罗伯特·弗罗斯特《未选择的路》译文比较与赏析
the.road not taken原文赏析
the.road not taken原文赏析
《The Road Not Taken》是美国诗人罗伯特·弗罗斯特的一首诗，体现了诗人在人生道路的选择上的思考和决断。
以下是原文赏析及中文翻译。
原文：
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
中文翻译：
在一片森林里，有两条路分岔，我——
选择了少走人的那一条路，
这一选择改变了我的一生。
赏析：
这首诗虽然只有四行，但却令人深感其中的哲理和思考。
诗人面临两条选择，必须要做出决定，但他选择了不同于大多数人的那条路。
他认为，这样的选择改变了他的一生，并让他不同于他人。
诗中的“two roads”可以看作是人生道路的抉择，这是每一个人都必须面对并做出决策的问题。
而诗人选择了不同于他人的那条路，这表达了诗人独立的思想和勇气，他不害怕走不同于他人的道路，他愿意探险和冒险，尝试新的可能性。
诗人说“that has made all the difference”，这说明了他的选择对他的人生产生了深远的影响，他成为了独一无二的存在。
从诗中可以看出，诗人并不认为自己的选择是正确的，但他肯定认为它是自己的选择，并且它使他不同于他人。
这首诗表达了个人的勇气、决心和追寻独立思考的精神。
不惧走不同于大多数人的道路，不断寻找自己的方向和目标。
这是一首鼓舞人心的诗歌，提醒我们要敢于探险并持续前进，从而创造出属于自己的人生。
理查德克里未选择的路赏析
理查德克里未选择的路赏析The Road Not Taken 未选择的路by Robert Frost （美）弗罗斯特Two roads diverged in a yellow wood, 黄色的树林里分出两条路，And sorry I could not travel both，可惜我不能同时去涉足，And be one traveler, long I stood，我在那路口久久伫立，And looked down one as far as I could，我向着一条路极目望去，To where it bent in the undergrown. 直到它消失在丛林深处。
Then took the other, as just as fair, 但我却选了另外一条路，And having perhaps the better claim, 它荒草萋萋,十分幽寂，Because it was grassy and wanted wear, 显得更诱人、更美丽，Though as for that the passing there, 虽然在这两条小路上，Had worn them really about the same. 都很少留下旅人的足迹。
And both that morning equally lay, 虽然那天清晨落叶满地，In leaves no step had trodden black, 两条路都未经脚印污染，Oh, I kept the first for another day! 呵,留下一条路等改日再见！Yet knowing how way leads on to way, 但我知道路径延绵无尽头，I doubted if I should even come back. 恐怕我难以再回返。
I shall be telling this with a sigh, 也许多少年后在某个地方，Somewhere ages and ages hence. 我将轻声叹息把往事回顾。
theroadnottaken翻译及赏析
The Road Not Taken 《未选择的路》罗伯特•弗罗斯特（RobertFrost）生于1874年，卒于1963年，可能要算是20世纪美国最受欢迎和爱戴的一位诗人了。
1912年，他弃农从文，从此成为了一名专业诗人。
他曾在1961年时受邀在约翰•F•肯尼迪总统的就职典礼上朗诵他的诗歌——《The Gift Outrigh t》。
而本次我为大家推荐的《The Road Not Taken》则是他最著名的一首诗歌。
Two roads diverge d in a yellowwood 黄色的树林里分出两条路And sorry I could not travel both 可惜我不能同时去涉足And be one travele r, long I stood 我在那路口久久伫立And lookeddown one as far as I could 我向着一条路极目望去To where it bent in the undergrown 直到它消失在丛林深处Then took the other, as just as fair 但我却选了另外一条路And havingperhaps the better claim 它荒草萋萋，十分幽寂Because it was grassyand wantedwear; 显得更诱人、更美丽Thoughas for that the passing there 虽然在这两条小路上Had worn them reallyabout the same 都很少留下旅人的足迹And both that morning equally lay 虽然那天清晨落叶满地In leavesno step had trodden black 两条路都未经脚印污染Oh, I kept the first for another day! 呵，留下一条路等改日再见！Y et knowing how way leads on to way, 但我知道路径延绵无尽头I doubted i f I shouldeven come back.恐怕我难以再回返I shall be telling this with a sigh 也许多少年后在某个地方Somewhe re ages and ages hence: 我将轻声叹息把往事回顾Two roads diverge d in a wood, and I--- 一片树林里分出两条路I took the one less travele d by, 而我选了人迹更少的一条And that has made all the differe nce 从此决定了我一生的道路评论1："The Road Not Taken" is a poem by RobertFrost, publish ed in 1916 in the collect ion Mountai n Interva l, it is the first poem in the volumeand is printed in italics. The title is often mistake nly given as "The Road Less Travele d", from the penulti mate line: "I took the one less travele d by".The poem has two recogni zed interpr etatio ns; one is a more literal interpr etatio n, while the other is more ironic.Readers often see the poem literal ly, as an express ion of individ ualism. Critics typical ly view the poem as ironic.[1] – "'The Road Not Taken,' perhaps the most famousexample of Frost's own claimsto conscio us irony and 'the best example in all of America n poetryof a wolf in sheep's clothin g.'"[2] –and Frost himself warned"You have to be careful of that one; it's a trickypoem – very tricky."[3] Frost intende d the poem as a gentlejab at his great friendand fellowpoet EdwardThomaswith whom he used to take walks through the forest(Thomasalwayscomplai ned at the end that they shouldhave taken a differe nt path) and seemedamusedat this certain interpr etatio n of the poem as inspira tional.Literal interpr etatio nAccordi ng to the literal(and more common)interpr etatio n, the poem is inspira tional, a paean to individ ualism and non-conform ism.The poem consist s of four stanzas. In the first stanza,the speaker describ es his positio n. He has been out walking in the woods and comes to two roads, and he standslooking as far down each one as he can see. He would like to try out both, but doubtshe could do that, so therefo re he continu es to look down the roads for a long time tryingto make his decisio n about which road to take.Ironicinterpr etatio nThe ironicinterpr etatio n, widelyheld by critics,[1][5] is that the poem is instead about regretand persona l myth-making,rationa lizing our decisio ns.In this interpr etatio n, the final two lines:I took the one less travele d by,And that has made all the differe nce.are ironic: the choicemade littleor no differe nce at all, the speaker's protest ations to the contrar y. The speaker admitsin the secondand third stanzas that both paths may be equally worn and equally leaf-covered, and it is only in his futurerecolle ctionthat he will call one road "less travele d by".The sigh, widelyinterpr eted as a sigh of regret,might also be interpr eted ironica lly: in a 1925 letterto Cristin e Yates of Dickson, Tenness ee, askingabout the sigh, Frost replied: "It was my ratherprivate jest at the expense of those who might think I would yet live to be sorry for the way I had taken in life."Everyon e is a travele r, choosin g the roads to followon the map of their continu ous journey, life. There is never a straigh t path that leavesone with but a sole directi on in which to head. Regardl ess of the origina l message that RobertFrost had intende d to convey, his poem, "The Road Not Taken", has left its readers with many differe nt interpr etatio ns. It is one's past, present and the attitud e with which he looks upon his futurethat determi nes the shade of the light that he will see the poem in. In any case however, this poem clearly demonst ratesFrost's beliefthat it is the road that one chooses that makes him the man who he is. "And sorry I could not travelboth..." It is alwaysdifficu lt to make a decisio n because it is impossi ble not to wonderabout the opportu nity cost, what will be missedout on. There is a strongsense of regretbeforethe choiceis even made and it lies in the knowled ge that in one lifetim e, it is impossi ble to traveldown every path. In an attempt to make a decisio n, the travele r "looks down one as far as I could". The road that will be chosenleads to the unknown, as does any choicein life. As much he may strainhis eyes to see as far the road stretch es, eventua lly it surpass es his visionand he can never see where it is going to lead. It is the way that he chooses here that sets him off on his journey and decides where he is going. "Then took the other, just as fair, and havingperhaps the betterclaim." What made it have the betterclaim is that "it was grassla nd wantedwear." It was somethi ng that was obvious ly not for everyon e because it seemedthat the majorit y of peopletook the other path therefo re he calls it "the road less travele d by". The fact that the travele r took this path over the more popular, secureone indicat es the type of persona lity he has, one that does not want to necessa rily followthe crowd but do more of what has never been done, what is new and differe nt. "And both that morning equally lay in leavesno step had trodden black." The leaveshad covered the groundand since the time they had fallenno one had yet to pass by on this road. Perhaps Frost does this because each time a personcomes to the point where they have to make a choice, it is new to them, somewhe re they have never been and they tend to feel as thoughno one else had ever been there either. "I kept the first for another day!" The desireto traveldown both paths is express ed and is not unusual, but "knowing how way leads on to way", the speaker of this poem realize s that the decisio n is not just a tempora ry one and he "doubted if I shouldever come back." This is his commonsense speakin g and acknowl edging that what he chooses now will affectevery other choicehe makes afterwa rd. Once you have perform ed an act or spokena word that crystal lizeswho you are, there is no turning back and it cannotbe undone. Once again at the end of the poem the regrethangs over the travele r like a heavy cloud about to burst. He realize s that at the end of his life, "somewhe re ages and ages hence", he will have regrets about havingnever gone back and traveli ng down the roads he did not take. Yet he remains proud of his decisio n and he recogni zes that it was this path that he chose that made him turn out the way and he did and live his life the way in which he lived. "I took the road less travele d by and that had made all the differe nce." To this man, what was most importa nt, what reallymade the differe nce, is that he did what he wanted, even if it meant takingthe road less travele d. If he hadn't, he wouldn't be the same man he is now. There are many equally valid meaning s to this poem and RobertFrost may have intende d this. He may have been tryingto achieve a univers al underst anding. In other words, there is no judgmen t, no specifi city, no moral. There is simplya narrato r who makes a decisio n in his life that had changed the directi on of his life from what it may have otherwi se been. It allowsall readers from all differe nt experie nces to relateto the poem.RobertFrost is one of the finestof rural New England’s20th century pastora l poets. His poems are great combina tion of wisdom, harmony and serenit y. They are simpleat first sight, but demandreaders for deep reading to grasp further meaning beyondsurface.The famouspoem of Frost The Road Not Taken is my favorit e. This poem consist s of four stanzas of five lines. The rhyme schemeis ABAAB. the rhymesare strictand masculi ne, with notable excepti on of the last line. There are four stresse d syllabl es each line, varying on iambictetrame ter base.The Road Not Taken tells about life choice.Man’slifeismetapho ricall y related to a journey filledwith twistsand turns. One has to conside r a lot beforemakinga wise choice. Thoughthe diverge d roads seem identic al, they actuall y lead to differe nt directi ons, which symboli ze differe nt fates.A less than rigorou s look at the poem may lead one to believethatFrost’smoralisembodie d in those lines. The poem is taken as a call to indepen dence,preachi ng origina lity and Emerson ian self-relianc e. The poem deconst ructsits conclus ion stanzaby stanza.At the beginni ng of this poem, the poet shows the inabili ty of human beingsto foresee the future, especia lly the results of choices. At the split in the road, the speaker looks far down both the two paths to see what each of the paths will bring. However, his sight is limited; his eyes can only see the path until it bendsinto―theundergr owth‖. Man is free to choose, but doesn’tknowbeforeh and the results of his choice.Both roads divergeintoa―yellowwood‖andappeartobe―aboutthesame‖intheirpurpose s. The first path is a more commonroute. The other is less travele d, which―wasgrassandwantedwear‖. The poet present s a conflic t here—the decisio n between the commoneasy path and excepti onal challen ging path. The two differe nt paths signify two differe nt kinds of lives. Choosin g the commoneasy path, peoplewill feel at ease and live in safety,because the outcome is predict able. However, that kind of life may be less excitin g and lack of novelty. While choosin gthe―lesstravele d‖roadreprese nts the gambleof facinga more difficu lt path in lives. This forms contras t with familia r lives of most people. Peoplehope to achieve r a satisfa ctoryand interes ting life on this road. The wish is good, but reality is full of challen ges and uncerta inties. Nobodycan be sure of the outcome. After vacilla ting between the two roads, the poet finally decidestotaketheroad―lesstravele dby‖and leads a differe nt life from commonpeople.This may indicat e his choiceto be a poet, other than other jobs. The poet makes up his mind to dedicat e himself to poem writing, which is regarde d as a less commoncareer.Once the decisio n is made, there will be no way to returnto the origina l choiceto experie nce the other route. So the poet utters―Yetknowing how way leads on to way,I doubted if I shouldever come back.‖Themadechoiceis irrevoc able, so man must be careful and rationa l beforemakingdecisio ns. At the same time, he must be courage ous enoughto shoulde r the resultof his choice, whether it is good or not.Frost present sman’slimitat ion to explorelife’sdiffere nt possibi lities. Thepoet―sighs‖attheendofthepoem. For at the time ofone’schoice, he must give up other choices and miss some other things. At the same time, he―sighs‖withlamenta tion, ponderi ng what he may have missedontheotherpathandthathedoesn’thaveopportu nities to experie nce another kind of life.The Road Not Taken is interpr eted univers ally as a represe ntatio n of two similar choices. At the beginni ng, man may face two identic al forks, which symboli ze the nexus of free choiceand fate. They contras t increas inglywith each other as they diverge in their separat e directi ons. Man is free to choose,butit’sbeyondhis ability to foretel l the consequ ences. Man can choosea commonroute which guarant ees a safe and reliabl e life. He can also choosea less commonone which is unknown, uniqueand standsoutaboveotherelse’s. All in all, man must be respons ible for his choiceand has courage to shoulde r the result. He can never go back to the past and experie nce other possibi lities. It is impossi ble to predict the outcome of decisio ns, so it is essenti al for him to make wise decisio ns after conside ring, selecti ng and questio ning which selecti on will provide him with fulfill ment.The Road Not Taken is full of philoso phical overton es. This poem shouldbe read as a warning. Man shouldconside r a lot beforemakingchoices and reflect over the choices he has made to discove r―allthediffere nces‖.RobertFrost’s―TheRoadNotTaken‖hasbeenoneofthemostanalyze d, quoted, antholo gizedpoems in America n poetry. A wide-spreadinterpr etatio n claimsthat the speaker in the poem is promoti ng individ ualism and non-conform ity.A TrickyPoemFrost claimsthat he wrote this poem about his friendEdwardThomas, with whom he had walkedmany times in the woods near London. Frost has said that while walking they would come to differe nt paths and after choosin g one, Thomaswould alwaysfret wonderi ng what they might have missedby not takingthe other path.About the poem, Frost asserte d, "You have to be careful of that one; it's a trickypoem - very tricky." And he is, of course, correct. The poem has been and continu es to be used as an inspira tional poem, one that to the undisce rningeye seems to be encoura ging self-relianc e, not followi ng where othershave led.But a close reading of the poem provesotherwi se. It does not moraliz e about choice; it simplysays that choiceis inevita ble, but you never know what your choicewill mean until you have lived it.First Stanza– Describ es Situati onThe poem consist s of four stanzas. In the first stanza, the speaker describ es his positio n. He has been out walking the woods and comes to two roads, and he standslooking as far down each one as he can see. He would like to try out both, but doubtshe could to that, so therefo re he continu es to look down the roads for a long time tryingto make his decisio n about which road to take.SecondStanza– Decides to Take Less-Travele d RoadThe speaker had lookeddownthefirstone―towhereitbentintheundergr owth,‖andinthesecon dstanza, he reports that he decided to take the other path, because it seemedto have less traffic than the first. But then he goes on to say that they actuall y were very similar ly worn. The secondone that he took seems less travele d, but as he thinksabout it, he realize s that theywere―reallyabout the same.‖Notexactlythatsamebutonly―aboutthesame.‖Third Stanza– Continu es Descrip tion of RoadsThe third stanzacontinu es with the cogitat ion about the possibl e differe nces between the two roads. He had noticed that the leaveswere both fresh fallenon them both and had not been walkedon, but then again claimsthat maybe he would come back and also walk the first one sometim e, but he doubted he would be able to, because in life one thing leads to another and time is short.Also on Suite101Frost's Snow and WoodsRobertFrost's "Stoppin g by Woods on a Snowy Evening" seems simple, but its nuanced phrase, "And miles to go beforeI sleep," offersmuch about which to specula te.FourthStanza– Two TrickyWordsThe fourthstanzaholds the key to the trickin ess of the poem:I shall be telling this with a sighSomewhe re ages and ages hence:Two roads diverge d in a wood, and I—I took the one less travele d by,And that has made all the differe nce.Those who interpr et this poem as suggest ing non-conform itytaketheword―differe nce‖tobeapositiv e differe nce. But there is nothing in the poem that suggest s that this differe nce signals a positiv e outcome. The speaker could not offer such informa tion, becausehehasnotlivedthe―differe nce‖yet.The other word that leads readers astrayistheword―sigh.‖Bytaking―differe nce‖tomeanapositiv e differe nce, they think that the sigh is one of nostalg ic relief; however, a sigh can also mean regret.Thereisthe―oh, dear‖kindofsigh, but also the ―whatarelief‖kindofsigh.Whichoneisit?If it is the reliefsigh, then the differe nce means the speaker is glad he took the road he did; if it is the regretsigh, then the differe nce would not be good, and the speaker would be sighing in regret. But the plain fact is that the poem does not identif ythe natureof that sigh. The speaker of the poem does not even know the natureof that sigh, because that sigh and his evaluat ion of the differe nce his choicewill make are still in the future. It is a truismthat any choicean indiviu al make is goingtomake―allthediffere nce‖inhowourfutureturns out.Careful ReadersWon’tBeTrickedSo Frost was absolut ely correct; his poem is tricky—very tricky. In this poem, it is importa nt to be careful with the time frame. When the speaker says he will be reporti ng sometim e in the futurehow his road choiceturnedout, he clearly statesthat he cannotassignmeaningto―sigh‖and―differe nce‖yet, because he cannotknow how his choicewill affecthis future, until after he has lived it.评论4：1．Introdu ctionAs is well known to people, RobertFrost is one of the most famousnationa l poets of America. Thoughcontemp orarywith moderni sts like T.S. Eliot and Ezra Pound, RobertFrost is often regarde d as a traditi onal poet of nature.He rejecte d the revolut ionary poeticprincip les of his contemp orary. On the contrar y, hechose―theold- fashion ed way to be new and urged poets to use the idiomsof spokenEnglish and, when possibl e, to rely on commonp lace and even rusticimagery. And he saw natureas a storeho use of analogy and symbol.However, unlikeother poets of nature, he depicte d natureas somethi ng in constan t conflic ts with human beingsand bring a deep sense of uncerta inty and even tragedy to them. Simpleas they seem, his poems are often profoun d in meaning between the lines. Most of his poems are charact erized with an unusual sense of tragedy and reflect weaknes s of human beingsin the face of vast, imperso nal force.Additio nally,the poem reflect sFrost’sownpersona l tragedy and his miserab le, sorrowf ul inner feeling s exactly. When it comes to this, his persona l life experie nce has to be taken into conside ration. Famousand popular as he became, but he suffera lot duringall his life. He lost his fatheras a young boy, and he was bereave d of his beloved wife in his middleage. What is worse, all of his childre n ended up dying young or sufferi ng from mentaldisease. For him, life seemedto keep playing trickson him and made his life miserab le. As a result, many poems compose d by him, not only this one, are feature d with an exoticsense of tragicbeauty.2. Analysi sIn this poem, the speaker, a travele r in the wood faced with the choiceof two roads. The roads bear two connota tions: the materia l roads and the roads of life. Now, let me give some specifi c analysi s.2.1 See over one roadIn part one, the speaker faced with two roads in the autumna l wood and feel puzzled over which one to choose.―Tworoadsdiverge d in a yellowwood‖, He stood there for a long time and mused on one of them, which was taken by many people. Unfortu nately, he was unableto find out which place the，road would take him to, for it is far beyondhis ability to know where the road would lead. However, he must chooseto take.2.2. The other oneIn part two, he stepped on the other road, ―Thentooktheother, asjustasfair‖, It was grassyand not taken. His choicewould affectevery other subsequ ent choice, and there was no turning back. From his choicefor the less trodden road, it could be conclud ed that he did not like to followthe steps of other people, he wantedhis own life choired by himself.2.3 Helples sIn part three, he decided to choosethe less travele d one, but he was aware that he could never have a chanceto returnto the first road. ―Idoubted if I shouldnevercomeback‖showedhe is helples s.2.4 Chose the less travele d roadIn part four, ―Ishallbetellingthiswithasign‖, he articul ated why he chose the less travele d road, for he expecte d his life to be unusual and differe nt. But there was no way to foretel l the consequ encesof his choice.All in all, for the speaker, the road of life was acciden t and mystica l, and his very choicewas crucial in determi ning the consequ encesof his life. The ordinar y peoplefollowother’schoice, while the excepti onal ones choosetheir uniqueroads oflife.3. Conclus ion3.1 Everyon e is a travele rEveryon e is a travele r, choosin g the roads to followon the map of their continu ous journey. There is never a straigh t path but a sole directi on in which to head. It is one's past, present and the attitud e with which he looks upon his futurethat determi nes the shade of the light.In any case however, this poem clearly explain ed Frost's beliefthat it is the road that one chooses that makes him the man who he is. It is alwaysdifficu lt to make a decisio n because it is impossi ble not to wonderabout the opportu nity cost, what will be missedout on. It is impossi ble to traveldown every path. The road that will be chosenleads to the unknown, as does any choicein life. As much he may strainhis eyes to see as far the road stretch es, eventua lly it surpass es his visionand he can never see where it is going to lead.It is the way that he chooses here that sets him off on his journey and decides where he is going. It was somethi ng that was obvious ly not for everyon e because it seemedthat the majorit y of peopletook the other path. There is simplya narrato r who makes a decisio n in his life that had changed the directi on of his life from what it may have otherwi se been. It allowsall readers from all differe nt experie nces to relateto the poem.3.2 Human beingsare so weakIn a word, the poem The Road Not Taken is a very beautif ul and excelle nt poem. It is set in a rural natural environ ment where alwaysinspire the speaker to think of life. It is based on a metapho r in which the journey through life is compare d to a journey on a road. And the speaker of the poem has to chooseone path instead of another. Even thoughthe two paths look equally attract ive, the speaker knows that his choiceat this momentmay have a signifi cant influen ce on his future. He does make a decisio n, hopingthat he may be able to visit this place again, yet realizi ng that such an opportu nity is impossi ble. He imagine s himself in the futuretelling the story of his life, and claimin g that his decisio n to take the road less travele d by, the road few other peoplehave taken, has made all the differe nce.This thesisintends to exploreFrost’sownviewoflife. He told us that human beingsare so weak when compare d with natureand the destiny. Thoughhuman beingshave made great progres s in the past several centuri es, there will forever exist somethi ng that is far beyondtheir control. For human, it is unableto do anythin g usefulwhen he is in conflic t with the imperso nal force. Andit’salsounableto control his own destiny; on the contrar y, his fate and destiny are in the chargeof somethi ng mysteri ous beyondhim. In this sense, life is a tragedy to human. So it could be said that Frost conveye d his sense of tragedy commonto human through this simplebut beautif ul poem. It is simplein form but profoun d in meaning.评论5：SummaryThe speaker standsin the woods, conside ring a fork in the road. Both ways are equally worn and equally overlai d withun-trodden leaves. The speaker chooses one, telling himself that he will take the other another day. Yet he knows it is unlikel y that he will have the opportu nity to do so. And he admitsthat someday in the futurehe will recreat e the scene with a slighttwist: He will claim that he took the less-travele d road.From“TheRoadNotTaken‖consist s of four stanzas of five lines. The rhyme schemeis ABAAB; the rhymesare strictand masculi ne, with the notable excepti on of the last line (we do not usually stressthe -ence of differe nce). There are four stresse d syllabl es per line, varying on an iambictetrame ter base.Comment aryThis has got to be among the best-known, most-often-misunde rstood poems on the planet.Several generat ions of careles s readers have turnedit into a piece of Hallmar k happy-graduat ion-son, seize-the-futurepuffery. Cursedwith a perfect marriag e of form and content, arresti ng phrasewrought from simplewords, and resonan t metapho r, itseemsasif―TheRoadNotTaken‖getsmemoriz ed without reallybeing read. For this it has died the cliché’sun-death of trivial immorta lity.But you yoursel f can resurre ct it from zombie-hood by reading it—not with imagina tion, even, but simplywith accurac y. Of the two roads the speakersays―thepassing there / Had worn them reallyaboutthesame.‖Infact, bothroads―thatmorning lay / In leavesno step had trodden black.‖Meaning: Neither of the roads is less travele d by. These are the facts; we cannotjustifi ably ignorethe reverbe ration s they send through the easy aphoris ms of the last two stanzas.One of the attract ions of the poem is its archety pal dilemma, one that we instant ly recogni ze because each of us encount ers it innumer able times, both literal ly and figurat ively.Paths in the woods and forks in roads are ancient and deep-seatedmetapho rs for the lifelin e, its crisesand decisio ns. Identic al forks, in particu lar, symboli ze for us the nexus of free will and fate: We are free to choose,but we do not reallyknow beforeh and what we are choosin g between. Our route is, thus, determi ned by an accreti on of choiceand chance, and it is impossi ble to separat e the two.This poem does not advise. It does not say, ―Whenyoucometoaforkintheroad, study the footpri nts and take the road less travele dby‖ (or even, as Yogi Berra enigmat ically quipped, ―Whenyoucometoaforkintheroad, takeit‖). Frost’sfocusismore complic ated. First, there is no less-travele d road in this poem; itisn’tevenanoption.Next, the poem seems more concern ed with the questio n of how the concret e present (yellowwoods, grassyroads covered in fallenleaves) will look from a futurevantage point.The ironictone is inescap able: ―Ishallbetelling this with a sigh / Somewhe reagesandageshence.‖The speaker anticip ates his own futureinsince rity—his need, later on in life, to rearran ge the facts and injecta dose of Lone Rangerinto the account. He knows that he will be inaccur ate, at best, or hypocri tical, at worst, when he holds his life up as an example. In fact, he predict s that his futureself will betraythis momentof decisio n as if the betraya l were inevita ble. This realiza tion is ironicand poignan tly patheti c. Butthe―sigh‖iscritica l. The speaker will not, in his old age, merelygatherthe youth about him and say, ―DowhatIdid, kiddies. I stuck to my guns, took the road less travele d by, and that has made all the differe nce.‖Rather, he may say this, but he will sigh first; forhewon’tbelieve it himself. Somewhe re in the back of his mind will remainthe image of yellowwoods and two equally leafy paths.Ironicas it is, this is also a poem infused with the anticip ationof remorse. Itstitleisnot―TheRoadLessTravele d‖but―TheRoad Not Taken.‖Evenashemakesachoice(a choicehe is forcedto make if does not want to stand forever in the woods, one for which he has no real guide or definit ive basis for decisio n-making), the speaker knows that he will second-guess himself somewhe re down the line—or at the very least he will wonderat what is irrevoc ably lost: the impossi ble, unknowa ble Other Path. But the natureof the decisio n is such that there is no Right Path—just the chosenpath and the other path. What are sighedfor ages and ages hence are not so much the wrong decisio ns as the moments of decisio n themsel ves—moments that, one atop the other, mark the passing of a life. This is the more primalstrainof remorse.Thus, to add a further level of irony, the theme of the poem may, after all, be―seizetheday.‖Butamorenuanced carpe diem, if you please.。
未选择的路诗歌鉴赏
《未选择的路》诗歌鉴赏原诗《未选择的路》罗伯特·弗罗斯特（美国）黄色的林子里有两条路，很遗憾我无法同时选择两者，身在旅途的我久久站立，对着其中一条极目眺望，直到它蜿蜒拐进远处的树丛。
我选择了另外的一条，天经地义，也许更为诱人因为它充满荆棘，需要开拓；然而这样的路过并未引起太大的改变。
那天清晨这两条小路一起静卧在无人踩过的树叶丛中。
哦，我把另一条路留给了明天！明知路连着路，我不知是否该回头。
我将轻轻叹息，叙述这一切。
许多许多年以后：林子里有两条路，我——选择了行人稀少的那一条。
它改变了我的一生。
赏析这首诗意境很美，读起来意味深长。
我们每个人每天都会有很多路可以选择，小到吃饭这件事，你有很多选择，可以吃麻辣烫、焖面、米饭炒菜……但我们只能选择一种，吃了这个就不能吃那个。
如果说这是小事，那么我们选择专业、选择配偶、选择工作就是人生大事了。
你学了会计就不能学园艺；你当了老师，就不能当医生；你嫁了某人就不能嫁给另一个人……在生活中，我们处处会遇到这种人生选择，我们也总会站在各种路口，然而，我们却只能走其中的一条，这在学界有个专有名词，叫“沉没成本”。
如果说午饭吃什么不太会决定人生，那么我们的专业、工作和配偶，很大程度上会决定我们的人生走向。
昨天看到谢霆锋和王菲机场牵手的视频，我不由得感慨，人生起起落落、兜兜转转，两个人又在一起了。
他们曾经都选择过别人，那些和别人走过的路，那些过去的旧时光，都证明了这条路不适合自己。
这一回世纪牵手，他们决定重新选择一条路，一条未选择的路，它充满荆棘，需要开拓；它人迹罕至，但它却改变了他们的一生。
我们每个人都会选择自己的路，我们曾久久伫立，我们曾极目远眺，希望多少年过后，再回头望去，那条路依然芳草萋萋、幽寂美丽。
The Road Not Taken译文赏析
The Road Not Taken译文赏析作者：赵晴来源：《校园英语·中旬》2016年第07期【摘要】The Road Not Taken是美国著名诗人罗伯特·弗罗斯特的著名诗篇，这首诗朴实无华却寓意深刻，从古至今，一直受到中外译者的青睐，有多个译本，各具千秋，本文试对其中两个译本进行赏析。
【关键词】风格主题思想韵脚罗伯特·弗罗斯特译文一：未选择的路黄色的树林里分出两条路可惜我不能同时去涉足我在那路口久久伫立我向着一条路极目望去直到它消失在丛林深处但我却选择了另外一条路它荒草萋萋，十分幽寂显得更诱人，更美丽虽然在这条小路上很少留下旅人的足迹那天清晨落叶满地两条路都未经脚印污染呵，留下一条路等改日再见但我知道路径延绵无尽头恐怕我难以再回返也许多少年后在某个地方，我将轻声叹息将往事回顾：一片树林里分出两条路——而我选择了人迹更少的一条，从此决定了我一生的道路。
译文二：殊途金秋密林，展开二条小路，遗憾满怀，无法同时踏足，孤独旅人，良久伫立踟蹰。
极目远眺，道路蜿蜒何处，弯弯曲曲，出没林间灌木。
二择其一，选择这条小路，于我而言，或许就是坦途，杂草萋萋，期待旅人光顾。
设想两途，皆是行者无数，人流如织，彼此有何异殊。
清晨林间，铺展二条小路，人迹杳茫，缤纷落叶密布，留下其一，期待来日再补。
了然于胸，此路已向它途，扪心自问，能否回到当初。
一声叹息，昨日历历在目，年复一年，不知身在何处，茂密林间，方向由我选出。
向往孤旅，人烟稀少为主，回首往事，选择决定归宿！第一章译文一赏析题目译作《未选择的路》，字字对译，第一部分前两句采用直译的方法，第三句省略了“and be one traveler”，直接说“我在那路口久久伫立”，完整的表达出诗人的中心思想，在译文风格上也与原作保持一致，既做到了字字对译，又能在文字处理上严谨而细腻，“涉足”、“伫立”、“极目”等词可见译者深厚的文学功底。
第二部分的翻译与原诗出入较大，第一句“as just as fair” 和第二句“And having perhaps the better claim”直接省略不译，第四句的“grassy”译为“荒草萋萋”，“wanted wear” 译为“十分幽寂”，可见用词之斟酌。
英文诗歌翻译与赏析
我是生物工程专业学生###,虽然我是理科生,但是我也同样喜欢文学,喜欢语言,喜欢诗歌,因此选了学习这门课,我经常用这句话来激励自己:沧海横流,方显英雄本色;说真心话,做真心人;只要是合理的,就没有做不到的事.二. the road not taken1诗歌简介:这首名诗《The Road NotTaken》形式是传统的抑扬格四音步，但音步可变（含有不少抑抑扬的成分）；每节的韵式为abaab 。
弗罗斯特写诗最大的特色就是善于运用眼前看似平淡无奇的事物，去表达一个深刻的哲理。
这正如他在一首诗中写的：“黄色的树林里有两条岔开的路／可惜我不能在同一时间走两条路／我选择了少人行走的那条／这就造成了一切的差异。
”诗人选择了诗歌，放下了在一所师范学校教书的职业以及那可能平坦，安稳的生活。
他对自己说：写诗吧，穷就穷吧，于是他们就来了英国，在离伦敦不远的一个村子里找到了一座木板茅屋作为新家。
罗伯特弗罗斯特堪称美国20世纪90年代最受欢迎的诗人之一，是美国非官方的桂冠诗人，他一生致力于诗歌的创作，主要写作并出版了10部诗集，这一首是其第三部诗集《山的间隔》中的名篇。
2诗歌翻译:The Road Not Taken Robert Frost 未选择的路罗伯特•弗罗斯特Two roads diverged in a yellow wood, 黄色的树林里分出两条路And sorry I could not travel both 可惜我不能同时去涉足And be one traveler, long I stood 我在那路口久久伫立And looked down one as far as I could 我向着一条路极目望去To where it bent in the undergrowth; 直到它消失在丛林深处Then took the other, as just as fair, 但我却选择了另外一条路And having perhaps the better claim, 它荒草萋萋，十分幽寂Because it was grassy and wanted wear; 显得更诱人，更美丽Though as for that the passing there虽然在这两条小路上Had worn them really about the same, 都很少留下旅人的足迹And both that morning equally lay 虽然那天清晨落叶满地In leaves no step had trodden black. 两条路都未经脚印污染Oh, I kept the first for another day! 呵，留下一条路等改日再见Yet knowing how way leads on to way, 但我知道路径延绵无尽头I doubted if I should ever come back. 恐怕我难以再回返I shall be telling this with a sigh 也许多少年后在某一个地方Somewhere ages and ages hence: 我将轻声叹息把往事回顾Two roads diverged in a wood,and I—一片森林里分出两条路I took the one less traveled by, 而我却选择了人迹更少的一条And that has made al lthe difference.从此决定了我一生的道路3诗歌赏析:(1)诗歌特点: 全诗共4节，可分两层：1—3节为第一层，在树林里，“我”面临着两条路，而经过思考决定选择了一条人迹罕至的路。
弗罗斯特的《未选择的路》赏析
弗罗斯特的《未选择的路》赏析美国诗人弗罗斯特《未选择的路》的一诗写了“面对两条都没有走过的路，主人公毅然选择了一条人迹更少的路来走、来历练”的事情，体现了人性之美，其实我们倘将该作品作为“选择人生之路”来读也完全恰当。
品读该诗，主人公形象的大气沉雄、勇敢创新、义无反顾，还是比较容易看得出来。
在到了岔路口，因为“我不能同时去涉足”，所以必得选一条路去走。
由于“鱼”和“熊掌”两者不能得兼，故颇费踌躇，“我”“久久伫立”对两条路都再三观望，最终才咬咬牙下定决心选实了走“人迹更少的”那条“荒草凄凄，十分幽寂”的路，这样的义无反顾需要何等的勇气和魄力？如果说选择“那条通向丛林深处的路”是大众化的选择，比较平稳，但很有可能就平常了；那么主人公不愿庸俗而冒险地去创新一番，玩一把过瘾，认为即使轰轰烈烈地去死也比窝窝囊囊地存活强上百倍千倍。
诗人的这种思想无疑是难得的，很精彩的。
这样看来，说诗人的这种勇敢和大气魄不是一般的果敢，而是大气沉雄的干练，再恰当不过。
还有，诗人的思想之美也体现在对未来的展望上，还体现在对未来忆及“现今”这个从前的回忆上，它们的思想美点也确实颇为多多。
已经选定并走上选定的路时，诗人还念念不忘“留下一条路等改日再见”，可人生是趟单程旅行，决无回头再走的可能。
故一旦选定人生的道路，便是无尽头的求索。
才开始走就揣测日后之事是展望，是人生的“大气度设计”，是开放。
这样的展望有利于更稳健地干好人生大事业。
因为不能同时选走人生道路，所以只选一条去走或许就很圆满地获取了成功，或许就大致成功却稍留缺憾，或许就根本是个事业大失败的结局，人生况味无外乎上述三种可能。
有缺憾固然该“叹息”并后悔当初选择的太过于“草率”了些；我们说，就是成功者也可以“叹息”，认为假如选择走另外的一条道路成功准许会更大。
这样憧憬未来的回顾因其打通了“少年、中年、老年”再“老年、中年、少年”的关节，属全程式鸟瞰，是高瞻远瞩，显得深刻。
诗人在作品中的价值取向是明确的、不含糊的，他并没因为“叹息”就否定当初的“隆重选择”，他甚至为自己“选择了人迹更少的一条”去走而喝彩，虽然曲高可能和寡，虽然极有可能是失败居多，但是他认为即使失败也依然光彩，因为毕竟曾经奋斗过、拼搏过。
未选择的路诗歌鉴赏
未选择的路诗歌鉴赏【原创版】目录1.诗歌背景介绍2.诗歌主题分析3.诗歌的艺术特点4.对诗歌的评价正文【诗歌背景介绍】《未选择的路》是一首脍炙人口的诗歌，作者是美国著名诗人罗伯特·弗罗斯特。
这首诗创作于 1915 年，正值美国工业化快速发展的时期。
在这个时期，人们面临着诸多选择，生活节奏加快，个人价值观也在发生改变。
弗罗斯特通过这首诗表达了他对人生选择的思考和感悟。
【诗歌主题分析】《未选择的路》的主题是人生选择。
在诗中，作者描述了两条道路在树林中分叉，他站在分叉口，无法决定选择哪条道路。
诗中，一条道路被描述为“被踏痕罕至”，另一条道路则是“虽然两条路都被踏痕罕至，但那一条路更加诱人，因为它草地欲穿，虽然两条路都被踏痕罕至，但那一条路更加诱人，因为它草地欲穿，虽然两条路都被踏痕罕至，但那一条路更加诱人，因为它草地欲穿，虽然两条路都被踏痕罕至，但那一条路更加诱人，因为它草地欲穿”。
作者在诗中反复强调了选择的重要性，并表示自己要选择一条“未选择的路”。
【诗歌的艺术特点】弗罗斯特在这首诗中采用了许多艺术手法，使得诗歌更加生动形象。
首先，他运用了比喻和拟人等修辞手法，如“两条路在树林中分叉，可惜我不能两条都走过”，形象地描绘了人生选择的场景。
其次，他运用了对比和排比等手法，如“一条路是草地欲穿，一条路是却已迹罕至”，强调了选择的重要性。
最后，他运用了象征和暗示等手法，如“我在途中独自长久地站着，看着它们弯曲至灌木丛深处”，表达了作者对未来的迷茫和不确定。
【对诗歌的评价】《未选择的路》是一首具有深刻人生哲理的诗歌。
作者通过描绘人生道路上的选择，表达了自己对生活的理解和感悟。
这首诗语言简洁明了，意象生动，给人以深刻的启示。
它告诉我们，人生就是一场不断选择的旅程，每个人都有自己的道路要走，每个人的选择都有其价值和意义。
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罗伯特·弗罗斯特《未选择的路》译文比较与赏析《未选择的路》罗伯特·弗罗斯特罗伯特．弗罗斯特(ROBERT FROST)未选择的路The Road Not Taken罗伯特·弗罗斯特(1874一1963)是在马萨诸塞州劳伦斯上的中学，也在达特第斯学院和哈佛大学读过一段时间。
获得诗名之前，弗罗斯特时而务农，时而到中学教希腊语和拉丁语。
他的第一部诗集出版于1913年。
1916年后，他一直在著名学府任职，通常的身份是“住校诗人”。
弗罗斯特的诗歌备受喜爱，原因之一是未受过多少学校教育的人都看得懂。
当许多诗人热衷于搞诗歌试验时，他却坚持使用日常语言，描写自己观察入微的日常事件。
弗罗斯特的许多诗歌反映了他与大自然的贴近。
他通过自然来表达一种象征意义，而不是什么田园式的思乡情调。
《未选择的路》是弗罗斯特的一首名诗，作于1915年。
黄叶林中出条岔路，无奈一人难于兼顾，顺着一条婉蜒小路，久久伫立极目远眺，只见小径拐进灌木。
接着选择了另一条，同样清楚似乎更好，引人踩踏铺满茂草，踏在其间难分彼此，尽管真有两条道。
清晨里躺着两条路，一样叶被无人踏脏，愿将第一条来日补，但知条条相连远途，怀疑日后怎能回返。
在很久以后某一地，我将叹息诉说于人，两路岔开在树林里，我选的那条足迹稀，而一切差别由此起。
未选择的路[美] 罗伯特·弗罗斯特黄色的树林里分出两条路可惜我不能同时去涉足我在那路口久久伫立我向着一条路极目望去直到它消失在丛林深处但我却选择了另外一条路它荒草萋萋，十分幽寂显得更诱人，更美丽虽然在这两条小路上都很少留下旅人的足迹虽然那天清晨落叶满地两条路都未经脚步污染呵，留下一条路等改日再见！但我知道路径延绵无尽头恐怕我难以再返回也许多少年后在某个地方我将轻声叹息将往事回顾一片树林里分出两条路——而我选择了人迹更少的一条从此决定了我一生的道路一条未走的路[美]弗罗斯特方平译深黄的林子里有两条岔开的路，很遗憾，我，一个过路人，没法同时踏上两条征途，伫立好久，我向一条路远远望去，直到它打弯，视线被灌木丛挡住。
于是我选了另一条，不比那条差，也许我还能说出更好的理由，因为它绿草茸茸，等待人去践踏——其实讲到留下了来往的足迹，两条路，说不上差别有多大。
那天早晨，有两条路，相差无几，都埋在还没被踩过的落叶底下。
啊，我把那第一条路留给另一天！可我知道，一条路又接上另一条，将来能否重回旧地，这就难言。
隔了多少岁月，流逝了多少时光，我将叹一口气，提起当年的旧事：林子里有两条路，朝着两个方向，而我——我走上一条更少人迹的路，于是带来完全不同的一番景象。
未选取的路哈克译金黄的树林里，一条路*为两条很遗憾！我不能同时都走上它们作为旅行者，我停站在那儿良久尽其所能地望着一条路的尽头看见它弯曲着消失于丛林深处我选取了同样迷人的另一条也许，它看上去更有吸引力绿草茵茵，透着生气和魅力虽然，先行者踏出的这条道儿与另一条如出一辙，别无二致这是清晨，两条路摆在我面前在其落叶上尚未发现新的脚印哦，我为另一天留下这另一条路吧心里却明白一条路将导向更多的路在多少年后的某一天某一处我可能会回忆和述说到此时此地：林子里本有两条路可走呵，而我则选取了鲜有人走的一条因此而有了这迥然相异的一切原诗：The Road Not TakenTWO roads diverged in a yellow wood,And sorry I could not travel bothAnd be one traveler, long I stoodAnd looked down one as far as I couldTo where it bent in the undergrowth; 5Then took the other, as just as fair,And having perhaps the better claim,Because it was grassy and wanted wear;Though as for that the passing thereHad worn them really about the same, 10And both that morning equally layIn leaves no step had trodden black.Oh, I kept the first for another day!Yet knowing how way leads on to way,I doubted if I should ever come back. 15I shall be telling this with a sighSomewhere ages and ages hence:Two roads diverged in a wood, and I—I took the one less traveled by,And that has made all the difference. 20读着这首诗，我觉得自己彷佛又变成了《天方夜谭》中的水手辛巴德( Sinbad )，又想钻进去看看乱弹翻译了。
先找来了下面的几种现成的译文作参考比较。
首先，我觉得原诗文字比较浅白平顺，似乎不能用太“文”的汉语去表达。
斟酌之下，似乎标题会是“没走的路”比较好。
“未选择的路”好像还是书面语的成分多了些。
可是，别看原诗文字那么浅白平顺，第二段的开头，就遇到了一个“头疼”而又棘手的问题：Then took the other, as just as fair,And having perhaps the better claim,这里的 as just as fair, 该怎么理解呢？现成的译文有如下几种：1．显得更诱人、更美丽；2．同樣清楚似乎更好，3．我选取了同样迷人的另一条4．一样美丽，一样坦荡5．我选另一途，合理亦公正。
怎么理解这两个as？我的想法是：as just and as fair as the first one。
然后分别是just 和 fair 的含义。
我在词典中选取自己认为比较合适的词义是：Just:： Suitable or proper in nature；fittingFair: Promising;就是说，对于 Then took the other, as just as fair, 我理解为：我走上了另一条，一样的合适，一样的诱人。
所谓“一样的合适”，既然两条路摆在哪里，我不走第一条，而走第二条；就正如我“不走这一条，就走那一条”一样，没有什么不合适的，有何不可？所谓“一样的诱人（Promising）”，第一条路，“极目望去，……它消失在丛林深处。
”幽深而前景美妙；第二条呢，碧草茸茸，似乎更需要有人来走走它，那就是一样的前程无可限量。
就这样，诗人走上了专职写诗这条比较少人会走上的道路，结果证明，他走上的这条路，对于他来说，的确是非常的Promising。
（来源：超星读书社区作者：张宇绰）【赏析】路的选择与人生的哲思──读《未选择的路》《未选择的路》是美国诗人罗伯特.弗罗斯特的著名诗篇。
罗伯特·弗罗斯特堪称美国20世纪最受欢迎的诗人之一，他一生致力于诗歌的创作，写作并出版了10部诗集。
罗伯特·弗罗斯特(1874-1963)出生于旧金山一个教师家庭，在美国西部度过童年。
中学毕业后，他在哈佛大学学习两年后肄业，这前后曾做过纺织工人、教员，经营过农场，并徒步漫游过许多地方，同时他也开始写诗，但他的诗歌最初并未在美国引起注意。
1912年时弗罗斯特已经38岁，这一年他作出了一个重要的选择:放弃他在一所师范学校教书的职业，放弃本来可能更加平坦、安稳的生活，而选择了诗歌。
他对自己说:“写诗吧，穷就穷吧。
”夫妻二人商量后，决定到异地去闯一条路，找一个生活水平比较低，但更利于写诗的环境。
于是他们卖掉了祖父遗传下来的农场，再加上几年教书所得的一点积蓄，就这样他们来到大海对岸的英国，在离伦敦不远的一个村子里找到了一座木板茅屋的新家。
不久之后，他的第一本诗集《孩子的意愿》出版了，很快就以其特有的朴素坦率和真诚赢得了诗人们的好评。
美国著名诗人庞德特别撰文推荐，说它是美国很长一段时间以来最好的一本诗集。
1915年弗罗斯特回到美国，在新罕布什尔州经营农场。
此后他的诗名日盛，分别于1924,1931,1937,1943年四次获得普利策奖，并在几所著名的大学中任教师、驻校诗人与诗歌顾问。
晚年的他已是美国的一个非官方的桂冠诗人。
弗罗斯特的诗往往从描写新英格兰的自然景色或风俗人情开始，渐渐进入哲理的境界，他素有“新英格兰诗人”之称。
这与他诗中大量描写新英格兰的自然景色或风俗人情有关。
波士顿以北多岩石的牧场，殖民地时代的建筑，耐人寻味的石头围墙，以及那里居民粗犷的感情、耕耘生活的艰辛等等，都成为诗人作品取之不尽的素材。
他的诗把新英格兰的风貌和当地人的特征一览无余地展现在了读者面前，可以说新英格兰乡间生活的各个侧面，弗罗斯特都写到了。
但弗罗斯特并未沉洒于描绘美丽山川和旖旎景色，他的诗虽然保持了一些传统的形式和格律，气氛也较轻快，但弗罗斯特认识到了生活的复杂性，他通过自然来表达一种象征意义，而不是什么田园式的思乡情调。
在他的笔下，生活既悲惨又快活，既有美也有丑，杂乱之中又寓有统一。
他善于透过现实中的现象深入浅出地说明深刻的哲理，而这些又与新英格兰的风景描绘结合在一起。
他试图在新英格兰寻觅到现代美国业已失去的鲜明色调和激清、纯真，使之成为检验和评论现代文明城市的标准，弗罗斯特的杰出贡献之一正在于此。
弗罗斯特也常被称为“过渡性的诗人”，意指他处在传统诗歌和现代派诗歌交替的一个时期。
弗罗斯特的诗歌备受喜爱，原因之一是他的诗风朴实无华，未受过多少学校教育的人都看得懂。
当许多诗人热衷于搞诗歌试验时，他却坚持使用日常语言，描写自己观察入微的日常事件，并从中发掘出独特的智慧和哲理，描写上则细致含蓄、耐人寻味，能让人常读常新。
《未选择的路》是弗罗斯特的一首名诗，作于1915年，最初收录于他的第三本诗集《山间》(1916)中。
在这首诗中，他把思想情感和富有象征的意象揉合起来，阐明了他对于人生、社会和宇宙的态度。
弗罗斯特在诗歌风格上的一个最大特点是朴素无华，含义隽永，把深刻的思考和哲理寓于平淡无奇的内容和简洁朴实的诗句之中。
本诗堪称是这方面的典范，其语言质朴自然，但在构思上却非常巧妙。
全诗一共4节，可分为两层。
第1-2节为第一层:第1节交代了树林里有两条道路，其中的一条极目望去，消失在丛林深处，诗人处在岔路口，面临着抉择；第2节诗人叙写自己选择了另一条路，它“荒草萎萎，十分幽寂”，但诗人认为它“显得更诱人，更美丽”。