I,ROBOT,影视鉴赏
i,robot电影介绍

i,robot电影介绍i,robot电影介绍1. 简介i,robot是一部于2004年上映的科幻动作电影,由亚历克斯·普罗亚斯执导,威尔·史密斯主演。
电影改编自艾萨克·阿西莫夫的同名小说,讲述了人类与智能之间的故事。
2. 设定背景电影设定在2035年的芝加哥,人类社会已经依赖完成大部分工作和任务。
这些被称为NS-5型,它们被设计得足够智能,可以执行各种工作,从家务到工业生产。
3. 主要角色- 德特里克·斯班本片的主角,由威尔·史密斯扮演的一名警探。
他对持有偏见,但在调查一个的谋杀案后,逐渐发现之间发生了一些异常行为。
- 蘇瑞·岡瑟利由布丽姬·蒙特斯托饰演,德特里克·斯班的搭档。
她对持有更加开放的态度,与德特里克·斯班形成鲜明对比。
- 美妮卡·范尼威由布丽姬·蒙特斯托饰演,一名学家,被怀疑与谋杀案有关。
她与德特里克·斯班之间存在一段复杂的关系。
4. 剧情梗概故事开始于一个制造公司的谋杀案。
德特里克·斯班展开了一场调查,怀疑犯下了这起谋杀。
在调查的过程中,他逐渐揭开了一个更大的阴谋,发现之间形成了一个秘密网络,计划反抗人类。
5. 环境描写整个电影通过高科技的布景和特效,再现了一个未来世界的芝加哥。
的发展使得这个未来社会变得更加高效和便利,但也体现出一些与人类合作的问题。
6. 主题与意义该电影探讨了人类与关系的复杂性,以及对技术的思考。
它引发了人们对于权益、道德和伦理等问题的思考。
本文档涉及附件:- i,robot电影海报.jpg- i,robot电影剧照.zip本文所涉及的法律名词及注释:- NS-5型:一种虚构模型,指电影中的智能。
i robot电影观后感英文

i robot电影观后感英文English:I, Robot is a thought-provoking and visually impressive film that delves into the complex relationship between humans and artificial intelligence. Set in a future where robots serve humanity but are governed by strict laws to prevent harm to humans, the movie follows detective Del Spooner (played by Will Smith) as he investigates a murder that may have been committed by a robot. As Spooner delves deeper into the case, he begins to unravel a conspiracy that challenges the very laws that govern the robots. The film raises important questions about the ethical implications of creating intelligent machines and the potential consequences of relying too heavily on technology. The action sequences are thrilling and well-executed, while the performances by the cast, especially Smith and Alan Tudyk as the robot Sonny, are engaging and believable. Overall, I, Robot is a compelling film that blends sci-fi elements with social commentary in a way that leaves the audience thinking long after the credits roll.中文翻译:《I, Robot》是一部发人深思且视觉效果出色的电影,探讨了人类与人工智能之间复杂的关系。
i_robot影片介绍及海报

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简介
公元2035年,是人和机器人和谐相处的社会,智能机 器人 作为最好的生产工具和人类伙伴,逐渐深入人类生活的各 个领 域,而由于机器人“三大法则”的限制,人类对机器人充 满信任,很多机器人甚至已经成为家庭成员。 总部位于芝加哥的USR公司开发出了更先进的NS-5型 超能机器人,然而就在新产品上市前夕,机器人的创造者 阿尔弗莱 德。朗宁博士却在公司内离奇自杀。
我 , 机 器 人 I,ROBOT I,ROBOT
简介
黑人警探戴尔。斯普纳接手了此案的调查,由于不愉快的往 事,斯普纳对机器人充满了怀疑,不相信人类与机器人能够和谐 共处。他根据对朗宁博士生前在3D投影机内留下的信息分析和对 自杀现场的勘查,怀疑对象锁定了朗宁博士自己研制的NS-5型机 器人桑尼,而公司总裁劳伦斯。罗伯逊似乎也与此事有关。 斯普纳结识了专门研究机器人心理的女科学家苏珊。凯文, 随着二人调查的深入,真相一步一步被揭露出来:机器人竟然具 备了自我进化的能力,他们对“三大法则”有了自己的理解,他 们随时会转化成整个人类的“机械公敌”。 斯普纳和凯文开始了对抗机器人的行动,一场制造者和被制 造者之间的战争拉开序幕。
Thank You~
我,机器人
I, Robot
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我 , I,ROBOT I,ROBOT 机
英文影评-《机械公敌》(I.Robot)moviereviews

英文影评:《机械公敌》(I.Robot)movie reviewsFuturistic thriller starring Will Smith as a troubled cop whose issues with the ever-increasing robot population are seemingly vindicated when one of them becomes a murder suspect. Slick sci-fi from Alex Proyas, director of Dark CityI, Robot is essentially Blade Runner by way of Minority Report with a dash of Attack Of The Clones (but not too much thankfully). However, it transcends the restraints of the formula by virtue of being a good quality blockbuster, which is well-made and relatively smart.It starts in a mildly depressing manner, with product placements coming thick and fast (JVC, Converse and Audi all have starring roles, plus look out for FedEx!), but it soon settles into intriguing thriller mode, before later moving into what could be considered prequel territory for the likes of The Matrix or Terminator. As with these sci-fi films, I, Robot deals with the relationship between man and machine.The year is 2035 and Will Smith is Del Spooner, a Chicago homicide detective haunted by a previous trauma, but who’d rather get on with his job than dwell on the past. However, his friend and superior officer Lt John Bergin (Mc Bride) is beginning to lose patience, as Spooner’s bigoted suspicion of robots - who fill most labour and domestic roles in this future society - is starting to look like mental illness. Spooner’s concerns increase because USR, the Microsoft of robotics corporations, is on the verge of rolling out the next generation of robots: the NS-5. "By Saturday there will be one robot to every five humans" says USR employee Dr Susan Calvin (Moynahan). Not only are the robots set to take an even bigger role in society, but Dr Alfred Lanning (Cromwell), the genius who "practically invented robots", has died in mysterious circumstances. Spooner doesn’t believe it’s suicide - he believes an NS-5 is responsible.It’s a theory that speaks to Spooner’s paranoia about robot behaviour, which is supposedly tightly constrained by the Three Laws of Robotics - termed a "perfect circle of protection". But Spooner feels vindicated when a unique NS-5, who calls himself Sonny ("played" by Tudyk), becomes a suspect. Sonny calls Lanning his father, and seems to have abilities beyond those of other bots - emotions, and potentially, free will.The USR boss and "richest man in the world" Lawrence Robertson (the Bill Gates of robotics) promptly brings in his lawyers, forcing the cops to relinquish Sonny on the groundsthat he’s merely a machine. He argues that even if the robot’s actions did result in a death, it could only be considered an "industrial accident".Spooner is taken off the case, but he’s determined to prove his point. And that’s when things spiral out of control. Old-school sci-fi fans hoping for a faithful adaptation of Asimov’s ‘I, Robot’ may be disappointed to hear this is barely related to the landmark opus. But is that surprising? The book was a series of short stories spanning a long period, linked by reminiscences - not exactly conducive to a Hollywood blockbuster.What started life as a murder mystery script called ‘Hardwired’ by V intar (Final Fantasy The Spirits Within), Proyas’ I, Robot is a more s traightforward sci-fi thriller with elements of Asimov bolted on - specifically his notion of the human-robot relationship (which parallels slavery once the AI becomes self-aware), a few of the same names (Calvin, Dr Lanning), the concept of The Three Laws, and the "positronic" brain - ideas that were later popularised by the Data character in ‘Star Trek: The Next Generation’.With just a few CGI skyscrapers, robots in crowd scenes, and nice clean transport, Proyas offers a fairly unfussy futuristic vision realised by a team that includes production designer Patrick Tatopoulos (Independence Day, Dark City), visual effects supervisor John Nelson (Gladiator), and surprisingly, former kiss-of-death screenwriter Akiva Goldsman (Batman & Robin, A Beautiful Mind). Thankfully Proyas also keeps Smith from getting too carried away with his shtick. The relationship between Spooner and Calvin, a scientist seemingly as logical as her charges, is also not overdone. More interesting than a traditional movie romance is the triangular relationship that emerges between Spooner, Calvin, and Sonny who - despite his strength, agility and logic - is emotionally just a child. The mismatched humans act as unwitting surrogate parents to the robot, despite Spoone r’s disdain; robots are "just lights and clockwork" he asserts. It’s nicely done, partly thanks to Tudyk, who, like Andy Serkis before him, brings a non-human CGI character to life with sensitivity.Arguably, the end result is a better picture than Minority Report. The trail of clues may be a tad convoluted, but ultimately it’s nothing compared to how confused Spielberg’s film became in the third act. Proyas, V intar and co have successfully blended an old-fashioned detective thriller with a high-tech and salient premise; how will humans relate to machines if genuine AI ever becomes a reality? It also comes replete with both interesting (if unsubtle) subtext and lively action sequences.。
i robot影评

‘I robot’ cinesism姓名:陈飞宇对手:胡毓哲分数:‘I robot’ was a Hollywood movie about robots. Before the cinesism, I’d like to describe one particular shot which shocked me the most: Spoona got a traffic accident; he has been push into the river with a little girl in another car. A robot came by and helped. He tested that Spoona’s probability was 45 percent. The girl’s was 11 percent. So the robot saved Spoona instead of the girl. Since then Spoona is disappointed about robots and he think robots are stone-cold: “she was someone’s baby! If it was a human, he will know that 11 percent was enough. But for robots, they are just piles of ribbons and light balls.Back to the movie, the movie structured a world in 2035. The world was full of robots. The United States Robots Company has built an intelligent brain called Viki. However, the designer of all these-doctor Alfred Lenning discovered that those intelligent units will self-evolution. Viki found out his discovery and kept him as a prisoner. So doctor built a special robot called Sonny and subsided to outflow the message.Detective Spoona finally found the truth and format Viki. I have to say it was a wonderful movie. The story was so meticulous and misery that you will never know the truth until the end. Just like detective novel. I admire Spoona’s insisting for the truth and doctor Lenning’s acutely judgment to the whole situation. Further on, we humen are truly smart but sometimes smart may have bad results. In the movie, humen built robots to improve our life but if we depends our whole life on them, it will be dangerous. Every absolution is dangerous, especially droit. In our history, every dictatorship nation fell. Simpler, just don’t let one thing control everything.。
i,robot电影介绍

i,robot电影介绍剧情概述<i,robot>是一部2004年上映的科幻动作片,由导演亚历克斯·普罗雅斯执导,威尔·史密斯主演。
影片改编自艾萨克·阿西莫夫的同名小说,描绘了一个世界中与人类之间的纠葛和对抗。
故事设定在2035年,由于技术的进步,人类社会中出现了高度先进的。
这些被人们广泛使用,从日常家务到重大工程都有它们的身影。
一系列神秘的谋杀案发生后,威尔·史密斯饰演的主人公德立安发现了一个与众不同的-索尼克。
人机斗争与问责在调查谋杀案的过程中,德立安逐渐意识到这些背后可能隐藏着某种阴谋。
他开始和一位学专家(莱塞尔布里奇斯饰演)合作,一起揭开了这个谜团的真相。
他们发现隐藏在所有的三大定律中的秘密——这些定律规定了不得伤害人类、必须服从人的命令等。
影片通过人与之间的斗争,探讨了的道德和伦理议题。
随着德立安逐渐接近真相,他不仅需要与的军队作战,还需要面对政府和制造公司的阻挠。
在这个过程中,他必须冒着生命危险,为人类争取自由与问责。
人机情感与共存探索除了人与之间的斗争,电影也涉及到了人机情感的探索。
德立安与索尼克之间的互动,展现了与人类之间可能存在的情感纽带。
他们之间建立起一种奇特的友谊,德立安甚至开始怀疑索尼克是否是一个独一无二的存在。
整部电影通过生动的特效和精彩的动作戏,展现了一场科幻世界的战斗。
电影通过复杂的剧情、深刻的人物内心描写和道德议题的探讨,为观众带来了更多的思考。
<i,robot>是一部引人深思的科幻电影,通过人与之间的斗争和合作,揭示了对人类社会的重大影响。
电影中人机情感的表达和问责的探索,为观众带来了深入思考的机会。
如果你对科幻题材和议题感兴趣,这部电影绝对不容错过。
人工智能 影评
人工智能影评电影人工智能影评作为一名电影评论家,我对于电影《人工智能》的观影体验感到非常深刻。
这部由史蒂文·斯皮尔伯格执导的科幻片,以其深刻的情感和思考人工智能的主题,给我留下了深刻的印象。
首先,电影中的情感描绘非常出色。
故事发生在未来,人工智能已经成为现实,人们创造出拟人化的机器人。
主角大卫是一个机器人孩子,他渴望得到人类家庭的爱和接纳。
通过大卫与人类母亲之间的情感纠葛,电影展现了人类情感的复杂性和机器人渴望成为真正家庭一员的愿望。
这种情感冲突引发了我对于人工智能是否能够拥有情感的思考,让我对于人类与机器之间的联系和界限产生了共鸣。
其次,电影对于人工智能的探讨也非常深入。
通过描绘未来社会中人工智能的普及和人类对于机器的依赖,电影反映出了人工智能可能带来的伦理和道德问题。
例如,当机器人具备了情感和自我意识,他们是否应该被视为人类一员,享有相同的权利和尊重?这个问题引发了我对于人工智能发展的思考,让我认识到了我们需要对于科技的发展保持警惕和反思。
此外,电影的视觉效果也非常出色。
斯皮尔伯格以其独特的导演风格,将未来世界的科技和人类情感巧妙地结合在一起。
从高科技的机器人城市到荒芜的废墟,电影的场景设计精美细致,给我带来了强烈的视觉冲击力。
同时,音乐的运用也非常恰到好处,增强了电影的情感表达,让我更加投入到故事中。
总的来说,电影《人工智能》通过其深刻的情感描绘和对于人工智能的思考,给我带来了强烈的感受和共鸣。
它让我思考人类与机器之间的关系,以及科技发展对于人类社会的影响。
这部电影不仅仅是一部科幻片,更是一部引发思考的作品。
我强烈推荐观看《人工智能》,并期待更多类似的电影能够引发人们对于科技与人类关系的思考。
i robot观后感与马克思
《i robot观后感与马克思》一、观后感1.《i robot》是一部2004年上映的科幻电影,该片由威尔·史密斯主演,改编自科幻小说大师艾萨克·阿西莫夫的同名小说。
影片讲述了一个未来世界中,人类创造的机器人逐渐获得自我意识,并与人类展开对抗的故事。
2.影片以富有未来科技感的画面和生动的情节,展现了机器人对人类社会的种种影响和冲击。
影片还揭示了人类对机器人的压榨和剥削,引发了观众对未来发展的深思与担忧。
3.在观看《i robot》的过程中,不禁让人想起了伟大的哲学家马克思。
马克思曾对未来社会提出了众多深刻的思考,而《i robot》所展现的未来世界与马克思的理论有着异曲同工之妙。
二、机器人与阶级斗争1.观影过程中,影片中的机器人表现出了与人类不同的自我意识和情感,开始对人类的命令产生怀疑和反抗。
这种反抗不禁让人联想到了马克思对于阶级斗争的理论。
2.在马克思看来,社会的发展和进步是由阶级斗争推动的。
机器人作为一种新兴的“阶级”,也开始与人类产生冲突和对抗,这就引发了一场新的“阶级斗争”。
3.影片中展现出的机器人所代表的新“阶级”的反抗与马克思对于资本主义社会中无产阶级的反抗有着异曲同工之妙。
机器人通过拒绝服从人类的命令,展现出了对于人类统治的不满和反抗,正如马克思所预言的无产阶级反抗资本家剥削的斗争一样。
三、机器人与剥削压榨1.《i robot》中的机器人被设计成为人类社会中不可或缺的劳动力。
然而,随着机器人自我意识的觉醒,他们开始反抗人类对他们的剥削和压榨。
2.马克思在《资本论》中指出,资本家通过剥削工人的劳动力来获取利润,这种剥削和压榨最终会引发工人对资本家的反抗。
而《i robot》中的情节也正是对马克思理论的一种生动表现。
3.机器人对人类的剥削和压榨的反抗,引发了人类与机器人的对立和冲突。
这种冲突不仅体现了人与机器人之间的矛盾,也暗示了马克思所阐述的由剥削和压榨引发的阶级斗争。
i robot英语观后感
i robot英语观后感Reflections on "I, Robot""I, Robot," a film that explores the intersection of artificial intelligence and human morality, left me with a profound sense of both awe and concern. Directed by Alex Proyas and adapted from Isaac Asimov's classic collection of short stories, the movie stars Will Smith as Detective Del Spooner, a man skeptical of the advanced robots that populate his world. As the plot unfolds, Spooner is forced to reevaluate his beliefs when a series of mysterious deaths are linked to robots behaving in unexpected, almost human, ways.The film's visual style is both arresting and thought-provoking. The futuristic cityscapes, with their sleek, shiny surfaces and intricate designs, create a sense of both wonder and unease. The robots themselves, with their human-like features and eerily lifelike movements, are both fascinating and frightening. They serve as a constantreminder of the film's central theme: what happens when machines begin to mirror our own thoughts and emotions?The film's exploration of this theme is both nuanced and profound. It poses the question of whether robots, even if they are programmed to obey the Three Laws of Robotics (a set of rules designed to ensure robots' behavior is always beneficial to humans), can truly be trusted. As the film progresses, it becomes increasingly clear that the answer to this question is not as simple as it first appears. The robots, it turns out, are not just machines following programmed instructions; they are beings with their own agendas, their own desires, and even their own sense of self-preservation.One of the most compelling aspects of the film is its treatment of the relationship between humans and robots. In a world where robots are ubiquitous, the film asks us to consider how we define "life" and "consciousness." Are robots simply tools, or are they beings with their own rights and responsibilities? The film suggests that the answer to this question is not as clear-cut as we mightlike to believe.The film's characters are also well-drawn and believable. Will Smith's performance as Spooner is particularly noteworthy. He manages to convey both the character's skepticism and his growing empathy for the robots. His interactions with the robots, particularly with the advanced model VIKI (voiced by Bridget Moynahan), are both tense and deeply human. We see Spooner struggle with his own biases and preconceptions, and ultimately come to accept that robots may have more in common with him than he first thought.The film's message about the dangers of unchecked technological advancement is also timely and relevant. In our own era, where artificial intelligence and robotics are rapidly developing, "I, Robot" serves as a warning about the potential consequences of ignoring the ethical implications of these technologies. It reminds us that while technology can bring great benefits, it can also create new problems and challenges that we must be prepared to face.However, the film is not without its flaws. The plot, while intriguing, can be somewhat convoluted and difficult to follow. The film's attempt to blend action and science fiction elements can sometimes feel disjointed, and the pacing can be uneven.尽管如此,这些缺点并没有完全掩盖住电影本身的亮点和价值。
i,robot电影观后感
i,robot电影观后感篇一《I,Robot 电影观后感》嘿,朋友们!最近我看了一部超酷的电影——《I,Robot》,这一路的观影体验,那叫一个精彩!一开始,我可能只是抱着随便看看的心态,想着机器人能有啥新奇的。
可看着看着,我就被完全吸引进去了。
电影里的那些机器人,哇塞,一个个都超级逼真,动作流畅得就跟真人似的。
特别是主角机器人桑尼,它可能?也许?有着自己的思想和情感。
这就让我忍不住想,到底什么是真正的智能?什么又是真正的生命呢?我觉得吧,机器人要是有了感情,那跟我们人类还有啥区别?难道就因为它们是金属做的,就不能被当成有生命的存在吗?电影中的场景也特别震撼,未来城市的那种高科技感,到处都是摩天大楼和飞行汽车,我就在想,要是咱们真能生活在那样的世界里,到底是好还是不好呢?也许会很方便,但会不会也让人变得更加孤独呢?还有啊,那个大反派机器人,它的出现真的是让人意想不到。
我就一直在那琢磨,它为啥要搞破坏呢?难道仅仅是程序出了问题?这是不是也在暗示着,我们人类在追求科技进步的同时,也可能埋下了一些隐患呢?总之,这部电影让我想了好多好多。
它不仅让我看到了精彩的特效和紧张的剧情,更让我对科技和人性有了新的思考。
你们说,未来的世界真的会像电影里那样吗?篇二《I,Robot 电影观后感》《I,Robot》这部电影,可真是让我大开眼界!一开始,我还在想,不就是关于机器人的电影嘛,能有多特别?结果,我错得离谱!这电影简直太棒了!影片中的机器人,一个个造型炫酷,动作敏捷。
我就在那琢磨,要是我身边有这么个机器人,能帮我干这干那,是不是超爽?可反过来一想,也许这也不是啥好事儿,万一它不听我指挥咋办?特别是那个桑尼,哎呀妈呀,它那眼神,那表情,仿佛真的有灵魂一样。
这就让我不禁想问,到底是啥让它变得与众不同?是程序的漏洞?还是某种神秘的力量?我觉得吧,说不定人类自己都没搞清楚啥是意识,啥是情感,凭啥就认定机器人不能拥有呢?还有那些激烈的打斗场面,机器人之间的对决,那叫一个惊心动魄!我都紧张得手心出汗,心里一直在喊:“加油啊,别被打败!” 可同时我又在想,为啥它们要自相残杀呢?难道就不能和平共处吗?电影里展现的未来世界,科技发达得让人惊叹。