Stylistic Devices(全)
高级英语修辞总结完整版

高级英语修辞总结HUA system office room 【HUA16H-TTMS2A-HUAS8Q8-HUAH1688】Rhetorical Devices一、明喻(simile)是以两种具有相同特征的事物和现象进行对比,表明本体和喻体之间的相似关系,两者都在对比中出现。
常用比喻词like, as, as if, as though等,例如:1、This elephant is like a snake as anybody can see.这头象和任何人见到的一样像一条蛇。
2、He looked as if he had just stepped out of my book of fairytales and had passed me like a spirit.他看上去好像刚从我的童话故事书中走出来,像幽灵一样从我身旁走过去。
3、It has long leaves that sway in the wind like slim fingers reaching to touch something.它那长长的叶子在风中摆动,好像伸出纤细的手指去触摸什么东西似的。
二、隐喻(metaphor)这种比喻不通过比喻词进行,而是直接将用事物当作乙事物来描写,甲乙两事物之间的联系和相似之处是暗含的。
1、German guns and German planes rained down bombs, shells and bullets...德国人的枪炮和飞机将炸弹、炮弹和子弹像暴雨一样倾泻下来。
2、The diamond department was the heart and center of the store.钻石部是商店的心脏和核心。
三、Allusion(暗引)其特点是不注明来源和出处,一般多引用人们熟知的关键词或词组,将其融合编织在作者的话语中。
引用的东西包括典故、谚语、成语、格言和俗语等。
地道英语写作教程(上册)-unit 5

The value of figures of speech
They contribute to the ornament of style
In spite of different special character or effects, they all have one thing in common, and that is, they do good beyond anything else to the decoration of style. Some figures create a picture before the mind; others satisfy the sense of proportion; others decorate the subject by contrasting it with some other, like or unlike; and thus in various ways they appeal to the aesthetical sensibilities.
Definition
As for figures, there are many observations which show us the attractiveness of them and people’s love for them. Jay Heinrichs described figures of speech as the ways of changing ordinary language through repetition, substitution, sound, and wordplay.
Introduction Lexical stylistic devices Syntactical stylistic devices Phonetic stylistic devices Key to Exercises
修辞手法在现代英语广告中的运用

修辞手法在现代英语广告中的运用[摘要]广告英语作为一种功能性语言,已经逐步形成了一种较为独立的文体,并构成语言运用和信息交流中的重要组成部分。
基于广告特殊的社会功能,广告英语经常使用各种修辞手法来增强语言的艺术性和感染力。
本文选取双关、明喻、暗喻等英语广告中使用最频繁的修辞手法,运用大量例证,对英语广告的修辞艺术进行分析,并从中归纳出其在语言风格、文体色彩、美学价值方面的特点。
[关键词] 广告英语修辞手法特点一、引言在现代英语世界中,广告与人们的生活息息相关。
英美国家每年的广告费用高达数百亿美元,内容包罗万象,除大量的商业广告外,还有招聘、求职、租赁、征婚及各种政治性广告。
广告形式多样,除了电视广播、报刊杂志、招贴传单、服饰用品等媒介外,网络也已经成为当今一种广泛快捷的宣传手段。
“广告是传播信息的一种方式,其目的在于推销商品、劳务,影响舆论,博得政治支持,推动一种事业或引起刊登广告者希望的其他反应(The New Encyclopedia Britannica,1995:103)。
”“从某种意义上说,广告就是广告主把各种商品信息呈现给公众,让他们接受信息,成为某种商业信息的拥有者、消费者(何修猛,2002:3)。
”在西方广告学中,有一个“AIDA”的广告文案创作构思公式:A=Attention,I=Interest,D=Desire, A=Action。
也就是说,广告作为具有一定促销能力的传播媒体,首先要引起读者的注意力(Attention),一旦吸引了读者,他们就会对商品产生兴趣(Interest),从而进一步了解商品的情况,产生购买欲望(Desire),最终确认商品,产生购买行动(Action)。
因此,广告必须具备“推销能力”(selling power),使人听到或读到广告后能产生购买的欲望、并付诸于行动。
其次,广告必须具备“记忆价值”(memory value),给人以深刻的印象,使人能随时想起某类商品或服务的长处或特色。
英语常用修辞格的翻译

省略;Ellipsis
eg:妈妈让他洗碗,她就不洗。 译文:Mother tells her to wash the dishes, but she will not(do it)
移就;Transferred Epithet
把本来用以修饰人的形容词移属于同人有关的抽象物 或具体物,这种貌似错误、实为妙用的修辞格叫做 “移就”(Transferred Epithet),它通过词语巧妙 的“移植”,来取得常规搭配所无法得到的效果。
转喻;Metonymy
Biblioteka eg: 秃头站在白背心的略略正对面,弯了腰, 去研究背心上的文字。(鲁迅:《示众》) 译文:Baldy,standing almost directly opposite White Jerkin,stooped to study the characters written on his jerkin. 有时采用意译更为合适 eg: 英雄所见略同。 译文:Great minds think alike.
递升;Climax
把事物按由小到大、由短到长、由低到高、由轻到重、由近 到远、由易到难、由浅到深等次序说下去,这种修辞手法叫 递升,英语里称作 climax。运用这一修辞手法,能够使要表 达的思想逐步加深、感情逐步强化,因而能增强语言的说服 力和感染力。 eg:事情就是这样,他来进攻,我们把他消灭了,他就舒服了。 消灭一点,舒服一点;消灭得多,舒服得多;彻底消灭,彻 底舒服。( 毛泽东:《关于重庆谈判》) 译文:This is the way things are:if they attack and we wipe them out,they will have that satisfaction;wipe out some,some satisfaction;wipe out more,more satisfaction;wipe out the whole lot,complete satisfaction.
figure of speech

一.Phonetic Stylistic Dev ices1. AlliterationAlliteration is the use of several words in close proximity beginning with the same letter or letters.(1) It was a splendid population--- for all the slow, sleepy, sluggish-brained sloths stayed at home. (Neol Grove: Mark Twain---Mirror of America)(2) Men may meet bu t mou ntains never.(3) Pride and Prejudice.2. ConsonanceConsonance is the use of several words in close proximity ending with the same letter or letters.(1) He laughs best who laughs last.(2) Tru th may be blamed, but shall never be shamed.3. OnomatopoeiaOnomatopoeia is the formation of words in imitation of the sounds associated with the thing concerned.(1)giggle/gurgle(2)Mosquitoes buzz.(3)Snakes hiss.(4)There came the ticktack of hig h heels in the corridor.二.L exical Stylistic Dev ices1. SimileA simile expresses a resemblance between things of different kinds. W ords indicating the application of simile includes: like; not unlike; it is a bit like; can be likened to; as; as if; as though; as it were comparable to; may be compared to; similar to; akin to; be analog ous to; be something of, etc. A simile is made u p of three parts: the tenor, the vehicle, and the indicator of resemblance or simile marker.(1) My homework is like a monster that follows me home from school.(2) The fig hter is as fearless as a lion in battle.(3) Love and cough cannot be hid.2. M etaphorIt is the use of a word which originally denotes one thing to refer to another with a similar quality. It is also a comparison between two distinctively different things, but the comparison is implied, not expressed with the word as or like. Metaphor is also called condensed simile.(1)Life is a short su mmer.(2)They crowded arou nd the two strangers and the flood of questions came.(3)Time is money.3. AnalogyIt is the illustration of an idea by means of a more familiar idea that is similar or parallel to it in some significant feat ures, and thus said to be analogous to it. Analogies are often presented in the form of an extended simile. A is to B as/what C is to D.(1)It‟s with our judgments as with ou r watches, none go just alike, yet each believes his own.(2)“The lesson in living” given by Mrs. Flowers, like spring drizzle that slowly saturates an injured sapling, comforts theunfortunate child Marguerite.(3)What Newton was to mechanics and Darwin to biology, Freud was to psychology.4. M etonymyIt substitu tes one word for another word closely associated with it.a.container for thing contained (b ottle for wine, kettle for water, pot for soup)The kettle is boiling.The whole village rejoiced over the victory.b.the instru ment for the agent (pen ---writing, gun/sword --- fig hting)The pen is mightier than the sword. (Pen and sword represent publishing and military force, respectively.)Only the knife (surgical operation) can save him.c.the sig n (cradle --- child hood, crown --- king)He must have been spoilt from the cradle.d.OthersJournalists often use metonymy to refer to all kinds of people or things. It is very brief and humorous.John Bull--- England/ English people, Downing street --- the British g overnment/cabinet; the Pentagon:the U.S. military establishment5. SynecdocheIt substitu tes a more inclusive term for a less inclusive one or vice versa.(1) More hands are needed at the moment.(2) We had dinner at ten d ollars a head.(3) Germany beat Argentina 2 to 1 in this exciting football match.6. AllusionAllusions are effective not because of the meaning of the words themselves bu t because of the association or connotations that allusive words carry for the intelligent reader. Names are the most common forms of allusions, like nursery rhymes, fairy tales, legends, fables and literary works, etc.(1) Cinderella--- a rags-to-riches theme(2) Open sesame--- code word to treasure cave in story of Ali Baba and the Forty thieves; the key to hidden treasures, knowledge, etc.(3) Judas--- the disciple who betrayed Christ to his enemies for 30 pieces of silver(4) A Pandora‟s box---source of evils(5) Helen of Troy--- the beau tiful woman as a disaster(6) Colu mbus‟s eg g---Everything is hard in the beginning; an easy task once one knows the trick.(7) Deep throat--- a secret giver of information(8) cat‟s paw---someone who does u npleasant or dangerous jobs on the orders of another person; tool7. OxymoronIn oxymoron apparently contradictory terms are combined to produce a special effect.(1)crowded solitude(2)bitter-sweet memories(3)The mother is undergoing the joyful pain, and the painful joy of childbirth.(4)Living death; tearful joy; falsely true; the sound of silence.8. Personification & PlantificationA figure of speech in which inanimate objects or abstractions are end owed with hu man qualities. Plantification attributes the u nhu man qualities to human.(1) Unlike me, my R olex never needs a rest.(2) I am the leaf that quivers,Y ou--- the unshaken tree. ( “I Am the Wind” by Zoe Akins)9. Hyperbole/Ov erstatementA figure of speech which gently exaggerates the tru th.(1) Hamlet: I loved Ophelia: forty thousand brothers could not, with all their quantity of love, make u p my sum. (Shakespeare: Hamlet)(2) You write ten times better than any man in the congress including me. (Peter Stone and Sherman Edwards: 1776)10. UnderstatementIn u nderstatement, the words play d own the mag nitude or value of the subject.(1)There was a slight disturbance in the Soviet Union last year, which caused the disintegration of the country.(2)---Do you think all the programs are good?---Some of the programs are interesting. Bu t others could be better.11. LitotesIt is a way of expressing your meaning by using a word that has the opposite meaning with a negative word such as “no, not, never, none.” For example by saying …not bad‟ when you mean …g od‟.(1)As lean was his horse as is a rake,And he was not right fat.I understate. (G. C haucer)(2) He is no mean opponent in the coming debate.12. E uphemismIt is the substitu tion of a mild or vaguer expression for a harsh or u npleasant one.(1)traditional euphemismsdiseases: heart condition—heart attackdisabilities: physically inconvenienced---the crippleddeath: to be at rest; the last voyagesex: zipper gate --- illegal sexual lifesecretions & excretions: pass water---urinate(2)stylistic eu phemismsoccu pation: dustman---sanitary engineerpoverty: the poor---economically disadvantaged individualsage: old people---senior citizenwar: civilian casualties---collateral damagecrimes & law: rape---personal violence13. T ransferred epithetAn epithet is an adjective or descriptive phrase that serves to characterize somebody or something.A transferred epithet is one that is shifted from the noun or pronoun it logically modifies to word associated with that noun.(1) The white silence seemed to sneer, and a great fear came u pon him.(2) According to some sources, financiers are keeping a cool eye on the su per conductor industry.(3) a dizzy height: a height that causes people to feel dizzy;a sweet voice: taste to hearing14. IronyIt is the use of words which are clearly opposite to what is meant. Words expressing the real meaning d on‟t appear in the sen tence.(1)verbal ironye.g. We are lucky. It‟s the other side on the thirteenth of December. That makes us feel real good. (David Parks: G. I. Diary)(2)situation ironye.g. For instance, the nuns who never take a bath without wearing a bathrobe all the time, when asked why, since no man can see them, they reply, “Oh, bu t you forget the g ood God.” Apparently they conceive the Deity as a peeping Tom, who omnipotence enables Him to see through bathroom walls, but who is foiled by bathrobes. This view strikes me as curious. (Bertrand Russel: An Ou tline of Intellectual Rubbish, Basic Writings)15. PunA figure of speech depending upon a similarity of sound and a disparity of meaning.(1) Homophonic puns ---What are parliamentary reports called “Blue book”?---Because they are never red.(2) Homographic pu nse.g. We must all hang together, or must assuredly, we shall hang separately. (Benjamin Franklin)e.g. We eat what we can and what we can‟t we can.(3)asteismuse.g. A professor tapped on his desk and shouted: “Gentlemen, order!”The entire class yelled: “Beer!”16. ParadoxA parad ox plays on ideas. In general, a parad ox involves a contradiction between the physical or material meaning of words an d their spiritual, emotional, or supernatural connotation.(1) In fact, it appears that the teachers of English teach English so poorly largely because they teach g rammar so well. (Wendell Johnson)(2) Homeless, they have a hundred homes. (O. Henry: The Fu rnished R oom)(3) He makes no friends who never made a foe. (Alfred Tennyson)17. ParodyA piece of writing intended to amuse by imitating the style of writing used by someb ody else.(1) A government off the people, buy the people, and far the people…(2) To choose it, or not?This is the time to decide.三.Syntactical Stylistic Dev ices1. AntithesisIt is combination of parallelism and contrast, that is to say, the elements in the sentence should be paralleled in structure and contrastive in meaning.(1)I know not what course others may take: but as for me, give me liberty, or give me death. (Patrick Henry)(2)Where there‟s marriage withou t love, there will be love withou t marriage. (Benjamin Franklin)2. ParallelismA series of words--- A series of phrases---a row of clauses--- A series of sentences3. ClimaxIn climax, formerly, a rhetorical series of ideas, images. etc, arranged progressively so that the most forceful is last.(1)Some books are to be tasted, others to be swallowed, and some few to be chewed and digested. (B acon: Of Studies)(2)Threaten him, imprison him, torture him, kill him: you will not induce him to betray his country.4. Repetition(1) immediate repetition(2) intermittent repetition5. Rhetorical Question(1) 自问自答(2) 反问肯定6. Inv ersion(1) My opinion of the coal trade on that river is, that it may require talent, but it certainly requires capital. Talent Mr. Micawber has; capital Mr. Micawber has not. (Charles Dickens: David C opperfield)(2) Great and spacious and beau tiful is our motherland.。
rhetorical techniques

修辞技巧(Rhetorical Techniques)词义修辞格(Lexical Stylistic Devices)明喻(Simile)He jumped back as if he had been stung, and the blood rushed into his wrinkled face.(他往后一跳,好像被什么东西叮了一下似的,他那张布满皱纹的脸顿时涨得通红。
)在《品尝家》一文中老人对“我”的慷慨施舍的反应如同被蜜蜂叮过一样,生动地刻画出一个处境凄凉内心却极度敏感的可怜老人的形象。
The cheque fluttered to the floor like a bird with a broken wing. (支票跌落到地上,像一只断了翅膀的小鸟。
)《礼物》一文中,老太太喜迎八十大寿,大女儿不来庆祝,只寄来一张支票。
作者把这张支票比作断了翅膀的小鸟,形象地表达出此刻老太太希望破灭,极度伤心的心情。
暗喻(Metaphor)What will parents do without the electronic baby-sitter? (如果没有这位电子保姆,父母该怎么办呢?)形象地说明了电视机的保姆功用。
... while most of us are only too ready to apply to others the cold wind of criticism, we are somehow reluctant to give our fellows the warm sunshine of praise.(……但是我们中的很多人太容易给别人批评的冷风,而不愿意给自己的同伴赞扬的阳光。
)作者把批评比作冷风,把赞扬比作温暖的阳光,生动形象,寓意隽永。
转喻(Metonymy) 即借代, 是通过相近的联想,借喻体代替本体。
My 15 students read Emerson, Thoreau, and Huxley.(我的十五位学生读了爱默生、梭罗和赫胥黎的作品。
浅议修辞在大学英语写作中的应用

浅议修辞在大学英语写作中的应用作者:范莉萍来源:《考试周刊》2013年第55期摘要:在英语学习的听说读写四项基本技能中,写作技能要求最高,是每个英语学习者面临的一大难关。
在各种考试中,写作都占有十分重要的分量和较大的比例,因此其重要性可见一斑。
要想写好作文,足够的词汇量是基础,而重注用词技巧、基本结构和语篇的连贯性是得高分的法宝。
掌握这个法宝的关键是学会运用修辞。
本文介绍了几种常见英语修辞手法在写作中的应用,有助于有效地提高准确运用语言的能力,在写作中得高分。
关键词:英语修辞大学英语写作应用1.英语修辞与写作美国语言学家Brooks和Warren在他们合著的《现代修辞学》(“Modern Rhetoric”)一书中说:“修辞学是有效地使用语言的艺术(Rhetoric is the art of using language effectively)。
也可以说,修辞是最有效地运用语言,以期更充分、透彻、鲜明地表情达意的一种艺术。
准确恰当地使用修辞手段,可以使文章更加形象生动,更具有表现力,蕴意丰富且引人入胜。
何为好的文章?有专家认为,句子结构层次正确无误,语法好,就是好文章。
因此,在大学英语写作教学中,有些教师常把重点放在词汇、语法和篇章结构的运用上,这是传统教学中的形式教学法。
而修辞教学法专家则认为,优秀的文章能对预定的读者产生预定的效果,强调修辞者(写作者)、读者和语言三者之间的关系,因此在写作中恰当地运用一些修辞手段,可以丰富语言的表达形式,使表述更加形象生动,语言更加活泼幽默,充满智慧和活力,给人留下深刻的印象。
2.英语修辞在写作中的应用2.1英语修辞手段概述修辞手段一般主要用于文学性写作中。
但在大学英语的英文写作中,有时也需要运用一定的具有英文特征的修辞手段,而且运用得好,会使语句生动,从而增添语句亮点。
对于大学英语写作来说,主要应该掌握以下修辞手段:词义修辞、结构修辞、音韵修辞。
2.1.1词义修辞(Lexical Stylistic Devices)词义修辞是主要借助语义的联想和语言的变化等特点创造出来的修辞手法,主要包括:明喻(simile)、暗喻(metaphor)、转喻(metonymy)、拟人(personification)、反语(irony)、夸张(hyperbole)、矛盾(oxymoron)、低调(understatement)、委婉语(euphemism)、移就(transferred epithet)、双关(pun)、隽语(paradox)、通感(synaesthesia)、典故(allusion)等。
修辞

1. Phonetic stylistic devices (红色为重点)Examples:⏹Bye, Bye, Balanced Budget (Alliteration)⏹The rain is Spain stays mainly in the plain. (Assonance)⏹When I lent I was a friend, when I asked I was unkind. (Consonance)⏹Wit once bought is worth twice taught. (Rhyme)⏹She banged the door after her. (Onomatopoeia)2. Lexical stylistic devices移就修辞格在作品中经常出现,能收到以少胜多、含蕴深远的表达效果。
什么是移就呢?在辞海解释如下:甲乙两项关联,就把原来属于形容甲事物的修饰语移属乙事物,叫移就。
:“我女人经过的悲哀的足迹,现在有我一步步的践踏过去!”“叶子底下是脉脉的流水。
”“西边的天空,还燃烧着一片橘红色的晚霞。
”隽语是一种语体,短小机智的妙语、警句和名言都算做隽语。
似是而非的隽语是指那种徒有其表缺乏内涵的隽语,看后让人感觉语焉不详、说和不说都一样、看了也不会给人启迪,这类伪劣隽语日常阅读中经常可见。
比较隽永的隽语比如:只要我还有欲望,就有活下去的理由。
个性即命运。
事物不因常见就粗鄙。
行动就是雄辩似是而非的隽语:人生——没有相同的命题遗憾——最好用减法减少青春——人生最灿烂的一段时光"拈连”是指利用上下文的联系,巧妙地把适用于甲事物的词用于乙事物,这种修辞方法叫拈连。
1、锁得住自由的身,锁不住革命精神。
2、母亲为儿缝军衣,情意缝在儿心里。
3、织鱼网啊,织鱼网,织出一片好风光。
仿拟是一种巧妙、机智、而有趣的修辞格。
它有意仿照人们熟知的现成的语言材料,根据表达的需要临时创造出新的语、句、篇来。
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Stylistic Devices (Rhetorical Devices, Figures of Speech)Stylistic devices make your speeches, essays etc. more interesting and lively and help you to get and keep your reader‟s / listener‟s attention.Stylistic DevicesAlliteration : repetition of initial consonant soundThe initial consonant sound is usually repeated in two neighbouring words (sometimes also in words that are not next to each other). Alliteration draws attention to the phrase and is often used for emphasis.Examples:Repetition of initial consonant sounds means that only the sound must be the same, not theconsonants themselves.Examples:▪killer command▪fantastic philosophy▪ A neat knot need not be re-knotted.If neighbouring words start with the same consonant but have a different initial sound, the words are not alliterated.Examples:▪ a Canadian child▪honoured and humbled (the …h‟ in honoured is silent)Allusion is used to explain or clarify a complex problem. Note that allusion works best if you keep it short and refer to something the reader / audience is familiar with, e.g.:▪famous people▪history▪(Greek) mythology▪literature▪the bibleIf the audience is familiar with the event or person, they will also know background and context. Thus, just a few words are enou gh to create a certain picture (or scene) in the readers‟ minds. The advantages are as follows:▪We don‟t need lengthy explanations to clarify the problem.▪The reader becomes active by reflecting on the analogy.▪The message will stick in the reader's mind.Examples:▪the Scrooge Syndrome (allusion on the rich, grieve and mean Ebeneezer Scrooge from Charles Dicken‟s “Christmas Carol”)▪The software included a Trojan Horse. (allusion on the Trojan horse from Greek mythology) ▪Plan ahead. It was not raining when Noah built the Ark. (Richard Cushing) (allusion on the biblical Ark of Noah)Many allusions on historic events, mythology or the bible have become famous idioms.Examples:▪to meet one‟s Waterloo (allusion on Napoleons defeat in the Battle of Waterloo)▪to wash one‟s hands of it. (allusion on Pontius Pilatus, who sentenced Jesus to death, but washed his hands afterwards to demonstrate that he was not to blame for it.)▪to be as old as Methusalem (allusion on Joseph‟s grandfather, who was 969 years old according to the Old Testament)▪to guard sth with Argus‟s eyes (allusion on the giant Argus from Greek mythology, who watched over Zeus‟ lover Io.)The same word or phrase is used to begin successive clauses or sentences. Thus, the reader's / listener's attention is drawn directly to the message of the sentence.Example:▪Every child must be taught these principles. Every citizen must uphold them. And every immigrant, by embracing these ideals, makes our country more, not less, American. (2)▪If we had no winter, the spring would not be so pleasant; if we did not sometimes taste of adversity, prosperity would not be so welcome. (Anne Bradstreet)▪The beginning of wisdom is silence. The second step is listening. (unknown)▪ A man without ambition is dead. A man with ambition but no love is dead. A man with ambition and love for his blessings here on earth is ever so alive. (Pearl Bailey)Anaphora is often used in conjunction with parallelism or climax.Antithesis emphasises the contrast between two ideas. The structure of the phrases / clauses is usually similar in order to draw the reader's / listener's attention directly to the contrast.Examples:▪That's one small step for a man, one giant leap for mankind. (Neil Armstrong)▪To err is human; to forgive, divine. (Pope)▪It is easier for a father to have children than for children to have a real father. (Pope)Hyperbole : deliberate exaggerationUsed sparingly, hyperbole effectively draws the attention to a message that you want to emphasise.Example:▪I was so hungry, I could eat an elephant.▪I have told you a thousand times.The author / speaker raises a question and also gives an answer to the question. Hypophora is used to get the audience's attention and make them curious. Often the question is raised at the beginning of a paragraph and answered in the course of that paragraph. Hypophora can also be used, however, to introduce a new area of discussion.Example:▪Why is it better to love than be loved? It is surer. (Sarah Guitry)▪How many countries have actually hit […] the targets set at Rio, or in Kyoto in 1998, for cutting greenhouse-gas emissions? Precious few. (6)Litotes is a form of understatement which uses the denied opposite of a word to weaken or soften a message.Examples:▪That's not bad. (instead of: That's good/great.)▪Boats aren't easy to find in the dark. (4) (instead of: Boats are hard/difficult to find in the dark.)Metaphor compares two different things in a figurative sense. Unlike in a simile (A is like B.), “like” is not used in metaphor (A is B.).Example:▪Truths are first clouds, then rain, then harvest and food. (Henry Ward Beecher)▪Through much of the last century, America's faith in freedom and democracy was a rock in a raging sea. Now it is a seed upon the wind, taking root in many nations. (2)Metonomy (unlike metaphor) uses figurative expressions that are closely associated with the subject in terms of place, time or background. The figurative expression is not a physical part of the subject, however (see synecdoche).Examples:▪The White House declared … (White House = US government / President)▪The land belongs to the crown. (crown = king / queen / royal family / monarchy)▪Empty pockets never held anyone back. Only empty heads and empty hearts can do that.(Norman Vincent Peale)▪(empty pockets = poverty; empty heads = ignorance / dullness / density; empty hearts = unkindness / coldness)▪the spit-and-polish command post (meaning: shiny clean) (3)First-person narratorThe narrator tells the story from his / her point of view (I). It is a limited point of view as the reader will only know what the narrator knows. The advantage of the first person narration is that the narrator shares his / her personal experiences and secrets with the reader so that the reader feels part of the story.Example:▪Charlotte Bronte: Jane EyreThird-person narratorThe narrator is not part of the plot and tells the story in the third person (he, she). Usually the narrator is all-knowing (omniscient narrator): he / she can switch from one scene to another, but also focus on a single character from time to time.Example:▪Charles Dickens: Oliver TwistThe third-person narrator can also be a personal narrator (point of view of one character) who tells the story in the third person (he, she), but only from the central character's point of view. This point of view is rarely used.Example:▪James Joyce: UlyssesThe pronounciation of the word imitates a sound. Onomatopoeia is used because it's often difficult to describe sounds. Furthermore, a story becomes more lively and interesting by the use of onomatopoeia.Examples:▪The lion roared.▪The steaks sizzled in the pan.▪The bomb went off with a bang.Successive clauses or sentences are similarly structured. This similarity makes it easier for the reader / listener to concentrate on the message.Example:▪We are bound by ideals that move us beyond our backgrounds, lift us above our interest, and teach us what it means to be citizens. (2)▪The mediocre teacher tells, The good teacher explains. The superior teacher demonstrates.The great teacher inspires. (William A. Ward)▪The mistakes of the fool are known to the world, but not to himself. The mistakes of the wise man are known to himself, but not to the world. (Charles Caleb Colton)▪Tell me and I forget. Teach me and I may remember. Involve me and I will learn. (Benjamin Franklin)Note: When writing, parallelism is a useful device for instructions. Due to the parallel structure, the reader can concentrate on the message and will immediately know what to do (see examples below).Example 1 (no parallelism):▪Open the book first.▪You must read the text now.▪There are pictures in the book–Look at them.▪The questions must be answered.Example 2 (parallelism):▪Open the book.▪Read the text.▪Look at the pictures.▪Answer the questions.You surely agree that the second instruction is easier to follow (and to remember) than the first one. The change of structure in the first example is confusing and distracts the reader from the actual message. It might be okay withsimple messages like the ones we used here. But following more complex instructions is really hard if they are not in parallel structure.The normal progression of a sentence is interrupted by extra information or explanations enclosed in commas, brackets or dashes. The extra information can be a single word, a phrase or even a sentence.Examples:▪We (myself, wife Lorraine and daughters Caroline and Joanna) boarded our boat 'Lynn', a Duchess class vessel barely a year old, at Black Prince Holidays' Chirk boatyard. (4)▪The boats have remarkably few controls and we were given a thorough briefing about 'driving' ours–along with advice on mooring, lock operation and safety considerations–by Pauline, who even set off with us for a few minutes to ensure we were confident. (4)Personification:attribution of human characteristics to animals, inanimate objects or abstractionsAnimals, inanimate objects or abstractions are represented as having human characteristics(behaviour, feelings, character etc.). Personification can make a narration more interesting and lively.Examples:▪Why these two countries would remain at each other's throat for so long. (3)▪I closed the door, and my stubborn car refused to open it again.▪The flowers nodded their heads as if to greet us.▪The frogs began their concert.Repetition : repeating words or phrasesWords or phrases are repeated throughout the text to emphasise certain facts or ideas.Examples:▪Down, down, down. Would the fall never come to an end! »I wonder how many miles I've fallen by this time?« she said aloud. […]Down, d own, down. There was nothing else to do, so Alice soon began talking again. […] (5)▪America, at its best, matches a commitment to principle with a concern for civility. A civil society demands from each of us good will and respect, fair dealing and forgiveness. […]America, at its best, is also courageous. Our national courage […]America, at its best, is compassionate. In the quiet of American conscience, we know that deep, persistent poverty is unworthy of our nation's promise. […] (2)Rhetorical Question : question without a direct answerThe author / speaker raises a question, but doesn't answer it directly as he/she sees the answer (usually Yes or No) as obvious.Rhetorical questions are used to provoke, emphasise or argue.Examples:▪When public money brings windfalls to a few, why should the state not take a share? (6)▪But was the best way to win them over to threaten to ignore them altogether? Like so many things this week, the adminitstration's diplomacy needs a smoother touch. (6) (Note that thesentence following the question is not an answer to it.)Simile : direct comparisonTwo things are compared directly by using 'like' (A is like B.).Other possibilities are for example:▪ A is (not) like B▪ A is more/less than B▪ A is as … as B▪ A is similar to B▪ A is …, so is B▪ A does …, so does BExamples:▪conrete box-style buildings are spreading like inkblots (3)▪The rabbit-hole went straight on like a tunnel (5)▪Personality is to a man what perfume is to a flower. (Charles Schwab)▪My friend is as good as gold.Synechdoche is some kind of generalization or specification that uses a part, a member or a characteristic of what is meant. The following possibilities are common:Part used instead of the wholeExample:▪Turning our long boat round […] on the last morning required all hands on deck… (hands = people) (4)Whole used instead of a partExample:Specific term used instead of a general one:Example:A statement is deliberately weakened to sound ironical or softened to sound more polite.Note that understatement is a common feature of the English language (especially British English) used in everyday-life situations.Examples:▪I know a little about running a company. (a successful businessman might modestly say.)▪I think we have slightly different opinions on this topic. (instead of: I don't agree with you at all.)。