《天使之城》观后感
【最新】天使之城读后感(三)
【最新】天使之城读后感（三）塞斯是个天使.他每天的工作,就是作为天堂的使者,游走在城市的各个角落,把将死的善良人们引向天堂.他可以听,每天清晨和其他天使聚集在海边倾听天籁;也可以看,闲暇时坐在摩天大楼边缘睥睨这个城市;还能够读,读出人们内心的呼唤.但他不能触摸,不能品尝,不会饿,不会累,也没有喜悦和痛苦.除了自由的意识,他没有像人类一样的其他感觉.除了孩子和将死的人们,他在任何人的眼中都不存在.他带走人们的灵魂,看着生者对着肉体哭泣.这一切,都是人生的程序,天使的使命.有人说: 当女人的美眸被泪水蒙住时,看不清楚的是男人. 女医生玛姬带泪的双眼定定地望着塞斯,她因失去病人而痛苦绝望.塞斯固执的认为,他落进了玛姬的眼中,天使的直觉告诉他:缘分降临了.其实,生活中的我们也常常这样天真.上帝不会告诉我们什么是缘分,也没有人告诉我们哪一个是我们的缘分,是我们自己总固执地.一厢情愿的认为:缘分降临了.也许那个人和我们有同样的想法,我们一起努力,最后皆大欢喜;又或者,我们看错了缘分,它只是暂时栖息在这里的蝴蝶,飞来又飞去,吸走了我们心中的甜蜜,留我们在原地枯萎.总之,天使和人一样,在对缘分的悸动和欣喜中开始行动.塞斯开始日夜跟随她,守护她,当这样的跟随不能满足他对她的渴望时,他竟然冒险地现身与她交谈.玛姬对他的好奇.好感,以及后来的思念他都倾听到了,但是,他是天使,无法给她更多.因为他没有血,没有肉,无法触碰她,感觉她.玛姬在对塞斯的思念中日夜折磨着,天使的爱让她在幸福和痛苦中日夜徘徊.思念是一种强迫症,越抑制越强化.回忆是个奇妙的东西,它能够剔除一切的不美好,把心中的那个他理想化的放大.这种异化作用达到极致时,他会变成没有任何缺点的完美情人,让我们越思量越难忘,才下眉头又上心头.与天使柏拉图式的爱情无法长久,当玛姬发现塞斯的特殊身份时,她惊惧.痛苦,却仍然无法抑制的思念.她躲到了湖边的小屋,却无法像那湖面一样心如止水.而这时,天使塞斯选择坠落,坠落人间只要下定决心,从摩天大楼上纵身跳下,他就能从天堂跳入人间.天堂的风托举着他,却无法托起他坠落的决心.他闭上眼睛,张开双手,告别过去,迎接未来.殷红的鲜血向塞斯证明着他的成功,克服初到人间的不适应,他历尽艰辛找到玛姬.天使的光环这时应该化成一枚婚戒,守住他们的爱情,守护他们一生.天使抓不住变幻的感情,而人类改变不了变幻的命运.人们每次都是有所得有所失,只是这一次,塞斯永远失去了玛姬.他抱着玛姬,感受着她的灵魂从他的手中被剥离,无论他抓得多紧,也无法从天使手中夺回他的爱人.他从天堂追到了人间,却还是无法与她相随,相依.清晨,塞斯再次来到了天使们聚集的海滩.他再也听不到来自天堂的声音,但他可以感受大海的汹涌澎湃,就像此刻在他心中激荡着的人间大悲大喜的感情一样.他随之沉浮,随之哼唱着,虽然在命运转折过快时不成曲调,但天使之心不再虚无.。
天使之城影评
天使之城影评天使之城影评（一）天使之城太让人失望了。
本来我以为情节是这样的（我听说过这片子好，关注过一些东西，但为了保持神秘感和新鲜感，没有关注很细致）：天使经常在医院带走灵魂，常来常往，看上了以为极有爱心的美丽医生，没有过多的行动，只是默默地看着。
有一天，他得到命令要去带走这个医生的灵魂（因为医生将要突发心脏病），便恳求上帝，愿意用永恒交换这美丽医生多一天的生命。
于是，天使变为人类，在一天之中，凭借对医生的了解，和她相爱相守，直到她死去。
结果呢？剧情完全的无厘头，每一步发展都没有根基，让人误解。
天使看了医生一眼就一见钟情，肤浅的爱情片哟~医生也是，自己都有男友的人了，上来就对陌生天使来电，难道就因为凯奇的忧郁的眼神？（再一次不理解很多美化婚外情的文艺作品）。
无辜的男友完全打了酱油。
那个有坠落经验的天使开始神神叨叨表现的像是魔鬼，和凯奇摊牌之前居然用典型的魔鬼台词：“来，我们做个交易。
”而后面什么交易也没有。
完全是故弄玄虚嘛！凯奇坠落之后从忧郁突转喜感，太夸张，太突然了。
而且边走边唱歌我觉得不如干脆像医院狂奔好。
而且开始边走边唱的溜达，到了医院又急死忙慌的询问，情绪完全不是一个调调啊。
结果落魄街头，完全靠剧情需要找到了女主角。
女主角倒是很放得开，一夜欢愉。
之后剧情急转直下，死亡，怀念，结束。
（黑天使对凯奇最后表现的感同身受无法理解，他又没有坠落，当然也是鸡蛋里挑鸡蛋壳，这个算小硬伤而已。
）所有人物都很单薄，那个心脏病的老坠落天使倒是有几句话很亮。
比如：这就是我太太；我做过。
之类的。
他大约应该在片中扮演灵魂导师那种职业，可是也不很饱满。
画面倒是很美，音乐也很赞。
单纯的年轻人看了也许会哭吧。
我老了。
看的是中文发音，配音比较有感情，还不错，基本到位，不影响影片的表现力。
希望那些情节不连贯，人物不饱满不是因为这个版本的剪辑引起。
这版本优点是经典的配乐比如angle还是原声。
有个很搞笑的地方是：他们在湖边小屋ML时的对话也是原声。
《天使城》读后感
《天使城》读后感《天使城》是一部让人深思的小说，它带领读者进入了一个充满奇幻和神秘色彩的世界。
在这个世界里，人类和天使共存，每个人都有一个属于自己的天使，他们是人类生活中的守护者和引导者。
小说以一个普通人的视角展现了这个世界的奇妙之处，让读者不仅仅是沉浸在故事情节中，更是思考着其中蕴含的深层含义。
在《天使城》中，作者通过描述主人公与天使的互动，揭示了人类内心深处的善良和渴望。
每个人都有自己的内心世界，每个人都渴望被理解和被爱。
天使在小说中不仅仅是一种存在，更是一种象征，象征着人类内心的美好和神圣。
通过主人公与天使之间的互动，读者可以看到人类内心的矛盾和挣扎，以及对美好事物的向往和追求。
同时，小说中也探讨了人类与天使之间的关系，以及人类对于神秘事物的探求和渴望。
在现实生活中，人类总是对未知事物充满好奇和恐惧，而天使则是一种超越人类理解的存在，他们的出现让人类重新审视自己的信仰和价值观。
通过主人公与天使之间的互动，读者可以看到人类对于神秘事物的探求和对于美好的向往，以及对于真理的追求和对于自我的认知。
在小说的结尾，作者给出了一个令人深思的结局，让读者不禁陷入沉思。
人类和天使之间的关系并不是简单的对立，而是一种相互依存和相互影响的关系。
人类需要天使的守护和引导，而天使也需要人类的信仰和爱。
通过主人公与天使之间的互动，读者可以看到人类与神秘事物之间的联系和互动，以及对于美好事物的追求和对于真理的探寻。
总的来说，《天使城》是一部富有思想性和内涵的小说，它不仅仅是一部奇幻小说，更是一部让人深思的文学作品。
通过主人公与天使之间的互动，读者可以看到人类内心的善良和渴望，以及对于神秘事物的探求和对于美好的向往。
这部小说让人们重新审视自己的信仰和价值观，让人们思考人类与神秘事物之间的联系和关系。
读完《天使城》，让人不仅仅是沉浸在故事情节中，更是思考着其中蕴含的深层含义，让人不断追寻着内心的美好和神圣。
文学_天使之城观后感文章
天使之城观后感文章天使之城观后感__篇1电影里一个小女孩说：没有微风吹在脸上的感觉，还要翅膀干什么?说的真好在电影美丽的爱情里感觉到的就是这样的一个选择的思考，天使为了爱情，为了真正和自己爱的人在一起，放弃自己的天使的身份和做为天使的所有能力。
天使来去自由，呤听得到上帝的福音，但是天使却没有凡人的感觉，不能让爱人感觉到他的存在，等于是有爱却不能真正拥有对方，近在眼前却如同远隔千里。
但相比天使凡人的生活没有那么自由，也有很多压力，甚至不能主宰自己的生命。
但是凡人的生活却更丰富，更有血有肉，压力伴随着成就，幸福夹带着痛苦，有哭有笑，有苦有乐，就如小女孩说的，没有没有微风吹在脸上的感觉，还要翅膀干什么?不能体会自由的感觉，要自由做什么呢?天使放弃了自己的能力来到人间，但是幸福没有持续多久就消失了，他的爱人死了，上帝好象是有意这样安排，你想要自由，那么不能有自由的感觉，你想要有自由的`感觉，但他却带走了你的自由。
这是什么?是选择的代价吗?天使之城观后感__篇4天使之城，这是部让我很意外的片子。
这个城市里住满天使，但他们没有光环，也没有翅膀，他们穿着黑色的风衣每天早上都聚集在海边，听着天籁之声。
他们能看到人类，听到人类的内心，但人类却只能在死前看到他们。
他们是上帝的使者，但他们却没有感觉也无法触摸。
这一切在他们看来虽然有些遗憾但似乎又很正常。
但是直到身为天使的赛斯看到身为医生的玛姬在看他时，“一见钟情”!他看到了一直自信的她的无助，看到了她的寂寞，看到了她对他的思念。
想要触摸到她的想法越来越强烈。
在没看到结局时我就在想，如果这部片子让我拍，我会在赛斯决心下凡，纵身一跃的时候结束。
那样他与玛姬的未来虽然是个未知，但却充满想象。
但导演却不善良的让这部本来浪漫的可以在2。
14日看的片子变成了悲剧。
他让人们看到了成为凡人的赛斯。
看到了他对能被人看到的激动，看到了他为能感到疼痛的喜悦，看到了他对很多事物的好奇与不适应。
电视剧天使的城观后感
电视剧天使的城观后感《天使的城》是一部我非常喜爱的电视剧，该剧以其引人入胜的故事情节和深入人心的角色刻画赢得了观众的一致好评。
在观看这部剧集之后，我深感其中蕴含的深意和启示，下面我将结构化地谈谈我的观后感。
首先，我想谈谈剧情。
《天使的城》讲述了一个发生在平凡人身上的不平凡的故事。
主人公李天使从小到大在孤儿院长大，他聪明伶俐、善良无私，但却蒙受了生活的种种不公和打击。
然而，他从未放弃对生活的希望和追求。
通过和各种人物的相处和碰撞，他不断成长，最终在艰难困苦中获得了自己的幸福和成功。
这个故事给了我很大的勇气和激励，让我明白了只要坚持努力，不管遇到多大的困难，都能越过障碍走向光明。
其次，我想说一下角色塑造。
《天使的城》中的每个角色都有自己鲜明的个性和深刻的内心世界。
李天使是一个内心善良、乐观向上的人，他用自己的行动和毅力改变了身边的人和事。
他的导师罗老板是一个智慧老练、心地善良的人，他用自己的智慧和经验给了李天使很多帮助和指引。
还有小花、小财等一众孤儿院的孩子们，他们个性各异，但都展现出了他们的坚强和勇敢。
每个角色都给我留下了深刻的印象，让我对人性和人情有了更深刻的认识。
再次，我想探讨一下剧集中的主题思想。
《天使的城》呈现了一种积极向上、向往美好的人生态度。
无论是李天使面临的孤儿院生活，还是他的追求梦想的过程，都透露出一种积极向上的力量。
剧中的人物都在不同程度上遭遇了困难和挫折，但他们都没有被击倒，而是用自己的努力和信念战胜了困难，实现了自己的梦想。
这种积极向上的生活态度激励着观众们，让我们明白了只有积极面对生活，才能真正活出自己的精彩。
此外，还有一点值得我思考的是剧集中的情感表达。
剧中的人物之间的情感交流深入细致，通过细腻的描写和动人的演绎，让观众们感同身受。
每个人物都经历了自己的成长和感情的起伏，他们的情感线索贯穿整个剧集，让人感动不已。
这让我开始思考自己和身边人的情感交流方式，明白了沟通和互动对于人际关系的重要性。
【最新】天使之城读后感(二)
【最新】天使之城读后感（二）最近观看电影>感受颇深,我喜欢看的电影一般我都会重复多看几遍,以便加深对该片的理解,通过观看此片使我对人生观的看法有了更深的理解.本片仍然是以爱情为宗旨,围绕爱情主线展开,但不是发生在人与人之间的这种感情,而是人与天使,（呵呵,正常的爱恋已不在吸引我们的眼球）.整个电影的主题,除了爱情,更重要的是谈到了命运和生活,特别是结尾的那段,当塞斯终于变成了凡人,但玛姬却被天使带走了,永运的死去,生死交错,有种禅悟的意境.电影画面和音乐都很美,节奏缓慢,能让我们更深入其中去感悟剧情,是一部难得的好电影.我认为一部经典之作首先要有好的编剧本子故事情节,其次更要有好的导演能完全理解和把握编剧的思想,再次要有出色的演员来演艺,最后还要有美丽的景象.唯美的音乐.更重要的是要有付有深刻寓意的言语来表述,呵呵,扯远了.该片的主演仍然是我喜欢的影视巨星尼古拉斯凯吉,（他的演技绝不输于中国的成龙.周润发等）,他演的天使赛斯,虽然台词并不多,但都那么付有寓意,经典的对话和台词,如:临死的小女孩问: 赛斯,能不能给我一对翅膀我想当天使,不是每个人都能当天使的,为了不使小女孩失望,赛斯要用纸给她剪一对翅膀,但小女孩却说, 不能飞（纸做的翅膀不能飞）,要翅膀还有什么用 ?;黑人天使问塞斯, 如果你早知道这样的结局,还会跳下来么? （塞斯从楼顶跳了下来,运用自由意志,他变成了一个有血有感觉的人.历尽千辛万苦他终于和玛姬在一起了.但是玛姬却被一辆卡车撞到,永远的离开了他）.塞斯说:我宁愿失去一切,也要能够真实的感受到她,触摸到她,亲吻到她.虽然我看不到你,但我知道你在 .那个黑人天使说:有一次在一个小餐馆里,一位眼盲的老妇人让我把花生酱拿给她.她看不到我,但她知道我在.虽然我们只认识了不久,但却就象认识了一辈子 ,这是冥冥中的力量,就象现实中的一见如故和不用刻意的一种心灵默契.在我的印象里总以为天使只是漂亮的孩子或女孩,有着美丽的卷曲的金发,长着一对白茸茸的翅膀.想不到电影里的天使竞然是穿着笔挺西装的帅哥,还有黑人帅哥.什么人能看到天使?答案是小孩.盲人和临终的人,因为小孩的眼睛最干净,盲人的心最敏锐,临终的人,最通透的.赛斯居住在纽约图书馆,他每天都能会看到各式各样的人以及读到他们的思想,当他在医院准备把病危的人带走时,遇到了美丽.自信的女医生玛姬,塞斯并爱上了她.尼古拉斯凯吉主演的塞斯真是太完美了,眼神是那么的执着.无奈.茫然.失落.痛苦.特别他直视的样子一个专业的完美的演员是不需要有太多的语言来描述,单眼神就能完全演艺整个故事,真佩服他的演技.喜欢尼古拉斯凯奇,由来已久.特别是看到>之后,他演天使,温柔的眼光汩汩的流动到荧幕外面,淹没你的心,他斯文的举止扯动人的神经.有人说,太阳是不可直视的,同样不可直视的还有历史.如果你不去注意他的那双眼睛,他看起来只不过是一个极普通的意大利男子,一旦你注意到他的那双眼,你便宁愿相信自己的不幸,他的那双眼散发出来的魅力和流露出来的忧郁,绝望和穿透力,令无数观众无法阻挡,真诚的个性更让人对他永生难忘.李碧华小说>里讲（大概意思）: 每个女人都希望有两个爱人.一个温柔体贴.缠绵和气,可以帮你描眉化妆,和你细诉心曲;一个英勇顽强.激情澎湃,可以让你感到安全,可以让你依靠崇拜.得到其中任何一个,都不会满足.前者太娘娘腔.没安全感.缺乏挑战性;后者硬邦邦,不解温柔.无法征服.尼古拉斯凯奇,所有女人的梦想.。
天使之城影评
1.天使之城City of Angels 英文影评review by ROGER EBERT``City of Angels'' hits the crest of the boom in angel movies--and like most of them, it's a love story. Meg Ryan is so sunny and persuasive as a heart surgeon who falls in love with an angel. This is one of her best performances, as Dr. Maggie Rice, who loses a patient early in the film and then, in despair, finds herself being comforted by an angel named Seth (Nicolas Cage). The amazing thing is that she can see him.Seth is deeply moved that he is visible to Maggie. He has wondered for a while (which in his case could be millions of years) what it would be like to have a physical body. She knows Seth is special: ``Those eyes. The way he looked right down into me.'' Soon she has him over for dinner, and he slices his finger but does not bleed. She feels betrayed, and cuts him again. Still no blood. She slaps him: ``You freak! Just get out! Get out!'' This is jarringly the wrong note, forced and artificial, but required by modern screenplay formulas that specify that the loving couple must fight and break up so that later they can get back together.There are revelations in the story, involving Mr. Messinger and others, that I will leave you to discover. There's also a surprise development toward the end that the movie sets up so mechanically that it comes as an anticlimax. It's not a perfect movie, and there are times when Cage seems more soppy and dewy-eyed than necessary. But it has a heart, and Meg Ryan convincingly plays a woman who has met the perfect soul mate.The movie is based on ``Wings of Desire,'' the great 1988 film by Wim Wenders. But it's not really a remake. It's more of a formula story that benefits from some of Wenders' imagery (solitary angels standing in high places, solemnly regarding humanity) and his central story idea (in his film, an angel played by Bruno Ganz falls in love with a trapeze artist and chooses to become human, with the guidance of a former angel played by Peter Falk).The Wenders film is more about spirituality. The decision to fall to earth comes toward the end. In ``City of Angels'' the angel's decision to fall is only the necessary theological prelude to the big scene in front of the fireplace (``Do you feel that? And that?''). To compare the two films is really beside the point, since ``Wings of Desire'' exists on its own level as a visionary and original film, and ``City of Angels'' exists squarely in the pop mainstream. Using Dwight Macdonald's invaluable system of cultural classification, Paradise Lost would be highcult, ``Wings of Desire'' would be midcult, and ``City of Angels'' would be masscult.Example of the difference. In ``Wings of Desire,'' an angel simply says, ``I learned amazement last night.'' In ``City of Angels,'' Seth says, ``I would rather have had one breath of her hair, one kiss from her mouth, one touch of her hand, than eternity without it. One.'' That's too much icing on the cake. Much more effective would have been simply, ``I would rather have had one breath of her hair.'' Period. And then give the audience thepleasure of mentally completing the implications of that statement. By spelling it all out, the dialogue keeps the emotion on the screen, instead of allowing it to unfold in the viewer's imagination.What I did appreciate is that ``City of Angels'' is one of the few angel movies that knows one essential fact about angels: They are not former people. ``Angels aren't human. We were never human,'' observes Seth. This is quite true. Angels are purely spiritual beings who predate the creation of the physical universe. That leaves us with the problem of why Seth is a male who is attracted to a female, when angels are without gender. But Maggie doesn't seem to have any complaints there in front of the fireplace.2.国王的演讲The King's Speech 英文影评review by James Berardinelli 简介：The King's Speech delivers solid drama with a rousing climax - a fully satisfying and uplifting period piece that achieves its dramatic potential without sacrificing historical accuracy. Unless you c ...关键字：国王的演讲The Kings SpeechThe King's Speech delivers solid drama with a rousing climax - a fullysatisfying and uplifting period piece that achieves its dramatic potential without sacrificing historical accuracy.Although The King's Speech is primarily a drama and can be seen as a buddy movie and an instance of the underdog triumphant, there are plenty of humorous moments. None of the comedy is overdone or out-of-place.The King's Speech is as positive and life-affirming as any recent movie. Like a sports figure who overcomes incredible odds to score the winning points, King George VI is presented as a man who, through sheer force of will and because of the trust he places in Lionel, is able to surmount the obstacle that blocks his path. Too frequently, we leave movies largely unmoved by the experience; The King's Speech sends viewers home with smiles on their faces and lilts in their hearts.The King's Speech is everything a good movie should be. When the two hour running time expires, many will wish there were more minutes to come. With its deceptively complex drama, skillful direction and polished screenplay, and top-notch acting, The King's Speech illustrates by example how disappointingly lacking so many recent would-be dramas have been. This is a deeply human story that touches the heart and inspires the audience not only in relation to the characters and their circumstances but as a reminder that3.辣妈辣妹Freaky Friday 英文影评review by ROGER EBERTActors must love to make body-switch movies. Look at the fun JamieLee Curtis and Lindsay Lohan have in "Freaky Friday." Each one gets to imitate the body language and inner nature of the other, while firing salvos across the generation gap. Body-switch plots are a license for adults to act like kids; probably nobody has had more fun at it than Tom Hanks did in "Big," but Curtis comes close.The movie is a remake of the 1977 film starring Barbara Harris and Jodie Foster, and also connects with the mid-1980s body-switch craze, when three or four switcheroos were released more or less simultaneously. Curtis plays Tess Coleman, a widowed psychiatrist soon to be remarried, and Lohan is Anna, her 15-year-old daughter, who is certainly the most clean-cut garage band guitarist in history. There is a kid brother named Harry (Ryan Malgarini), who, like all kid brothers, thinks his older sister is picking on him.Anna believes Tess is remarrying with unseemly haste; she's going through what in a Disney movie passes for a rebellious phase, and in real life would be exemplary teenage behavior. Mother and daughter join the future husband, Ryan (Mark Harmon), for dinner in a Chinese restaurant, where they get into a fight. The restaurant family's grandmother (Lucille Soong) zaps them with a fortune-cookie curse, and the next morning when they wake up, Tess and Anna are in each other's bodies. (There was an article not long ago about how angels and God always seem to be played by African Americans in the movies. Another could be written on the usefulness of movie Asian Americans, who can always be counted on to supply magic potions, exotic elixirs, ancient charms and handy supernatural plot points.) Anna looks in the mirror and is shocked to see her mother's body: "I look like the crypt keeper!" Tess oversleeps just like her daughter always does. They go through the obligatory scene of horrified disbelief, although, likeall body-switch movie characters, they are not simply paralyzed by astonishment and dread, but quickly decide to lead each other's lives for a while, so that there can be a story.The movie, directed by Mark S. Waters and written by Heather Hach and Leslie Dixon, delivers scenes we can anticipate, but with more charm and wit than we expect. There is, for example, the case of Anna's flirtation with a slightly older boy named Jake (Chad Murray). He rides a motorcycle, so of course Tess disapproves of him, but now Tess, in Anna's body, is inexplicably cold to the kid, while Anna, in Tess' body, is so delighted to see him that before long she's on the back of the bike and Jake is telling her he feels like they really understand each other and maybe the age gap can be overcome.Other entertaining scenes: The mother discovers her daughter's body has a pierced navel. The daughter buys her mother's body new clothes and a new haircut and gets her ears pierced. Tess attends a class Anna has been having trouble with, and realizes the teacher has been picking on her daughter because she (the mother) turned him down for a prom date. Everything comes down to a conflict between a rehearsal dinner and the garage band's big chance at the House of Blues, and when Anna, in Tess' body, makes her little speech at the dinner, we hear the daughter's resentments: "It's great we're getting married--even though my husband died. How quickly I've been able to get over it!" The outlines of bodyswitch movies almost write themselves, although I'd like to see what would happen with an R-rated version. The clever writing here helps, but the actors help even more, with Lohan and Curtis taking big physical chances. Curtis, channeling the daughter inside her, has a hilarious scene on a talk show; she's supposed to be a serious psychiatrist discussing her new book, but sits cross-legged in her chair and leads the audience in routines that seem vaguely inspired by summer camp.Lindsay Lohan, who starred in the recycled "Parent Trap"(1998), has that Jodie Foster sort of seriousness and intent focus beneath her teenage persona, and Jamie Lee Curtis has always had an undercurrent of playfulness; they're right for these roles not only because of talent, but also because of their essential natures. We're always sure who is occupying each body, even if sometimes they seem to forget. Now if only their Chinese enabler doesn't run out of fortune cookies.4.Scent of a WomanReview by James BerardinelliScent of a Woman is about Charles Simms (Chris O'Donnell), a Boston prep school senior, and the Thanksgiving weekend he spends working as the aide and companion of Lt. Colonel Frank Slade (Al Pacino), an embittered, lonely, blind veteran. The job, which begins as an onerous task performed principally for money, becomes a tour of self-discovery when Sladedecides to make an unexpected visit to New York City. There, amidst all the holiday hoopla, the lieutenant's actions force Charlie into making an emotionally painful - and potentially physically dangerous - decision.There are certain actors that, when they appear in a film, are almost invariably indicators that the production is of high quality. They are an elite few, with names like Nicholson, Hoffman, Hackman, and Pacino. Considering some of the roles that Al Pacino has played during his celebrated career (in The Godfather trilogy, for example), it would be hyperbole to say that he gives the "performance of a lifetime" in Scent of a Woman...or would it? For two hours, he brings Frank Slade to life in a way that few others in Hollywood could. As portrayed by Pacino, there's far more to this man that a rancorous outlook on life and a couple of hearty "hoo-ha"s.Chris O'Donnell, a fresh-but-not-unknown face, is solid, if somewhat obscured in the more experienced man's shadow. Although the role of Charlie is understated by O'Donnell, he nevertheless manages to fashion a rapport with the audience. This is necessary for the film to succeed, since it's through his eyes that the story unfolds.In essence, Scent of a Woman is another in a never-ending series ofbonding pictures where each person has something unique to offer to the other. If there's anything special about the film, it's that on this occasion, the emotional realism of the characters, especially Slade, is heartwrenchingly believable. His relationship with Charlie works because Pacino won't let it fail.There are numerous dynamic scenes in Scent of a Woman, along with a surprising amount of comedy. Director/Producer Martin Brest knows how to blend humor with drama to good effect. His mix is nearly flawless, and he manages to do almost (and I emphasize almost) the entire film without resorting to manipulative tricks. Pacino's tango scene with Gabrielle Anwar is one such magical moment - unfettered, unforced, and highly enjoyable.Unfortunately, considering how sound the bulk of the picture is, the final moments, with their overt pandering to a Hollywood-style ending, are a severe liability. Certainly, such "triumphs" are fun to watch, but they cheapen Scent of a Woman. Would it have cost the production team that much to inject a little realism into the film's last reel?The movie is as long as its storyline demands. It doesn't seem like two and one-half hours, and less time with these characters would have cheated the audience. Aided by an emotive score from Thomas Newman, thepicture has opportunities to soar. Hampered by the script's limitations, however, Scent of a Woman falls short of being a masterful production. 参考资料：/movies/s/scent_woman.html 其他回答memoriesguai 2009-03-12 13:06:43Scent of a Woman is about Charles Simms (Chris O'Donnell), a Boston prep school senior, and the Thanksgiving weekend he spends working as the aide and companion of Lt. Colonel Frank Slade (Al Pacino), an embittered, lonely, blind veteran. The job, which begins as an onerous task performed principally for money, becomes a tour of self-discovery when Slade decides to make an unexpected visit to New York City. There, amidst all the holiday hoopla, the lieutenant's actions force Charlie into making an emotionally painful - and potentially physically dangerous - decision.There are certain actors that, when they appear in a film, are almost invariably indicators that the production is of high quality. They are an elite few, with names like Nicholson, Hoffman, Hackman, and Pacino. Considering some of the roles that Al Pacino has played during his celebrated career (in The Godfather trilogy, for example), it would be hyperbole to say that he gives the "performance of a lifetime" in Scent of a Woman...or would it? For two hours, he brings Frank Slade to life in a way that few others in Hollywood could. As portrayed by Pacino, there's far more to this man that a rancorous outlook on life and a couple of hearty"hoo-ha"s.Chris O'Donnell, a fresh-but-not-unknown face, is solid, if somewhat obscured in the more experienced man's shadow. Although the role of Charlie is understated by O'Donnell, he nevertheless manages to fashion a rapport with the audience. This is necessary for the film to succeed, since it's through his eyes that the story unfolds.In essence, Scent of a Woman is another in a never-ending series of bonding pictures where each person has something unique to offer to the other. If there's anything special about the film, it's that on this occasion, the emotional realism of the characters, especially Slade, is heartwrenchingly believable. His relationship with Charlie works because Pacino won't let it fail.There are numerous dynamic scenes in Scent of a Woman, along with a surprising amount of comedy. Director/Producer Martin Brest knows how to blend humor with drama to good effect. His mix is nearly flawless, and he manages to do almost (and I emphasize almost) the entire film without resorting to manipulative tricks. Pacino's tango scene with Gabrielle Anwar is one such magical moment - unfettered, unforced, and highly enjoyable.Unfortunately, considering how sound the bulk of the picture is, the final moments, with their overt pandering to a Hollywood-style ending, are a severe liability. Certainly, such "triumphs" are fun to watch, but they cheapen Scent of a Woman. Would it have cost the production team that much to inject a little realism into the film's last reel?The movie is as long as its storyline demands. It doesn't seem like two and one-half hours, and less time with these characters would have cheated the audience. Aided by an emotive score from Thomas Newman, the picture has opportunities to soar. Hampered by the script's limitations, however, Scent of a Woman falls short of being a masterful production.5. Louis Armstrong was the greatest of all Jazz musicians. Armstrong defined what it was to play Jazz. His amazing technical abilities, the joy and spontaneity, and amazingly quick, inventive musical mind still dominate Jazz to this day. Only Charlie Parker comes close to having as much influence on the history of Jazz as Louis Armstrong did. Like almost all early Jazz musicians, Louis was from New Orleans. He was from a very poor family and was sent to reform school when he was twelve after firing a gun in the air on New Year's Eve. At the school he learned to play cornet. After being released at age fourteen, he worked selling papers, unloadingboats, and selling coal from a cart. He didn't own an instrument at this time, but continued to listen to bands at clubs like the Funky Butt Hall. Joe "King" Oliver was his favorite and the older man acted as a father to Louis, even giving him his first real cornet, and instructing him on the instrument. By 1917 he played in an Oliver inspired group at dive bars in New Orleans' Storyville section. In 1919 he left New Orleans for the first time to join Fate Marable's band in St. Louis. Marable led a band that played on the Strekfus Mississsippi river boat lines. When the boats left from New Orleans Armstrong also played regular gigs in Kid Ory's band. Louis stayed with Marable until 1921 when he returned to New Orleans and played in Zutty Singleton's. He also played in parades with the Allen Brass Band, and on the bandstand with Papa Celestin's Tuxedo Orchestra , and the Silver Leaf Band. When King Oliver left the city in 1919 to go to Chicago, Louis took his place in Kid Ory's band from time to time. In 1922 Louis received a telegram from his mentor Joe Oliver, asking him to join his Creole Jazz Band at Lincoln Gardens (459 East 31st Street) in Chicago. This was a dream come true for Armstrong and his amazing playing in the band soon made him a sensation among other musicians in Chicago. The New Orleans style of music took the town by storm and soon many other bands from down south made their way north to Chicago. While playing in Oliver's Creole Jazz Band, Armstrong met Lillian Hardin, a piano player and arranger for the band. In February of 1924 they were married. Lil was avery intelligent and ambitious woman who felt that Louis was wasting himself playing in Oliver's band. By the end of 1924 she pressured Armstrong to reluctantly leave his mentor's band. He briefly worked with Ollie Powers' Harmony Syncopators before he moved to New York to play in Fletcher Henderson's Orchestra for 13 months. During that time he also did dozens of recording sessions with numerous Blues singers, including Bessie Smith's 1925 classic recording of "St. Louis Blues". He also recorded with Clarence Williams and the Red Onion Jazz Babies. In 1925 Armstrong moved back to Chicago and joined his wife's band at the Dreamland Cafe (3520 South State Street). He also played in Erskine Tate's Vendome Orchestra and then with Carrol Dickenson's Orchestra at the Sunset Cafe (313-17 East 35th Street at the corner of Calmet Street). Armstrong recorded his first Hot Five records that same year. This was the first time that Armstrong had made records under his own name. The records made by Louis Armstrong's Hot Five and Hot Seven are considered to be absolute jazz classics and speak of Armstrong's creative powers. The band never played live, but continued recording until 1928. While working at the Sunset, Louis met his future manager, Joe Glaser. Glaser managed the Sunset at that time. Armstrong continued to play in Carrol Dickenson's Orchestra until 1929. He also led his own band on the same venue under the name of Louis Armstrong and his Stompers. For the next two years Armstrong played with Carroll Dickerson's SavoyOrchestra and with Clarence Jones' Orchestra in Chicago. By 1929 Louis was becoming a very big star. He toured with the show "Hot Chocolates" and appeared occasionally with the Luis Russell Orchestra, with Dave Peyton, and with Fletcher Henderson. Armstrong moved to Los Angeles in 1930 where he fronted a band called Louis Armstrong and his Sebastian New Cotton Club Orchestra. In 1931 he returned to Chicago and assembled his own band for touring purposes. In June of that year he returned to New Orleans for the first time since he left in 1922 to join King Oliver's Creole Jazz Band. Armstrong was greeted as a hero, but racism marred his return when a White radio announcer refused to mention Armstrong on the air and a free concert that Louis was going to give to the cities' African-American population was cancelled at the last minute. Louis and Lil also separated in 1931. In 1932 he returned to California, before leaving for England where he was a great success. For the next three years Armstrong was almost always on the road. He crisscrossed the U.S. dozens of times and returned to Europe playing in Denmark, Sweden, Norway, Holland and England. In 1935 he returned to the U.S. and hired Joe Glaser to be his manager. He had known Glaser when he was the manager of the Sunset Cafe in Chicago in the 1920s. Glaser was allegedly connected to the Al Capone mob, but proved to be a great manager and friend for Louis. Glaser remained Armstrong's manager until his death in 1969. Glaser took care of the business end of things, leaving Armstrong free to concentrateon his music. He also hired the Luis Russell Orchestra as Louis' backup band with Russell as the musical director. This was like going home for Armstrong, because Russell's Orchestra was made up of predominantly New Orleans musicians, many of whom had also played with King Oliver. The band was renamed Louis Armstrong and his Orchestra and was one of the most popular acts of the Swing era. Glaser put the band to work and they toured constantly for the next ten years. During this period Armstrong became one of the most famous men in America. In 1938 Lil and Louis finally got a divorce. Louis then married Alpha, his third wife. The endless touring was hard on their marriage and they were divorced four years later, but Armstrong quickly remarried Lucille and they remained married for the rest of his life. For the next nine years the Louis Armstrong Orchestra continued to tour and release records, but as the 1940s drew to a close the public's taste in Jazz began to shift away from the commercial sounds of the Swing era and big band Jazz. The so-called Dixieland Jazz revival was just beginning and Be Bop was also starting to challenge the status quo in the Jazz world. The Louis Armstrong Orchestra was beginning to look tired and concert and record sales were declining. Critics complained that Armstrong was becoming too commercial. So, in 1947 Glaser fired the orchestra and replaced them with a small group that became one of the greatest and most popular bands in Jazz history. The group was called the Louis Armstrong Allstars and over the years featuredexceptional musicians like Barney Bigard, Jack Teagarden, Sidney 态ig Sid?Catlett , vocalist Vilma Middleton, and Earl Hines. The band went through a number of personnel changes over the years but remained extremely popular worldwide. They toured extensively travelling to Africa, Asia, Europe and South America for the next twenty years until Louis' failing health caused them to disband. Armstrong became known as America's Ambassador. In 1963 Armstrong scored a huge international hit with his version of "Hello Dolly". This number one single even knocked the Beatles off the top of the charts. In 1968 he recorded another number one hit with the touchingly optimistic "What A Wonderful World". Armstrong's health began to fail him and he was hospitalized several times over the remaining three years of his life, but he continued playing and recording. On July 6th 1971 the world's greatest Jazz musician died in his sleep at his home in Queens, New York.6. Life is waitingYesterday,I saw a film called "The terminal".This film is shot by a famous director whose name is Steven Spielberg .You can say that the film is a comedy or a romanticfilm.Well ,eyeryone has been to airports.But have we ever noticed thepeople who work in the airports or even live in the airports?This film tells us such a story: An ordinary man whose name is Viktor Navorski .He was from a small country called Bulgaria.In order to realise his father's dream----getting an autograph of a musician he loved,and in order to get away from the war in his own country,he left his own country for The United States.But unfortunately, when he reached the airport ,he was told that his country was in war and his license was invalid.This meant that he wouldn'd be able to enter America.So he had to live in the airpout and waited .At first ,he had a lot of touble and got in great mass.Time goes by.Several months later,he got used to the condition.He made many friends and had a happy time everyday.He made a friend with a beautiful woman called Amelia Warren .She is an airplane assistant.Although there were a lot of men around her,a lot of men had loved her,she still felt lonely and unhappy.Because she still didn't know what she wanted and wha she had been waiting for.The two poor persons became truefriends.Finally ,love appeared between them,and they found that they loved each other.In the end of the film, things didn't happen like we expected.The man got the permission of leaving the airport and got the autograph of the musician.The poor woman had to leave him and continued her previous life.On the one hand ,I felt happy about the ending .Because the man finally could enter America and could realised his father's dream.And fromthe film ,I understood that American people are not all cool,most of them are friendly and warm-hearted,such as the ole cleaner and the policemen in the film.The are ordinary but happy and optimistic towards life.On the other hand ,I felt sorry about the ending.Because the two persons who had been in love with each other couldn't be together finally.In fact ,I don't like this kind of endings on TV.So I felt sad and sorry.To be concluded,I like this film very much .And I also like the actor called Tom Hanks.I think that his film called The Da Vinci Code is perfect!7. 《姐姐的守护者》的英文影评默认分类2009-12-24 20:10:02 阅读1069 评论1 字号：大中小订阅There came a point, deep into the melodramatic morass of My Sister's Keeper, when it suddenly struck me: Cancer, the way most films deploy this Big Scary Thing, is pretty much the same as the Empire State Building or the White House getting blown up... by a fleet of invading aliens... while the beloved war-hero President escapes in the nick of time. And director Nick Cassavetes (The Notebook, John Q) is the Michael Bay of chick flicks. Subtlety? Not only not necessary: not desirable. Guys want to see armies of giant extraterrestrial robots battling it out with U.S. army tanks in the streets of downtown Los Angeles. Chicks want to see sad-faced little girls with sallow eyes and bald heads frolicking in slo-mo on the beach as they come to terms with the fact that they're going to die too, too young.I'm exaggerating, of course: not all guys and not all girls want what。
天使之城 影评
《天使之城》影评《天使之城》，尼古拉斯·凯奇作品中的一部，算是一部清新淡雅的电影吧，没有什么华美钻丽的场面，没有波澜曲折的情节，一个普通的爱情故事，甚至连结局都不完美。
故事讲述了一个天使在带走凡人的时候喜欢上一个女医生，要自己天使是凡人看不到的，后来男主人公变成凡人，和医生甜蜜的在一起，可惜时间只有一天，上帝就把女主人公带走了。
他是上帝派来的天使，在人油尽灯枯，灵魂和肉体抽离身体的时候安然的带他们去天堂。
她是竭力和死神顽抗拯救病患的“白衣天使”。
她在一次救护中，本以为可以把自己的病人安全度过难关，可还是无情被天使带走，那一刻她眼神中满是倔强的不屈服，也就在那一瞬间，他们的眼神对望，他爱上了她。
可是她却看不到他，只有在手术室的一个角落里，他静静地站着，眼神里满满都是她，只有稀薄的空气里仿佛有他的气息存在，好像从未离开过。
他想闻她湿淋芳香垂入耳边的头发，他想要双手环抱着他光滑柔软的肌肤，他想品尝梨子溢出的甜美香醇，他想感受大海冲击身体，被大海亲吻的感受。
他想与她身体接触的时候，真实的感受到彼此的依存但是他做不到，他是个天使，他没有身体的感官反映，就像她用刀子划过他的手指，他会本能的躲闪，却不会觉得痛。
我想他亦也是不懂哭的，但是他的心为什么会隐隐作痛。
大概是因为爱，所以他苦恼，他想当坠入凡间的人，那样他就能当个普普通通的人，和她真正做个快乐的人。
他做到了，纵身一跃，第一次的疼痛和鲜血，让他欢声笑语，让他无比兴奋，他折断他的“羽翼”换取他的爱情。
他寻找到她，与她第一次水乳交融，身体的惺惺相惜，让彼此的身体靠的更近，两颗心也紧紧包裹在一起。
他感到真实的爱伴随着他的身体，愈加滚烫和灼热。
让他不能忘怀。
可人生好像觉得被戏弄一次才会懂得真正的成长，她的死让他欲哭无泪，明明抛下一切去爱还是无济于事，天使爱上凡人，是命运还是一场劫数！女孩不死，他们的爱情也是会在这微不足道的爱情里，变成一粒尘埃，被风一吹就消失不见了，即使女孩离去，但他仍然独自去品尝梨子，去感受与大海的舞蹈，然后把对她的爱深深放在心里！数学与系统科学学院应数10-1班张浩201008010132012.3.14。
- 1、下载文档前请自行甄别文档内容的完整性，平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益，请联系客服反馈,我们会尽快为您处理(人工客服工作时间：9:00-18:30)。
《天使之城》观后感
《天使之城》观后感
我闻到过她的秀发在空气中的飘香，我亲吻过她柔软的双唇，我曾触碰到她温暖的手——我宁愿要这些短暂的时刻，也不愿意
要没有这些的孤独的永生。
赛斯是一位天使，他在人间的任务是，带走肉体已经死的人
们的灵魂。
每一次他都会为它们一个问题——这一辈子你最喜欢
的是什么，每个人都有不同的答案，甚至有个小女孩说自己最喜
欢的东西是睡衣。
赛斯无法体会睡衣对于小女孩的意义，就像他
不懂为什么一次失败的手术会让玛姬那么痛苦，失生命的病人早
就被安排进了死亡名单，与任何医疗技术都无关。
赛斯无法体会
玛姬的悲伤，就像他无法体会温度、触碰、和眼泪一样，在天使
的世界里情绪这种东西是不存在的。
天使们在日出的海滩上集结、歌唱，他们生活在如书馆中，
玛姬的出现让赛斯对人类的情感充满了好奇，他甚至大胆的在玛
姬面前现身，这在天使的世界里是被明令禁止的。
但是赛斯不可
救药的爱上了凡人玛姬。
一次偶然的机会，赛斯在医院里认识了一位病人，这个病人
竟然可以感觉到他的存在，原来他曾经也是一位天使，但是为了
自己心爱的女人，他选择下凡成为了凡人。
下凡的方法是要从高
处坠落。
为了能够感受到玛姬，赛斯决定放弃天使的身份，坠落人间。
当赛斯从高处跌落，重重的摔在地上，真实的感受到了疼痛，他
知道自己终于可以给玛姬一个拥抱了。
他不顾一切的找到了玛姬，他们终于能真切地感受到对方的存在，那么真实而美好。
仿佛是上天有意要报复背叛的天使，刚刚开始的幸福生活，
不得不因为玛姬遭遇的一场车祸而嘎然而止。
临终前玛姬告诉赛斯，如果天使问起她最喜欢什么，她一定回答：是你，赛斯。
赛斯不顾一切的想要，触碰到玛姬，想要感受到她的温度，
轻抚她的脸颊，甚至愿意放弃永生，甘愿只做一个凡人。
当他从
高处坠落，带着满身伤痕却绽放出迷人微笑的时候，那一瞬间，
我们看到了爱情的光芒。
这世界上有13亿颗跳动着的心脏，无论你过着什么的样的人生，经历过何种跌宕起伏的剧情，你终究会在这短短的几十年里，品尝到爱情的滋味，你也一定会遇到那个让你心甘情愿放弃所有
的人，也许每个人是人生都只不过是一个爱与被爱的故事，就像
这世界上百分之九十的电影一样，故事开始于爱情，同样也会带
着爱或者不爱的遗憾而落幕。
爱情终究还是一件遗憾的事情，就像是我们的生命一样，结
局早已经被确定，但是我们还是执着的爱着，努力的活着，并不
因为遗憾而放弃抵抗。
玛姬死后，天使问赛斯，早知道结局就是
这样，是不是后悔自己下凡的决定，他回答说：“我宁愿要这些
短暂的时刻，也不愿意要没有这些的孤独的永生。
”是啊，也许
爱情就是这样，是一朵只能短暂绽放一次的花朵，它的美好只停留在一瞬间，却需要你付出全部，甚至是生命，明知道留不住，还是拼了命的想要见到它的美。
就像是赛斯和玛姬，历经千辛万苦，在一起不到24个小时，就不得不阴阳两隔。
但爱情终究是美好的，无论是短暂的，还是海枯石烂的，虽然遗憾无法避免。
但是如若爱了，请用尽全力，对于那些明知道要失的美好，除了不顾一切的让它绽放出最美丽的花朵，还能怎么样呢。
用尽全力的爱，直到爱到不带一丝遗憾。
作者胡亮。