外文翻译---新时期中国水墨动画类型发展

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关于中国水墨动画的文献

关于中国水墨动画的文献

关于中国水墨动画的文献一、水墨动画的起源与发展。

中国水墨动画那可是相当厉害,它的起源就像一颗神秘而独特的种子,种在了中国传统文化的肥沃土壤里。

早在上个世纪,动画大师们就开始琢磨怎么把水墨画这种超有意境的艺术形式变成会动的画面。

你想啊,水墨画本身就像是一幅幅静止的诗意世界,墨色浓淡之间,山水花鸟就像有了灵魂。

从最早的一些尝试开始,就像是小心翼翼地迈出了第一步,每一步都充满了创意和探索的精神。

随着时间的推移,水墨动画不断发展。

动画师们在技术上不断突破,在创意上也不断挖掘新的宝藏。

他们不仅仅满足于把水墨画简单地动起来,还想办法让水墨动画讲出更精彩的故事。

就像一个手艺高超的厨师,不只是把食材煮熟,还要做出色香味俱全的佳肴。

二、水墨动画的艺术特色。

1. 独特的视觉风格。

水墨动画的视觉风格那是独一无二的,就像世界上没有两片相同的树叶一样。

它靠的是水墨晕染的效果,墨汁在宣纸上散开的那种感觉,被动画师们用神奇的技术搬到了屏幕上。

比如说画一座山,不是用那种硬邦邦的线条来勾勒,而是用墨色的深浅变化,浓墨表示山的厚重,淡墨就像是山间的云雾缭绕。

看水墨动画就像是在看一幅会动的水墨画,每一个画面都充满了中国传统绘画的韵味。

这种视觉风格跟西方动画那种色彩浓烈、线条清晰的风格形成了鲜明的对比,就像是一个是温婉的东方女子,一个是热情的西方女郎。

2. 意境的传达。

三、水墨动画的制作工艺。

这水墨动画的制作工艺可复杂得很呢。

它不像普通动画那样简单地画出来就好。

首先得有一群超级厉害的画家,他们得像传统的水墨画家一样,用毛笔蘸着墨汁在宣纸上画画。

但是这还不够,因为要让这些画动起来,还得有一套独特的技术。

比如说分层绘制,就像盖房子一样,一层一层地画,把背景、人物、动物等分别画在不同的层上,然后再通过摄影技术或者电脑技术把这些层叠加起来,并且让它们按照一定的顺序动起来。

这中间的每一个步骤都需要非常精准,就像走钢丝一样,一不小心就可能让整个动画的效果大打折扣。

中国水墨动画介绍(英语)

中国水墨动画介绍(英语)

It was from the child‘s vision, hearing and feeling in three areas to talk about their unique aesthetic features. “Little Tadpole Looking for Mom” made in 1961’s, from master painter Qi Baishi wriggled across the screen. The spirit of traditional arts flowed in this creation. This movie wins a lot of awards, such as the Silver Sail for Short Films in the 4th Locarno International Film Festival. The production started a wave of activity through the international cartoon world.
the camera reel is filming.
The movie only has 19 minutes. The story is simple, but rich in content. It is a Milestok Animation is a traditional Chinese ink painting style used for the animated show.
It has deeply traditional cultural characteristics and strong ethnic characteristics. From “Little Tadpole Looking for Mom” to “Scenic”, every ink animation occupies a good market position of animation, mainly due to ink features like animation production to captivate the children.

中国动漫发展历程(英文版)

中国动漫发展历程(英文版)
The Development History of Chinese Animation (Engl
CATALOGUE
目录
Introduction Early Days of Chinese Animation The Rise of Chinese Cartoons Modern Development of Chinese Comics and Manga Challenges and Future Prospects for Chinese Animation Conclusion
Comics and manga have become immensely popular among young readers in China, with a wide range of genres and topics catering to different tastes and age groups.
Chinese animation began to experiment with different styles and techniques, often influenced by Japanese anime.
2010s-Present
With the rise of digital technology and the internet, Chinese animation has experienced a boom in production quality and diversity.
Cultural Representation
Social and Cultural Impact
04
Modern Development of Chinese Comics and Manga

中国水墨动画 Chinese ink animation

中国水墨动画   Chinese ink animation
vs
Brief outline
After long exploration, we summarize several way to achieve the innovation and breakthrough of Chinese ink animation. Relevant departments, for instance, could pay more attention to sinology education, broaden the market and encourage the combination of ink animation and digital technology.
creation of arts education design
most
draw ink animation
scarcer
pay attention to ink animation education
important
cultivate talents
Broaden the market and enhance the interest of story
References
• 戴勇红.浅谈中国水墨动画的发展的思考[J]. 电影评介,2010.
• 方志伟.浅析中国水墨动画的现状[J].法制 与社会,2008.
• 丁厚祥.中国水墨动画的璀璨、困难与发展 [J].美术,2007.
• 崔励.中国水墨动画的特色及其前景[J].电 影文学,2007.
Thank you
Combination of ink animation and digital technology
"Summer" in 2003 《夏》

浅析中国水墨动画的发展与创新

浅析中国水墨动画的发展与创新

浅析中国水墨动画的发展与创新中国水墨动画具有悠久的历史,可以追溯到几千年前的古代绘画。

随着时代的发展,中国水墨动画在技术和创新方面也取得了长足的进步。

本文将从不同角度对中国水墨动画的发展与创新进行浅析。

中国水墨动画在技术方面的发展与创新是其重要的一部分,包括绘画技巧的进步和动画制作技术的革新。

在传统水墨绘画的基础上,艺术家们逐渐尝试运用不同的绘画材料和工具,例如宣纸、笔墨和砚台等,以及不同的绘画技巧,如洒墨、点染和破墨等,来表现动画中的不同元素和场景。

随着电脑技术的进步,动画制作也从传统的手工绘制转为数字化制作,这使得中国水墨动画可以更加灵活地表现不同的创意和情感,同时也提高了动画的制作效率。

中国水墨动画在创新方面也有许多值得关注的地方。

传统的中国水墨画强调表达意境和氛围,而水墨动画则通过运用不同的表现手法和艺术形式,使得传统的水墨画与动画的结合更加丰富多样。

在传统水墨画的基础上,艺术家们进行了各种实验,如将传统的水墨画与三维动画相结合,或者运用特殊的技术和效果来表现特殊的动画主题,如中国神话故事和民间传说等。

这些创新使得中国水墨动画不再仅限于传统的绘画形式和题材,而是能够表达更加丰富多样的主题和情感。

中国水墨动画在内容上也发生了很大的变化和创新。

传统的水墨画通常以山水、花鸟和人物等传统题材为主,而水墨动画则涉及到更多的现代和当代的主题。

随着社会的发展和人们审美的变化,中国水墨动画逐渐呈现出更加多元化和前卫的特点,包括现实主义、抽象主义和表现主义等不同的艺术风格。

中国水墨动画也开始关注社会问题和个人情感,包括对环境保护、社会公平和精神价值等的思考和表达。

这些内容的创新使得中国水墨动画更具有现代性和时代性。

中国水墨动画在市场上也得到了更多的认可和发展。

随着中国文化的全球传播和动画产业的发展,越来越多的中国水墨动画作品在国内外取得了商业和艺术的成功。

《大闹天宫》和《千年女优》等作品在国际上获得了广泛的赞誉和认可,并为中国水墨动画的发展打开了更多的机遇和市场。

浅析中国水墨动画的发展与创新

浅析中国水墨动画的发展与创新

2019-01文艺生活LITERATURE LIFE,,。

摘要:水墨画在我国传统绘画中占据着主要地位,老一辈的动画家们把水墨画与动画相结合创作出水墨动画片这种新兴的动画片形式,享誉国际。

但随着近几年我国在动画片上的忽视与粗制滥造泛滥,包括很多创作者看中商业利益,在取材与内容上太过随意,导致我国的动画行业长年走下坡路。

那么复兴中国水墨动画,并结合当今的科技,继续创作出具有名族特色的动画便很有必要。

关键词:中国水墨动画;水墨画;数字技术中图分类号:J954文献标识码:A文章编号:1005-5312(2019)03-0111-01一、水墨动画的定义水墨动画,顾名思义就是把水墨技法结合动画软件制作而产生的一种动画类型。

水墨动画结合了水墨技法、水墨元素、水墨风格,再加以后期软件制作呈现给观众的一种动画片的形式。

早期的水墨动画有以黑白墨色为主基调的,也有加以色彩的,但不管是哪一种形势都给观众以鲜活灵动的姿态。

二、水墨画与水墨动画的关系中国水墨画主要以“墨”为主,通过墨色浓淡干湿的层次变化,形成了水墨画的独有的艺术表现形式。

水墨画讲究“意在笔先”、“以形写神”、“意向合一”、“情景相生”的特点。

早期的水墨画以墨色与白色为主,随着水墨画的不断研究,画者加以各种颜色,让画面更直观、更生动。

现在我们看到的很多水墨动画都是以写意水墨为主,究其根源也就是写意的大胆灵动、概括简洁,给人气势磅礴却又不是细腻的视觉感受。

也正是因为中国水墨画的这些特点,它与动画相结合产生一种新兴的动画形势也是势在必行。

三、国内外动画的发展现状中国动画讲究“有益于儿童的身心发展”,在创作方面也局限了故事的生动性、人物造型的设计、配音以及动画的创作者。

因此中国动画不管在制作还是故事情节本身,或是在给孩子、家长们的启示方面都大大欠缺。

美国动画经过长期试验探索与发展,已经形成了独有的艺术特点。

故事情节生动有趣引人入胜,人物设计优雅动人,动物的形象设计夸张却又不失美感,音乐优美动听朗朗上口。

浅析中国水墨动画的发展与创新

浅析中国水墨动画的发展与创新

浅析中国水墨动画的发展与创新中国水墨动画是一种以传统水墨艺术为背景和技法基础的动画形式,它融合了中国传统文化和现代艺术理念,在国内外艺术界逐渐崭露头角,并引起了广泛关注与探讨。

本文将从历史背景、发展特点和创新实践三个方面进行浅析。

中国水墨动画的发展背景可追溯到20世纪初的电影艺术创作探索阶段。

当时,西方动画技术已经相对成熟,而中国的电影产业还处于起步阶段,水墨动画成为了一种低成本的替代方案。

中国传统水墨艺术具有独特的审美风格和表达方式,为动画带来了新的艺术元素和表现手法。

中国水墨动画的发展特点在于传承与创新并重。

一方面,水墨动画在继承传统水墨艺术的注重追求叙事性和表现力的提升。

通过运用中国画的线条、笔触、墨色等元素,创造出独特的艺术效果,使动画呈现出独特的古韵和神韵。

水墨动画也不断进行技术实验和创新尝试。

通过数字化技术的应用,融入了新的动画制作手段和效果,提升了水墨动画的视觉冲击力和艺术表现力。

继承与创新的典型代表之一是中国动画艺术家蓝小云。

她以其水墨动画作品《弩耶》和《短命的生命》等获得了国内外的认可。

蓝小云在作品中充分运用了中国传统水墨的绘画技巧和表现手法,通过画面的运动和变化,结合音乐和声音的呼应,创造出独特的视听艺术效果。

这种独特的创作方式不仅拓宽了水墨动画的形式和表现领域,也增强了作品的艺术感染力和表现力。

另一个值得关注的创新实践是数字水墨动画的发展。

数字水墨动画是将传统水墨艺术与数字化技术相结合的一种新型动画形式。

通过数字绘画、特效合成和后期处理等技术手段,将传统水墨艺术的特点和表现方式重新显现出来。

数字水墨动画还通过增加新的情节和元素,丰富了作品的叙事性和观赏性。

这种创新尝试使水墨动画更具现代性和国际化,吸引了更多年轻观众的关注和喜爱。

中国水墨动画的发展与创新仍然面临一些挑战和问题。

传统水墨艺术的教育体系和人才培养仍然较为薄弱。

这导致了在新一代动画艺术家中,对中国传统文化和水墨艺术的了解和研究不足。

中国水墨动画的历史传承与艺术创新

中国水墨动画的历史传承与艺术创新

中国水墨动画的历史传承与艺术创新杜巧月【摘要】Ink painting is a special art form of traditional Chinesepainting .Ink animation is an introduction of traditional Chinese ink and wash painting to animation .It pursues artistic conception and possesses strong Chinese characteristics .With the progress of the times, great changes have taken place in the expression styles and techniques of Chinese ink animation .Starting from the creation of Chinese ink painting and combined with modern digital technology , the inheritance and innovation of Chinese ink animation should be based on the idea of promoting Chinese traditional culture .Only in this way can it become a new type of ink animation of both national and international .%水墨画是中国传统绘画特有的一种艺术形式。

水墨动画是将中国传统的水墨画引进到动画制作的形式当中,注重对意境的追求,具有浓厚的中国特色。

随着时代的进步,中国水墨动画在表达方式和技术手段上发生了巨大的变化,中国水墨动画的传承与创新要建立在弘扬中国传统文化思想的基础之上,以中国水墨画作为创作的出发点,并与现代数字技术相结合,才能成为民族性、世界性的新型的水墨动画。

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外文原文Development of the New Chinese Ink Animation TypeAbstract: This paper compared several three-dimensional perspective of the characteristics of ink animation and its existence value.Keywords three-dimensional ink animation style of the artistic effect of traditional ink animation1. IntroductionInk animation has a special artistic expression with its international glory in a while, this unique native of China has also made numerous animation impressive honor. But since China embarked on the commercialization of creative animation of the road, while the traditional ink animation production process because of its complicated and takes a lot of manpower and resources from the commercial art market, the near-extinct traditional ink animation in recent years, China started to enter the low ink animation.Of the twentieth century art digital technology had a huge impact, some artists began to explore the operating platform for seeking to create a new form of ink animation, to develop the local animation industry, both to save costs, eliminating the need for photography and repeatedly drawn down the middle of work, but also with animation technology, can be said ink animation in the new situation of a new development trend.Although the three-dimensional computer animation ink ink from the traditional way of creating animation, but it is the purpose of writing or on the form and follow the characteristics of traditional Chinese ink painting. First, using 3d technology to simulate the effect of Chinese paintings, screen painting, ink pen with emphasis, performance of the thick screen ink water, light, dry, wet, coke properties, with significant effects of ink smudges; Secondly, pay attention to the beauty of artistic conception. Abstract elements to convey a mood, to convey images of the actual situation and artistically; again in the narrative content, often combined with traditional Chinese ink painting animation culture, into the unique culture of China, the unique art of Chinese classical and elegant, deep temperament on its head.2.the three-dimensional animation and traditional ink ink comparedThree-dimensional computer animation in the succession of traditional Chinese ink painting ink is weaker on the more expressive, it and its various creators and creative practices related to ink three-dimensional animation is more to understand the operation of computer software producers, and the relative lack of traditional ink painting understanding of painting techniques and style, and the completion of the animation work is also out of the traditional approaches. The traditional ink animation it is based on the artist's painting style creation, such as "Little Tadpole Looking for Mom" with the Qi of the Painting, "reed pipe" totake the Li Keran brushwork, and the "Goose" drop-the Jia and blessed Mexican interest. So now is the pursuit of three-dimensional ink animation shape of the surface, it is difficult to achieve a Vivid artistic effect.Ink ink animation properties in their language to introduce the concept of the film, making time and space art. So that it has as a film aesthetic elements, such as Scene, Montage, long lens, audio. These aesthetic elements take advantage of passive artists to create a line with people thinking of cinema animation. Analysis of the traditional performance of ink animation camera language is usually a fixed lens or a push and pull methods, and simple and plain. Digital ink animation to change its operating platform in the creative process with new features, for the more abundant use of the lens, can be seen in deep space walk screen performance, greater use of some long-lens effect, which kinds of elegant illusion of space to express a poetic flow, in which the lens on the expression of space, three-dimensional images than conventional ink ink animation slightly better.Ink composition is a major feature animation. The ink in the traditional art of composition, tone, atmosphere and so are very demanding, often a large number of gaps.Three-dimensional effect is achieved with ink is to take into account the composition of traditional painting, the picture in the placement of each element should be thought through. Three-dimensional technology to comply with the strict principles of Western perspective, and traditional ink painting is a common principle cavalier perspective, it should take note of this model in the space setting, not simply a painting of the scene can mean three-dimensional camera made taking into account movement changes, which need to meet the overall effect of exercise ink composition."Dynamic" is the computer performance of three-dimensional ink a major feature animation, and "meaning" is the connotation of the performance of traditional ink animation. Currently, the use of technical means to create three-dimensional animation of Chinese ink painting of "Summer", "Hetang moonlight", "Lively", etc. In addition to these three-dimensional ink drawing painting animation show the mood, more importantly, the performance of the "action" the situation, "Lively" design idea is to show the atmosphere of a vibrant impressionistic painting, flow lines, pen means vigorous and effective, light melody, the screen blank in place, the use of calligraphy, poetry, seals and other to make white, to reflect a unique aesthetic style of Chinese painting, with shaky camera movement, resulting in a new visual artistic effect.Story setting. Ink animation story complete with the ability of the performance of its screen time and space constitute the use of the concept of the film, design, animation film footage of the language to interpret Chinese ink paintings, the interpretation of a fresh ink animation, ink animation to develop and move forward, we must As the film's creation led to film language as a foil, making the screen composition, the use of color, depth of field to render the main body, and can expand the screen space, more picture information, the Chinese ink animation in the world makes the animation world exudes breathtaking charm.3.more three-dimensional ink animation and three-dimensional animation in Hollywood Analysis of three-dimensional animation and Hollywood animation Ink distinction, from the subject matter, it is the performance of ink animation narrative more enjoyable fantasylandscape color painting of a more personal touch, by the expressiveness of ink to ink with beautiful poetic financial interest into each screen, the ink is a form of narrative mood, silence in the performance of all, subtle and free and easy, artistic conception, the narrative style to reveal a profound theme, contains a wealth of philosophical and symbolic significance, so that viewers in the same time to appreciate the spiritual resonance. Hollywood three-dimensional animation, usually anthropomorphic cartoon character or the role of the narrative center, the scene set off people, pay attention to space-level images, color, simple and gorgeous.Ink animation for bamboo, flute, piano, eagles, fish, water and other images are also quite partial. A lot of ink in the use of the classical image of these ancient, makes the film seem imbued with the ancient rhyme restrained style of painting throughout. Morethree-dimensional animation of Hollywood movie ideas and language.4.look three-dimensional ink animation and planning futureInk drawn animation in terms of story and its strong oriental flavor to the performance of Europe is not suitable for the story, can be used to show some elements of the plot with Chinese characteristics, setting, relying on traditional Chinese culture in today's fully animated creative potential can also mining.In recent years, strength of the domestic computer animation technology was enhanced, computer technology has been more popular to draw the background, the rapidthree-dimensional and two-dimensional computer animation, with a more perfect production system. Ink to complete the three-dimensional animated shorts such as "Summer", "Hetang moonlight" through the textures, rendering, to simulate the ink painting style, the effect is unique. But three-dimensional ink animation is still in early stages of development, aresmall-scale production cost, the story does not show the traditional ink painting to the depth, and how better to advanced animation techniques combined with traditional Chinese culture, the performance of Ink This animation features, to the seventies and eighties of last century the brilliant traditional ink painting, there are a lot of room for improvement. So in the new environment, how to improve their own work?First, the development environment suited to their own creative animation software. Any hardware, software, technology updates are due to artists for artistic creation and exploration requirements increase continuously generated, the design of this series of Hollywood production environment more in line with their own creative content. So their animation art to be innovative and development must improve their software development capability. At present, there is in the ink animation development renderdancerv2.0 ink rendering engine, capable of regulating the pen, brush, paper and ink rendering of line with the controls to adjust the rendering, or to achieve a more simple and the desired results. Strengthen the software development and applications for art to bring more convenience to make the environment more large-scale, systematic.Second, the ink is characterized by the animation to convey a mood, how to tell stories, is the key to artistic creation. Ink Animation statements often lack the language and the picture only through a combination of simple stories to convey the meaning, the story setting is the need to appropriate scrutiny. Three-dimensional animation production environment for the ink to provide a richer means of creation, so that the circumstances described in the performance ofthe animation more selective.Again, the animation production industry. Ink Animation is a branch of animation, it's method to industrial scale, so as to produce a more refined works of art, early ink animation key is unique in the world, creator of lots of manpower and effort.5. ConclusionFacts have proved that only when China's unique traditional art and animation techniques combine to make a unique national character of the popular Chinese-made animation films. Animation was once traditional ink made numerous honors, but stick to the old theme of poor form and has been unable to meet the aesthetic needs of modern people, and ink animation cartoon form in China, no follow-free imitation. Ink Animation should not be in the current recession, this art form unique to China should be inherited and carried forward. Ink and modern three-dimensional animation techniques can be bold fusion of art creation, expansion and creation of this new animation, so that this ancient art will display a new vitality, so that ink animation to be unique among the forest of the animation in the world.新时期中国水墨动画类型发展摘要:本文从几个角度分析比较三维水墨动画的特点以及它所存在的价值。

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