对外国文学作品翻译的影响初探[J]. 海外英语,2017(20):126-127.[90]白红梅. 简·奥斯丁《傲慢与偏见》婚姻观的现实意义[J]. 佳木斯职业学院学报,2017(10):73-74.[91]冯旭. 《傲慢与偏见》中的夏洛特·卢卡斯新解[J]. 疯狂英语(理论版),2017(03):186-187+208.[92]翟力辉,王珈琦. 婚恋需求中女性意识的萌芽与觉醒——需求层次理论视域下《傲慢与偏见》女性人物形象剖析[J]. 北华大学学报(社会科学版),2017,18(05):122-126.[93]张小欣. 男权下的女性主义的萌芽探究——以《红楼梦》、《傲慢与偏见》为例[J/OL]. 北方文学(下旬),2017(02):83[2019-01-24].。
红楼梦和傲慢与偏见的比较文献综述

《红楼梦》与《傲慢与偏见》比较的综述文学院08汉语言文学一班闵芙蓉 20082435引言:从某种意义上说, 爱情是文学永恒的话题, 而作为爱情的升华, 便是婚姻了。
《红楼梦》和《傲慢与偏见》两本著作则是这一类的代表。
《红楼梦》自18 世纪中叶成书以来, 以其巨大的思想艺术成就, 拨动了亿万读者的心弦成为享有世界声誉的文学名著。
《傲慢与偏见》由19 世纪初期英国女作家简·奥斯丁所创作。
在作品中, 作家以其女性独特的敏锐目光, 用现实主义的手法, 细致深刻地表现了那个时代中产阶级的生活是文学宝库中驰名中外的作品。
两部作品描写的是同样儿女悲欢事,同样两本世情书,引起了中外许多学者对它们的研究和思考。
关键字:《红楼梦》《傲慢与偏见》爱情女性意识两部小说作为世界经典名著,许多学者已对他们进行过深刻的研究,并阐发出各自的观点。
同时在某些方面,他们的观点还存在着某些相通性。
一、赵景俞、赵双之学者的观点较为相似,他们认为两部作品几乎同时产生于东西方不同的两个国度,但都受到当时社会制度的影响而进行的创作。
《红》当时的创作背景是封建专制主义,《傲》则是新兴的资本主义,而且都是对上层社会日常生活的描写。
两部小说的取材都不是当时政治生活、社会生活中的重大事件, 也不是具有重大意义的历史题材, 而是上流都是上层人物、封建贵族或新兴资产阶级的生活,天天见的日常家庭生活。
也就是鲁迅先生所说的世情小说。
《红楼梦》和《傲慢与偏见》都是写实性的小说,《红》以当时封建社会一个官僚家庭贾府为中心, 写出了一群贵族、特别是少男少女们的生活、交往和爱情婚姻。
《傲》也是以中产阶级班纳特家为中心, 写了他们家五个女儿和邻里、亲友的交往以及她们的爱情婚姻。
所以前者常被认为是社会的悲剧,后着则是性格的悲剧。
二、张兵和王晶晶两位老师是从两部作品的爱情和婚姻为着眼点而进行阐述的。
他们认为林黛玉和伊丽莎白是爱神分别播在中国和英国的两颗情种。
女子同属“痴情女” , 男儿皆为“钟情郎”。
文献综述 晚上nxiugaiqian 2

解析傲慢与偏见1 绪论1.1 奥斯汀以简介1.1.1出生,经历,家庭背景等1.1.2简奥斯汀婚姻情况以及婚姻观1.2 傲慢与偏见简介1.3 傲慢与偏见主人性格分析2 通过傲慢与偏见看简.奥斯汀的婚姻观2.1 婚姻是爱情必不可少的2.2 婚姻建立在物质基础与自尊的基础上2.1.1 傲慢与偏见中的利益婚姻(关键词:柯林斯,班尼特姐妹的婚姻观)2.1.2 简与宾格丽和伊丽莎白与达西之间的爱情分析(关键词:自尊,自爱,纯粹)2.1.3 韦约翰爱情分析(关键词:不坚定,背信弃义)2.2 家庭团结的意义(关键词:家和万事兴)2.2.1班尼特一家人分析(关键词:班尼特夫妇,班尼特大小姐,二小姐,三小姐,四小姐,五小姐)2.2.2达西家庭分析(关键词:达西小姐,达西老爷,达西,姨妈)3 傲慢与偏见中体现的男女平等与女权运动3.1 男人的优越感与男女平等(关键词:不平等,优越感,觉醒)3.2 女权运动的历史背景3.3 简奥斯汀与女权运动(关键词:女权运动,简.奥斯汀)3.4 文中女性意识(关键词:爱情,觉醒,物质基础,婚姻生活,女性意识)3.5 女性主义的体现与妥协(关键词:女性主义,妥协性)4傲慢与偏见中反讽的艺术魅力4.1 讽刺文学的历史发展4.2 讽刺文学的艺术风格4.3 有模仿反讽话语的赏析5 结论Attraction of ironyIntroduction“It is a truth universally acknowledged, that a single man in possession of a good fortune,must be in want of a wife”.Previously,this book admits that there existing flattering ,repression,inhumanity and immoral in material society.but the reason why the book so attractive lies in the irony intonation and comedic ending. In the way persue love,we should conform our belief that love should not not based on money,fame or other reasons but the true love. This paper is going to focus on Pride and Prejudice from intonation s of irony.Themes:2.1historical development and its three classes2.1.1 1historical development of irony literature“Irony”comes from the Greek,its originally referred to the 'alright' in ancient Greek drama, it first appeared in Plato's "Utopia". In the latter centuries, it changed from a rhetorical irony development principles to the creation of literature has become a multi-level literary terms. Abrams' Europe rhetoric literary terms, " defined …irony‟ as the traditional literature is classified as a metonymy (trope) .that is to say,the speaker‟s attempt to show the meaning of words is not consistent with the literary meaning. Such irony is often denote the speaker's opinion and evaluation, but in fact it implies a very different attitude and evaluation. " there are many writers in the European are good at irony ,like Swift, Defoe, Dickens and so on .General speaking.Irony can be roughly divided into three types: verbal irony, dramatic irony, situational irony. Verbal irony is what we usually call irony, mainly reflected in the language level, he is daily life and interaction with the most frequently used, the simplest form of irony. " With a rhetorical means universally valid,this rhetorical skills even be considered an integral part of all narrative literature and even in poetry,." [2] Thus, a success irony can contribute powerfully reflect on their own rhetorical purposes.2.3 irony based on speech act theoryThe irony is an important genre of British literature. In "Pride and Prejudice ", the clever use of irony and virtue of narrative techniques , Austin further develop skills to become an important means of identification , highlighting the theme. These satirical novel at all levels to focus on the use of "Pride and Prejudice ".In Speech Act Theory like direct speech act, indirect speech acts, and five types of speech act are employed in the analysis.Zhu Xiaozhou made an analysis of irony Pride and Prejudice from the perspective of speech act theory and demonstrates the applicability of speech act theory to analyze literal works. His study is based on four aspects: indirect speech act and irony, insincerity and irony, illocutionary force and irony and perlocutionary effect and irony. Besides,Hu Shuli makes her study from two perspectives:verbal irony and structural irony.Moreover,Tang Xuan analyzed Jane Austen's art in her portrayal of character.He explored the application of Speech Act Theory and Conversational Implication to analyze the conversations in Pride and Prejudice.In addition,Yang Liu made an analysis of Pride and Prejudice from the perspectives of the cooperative principle and the politeness theory. The four maxims of CP are employed in her analysis to demonstrate the speaker‟s conversational implication.Li Yaxin analyzed Pride andPrejudice in terms of Austin‟s speech act theory to study how the novel portrays characters‟ p ersonalities.He employs sub-theories in conversation analysis like silence to demonstrate Darcy‟s attitude towards Elizabeth.Summary:2.4 Review of Studies on Pride and PrejudiceIn the novel " Pride and Prejudice" , the author successful use the rhetoric of irony , which makes the work more interesting, more vivid characters . First,in her own unique artistic irony, the British writer Jane Austen vividly portrayed some of the everyday life of ordinary characters.In the description of each characters,she used various degrees of irony,which is a deeper reason this works is more comedy . Second, the irony of art used in the characterization of a character. Austin straightforward satire Mrs. Benne, and use the verbal irony to shape this a typical poor intellectual snob image. Mrs. Bennet is her life was to marry off their daughters , but she is the biggest obstacle to the marriage of daughters . This is also one of the most strenuous efforts Austen successful irony means . 2,As the hero of the work, Austin also conferred on Elizabeth a lot of irony .Elizabeth refused to marry Collins because she yearning for the pure love. But is such an independent -minded person , she had a lot of prejudices towards arrogance of Darcy , while she had a meaning of love of the liar Wickham. Shaping the success of this ridiculous behavior is clearly due to the clever use of irony so that the hero 's image more real and vivid. 3,Collins irony is an important novel comic characters , while Austin portrayed his description adds a lot of comedy to this work . Austin, by way of irony to describe his words and actions ,portraying his humorous image , allowing readers to realize the narrow secular view of marriage at that time.4 ,Darcy is the hero of the novel .He was born to nobility , as courteous demeanor , his servant told appreciated him so much , but because of vulgar words and deeds he did, Mrs. Bennet despise this family , even against his favorite.And also highlights his arrogance , which makes his own emotions runs twists ,suffering both in physical and mental . The image of Darcy was successfully created to shows the irony of Austin‟s extraordinary skills . She succeeded in shaping the work of every important figure , and their merits and demerits are clearly visible , but also depicted the character's mental activity and emotional life very delicate. This makes the " Pride and Prejudice" to perpetuate the value of the novel , but also for themselves laid out in a prominent position in the history of English literature .参考文献:[1]简·奥斯丁.傲慢与偏见.上海:上海译文出版社,1996.[2]张伯香.英美文学选读.北京:外语教学与研究出版社,2002.[3]王琦《.傲慢与偏见》中反讽艺术初探.长春理工大学学报(高教版),2009[4]郭志娟.反讽在《傲慢与偏见》人物性格塑造上的运用.赤峰学院学报(汉文哲学社会科学版),2009(06)[5]{艾布拉姆斯著,朱金鹏,朱荔译,《欧美文学术语修辞》北京大学出版,第160页}602010年第期安徽文学7文艺理论论《傲慢与偏见》中的反讽艺术◎黄娟娟(西南交通大学外国语学院四川·成都610031)[6]{Jiang Xin, College of Comprehensive Foundation Studies,Liaoning University,110036,Shenyang,Liaoning,China.[7]Bo Shuyan,College of Comprehensive Foundation Studies,Liaoning University,110036,Shenyang,Liaoning,China.[8] 王琦论《傲慢与偏见》中反讽的艺术魅力[9] 彭辉;戈玲玲;《傲慢与偏见》中的反讽——基于言语行为理论的分析[10] 陈会清;《傲慢与偏见》漫画人物塑造的反讽艺术。
傲慢与偏见概述课件

02
倒叙和插叙的运用
简·奥斯汀在叙事中巧妙地运用了倒叙和插叙的手法,使 得故事情节更加紧凑,同时突出了重点。
03
节奏感强
简·奥斯汀在叙事中注重节奏感的把握,通过情节的起伏 和高潮,使得故事更加引人入胜。
生动的人物对话
生动的人物对话
简·奥斯汀在作品中通过生动的人 物对话,展现了人物的性格特点 和内心世界,使得人物形象更加
许多文学评论家将《傲慢与偏见》视为简·奥斯丁的代表作 ,强调其独特的叙事技巧、深刻的社会洞察力以及鲜活的 人物形象。
1.谢谢聆 听
总结词
小说通过人物之间的互动和情节发展,反映了当时英国社会 严格的等级观念。
详细描述
班纳特家族虽然家境殷实,但在社会等级上属于中产阶级。 而达西先生则是贵族阶层,这种社会地位的差异给他们的爱 情带来了很大的阻碍。小说揭示了当时社会对贵族和普通人 的不同态度和看法。
女性地位与命运
总结词
小说中的女性角色,尤其是伊丽莎白·班纳特,展现了她们的智慧、勇气和独立精 神,同时也揭示了当时女性在社会中的地位和命运。
03
主题分析
爱情与财富
总结词
在《傲慢与偏见》中,爱情与财富是两个核心主题,展现了当时社会背景下人 们对婚姻和爱情的看法。
详细描述
小说中的主要角色都面临着爱情与财富的抉择。女主角伊丽莎白·班纳特与达西 先生之间的爱情故事,以及他们如何克服傲慢与偏见,体现了当时社会对真爱 与物质财富的矛盾心理。
社会等级观念
勇敢正义
伊丽莎白·班纳特敢于挑战社会传统观念和性别角色定位,她不畏惧权势和世俗的眼光, 勇于表达自己的观点和立场。她对达西先生的傲慢态度进行了有力的反驳,揭示了他的虚 伪面目,体现了她的正义感和勇气。
论《傲慢与偏见》中的反讽艺术【文献综述】

文献综述汉语言文学论《傲慢与偏见》中的反讽艺术一、前言部分(说明写作的目的,介绍有关概念,扼要说明有关主题争论焦点)(正文:字体:宋体,小四号字,行距1.5倍)英国十九世纪小说家简·奥斯丁经过近两百年来读者的鉴赏和批评家的鉴定,已是公认的经典作家了。
正如当代著名批评家埃德蒙·威尔逊所说:“一百多年来”,英国“曾发生过几次趣味的革命。
文学口味的翻新影响了几乎所有作家的声望,唯独莎士比亚和简·奥斯丁经久不衰。
”[1]作为一位女性作家,奥斯丁以女性特有的细致入微的洞察力和幽默风趣、细腻明快的文笔向读者再现了十八世纪末和十九世纪初的英国乡村生活风貌。
“以轻松诙谐的格调和理性的光芒照出了感伤、哥特小说的矫揉造作,使之失去容身之地。
她的创作开启了三十年代现实主义的高潮”。
[2]奥斯丁的作品不多,一生共创作了六部长篇小说,依出版时间为序,依次是《理智与情感》(Sense and Sensibility,1811)、《傲慢与偏见》(Pride and Prejudice,1813)、《曼斯菲尔德庄园》(Mansfield Park,1814)、《爱玛》(Emma,1815)、《诺桑觉修道院》(NoahangerAbbey,1818)和《劝导》(Persumion,1818)。
其中,《傲慢与偏见》是她最为重要的作品,确立了她在世界文学史上的崇高地位,也最受广大读者的喜爱。
《傲慢与偏见》初稿的标题为《初次的印象》,写于一七九六年至一七九七年,1812年再稿(并更名),1813年出版并发表。
书名的改变象征着从第一印象不可信赖这一观念到给人以错误印象的精神因素的改变。
该书最吸引人之处在于对人物极其生动的描绘——尤其是通过个性鲜明和措辞巧妙的对话而进行的描绘。
《傲慢与偏见》是简·奥斯丁借助反讽的手法惊心雕琢、悉心构筑的一部杰出的全反讽的艺术作品。
在这部小说中成功运用了反讽这一修辞手法,使作品更耐人寻味,人物形象更加生动鲜明。
傲慢与偏见教案设计范文

《傲慢与偏见》优秀教案设计范文一、教学目标1. 知识与技能:(1)了解英国19世纪简·奥斯汀的生平及《傲慢与偏见》的背景。
(2)分析小说的人物形象、故事情节、主题思想及艺术特色。
(3)提高学生的文学鉴赏能力和批判性思维。
2. 过程与方法:(1)采用问题驱动、小组讨论、课堂报告等形式进行教学。
(2)引导学生运用文本细读、比较阅读等方法分析作品。
(3)组织学生进行写作练习,锻炼表达能力。
3. 情感态度与价值观:(1)培养学生对经典文学的兴趣和热爱。
(2)树立正确的婚恋观、人生观和价值观。
二、教学内容1. 第一章:简·奥斯汀及《傲慢与偏见》背景介绍(1)作者生平简介(2)作品出版背景及历史背景(3)作品在文学史上的地位及影响2. 第二章:小说人物形象分析(1)伊丽莎白·班纳特(2)达西先生(3)其他主要人物:简、玛丽、凯蒂、小浪人等(4)人物关系及性格特点3. 第三章:故事情节梳理(1)求婚风波(2)达西的傲慢与伊丽莎白的偏见(3)真相大白(4)美满姻缘4. 第四章:主题思想探讨(1)爱情与婚姻(2)金钱与地位(3)傲慢与偏见(4)阶级与门第5. 第五章:艺术特色分析(1)幽默与讽刺(2)对话与内心独白(3)现实主义与浪漫主义相结合(4)人物刻画与情节安排三、教学安排1. 课时:本教案共需5课时。
2. 教学方法:采用讲解、讨论、报告等形式进行教学。
3. 教学过程:(1)第一课时:简·奥斯汀及《傲慢与偏见》背景介绍(2)第二课时:小说人物形象分析(3)第三课时:故事情节梳理(4)第四课时:主题思想探讨(5)第五课时:艺术特色分析四、教学评价1. 学生对小说人物、情节、主题及艺术特色的理解程度。
2. 学生课堂参与度、小组讨论及报告的表现。
3. 学生写作练习的质量。
五、教学资源1. 教材:《傲慢与偏见》原著或改编教材。
2. 辅助材料:相关论文、评论、改编电影等。
3. 教学设备:投影仪、音响等。
傲慢与偏见 论文资料

傲慢与偏见论文资料[傲慢与偏见]论文资料傲慢与偏见》的女性叙事视角解读摘要:奥斯丁在《傲慢与偏见》中,通过在全知视角下具有限制性的叙述模式向我们展示了灰姑娘的浪漫爱情故事,描绘出作者所处时代的社会道德风貌,表达了作者的女性抗争意识及对当时社会婚姻观的批判。
关键词:全知视角;有限视角在奥斯丁的着作中,《傲慢与偏见》一直深受读者的喜爱,并经受住了时间的考验,成为文学史上不休的名着。
剖析其原因,发现这与奥斯丁高超的叙事技巧是分不开的。
自小说发表以来,其叙述技巧引起了广泛的评论,纵观其评论,发现对其独特的女性视角分析还是不够。
在这部小说中,奥斯丁颠覆了以往男权统治下的话语权,采用了全知视角下,从女性的有限视角展示故事,从女性的角度来描写生活,并首次让小说中的女性形象第一次成为真正意义上的主角,让女性有了话语权。
因而,从女性视角这一角度对小说进行解读,对于理解和把握作品具有重要的意义。
申丹曾指出:叙事者的性别不同,往往会对叙事模式及其意义产生影响。
把性别和视角结合在一起的女性视角是指从性别入手来审视人类的文化遗产和文化创造的一种批评观念和批评角度。
本文将从女性叙事视角对小说进行解读,发掘其对于展现女性意识的意义。
叙事视角,在文学作品中是指作品叙述者或者人物从什么角度观察故事。
从小说的整体来说,奥斯丁在《傲慢与偏见》中选择了全知视角,如在交代故事背景,人物首次出场以及在每章节中奥斯丁看似无意的评述。
例如:小说的第一章第一句话就是通过贝内特太太总括式的议论“有钱的单身汉总是要娶位太太,这是一条公认的真理。
”使读者顷刻间就能识别人物形象。
贝内特太太在全知叙述视角下,是作为被叙述对象而存在,她的那句总括式议论,与作者的价值信念是完全不同的,因而造成了读者与她的距离,读者高高在上地评判着贝内特太太,笑她的迂腐和无知。
但是正是这一人物形象,却揭露了当时社会上普遍流行的婚姻价值观,正是因为当时流行的婚恋观所以贝内特太太才把嫁女儿当作自己的人生大事,读者在嘲讽贝内特太太的同时也了解了整个社会背景,实际上读者对贝内特太太的疏离也拉近了读者和隐含作者的距离,从而拉近了读者和女主人公的距离。
基于马斯洛需求层次理论分析傲慢与偏见中的婚姻观--文献综述-推荐下载

文献综述题目用马斯洛需求层次理论分析《傲慢与偏见》中的婚姻观1. 前言简.奥斯汀是19世纪英国著名的现实主义小说家,被誉为“英国女性莎士比亚”。
奥斯汀常年生活在英国的乡村,乡村生活是她小说的主要题材。
她的小说主要是关于“乡村里三四户人家”青年们的婚恋故事;往往通过一对对绅士淑女在通往婚姻之路上的曲折恋爱,勾画出一幅幅英国乡村婚恋时态图,从一个重要的侧面反映了19实际初英国的社会生活。
奥斯汀所处的时代,男性是家庭和社会的中心,妇女的地位十分低下,妇女的责任是把没一个小时和每一天都贡献给丈夫、双亲,否则就是颠倒了自然秩序,违背了天意。
女性难有自立的机会,只能把结婚当作最重要的归宿,选择什么样的婚姻,对当时的女性非常重要。
这是婚姻问题成为奥斯汀最关注、最熟悉并成为她终身创作主题的重要原因。
奥斯汀的每一部小说都机智风趣,被评论家称之为社会风俗喜剧。
她以女性特有的敏锐和细腻描绘她的小天地。
她的小说虽不涉及可怕的灾祸和重大的矛盾,只有日常生活中的风波和人物之间的喜剧性冲突,格调轻松诙谐,但这一部部描写世态人情的喜剧作品犹如生活中的一面面镜子,世人可以从中感到生活的意义,这就是她小说经久不衰的原因。
《傲慢与偏见》是一部甜美、温婉的作品。
故事以18世纪末到19世纪初的英国乡村为背景,以男女主人公的感情经历为线索,描写了几对年轻男女的感情和婚姻问题,包括简和宾利融洽的幸福婚姻、伊丽莎白和达西相互爱慕的完美婚姻、夏洛特和柯林斯依附式的现实婚姻、丽迪亚和韦翰情欲式婚姻,反映出当时英国的风土人情、社会关系、阶级观念、婚姻家庭等一系列的问题。
2. 研究背景及理论和实践意义奥斯汀的作品以18世纪末和19世纪初的应该乡村社会为背景,以她自身的经历为蓝本,尤其关注来乡下三五家邻居之间的家庭琐事和年轻男女的婚恋故事。
处在男权社会的英国,女性地位低下,她们享受着和男性不平等的待遇;限定继承法规定家族财产只能由家族中的男性继承,因此女性将婚姻作为她们一生最重要的归宿。
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1 IntroductionThe main story of the novel happens between Elizabeth Bennet and Darcy. Although, it seems that, they haven’t attracted anyone’s eyes. We all know that at the first ball, when Lizzy asked Mr Darcy to have a dance. He refused. He didn’t think that anyone at the village can deserve him. After this, Lizzy promised not to pay attention to him any more because of his pride.At last, when everything comes to light Lizzy regretted. She found that she had misunderstood Darcy. And Darcy had although changed. He made an offer of marriage to her again and was accepted. No pride and no prejudice are between them.The novel also reflected the author oneself's marriage view: It is wrong to marry for the property, money and position. She emphasizes the importance of the ideal marriage, and regard men and women's emotion as the foundation stone which concludes the ideal marriage .Just because Pride and Prejudice, I have a profound thinking about marriage. The writer uses intelligent words to depict a few different marriages in the book, each of which reflects people's attitudes toward marriage in that time. We can comprehend the essence of Jane and Bingley’s marriage, Elizabeth and Darcy’s marriage , Lydia and Wickham’s marriage and Charlotte and Collins’s marriage through Elizabeth’s views. Through the wise heroine, we see marriage description. To marry for wealth and beauty is wrong. This kind of marriage cannot retain long-term happiness, and truly happy marriage is based on love and sense.2 The analysis o f Elizabeth’s characterElizabeth Bennet is a person worthy of our imitation. She is a model because she is different from all the other characters, except Darcy, and because she does not adhere rigidly to the standards set forth by society, she is self-reliant and independent. Elizabeth rejects Mr. Collin's proposal because she does not think that marriage was boring, nor does she believe in marriage of convenience. When Mr. Collins says arrogantly to Elizabeth, she politely refused him. Unlike Charlotte Lucas, Elizabeth would never violate her principle and her integrity and throw away her talents bymarrying Mr. Collins, a conceited, narrow-minded, and pompous fool. Elizabeth looksnature because she puts her trust in her own perceptions and impressions. On the other hand, she is not ready to rebel against society. She does not totally disregard social proprietary. She has good manners; her slight breach of decorum walking alone to Nether field Park is justified by her genuine concern for her sister who is ill. She hasgood manners. When Lady Catherine criticizes Elizabeth skill of playing piano, shecan have good manners to keep polite.3 Elizabeth’s views about her sisters’ and friend’s marriage3.1The most realistic marriage —Charlotte’s marriageFor money and marriage, Charlotte by marriage just wants to get a rich husband, thus she can have the economic security. Marriage for them is a task, but Collins couples obtain from the marriage what they want: Charlotte gets stable of rich life; Collins also gets a warm home. This is their understanding of marriage.3.2 The most ridiculous marriage —Lydia’s marriageLydia and Wickham is absurd combination of extremely. Their relationship is completely built on lust and appearance, no love foundation, say, is neither practicalnor romantic. Lydia got erotic satisfied; Wickham also get what he wanted wealth,this is their understanding of marriage.3.3The most happy marriage —Jane’s marriageJane and Bingley marriage is considered the happiest marriage. Jane and Bingleymatch each other faces, male prodigy, anyone opinion, they are the most suitable for together. Their marriage, love, in my opinion, is not the main base, the main is a kindof attraction. For Jane's beauty and Bingley, Jane attracted to kind of handsome and Bingley attracted gentleman poise, their love more performance for a mutual admiration of love. Marriage is a complicated contract, both parties must have enoughlove to maintain the basis of this contract. But Jane and the love between the Bingleytoo insipid, too. That's not enough deep-rooted, let I don't feel safe, seem to lurk trace dangerous breath.3.4 The most admirable marriage —Elizabeth’s marriageThe marriage is tortuous between them but again ups deep-rooted of love based."Economic and social structures with such great power sways interpersonal the relationships between people and this made her became the cartoonist monster"(D.W.Hardin 166-179). With first marriage proposal as a border, in thinking changed not only is Elizabeth, and Darcy. Elizabeth because Darcy letter, to realize their prejudice; Darcy because Elizabeth words, to realize their arrogance. If Elizabeth for Darcy's first marriage proposal didn't refuse words may Darcy for her infatuation will not lasting. If no refusal dialogue, Darcy or that although multimillionaire, although a handsome, but too arrogant on high. For such people, Elizabeth even for impulsive and agreed to marry him, in the near future, Elizabeth still will be sorry. And if not rejected that after letter, Elizabeth is still that although bright, beautiful, frank, but too subjective and prejudice, for such people, Darcy will soon tired. Because have these twists and turns, the love between them is more precious, more deeply.4 Conclusion"There is no doubt that Elizabeth and Darcy's love is the shining pearl in the history of literary, and their love is the ideal mode which has been esteem by Austen"(Zheng 79). The author’s view about marriage: it is wrong to get married for property, money and position. Getting married without considering that above-mentioned factors are unwise ether. So that she objects to get married for money, objects to regarding the marriage as a trifling matter. She emphasizes the importance of the ideal marriage, and regard men and women's emotion as the foundation stone which concludes the ideal marriageLove is impulsive and is of no reason no passionate, and full of madness. Love itself is crazy. However, how many people can love with madness? The reality is cruel, marriage doesn't equal to love, and this ideal are away from us far away. Darcy and Elizabeth’s marriage is the happiest, with deep-rooted of love, and a necessary condition that Darcy strongly wealth. Money is not secular in their marriage wasn'tsecular; the wealth is just like sunshine and nutritions their marriage is of much envy for any person. If marriage is such a castle, so I'd like to be trapped in such a city, Are being loved besieged not a kind of happiness?As far as I concerned, Pride and Prejudice reflects the British sentiment of the end of 18th century and the early of 19th century under the circumstance of conservative,and tells us different ways and attitudes to the marriage between Mr. and Mrs. Bennet’s five daughters’. This reveals the author’s attitude toward marriage .And that is love and marriage based on money, property and social status is not perfect, and it is very stupid. "And we must emphasize the importance of ideal marriage, meanwhile, oppose to love and marriage based on money or property"(Hu 17). We must take the affection or love as the cornerstone of ideal marriage between male and female. Elizabeth was born in the family of squireen's, and loved by Darcy. Darcy proposes marriage to her in spite of their difference of the possession of property and social status, but is still refused by Elizabeth because of his pride. So if Darcy's pride still exists, there will be no love and even happy marriage between Elizabeth and him. And I think pride and prejudice aren't very good. If someone is always full of pride, he will look down upon others and think he is very great and smart. Because of Darcy's pride, Elizabeth hold prejudice against him. If someone is a prejudiced person, every time he meets somebody or something, what he thinks of others all depends on his foregone experience and his mood of the time. What’s worse, he doesn’t think what he does is wrong. He thinks everyone is the same as him and everyone has his special way to know the world, but it is absolutely wrong. Though everyone can be judged in the way he likes, he can’t ignore others. He can like what he likes and hate what he hates, but he should be objective when he treats others. So I think we should consider things rationally and thoughtfully and not just do as we like. That is to say, we shouldn't have any pride and prejudice, or we couldn't treat things and others impartially and it couldn't lead a happy life.References[1]孙致礼,译,简·奥斯丁.《傲慢与偏见》南京:译林出版社,2000年:83Sun Zhili,Pride and Prejudice,2000:83[2]朱虹,《奥斯丁研究》.北京:中国文联出版公司,1985年:178Zhu Hong,The Research of Austen,1985:178[3]郑晓园.文化深层的激荡.阅读与欣赏,1998年:79Zheng Xiaoyuan The Deeping Evoking of Culture,1988:79[4]D.W.Harding.‘Regulated Hatred:An Aspect of the Work of Jane Austen’Watt.Jane Austen:A Collection of Critical Essays(2005):166-179[5]胡宗锋:《英美文学精要问答及作品赏析》.西安出版社,2002.17[Hu Zongfeng :British and American literature works q&a and appreciation Journal of Xi’an2002:17]AcknowledgementsIn the course of writing this thesis, I received a magnificent amount of help and support, and I would like to take the opportunity to express my gratitude to all who have help me.In the course of writing this thesis, I received a lot help and support from my teachers and from my friends, now i have this opportunity to express my appreciation to all the people who have help me.I want to give my profound thanks to Mr Lu, He is strict to me, and he is also very patient to me, I have done the thesis by his priceless help and his guidance. This thesis is finished under his meticulous help and support.Then I'll thank the other teachers and my classmates who help me in finishing this thesis, thank you very much.。