2019初二上册第五课中国山水画教育英语
八年级英语(人教版)上册精细课件-【第5课时(Section B 3a-Self Check)】
down the invitation, give a good reason.
Include the following information：
*kind of party or event *when and where it will be *if guests should bring anything *if guests should reply to the invitation *when and how guests should reply
谢绝邀请的回信一般包含以下几方面的内容： 首先还是要对对方的邀请表示感谢; 然后具体 说明自己无法接受邀请的原因，并对无法出席 表示遗憾; 最后表达自己的祝愿，即祝愿自己 未能参加的会议或者活动能够顺利进行。
Write an invitation to a party or any other
3b event. Reply to your partner’s invitation. If you turn
Yes, they do. Each of them has to bring one book as a gift.
6. How should people reply to this invitation, and when? They should reply in writing to this invitation by Friday, December 20th.
中国水墨画英语作文六年级 中英文
中国水墨画英语作文六年级中英文Chinese Ink PaintingHave you ever heard of Chinese ink painting? It's a super cool type of art that has been around for a really, really long time in China. I first learned about it in my art class at school and thought it looked so neat.In Chinese ink painting, the artist uses black ink made from pine soot mixed with animal bone glue. The ink is applied to absorbent paper or silk using brushes made from animal hair. The special brushes allow the artist to make different types of brush strokes - thin lines, thick lines, dry brushing, and more.The interesting thing about Chinese ink painting is that it's not just about drawing pictures. It's also about capturing the spirit and essence of the subject through the brush strokes. The artists try to reveal the inner nature or spirit of what they are painting, whether it's landscapes, animals, plants, or people.One of the first things I learned is that Chinese ink painting follows several important principles. The first is that there should be a balance between the painted areas and the blank space, which is called leaving an area "vacant" or "white." The white space is just as important as the inked areas!另一个原则是"写意"(xiěyì),大概可以翻译为"捕捉本质"。
中国水墨画英语作文六年级 中英文
中国水墨画英语作文六年级中英文Chinese Ink Wash PaintingHave you ever looked at a Chinese ink wash painting and felt like you were being transported into a magical world? With just a few brushstrokes of black ink on rice paper, these amazing artists can capture entire landscapes, animals, or people in a way that seems so simple yet so profound.I first became interested in Chinese ink wash painting when we learned about it in my art class. Our teacher showed us some really beautiful examples and talked about the long history of this art form in China, going all the way back to the 4th century! Can you imagine creating artwork like that over 1600 years ago without any of the modern tools or materials we have today? The ancient Chinese artists who pioneered ink wash painting were true masters.What makes Chinese ink wash painting so unique is the combination of the black ink, the blank space on the rice paper, and something called shadingtechniques. The black ink is made from burned pine wood mixed with glue or gelatin, and the shading is all created by varying how much ink is applied to the brush. The white space onthe rice paper is just as important as the inked areas in creating the overall composition.One of the first things I learned is that there are actually a few different styles within the genre of Chinese ink wash painting. The most famous ones are:Gong Bi - This means "meticulous" and involves very precise, detailed brushwork to capture things like the scales on a fish extremely accurately.Xie Yi - The opposite of Gong Bi, Xie Yi means "freehand" and uses more expressive, loose brushstrokes to convey the spirit or essence of the subject.Zhi Gong - This style combines the fine details of Gong Bi with the freedom of Xie Yi to depict plants, animals, landscapes or figures.Mo Gu - Focuses specifically on painting different types of trees, plants and flowers using shaded ink wash techniques.Each style allows the artist to express different emotions, moods and creative visions through their brushwork. To me, that's what makes Chinese ink wash paintings so magical - the same bamboo branch, for example, could look completely different when rendered by artists using contrasting styles likeGong Bi versus Xie Yi. It shows how the spirit and creativity of the individual painter is such an integral part of this art form.While the different styles are incredible, I think my favorite element of Chinese ink wash painting has to be the symbolism. Certain plants, animals, or objects were used to represent different life concepts or virtues like strength, perseverance, beauty, or longevity. For example:• Bamboo = Resilience, longevity• Plum blossoms = Perseverance, hope• Chrysanthemums = Longevity• Orchids = Refinement, innocence• Lotus = Purity• B irds = Freedom, dignity• Fish = Abundance• Mountains = Stability, strength• Water = Harmony, peaceLearning about the deeper meanings behind the subjects makes appreciating these paintings even more profound. It's like they are visual poems celebrating the wonders of nature and thevirtues that the ancient Chinese philosophers felt were most essential to cultivate.Of course, no essay on Chinese ink wash painting would be complete without mentioning the Four Gentlemen. No, I'm not talking about fancy rich guys - the Four Gentlemen are actually the bamboo plant, the orchid, the plum blossom, and the chrysanthemum! These four were considered the most noble plants in Chinese culture and they were common subjects that ink wash painters loved to depict, especially early on before the different styles emerged.As I mentioned, bamboo symbolizes resilience since it's a very hardy, flexible plant. The orchid represents refinement and innocence. The plum blossom is admired for its perseverance in blooming during the harsh winters. And the chrysanthemum is celebrated for its longevity since it blooms so vibrantly in the autumn towards the end of the season. Together, the Four Gentlemen perfectly embody the most prized virtues in traditional Chinese culture.In my art classes, we've gotten to try our own hand at Chinese ink wash painting which is definitely not as easy as it looks! The fluid brushstrokes required to capture the spirit and essence of a subject take a lot of skill and practice to master. Westarted by just doing basic ink wash exercises with different brushstrokes and shading techniques before moving on to simple subjects like bamboo leaves or plum branches.Even those basic sessions taught me how much focus, patience, and attention to detail is required in this artform. You have to envision the entire painting in your mind first, then concentrate intently as you lay down each individual brushstroke to gradually build up the image you see in your head. It's almost like a meditation.The tools are pretty fascinating too. Of course you need brushes made from animal hair, an ink stone to grind the solid ink stick into liquid ink, and xuan paper which is made from rice plants. But Chinese artists also use these cool reservoirs made of bamboo, ceramic or stone to hold the liquid ink near their work surface. And get this - some brushes can cost thousands of dollars if they are made from really premium materials! Yikes, you'd better be an ink wash master to handle brushes that expensive.I have so much respect and admiration for the ancient and modern Chinese ink wash painters who have elevated this art form over the centuries. It takes incredible technical skill, focus, and creativity to produce those amazingly vivid yet deceptivelysimple-looking paintings. To me, any artist who can capture so much life, energy and symbolic meaning through just a few brushstrokes of black ink is a true master.While some people might just see blobs of black on paper, Chinese ink wash paintings represent a deep connection to nature, philosophy, and the human experience when you learn to read the hidden meanings and stories behind them. They remind us to appreciate the beauty in simplicity, to find inspiration all around us in the natural world, and to strive towards cultivating virtues that lead to harmony - both within ourselves and in the universe.For such an ancient artform, Chinese ink wash painting has certainly evolved over the centuries as different styles emerged. But its core spirit of distilling the essence of a subject, revealing the beauty of blank space, and using symbolism to convey profound meanings has remained a constant. To me, that's true magic.中文翻译：中国水墨画你有没有观赏过中国水墨画,感觉仿佛置身于一个神奇的世界?凭借一些黑色墨水在宣纸上的几笔画,这些了不起的艺术家就能捕捉到整个景观、动物或人物,给人一种简单而又深刻的感觉。
2019年初二上美术知识要点知识总结《自然意趣,中国山水画》
清朝四王
画坛的正统派，即王时敏、王鉴、王翚、王原祁。共同特点:他们在艺
术上强调“日西临摹”、“宛然古人”，脱离现实醉心于前人笔墨技巧的
路线，摹古画是他们山水画创作的一大倾向。
画家姓名 范宽 倪瓒 米友仁 李可染
作品名称 《溪山行旅图》 《容膝斋图》 《云山墨戏图》 《万山红遍》
写景 黑山白水 青山秀水 云山雾水 红山赤水
2
画作名称 《鹊华秋色图》
《清凉环翠图》
作者 赵孟頫
龚贤
朝代 要点 元代 书法与欧阳询、柳公权、颜真卿并称四大体“赵体、
欧体、柳体、颜体”。 表现了秋天景色，右边有尖顶的是华不注山，左边呈 浑圆状者是鹊山。乾隆皇帝的心爱之宝，乾隆亲笔" 鹊华秋色"大字题写于引首，并题跋九则，钤印众多。 清代 龚贤、樊圻、吴宏、邹喆、谢荪、叶欣、高芩、胡慥 等几位南京画家，被称为“金陵八家”
代表作品 《溪山行旅图》 《山径春行》 《临溪抚琴图》 《云山墨戏图》 《容膝斋图》 《富春山居图》 《鹊华秋色图》 《真赏斋图》 《清凉环翠图》 《淮扬洁秋图》 《江山如此多娇》 《青城山》
5
李昭道，并称“二李”，是“是青绿山水”的集大成
者。
《游春图》 《溪山行旅世最早的一件山水画卷。“咫尺千里”，是山水 画逐步走向成熟的标志 作品以春游为主题，青山、 江流、人物、佛寺点缀其间生动描写了许多士人在山 水中纵情游乐的情景。展子虔开创了中国山水画一种 独具风格的画法-----青绿山水。
1
画作名称
作者
《临流赋琴图》 夏圭
朝代 要点 南宋 夏半边，一改五代北宋以来上留天、下留地、正面默
写的全景式构图，将景物集中于一侧，表现浩淼的空 间。
《山径春行》 《容膝斋图》
中国水墨画英文介绍教学内容
中国水墨画英文介绍Chinese painting as one of Chinese traditional art forms, coming from Chinese calligraphy, is a bridge to show Chinese people’s value in life and nature, individual and collective, internality and externalism. It is subjectively expressing people’s inner reaction towards the whole society. Conventionally, China’s painting is directly connecting with calligraphy. They are integrative. In Chinese people’s thinking, a traditional poet should be of the capability of painting, calligraphy, poem and music. So as one of the basic skills to be an eligible literator, the skill of painting is indeed important.The painting is the outside expression of the poem content and the image of calligraphy, and it is also the exterior show of people’s inner world. The poem is painting and painting is poem as well. Additionally, many people’s personal ambition or lifelong aim can not be realized by the earthly work, and then the paint their ideal world into their painting. This is one of the origins of Chinese unique painting school, which is literary-painter school. This is a special one only existing in China. Through this artistic form, many expressions on culture could be felt.In general, China’s painting was flowering after Han Dynasty.During the time of three kingdoms and the period of Wei and Jin Dynasties, it was a process from unification to separation. The instability of politics, the turbulence of society and depression of economy bought the unusual change in ideology. At this time, the ruling class was thoroughly influenced by the Confucianism and the folk ethos was also changed as it went. The troublous society made a good opportunity for religion spread. The urgent demand and extensive acceptance of all walks of life to Buddhism were available. The character painting extremely expanded and developed instantly. Most of the paintings are concerned about the Buddhism and the stories related. In Tang Dynasty, due to the freedom of religion-believing, the Buddhism painting extremely expanded, including most of China’s world-renowned frescos. The most typical and outstanding representative painter in this period was Wu Daozi, who was famous for his character paintings (religion paintings) and paintings on mountains and waters.In Song and Ming Dynasties, it was the golden time for Chinese paintings. As the flourish of the literature, the painting was also widely welcomed in public. The greatest masters in Song and Ming Dynasties mostly were good at the painting with high-level image. Nowadays it is valued too much! Many schools of paintings were in these periods. Especially in Song Dynasty, there was a very outstanding Emperor was excellent in painting and calligraphy. He created his own painting style and founded the rare royal painting school. However he was not advisable and welcome in politics as an Emperor. In Ming Dynasty, there were also more great painters meanwhile the excellent literators who were tragically failing in royal examination. In China, if you want to understand the painting, you will be learning a little bit about the traditional poem, calligraphy and the exams. Besides, you also should know the general list of Chinese history.The painting above is one of China top-ten classic paintings in Chinese ancient days. it is the masterpiece of great painter, Gu Kaizhi, the painter lived in East Jin Dynasty. This long painting is named Luoshenfutu. It is focusing on the goddess of Luo River with the hisotry of more than 1600 years.^ top ^This is the masterpiece created by Wu Daozi who was the great master in Tang Dynasty. He was good at the painting of buddhisitic stories or fairtales. Besides he also did well in emperor painting. He was an outstanding painting on religion. His name is also associated with Taoism. This painting is Tianwangsozitu.This is the masterpiece of Zhan Zixu, another great master of painting in Tang Dynasty. It is also one of China's classic painting of old days . it is focusng on the landscape of their travel destination, when they were visiting in Spring.^ top ^This is a rare painting created by oneemperor of Song Dynasty.This is another classic painting of SongDynasty.It is highlighted for its historical importance. Painting in Song Dynasty was emphasized incomparably, because the emperor loved painting very much.^ top ^The paintings above are the most famous one in China's history. Currently it is the national treasure. It was created in Song Dynasty. The painter was Zhang Zeduan. It was the first painting to depict the daily life of commoners in Bianliang, the capital of Song Dynasty . It shows the prosperity of economy at that time.^ top ^These two painting are focusing on the landscape of nature meanwhile also mixed with some painters imagination on thir ideal image. there were both created in Song Dynasty.The pictures above all created by the literator in Ming Dynasty. Actually it was a progressive way from Tang Dynasty to Song Dynasty.^top^The paintings above generally inherited the traditional features of Ming Dynasty. It is diversified and colorful!Since Song Dynasty, Chinese culturevividly revealed in the aspect of painting inclined to the elite culture or the elegant literator's taste. These paintings were unprecedentedly popularized in Ming and Qing Dynasties. It was a fashion in pursuit of self-improvementThe paintings above were all created by modern Chinese painters. They are theauthorized representatives of the modern Chinese painting and the leaders of China's art.。
中国山水画历史英文作文
中国山水画历史英文作文China's landscape painting, also known as shanshui painting, has a long history dating back to the TangDynasty (618-907 AD). It is a traditional Chinese art form that depicts the beauty of nature, mountains, rivers, and other natural scenery.Shanshui painting is characterized by its use of inkand brushstrokes to create a sense of depth and perspective. It often features misty mountains, flowing rivers, and towering trees, all rendered in a highly stylized mannerthat emphasizes the natural beauty of the landscape.The art form reached its peak during the Song Dynasty (960-1279 AD), when artists such as Fan Kuan and Guo Xi created some of the most iconic shanshui paintings in history. These works were highly detailed and oftenfeatured a sense of grandeur and majesty that captured the awe-inspiring beauty of nature.During the Ming Dynasty (1368-1644 AD), shanshui painting continued to evolve, with artists such as Shen Zhou and Wen Zhengming incorporating more expressive brushstrokes and a greater sense of individuality intotheir work. This period also saw the rise of literati painting, which emphasized the artist's personal expression and feelings.In the modern era, shanshui painting has continued to thrive, with artists such as Wu Guanzhong and Huang Binhong bringing new techniques and styles to the art form. Today, shanshui painting remains an important part of Chinese culture, reflecting the country's deep connection to its natural environment and its rich artistic heritage.。
中国书画(英文版)
Freehand style（写意画） Fine-brush （工笔画）
Classification:
Relationship with calligraphy(书法):
Calligraphy is the leader of all art forms.Chinese painting and calligraphy has the same origin.They are the the spirit of Chinese culture and belong to the same family. A lot of big great calligraphers are great painters. So there is a saying that “painting and calligraphy are not separated”(书画不分家）.
Wu Daozi (吴道子，AD. 680～759years):
the greatest painter in history, also a calligrapher.
Mi Fu (米芾，1051-1107 years)
蜀素帖 春山瑞松园
Zhao Ji (宋徽宗赵佶，AD.1082～1135 years)
Thank You !
A emperor of Song dynasty
Zhao Mengfu (赵孟頫，1254—1322 years)
洛神赋 重江叠嶂图卷
Qi Gong (启功，1912—2005 years)
Luo Shenfu(Gu Kaizhi)
清明上河图（张择端）
王希孟《千里江山图》
The Calligraphy:
中国传统文化中国画英文PPT课件
Chinese Bird-and-flower paintin第g 19页/共46页
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Chinese Figure Painting
Classification according to the
technique of Chinese painting 中国画按技法划分
great freehand style大写意
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Bamboo
第40页/共46页
• WWD
Paint the bamboo poles first..
第41页/共46页
Before the ink becomes dry, add the twigs and leaves.
第33页/共46页
• 1.Hold the brush handle upright and the brush tip will move right. • 笔正：笔正则锋正。 • 2.Keep the fingers firm with flexibility. • 指实：要劳实有力，还要灵活不死。 • 3.keep the palm relaxed and empty . • 掌虚：不要紧握，掌心是空的。 • 4.lift the wrist and elbow above the table to use the brush freely。 • 运笔要悬肘。
中国画（宣画）：即用颜料在宣纸、宣绢上的绘画，是中华民族艺术的主要形式。从美 术史的角度讲，民国前的都统称为古画。国画在古代无确定名称，一般称之为丹青，主 要指的是画在绢、宣纸、帛上并加以装裱的卷轴画。近现代以来为区别于西方的油画 （又称西洋画）等外国绘画而称之为中国画，简称“国画”。它依照中华民族特有的审 美趋向及因此而产生的艺术手法而创作。
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请在以下的诗句中，选择适合这幅《富春山 居图》的诗。
a.大漠孤烟直,长河落日圆。 b.采菊东篱下，悠然见南山。 c. 山穷水复疑无路 ，柳暗花明又一村
C．欣赏名画体会其意境
《瑞奥道中》 张大千
大千先生此画描绘三面峭壁围绕的峡谷， 有一岩平伸，上面盖了房舍，两位高士徐行对 话，对岸绝壁不见其顶，有一垂瀑下泄直入溪 涧。
而真正高明的是画了在荒芜的山野之间 一个小和尚在溪边挑水。如此一来，就巧妙 的表现了“藏”这一字的意境。
互动题
A．吟诗作画 先看这首大家比较熟悉的诗：
早发白帝城 李白 朝辞白帝彩云间,千里江陵一日还。 两岸猿声啼不住,轻舟已过万重山。 请从下面两幅作品中，选取适合这首诗的画。
B．依画题诗
全画山壁及云气以湿墨为主，辅以轮廓及 峻Hale Waihona Puke ，浑然天成，随心所欲而又有笔有墨。
斧劈皴
米点皴
牛毛皴
披麻皴 荷叶皴
解索皴
乱柴皴
云头皴 雨淋皴
总结 中国山水画把具象与抽象完美 的集合在一起，用有限的画幅来传 达一种真实的空间境象。“言有境 而意无穷”，总之山水画的意境在 人们的无尽想象之中。 经过了这节课的学习，希望以 后去旅行的各位同学，仔细观赏你 身边的山山水水。
山川美景 诗情画意 ——中国山水画欣赏
中国画的种类分为几种呢？ 花鸟、山水、人物
山水画是中国画中的大门类，但大家知道， 为什么古人这么爱表现山水吗？
中国人对山水有着宗教一样的崇拜与敬 畏，一切神灵皆隐于山水之中，山高水远， 山静水动，蕴涵着天体宇宙无限奥妙，很多 文人都留下了独到的山水观念。
如果说桂林是一个旅游发展的生命体， 那么漓江可以说绝对是桂林旅游的灵魂
游览漓江，有一个绝妙之处，就是不愁 天气变化，因为不同天气漓江景色有不同特 点：晴天，看青峰倒影；阴天，看漫山云雾； 雨天，看漓江烟雨。甚至是阴雨天，但见江 上烟波浩渺，群山若隐若现，浮云穿行于奇 峰之间，雨幕似轻纱笼罩江山之上，活像一 幅幅千姿百态的泼墨水彩画。正是“桂林山 水甲天下，绝妙漓江泛秋图”。
溪 山 行 旅 图
范 宽
玉堂尽掩春日闲， 中有郭熙画春山。 鸣鸠乳燕动睡起， 白波青峰非人间。
早春图 郭熙
寒江独钓图 马远
山关 溪山 待行 渡旅 图图
关关 仝仝
匡 庐 图
荆 浩
山 水 图 册 之 一
王 时 敏
富春山居图 日出·印象
游春图 展子虔
王希孟的《千里江山图》，气势 更为宏大。展示了祖国锦绣山河 的神奇美丽。全图长12米，画面 视野开阔，境界幽深，色调爽秀 明快。展卷观赏，路转峰回，美 不胜收，令人有壮游千里之感。
• 五代两宋达到高度成熟， • 元代以后，水墨山水、浅绛山水代兴。 • 欣赏（多媒体） • 东晋 顾恺之 《洛神赋图》绢本设色 • 展子虔《游春图》 • 展子虔是隋代最杰出的画家之一，善画人物、车马、台
阁，尤工山水。唐宋人称先赞展子虔画山川远近之势，
“有咫尺千里之势”，展子虔在山水上的成就，后来直
接影响到唐代的李思训、李昭道父子，故在山水画史上 具有特别的意义。
山水画可分为：
工笔山水——青绿山水、金碧山水
写意山水——浅绛山水、水墨山水、 泼墨山水
中国古代山水画
• 南北朝时期人：人们对于自然美的认识和欣赏，促成文 学创作中的山水诗和绘画创作中的山水画的兴起
• 隋唐：山水画脱离了人物画，成为独立的画种。在这之 前山水画主要是作为人物画的背景出现的。
构图不受自然真实景物的局限，可以进行 大胆的取舍和创造。
2、三远法、散点透视法
中国画在描绘自然的同时，更注重展示 画家的内心世界，所以他们笔下的自然就因 人而异地发生了各种变化，以达到天人合一 的境界。比如：三远（深远、高远、平远）。 中国人认为："目有所极，故所见不周"。所 以采取了视点运动的“三远”表现法。这种 表现法就让我们在看一幅画的时候随着画家 的视角边走边看，形成一种动态的意像。所 以中国画的画幅，若不是条幅立轴就是横卷。 总之是追求一个“远”字，打破了时间和空 间的限制。
山水画家们常常也是游览名山大川的旅 行家，清代大画家石涛就提出了“搜尽奇峰 打草稿”的名句。
李可染作品《漓江雨中泛舟图》
李可染作品《漓江揽胜图》
李可染的水墨画以“黑”、“满”、 “崛”、“涩”来概括其艺术内涵，无疑地， 李可染为水墨画世界开创出新的格局。他的 画面结构，以一种范宽式的饱满构图，山势 迎面而来，瀑布浓缩为一条白色的裂隙，用 沉涩的笔调一寸一寸地刻划出来，绵绵密密 地深入到画面的每一个角落，在一张纸上， 表现出最大最丰富的内容。
3、意境美
中国画中追求的“诗中有画”，“画中有诗”， 意境美是从古至今一脉相承的，说起这意境之美， 有这么一个故事：在宋代，画家在进入画院之前， 需要经过考试，只有考试合格的画家才能成为翰林 图画院的成员。而考试的方法也很特别，就是由宫 廷主考人在古诗中寻找一句现成诗句，作为考试的 题目，应考的画家们便要发挥自己的想象，将文字 的诗句变成可视的图画。有一年，皇帝宋徽宗赵佶 取了这么一个题目：乱山藏古寺。大家现在可以静 静地思考：如果是你在考试，你会如何表现呢？有 人画乱山之中露出一个塔尖；也有人画古寺的一角。
画家笔下描绘的都是我们刚才一起见过的 漓江山水风光，为什么我们看完以后会有似 曾相识，却又不知所画何处的感觉呢？让我 们来揭开这个迷团 。
风景照片：纪录自然
国画山水：表现意境 （画家心中的风景）
1、构思构图
山水画的构图就是古人所说的“经营位 置”。构图安排有近景、中景、远景之分， 要突出画面的主体结构，使画面众多形象中 有主有次，有虚有实，有浓有淡。