《雨霖铃》许渊冲译版
宋词《雨霖铃》英文翻译
Yu Lin Ling
Liu Yong
（丁祖馨 译）
Cicadas trill sad songs.At the post pavilion, The evening shower stops; We're saying goodbye, at this wayside stall. Who wants to drink, here at the Capital gate? The boatman's in a hurry, he calls,But we can't tear ourselves away. We stare, in tears, hand in hand, Struggling in vain to say what words we've got. Knowing how far south I'm to go,To drift along in the southern climate, Under the cloudy sky at dusk. Oh, the heartache! Lovers always weep, saying goodbye—And today is autumn, and, cold. When the wine finally leaves me sober, Where will I be? Along a river bank Lined with willows—in a morning breeze—Under a sinking moon. But our farewell is for a long time, And without you Beauty and happiness both will be wasted on me. Even when I have heartloads of love Who, oh who can I tell about it?
许渊冲经典诗句及翻译
许渊冲经典诗句及翻译许渊冲被誉为中国英法翻译第一人。
整理了一些许渊冲的经典诗词翻译。
老先生的功底可见一般。
不爱红装爱武装。
To face the powder and not to powder the face.Face the powder：面对硝烟Powder the face：涂脂抹粉——毛泽东《为女民兵题照》千山鸟飞绝，万径人踪灭。
孤舟蓑笠翁，独钓寒江雪。
From hill to hill no bird in flight;From path to path no man in sight.A lonely fisherman afloat,Is fishing snow in lonely boat.——柳宗元《江雪》床前明月光，疑是地上霜。
举头望明月，低头思故乡。
A tranguil night a bed, I see a silver light;I wonder if it's frost around.Looking up, I find the moon bright;Bowing, in homesickness I’m drowned.——李白《静夜思》无边落木萧萧下，不尽长江滚滚来。
The boundless forest sheds its leaves shower by shower; The endless river rolls its waves hour after hour.——杜甫《登高》葡萄美酒夜光杯，欲饮琵琶马上催。
With wine of grapes the cups of jade would glow at night，Drinking to pipa songs, we are summoned to fight.——王翰《凉州词》寻寻觅觅，冷冷清清，凄凄惨惨戚戚。
I look for what I miss, I know not what it is,I feel so sad, so drear, so lonely, without cheer.——李清照《声声慢》天高云淡，望断南飞雁。
《雨霖铃》三种英译本之比较
语言应用研究
《雨霖铃》三种英译本之比较
□邓 颖 郭 勇
摘 要：《雨霖铃》是北宋婉约派代表诗人柳永描写离愁别绪的代表作。词中通过树立典型物象，营造了凄美的意 境，表达了作者对离别的伤感和生活的无奈。本文选取许渊冲、杨宪益和龚景浩的英译本对词牌名的翻译、文化意象词的 翻译和具体词句的翻译进行对比分析。
关键词：雨霖铃 词牌名 文化意象
一、《雨霖铃》三个英译本对比分析 《雨霖铃》是柳永从汴京（今河南开封）南下，与恋 人惜别之作，在倾吐离愁的同时，也抒发了对自身遭遇的 感概。该词原文如下： 寒蝉凄切，对长亭晚，骤雨初歇。都门帐饮无绪，留 恋处、兰舟催发。执手相看泪眼，竟无语凝噎。念去去， 千里烟波，暮霭沉沉楚天阔。 多情自古伤离别，更那堪、冷落清秋节！今宵酒醒何 处？杨柳岸、晓风残月。此去经年，应是良辰好景虚设。 便纵有千种风情，更与何人说。 词作为中国文学体裁中的韵文文体之一，本来是为配 乐歌唱而作的诗，每首词都应该有或曾有过一个乐谱。中 国古代的乐谱都属于某种宫调（宫、商、角、徵、羽五音 即声律），配词而歌就成了词调，每个词调古人都赋予其 一个名称，这个名称就叫词牌。 “词牌名”代表的是一首词的旋律，是作者填词时用 来标明依据何种曲谱而填词的一种名称，与词的内容没有 意义上的关联。词牌名的翻译，要考虑其神韵和美感，还 需考虑其历史来源。目前国内外常见的词牌名英译方法有 零译法、音译法、直译法和意译法。 “雨霖铃”这个词牌名记载了唐玄宗和杨贵妃的爱 情。杨贵妃死后，唐玄宗悲痛万分，听着窗外的雨中铃儿 叮当响，心怀无尽的思念，创作了“雨霖铃”。因此，这 个词牌名本身就有着文化内涵，代表着情人之间分离时的
名家古诗英译
《水调歌头》名家英译版两首昔胡仔曾说：“中秋词，自东坡《水调歌头》一出，余词尽废。
”认为这是写中秋最好的一首词，此说是一点也不过分的。
这首词仿佛是与明月的对话，在对话中探讨着人生的意义。
既有理性，又有情趣，很是耐人寻味。
或许，早在我们从课本上学到《水调歌头》之前，就已经在王菲的歌声中，在各类影视剧中接触到这首词了吧。
今天，跟着小编一起，来看看这首词的两个英译版吧。
分别是许渊冲先生以及林语堂先生的译作，大家更喜欢哪一个版本呢？《水调歌头》：明月几时有？把酒问青天。
不知天上宫阙、今夕是何年？我欲乘风归去，惟恐琼楼玉宇，高处不胜寒。
起舞弄清影，何似在人间？转朱阁，低绮户，照无眠。
不应有恨、何事长向别时圆？人有悲欢离合，月有阴晴圆缺，此事古难全。
但愿人长久，千里共蝉娟。
许渊冲先生译作：How long will the full moon appear?Wine cup in hand, I ask the sky。
I do not know what time of the year’Would be tonight in the palace on high。
Riding the wind, there I would fly,Yet I’m afraid the crystalline palace would beToo high and cold for me。
I rise and dance, with my shadow I play。
On high as on earth, would it be as gay?The moon goes round the mansions redThrough gauze-draped window soft to shedHer light upon the sleepless bed。
Why then when people part, is the oft full and bright?Men have sorrow and joy; they part or meet again;The moon is bright or dim and she may wax or wane。
临安春雨初霁英文版许渊冲译
临安春雨初霁英文版许渊冲译The spring rain in Lin'an had finally cleared up after a long and persistent downpour. The air was fresh and crisp, and the sun's rays gently caressed the earth, revealing the true beauty of the city. The streets were bustling with activity as people emerged from their homes, eager to enjoy the respite from the rain.The rain had left its mark on the landscape, washing away the grime and dust that had accumulated over the long winter months. The trees and plants seemed to have been rejuvenated, their leaves and blossoms glistening with the remnants of the rain. The gentle breeze carried the sweet scent of flowers, mingling with the earthy aroma of the damp soil.As I wandered through the streets, I couldn't help but feel a sense of wonder and appreciation for the natural world around me. The vibrant colors of the buildings and the intricate patterns of the cobblestones beneath my feet were a testament to the artistry and craftsmanship of the people who had built this city.One of the most striking features of Lin'an was its rich history and cultural heritage. The city had been a center of learning and intellectual discourse for centuries, attracting scholars, poets, and artists from all over the region. The grand temples and pagodas that dotted the landscape were a testament to the deep spiritual beliefs of the people who had once called this place home.As I explored the city, I couldn't help but feel a sense of connection to the past. The winding streets and hidden alleyways seemed to whisper the stories of the generations who had walked these same paths before me. I could almost hear the laughter and chatter of the local residents as they went about their daily lives, their voices mingling with the gentle sounds of the wind and the occasional birdsong.One of the highlights of my visit was a trip to the famous West Lake, a breathtaking natural wonder that had inspired countless poets and artists over the centuries. As I stood on the shore, gazing out over the shimmering surface of the water, I was struck by the sense of peace and tranquility that permeated the air.The lake was surrounded by lush hills and dense forests, creating a serene and picturesque landscape that seemed almost otherworldly.I could imagine the scholars and poets of old sitting by the water's edge, composing their verses and contemplating the mysteries ofthe natural world.As I walked along the paths that wound through the gardens and pavilions that dotted the lake's shores, I couldn't help but feel a sense of reverence and awe. The intricate carvings and delicate architecture of the structures seemed to speak to the deep appreciation for beauty and craftsmanship that had been a hallmark of Lin'an's cultural legacy.One of the most striking features of the West Lake was the way it seemed to change with the seasons. In the spring, the cherry blossoms would bloom, painting the landscape in a soft, ethereal hue. In the summer, the lake would glisten in the sun, inviting visitors to take a refreshing dip. And in the autumn, the leaves would turn brilliant shades of red and gold, creating a breathtaking spectacle that would draw visitors from far and wide.As I wandered through the gardens and pavilions, I couldn't help but feel a sense of connection to the past. The stories and legends that had been passed down through the generations seemed to come alive in the very stones and trees that surrounded me. I could almost hear the echoes of the poets and scholars who had once walked these same paths, their words and ideas still resonating in the air.One of the most fascinating aspects of Lin'an's cultural heritage wasthe way it had been shaped by the influence of different dynasties and empires over the centuries. The city had been a hub of trade and commerce, attracting merchants and artisans from all over the region. This cross-pollination of cultures had led to a rich and diverse artistic tradition that was evident in the architecture, the crafts, and the cuisine of the city.As I explored the local markets and shops, I was struck by the incredible variety and quality of the goods on offer. From delicate silks and embroidered fabrics to intricate woodcarvings and exquisite porcelain, the artisans of Lin'an had clearly honed their skills over generations. I couldn't help but marvel at the level of craftsmanship and attention to detail that went into every item I encountered.One of the most memorable experiences of my visit was a visit to a local tea house, where I was able to sample a variety of traditional Chinese teas. The owner of the tea house was a knowledgeable and passionate guide, who took the time to explain the history and cultural significance of each type of tea. As I sipped the fragrant brews, I couldn't help but feel a sense of connection to the long and storied tradition of tea culture in China.Overall, my time in Lin'an was a truly transformative experience. The city's rich history, vibrant culture, and natural beauty left a lasting impression on me, and I left with a deep appreciation for theincredible diversity and complexity of Chinese civilization. Whether it was the intricate architecture, the delicate crafts, or the serene natural landscapes, every aspect of Lin'an seemed to speak to the deep artistry and creativity that had been a hallmark of this remarkable city for centuries.As I boarded the train to depart, I couldn't help but feel a sense of melancholy. I knew that I would miss the sights and sounds of Lin'an, the bustling streets, and the tranquil gardens. But I also knew that this was not the end of my journey, but rather the beginning of a lifelong fascination with the rich and diverse cultures of China. I vowed to return one day, to continue exploring the wonders of this remarkable place, and to deepen my understanding of the incredible legacy that it had left behind.。
许渊冲经典古诗词英译22首
许渊冲经典古诗词英译22首1 关雎Cooing And Wooing关关雎鸠,By riverside are cooing在河之洲.A pair of turtledoves;窈窕淑女,A good young man is wooing君子好逑.A fair maiden he loves.参差荇菜,Water flows left and right左右流之.Of cress long here, short there;窈窕淑女,The youth yearns day and night寤寐求之.For the good maiden fair.求之不得,His yearning grows so strong,寤寐思服.He can not fall asleep,悠哉悠哉，But tosses all night long,辗转反侧.So deep in love, so deep!参差荇菜,Now gather left and right左右采之.Cress long or short and tender!窈窕淑女,O lute, play music bright琴瑟友之.For the bride sweet and slender!参差荇菜,Feast friends at left and right左右芼之.On cress cooked till tender!窈窕淑女,O bells and drums, delight钟鼓乐之.The bride so sweet and slender!2 垓下歌XIANG YU’S LAST SONG力拔山兮气盖世，I could pull mountains down, oh! With main and might, 时不利兮骓不逝。
But my good fortune wanes, oh! My steed won’t fight.骓不逝兮可奈何！Whether my steed will fight, oh! I do not care.虞兮虞兮奈若何！What can I do with you, oh! My lady fair!3 回乡偶书HOME-COMING贺知章He Zhizhang少小离家老大回，Old, I return to the homeland while young,乡音无改鬓毛衰。
诗歌翻译中音_形_意三美的再现_基于_雨霖铃_两种英译本的评析
２０ 世纪初，英国汉学家韦利（Ｗａｌｅｙ）认为译诗用韵会因声损义， 因此他把诗译成自由诗或散体诗，这就开始了诗词翻译史上的诗体 与散体之争。一般说来，散体译文重真，诗体译文重美，所以散体与 诗体之争就升华为真与美的矛盾。许钧教授指出，翻译求真而诗更 求美，所以译诗应该在真的基础上求美，也就是说，求真是最低标准， 求美是最高标准。［３］许渊冲先生在论及中国古典诗歌翻译时曾提出 过著名的“三美”理论：“意美”、“声美”、“形美”，即“译诗要和原诗一样 能感动读者的心，这是意美；要和原诗一样有悦耳的韵律，这是音美； 还要尽可能保持原诗的形式，这是形美”。［４］
诗歌翻译中音、形、意三美的再现＊
———基于《雨霖铃》两种英译本的评析
● 郭航乐
（泉州轻工职业学院，福建 晋江 ３６２２００）
摘 要：参照诗歌翻译标准从“音美”、“形似”和“意准”三 个 角 度 对 柳 永《雨 霖 铃》的 两 个 英 译 本 进 行 对 比 分 析，可 以 看 出 许 渊 冲 译 本 比 杨 宪 益 、戴 乃 迭 译 本 更 胜 一 筹 ，可 谓 是 音 形 意 三 美 皆 俱 ，为 古 诗 词 翻 译 不 可 多 得 的 佳 品 。 关 键 词 ：《雨 霖 铃 》；诗 歌 翻 译 标 准 ；英 译 本 ；对 比 分 析 ＤＯＩ：１０．３９６９／ｊ．ｉｓｓｎ．１００９－４４５８．２０１２．０３．１５９ 中 图 分 类 号 ：Ｈ３１５．９ 文 献 标 识 码 ：Ａ 文 章 编 号 ：１００９－４４５８（２０１２）０３－０３９８－０２
二、从音美角度比较《雨霖铃》两英译本
诗歌中的韵是一个重要的音美因素。中国诗词力求平仄协调、抑
扬顿挫、对仗工整，《雨霖铃》前后阕各五仄韵，分别为切、歇、发、噎、 阔、别、节、月、设、说，均押入声韵。英诗中也有头韵和尾韵，但其形 式比较自由，尾韵几乎没有一韵到底的，因此在英译中是很难保留汉 语诗词压韵的特点。比如杨译本就几乎没有规律的尾韵，是英诗中 的自由诗形式。许译本则十分注重译文的“音美”，采用了尾韵及两 行转韵的方式巧妙再现了原词中的韵律，其押韵方式为 ＡＡＢＢ／ＣＤ－ ＤＣ／ＥＦＧＧＦＥ／ＨＨＩＩＪＪＫＫＬＬ，体现在尾韵上为“ｃｈｉｌｌ－ ｓｈｒｉｌｌ，ｈｏｕｒ－ ｓｈｏｗｅｒ，ｐａｒｔ－ ｄｅｐａｒｔ，ｇａｔｅ－ｌａｔｅ，ｅｙｅｓ－ ｓｋｉｅｓ，ｗａｙ－ ａｗａｙ，ｌｉｐｓ －ｓｈｉｐｓ，ｏｌｄ － ｃｏｌｄ，ｂｒｅａｋ － ａｗａｋｅ，ｔｒｅｅｓ － ｂｒｅｅｚｅ，ｙｅａｒ－ ａｐ－ ｐｅａｒ，ｐａｒｔ－ ｈｅａｒｔ”。许译本押韵简洁明朗，注重韵律在表达诗意、 体现词人情感方面的重要性，使译文读者能够感受到该词的节奏感 和韵律感。所以，按照诗歌翻译的最高标准比较起来，许译本比杨译 本更胜一筹。
《雨霖铃》译文及诗歌赏析
《雨霖铃》译文及诗歌赏析《雨霖铃》译文及诗歌赏析在平时的学习、工作或生活中，大家都看到过许多经典的诗歌吧，诗歌节奏上鲜明有序，音谐韵美。
那什么样的诗歌才是经典的呢？以下是小编帮大家整理的《雨霖铃》译文及诗歌赏析，仅供参考，希望能够帮助到大家。
雨霖铃翻译：秋后的蝉叫得是那样地凄凉而急促，面对着长亭，正是傍晚时分，一阵急雨刚停住。
在京都城外设帐饯别，却没有畅饮的心绪，正在依依不舍的时候，船夫已催促着出发。
握着手互相瞧着，满眼泪花，直到最后也无言相对，千言万语都噎在喉间说不出来。
想到这回去南方，这一程又一程，千里迢迢，一片烟波，那夜雾沉沉的楚地天空竟是一望无边。
自古以来多情的人最伤心的是离别，更何况又逢这萧瑟冷落的秋季，这离愁哪能经受得了!谁知我今夜酒醒时身在何处?怕是只有杨柳岸边，面对凄厉的晨风和黎明的残月了。
这一去长年相别，我料想即使遇到好天气、好风景，也如同虚设。
即使有满腹的情意，又再同谁去诉说呢?鉴赏：《雨霖铃》这首词以冷落秋景为衬托，淋漓渲染了惜别的场景，进而推测别后的铭心刻骨的思念。
层层铺叙，情景交融，委婉多致。
全词情调缠绵，低沉伤感，令人叹惜。
词以伤离别为主线。
开首三句道出时间、地点、景物。
以凄清景色揭开了离别的序曲：清秋节令的寒蝉，衬托着凄切悲凉秋景。
人将别、日已晚、雨乍停、蝉声切。
惜别的长亭，凄凉的深秋。
恋人惜别，令人叹惋。
都门三句，写离别时的心情。
设宴帐中，本欲多留恋片刻，怎奈兰舟催发，这样的饯别酒，饮起来怎能不无绪?欲留不得，欲饮无绪，矛盾之极。
执手两句，将惜别推向高潮。
手拉着手面对依依惜别的恋人，泪眼对着泪眼，纵有千言万语，因悲痛气塞而一句也说不出来。
这是分别时的情景。
对照苏东坡的悼亡妻的《江城子》中相顾无言，唯有泪千行我们能更好地理解。
念去去两句，则承上启下，笔随意转，有如浩瀚长江，一泻千里。
千里烟波，楚天空阔，设想到别后的道路遥远而漫长。
就此一别，人各东西，对情人的思念有如楚地的沉沉烟波，忧郁迷茫。
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《雨霖铃》许渊冲译版
许渊冲----诗译英法唯一人，北京大学教授，翻译家。
在国内外出版中、英、法文著译六十本，包括《诗经》、《楚辞》、《李白诗选》、《西厢记》、《红与黑》、《包法利夫人》、《追忆似水年华》等中外名著，是有史以来将中国历代诗词译成英、法韵文的唯一专家。
1999年被提名为诺贝尔文学奖候选人。
《雨霖铃》
柳永
寒蝉凄切
对长亭晚
骤雨初歇
都门帐饮无绪
方留恋处
兰舟催发
执手相看泪眼
竟无语凝噎
念去去千里烟波
暮霭沉沉楚天阔
多情自古伤离别
更那堪
冷落清秋节
今宵酒醒何处
杨柳岸
晓风残月
此去经年
应是良辰好景虚设
便纵有千种风情
更与何人说
Cicadas chill
And drearily shrill,
We stand face to face at an evening hour
Before the pavilion, after a sudden shower.
Can I care for drinking before we part?
At the city gate
Where we're lingering late,
But the boat is waiting for me to depart.
Hand in hand, we gaze at each other's tearful eyes And burst into sobs with words congealed on our lips.
I'll go my way
Far, far away
On miles and miles of misty waves where sail the ships, Evening clouds hang low in boundless Southern skies.
Parting lovers would grieve as of old.
How could I stand this clear autumn day so cold!
Where shall I be found at day's early break
From wine awake?
Moored by a riverbank planted with willow trees Beneath the waning moon and in the morning breeze.
I'll be gone for a year.
In vain would good times and fine scenes appear!
However gallant I am on my part,
To whom can I lay bare my heart?。