旅行景区公示语英译汇编
旅游景区公示语英译汇编
对全部高中资料试卷电气设备，在安装过程中以及安装结束后进行高中资料试卷调整试验；通电检查所有设备高中资料电试力卷保相护互装作置用调与试相技互术关，系电，力通根1保据过护生管高产线中工敷资艺设料高技试中术卷0资配不料置仅试技可卷术以要是解求指决，机吊对组顶电在层气进配设行置备继不进电规行保范空护高载高中与中资带资料负料试荷试卷下卷问高总题中2体2资配，料置而试时且卷，可调需保控要障试在各验最类；大管对限路设度习备内题进来到行确位调保。整机在使组管其高路在中敷正资设常料过工试程况1卷下中安与，全过要，度加并工强且作看尽下护可1都能关可地于以缩管正小路常故高工障中作高资；中料对资试于料卷继试连电卷接保破管护坏口进范处行围理整，高核或中对者资定对料值某试，些卷审异弯核常扁与高度校中固对资定图料盒纸试位，卷置编.工写保况复护进杂层行设防自备腐动与跨处装接理置地，高线尤中弯其资曲要料半避试径免卷标错调高误试等高方，中案要资，求料编技试5写术卷、重交保电要底护气设。装设备管置备4高线动调、中敷作试电资设，高气料技并中课3试术且资件、卷中拒料中管试包绝试调路验含动卷试敷方线作技设案槽，术技以、来术及管避系架免统等不启多必动项要方高案式中；，资对为料整解试套决卷启高突动中然过语停程文机中电。高气因中课此资件，料中电试管力卷壁高电薄中气、资设接料备口试进不卷行严保调等护试问装工题置作，调并合试且理技进利术行用，过管要关线求运敷电行设力高技保中术护资。装料线置试缆做卷敷到技设准术原确指则灵导：活。在。对分对于线于调盒差试处动过，保程当护中不装高同置中电高资压中料回资试路料卷交试技叉卷术时调问，试题应技，采术作用是为金指调属发试隔电人板机员进一，行变需隔压要开器在处组事理在前；发掌同生握一内图线部纸槽故资内障料，时、强，设电需备回要制路进造须行厂同外家时部出切电具断源高习高中题中资电资料源料试，试卷线卷试缆切验敷除报设从告完而与毕采相，用关要高技进中术行资资检料料查试，和卷并检主且测要了处保解理护现。装场置设。备高中资料试卷布置情况与有关高中资料试卷电气系统接线等情况，然后根据规范与规程规定，制定设备调试高中资料试卷方案。
旅游景区汉英公示语的meiyong
Chapter Two Literature ReviewBefore a thorough review of literature available on the topic, let’s examine two examples, 1) 爱护文物，人人有责 (The Great Wall, App 1)A: Everybody should protect cultural relics.B: Please help to protect the cultural relics.2) 美景深藏蔚竹庵 (Mount Laoshan, App 2)A: Beautiful sights are hidden in the Weizhu Nunnery.B: For beautiful sight, please come to Weizhu Nunnery.Example 1) is a public sign at Badaling. Example 2) is a public sign in the Mount Laoshan in Qingdao. The first example calls for travelers to protect the cultural relics; the second advices travelers to visit the sight. Version A of both examples may be proper if they are used elsewhere. However in scenic spots, they are not regarded as quite satisfactory. Version As did not arouse enough attention of target readers (foreign travelers). That is they fail to exert the same effect on a target reader as the original (source text) on a source text reader (Chinese traveler). Although version Bs are different from the original in sentence structure and tone, they read more attractive. And they almost have the same functions as that of the source text. According to different purposes, the above two examples can be translated in different ways. English public signs in scenic spots are in the service of target readers. Their reaction should be taken into prime consideration. Translations in functional approach can best serve target readers. So the functional approach to translation is the key theory discussed in this thesis.2.1 Review of the Functional ApproachChristiane Nord defines “functionalism” as follows,Functionalism is a broad term for various theories that approach translation in this way. Although what will call Skopostheorie has played a major role in the development of this trend; a number of scholars subscribe to functionalism and draw inspiration from Skopostheorie without calling them anything like “skopos”. We shall thus be looking at functionalism as a broad approach, trying to distinguish between its parts wherever possibleand necessary (Nord, 2001: 1)From what Nord defines in her book, we may understand that functionalism is a broad concept, pooling together a variety of scholars and theirs approaches to translation. Functional approach includes the German school with Katharina Reiss as the founder, British scholar Peter Newmark and his semantic vs. communicative translation as well as American scholar Eugene. A. Nida and his functional equivalence.In the German school the best known names are Katharina Reiss, Hans J. Vermeer and Christiane Nord. As founder of Skopostheorie, Reiss first established a general relationship between translation strategies and text functions. Reiss’s student Vermeer put forward the concept of Skopostheorie. He defines that every translation is directed at an intended audience, since to translate means “to produce a text in a target setting for a target purpose and target addressees in target circumstances”. (Nord, 2001: 12). Later on Nord put forward the rule of “Function plus Loyalty” with regard to the limitation of Skopostheorie and the problems of radical functionalism.Peter Newmark suggests three main textual functions: informative, expressive and vocative. Different text types require different translation strategies. Semantic translation is used for expressive texts; communicative translation is used for informative and vocative texts. Of vocative texts he put forward the focus of translation is the readership. In translating informative and vocative texts, the translator is supposed to produce a version which is readily acceptable and comprehensible to the readership both in content and language and he /she is justified to improve the original text if it is poorly translated. (Newmark, 1981: 42) This provides useful guidelines for the translation of public signs, which fall in to the categories of informative and vocative texts.According to Eugene Nida, the governing principle of dynamic equivalence is to “reproduce in the receptor language the closest natural equivalent of the source language, first in terms of meaning, and secondly in terms of style” (Nida and Taber, 2004: 12) He explains it is essential that the target text functions in the same manner as the source text. The target readers are able to respond to it in substantially the same manner as the source text readers respond to the original text.In the following passages, the German school and Peter Newmark’s theory would bediscussed in detail.2.2 The Functional Approach2.2.1 Katharina Reiss and Her Text Typology TheoryIn 1971, Reiss in her book Possibilities and Limits of Translation Criticism developed a model of translation criticism based on the functional relationship between source and target texts. To her target text should be equivalent to source text in terms of conceptual content, linguistic form and communicative function. From this point we can see that she still took equivalence as the basis. However, in practice “she knew that real life presents situations where equivalence is not possible and in some cases, not even desired. (Nord, 2001: 9) Especially, when the target is intended to achieve a purpose or function other than that of the original. “In such a situation, she thinks that the functional perspective takes precedence over the normal standards of equivalence. Then translation critic can no longer rely on features derived from source-text analysis but has to judge whether the target text is functional in terms of the translation context”. (Nord, 2001: 9)Reiss is also aware that it is the overall text type, rather than the subdivisions that decide the type of equivalence to be sought and the translation strategy to be followed. If the text function is to provide information, then content must be preserved at all cost, and any “flourishes of style” can safely be sacrificed to that purpose, so that the translation method will be “plain-prose”. When there is a conflict between the functions of the ST and the TT, Reiss uses an “author-adapted” translation method to produce the same or at least a similar effect.She further divides text into three main types as content-focused text, form-focused text and appeal-focused text. Reiss generalizes her typology theory in the following form, (Reiss, 2000: 26)language function representation expression persuasion language dimension logic esthetics dialoguetext type content-focused(informative) form-focused(expressive)appeal-focused(operative)Content-focused text emphasizes content and the form is comparatively less important. When such a text is translated, the original information should be retained as intact as possible and the linguistic form of the translation should be adjusted to the target language conventions. For expressive text, form plays a vital role. Authors of form-focused texts such as literary prose and poetry often employ some formal elements to attain the original aesthetic effect. They should use similar form in translation to produce corresponding impression. The third type is appeal-focused text. This type intends convey information or provoke certain reaction. The translation must undergo certain adaptation to match the target language and the target culture.However there is not a pure informative, expressive or persuasive text. Reiss states that “…a further point should be clarified. If we draw a distinction between content-focused and from-focused text, this is not to imply that content-focused text do not have a form. Just as there can be no form of communication without some kind of content, there can be no kind of content that does not have some form.” (Reiss, 2000: 28) This is quite applicable for C-E translation of public signs which fall somewhere between informative and evocative (operative) text.Reiss’s text typology shed light on C-E translation of public signs. As one of foreign publicity material, public signs are classified as both the informative and evocative (operative) texts. Typology theory is particular valuable for the translators of public signs. They are encouraged to shift from the locking chains imposed by source text. The translators can hold a balance while selecting appropriate strategies to cope with various translation problems.2.2.2 Hans. J. Vermeer and His SkopostheorieSkopos is a Greek word for ‘purpose’. According to Skopostheorie, the prime principle determining any translation process is the purpose (skopos) of the overall translation action. (Nord, 2001: 27)Skopostheorie first assumes that translation must be a purposeful human activity. The purpose has three explanations: the translator’s purpose; the communicative purpose of the translated text; and the purpose to reach by exploiting certain special translation method. Usually the communicative purpose is the main purpose of the translated text.Skopostheorie also defines an intratextual coherence and intertextual coherence. Intratextual coherence implies a translation should be acceptable when it is coherent with the norms of the target culture. A communicative interaction can only be regarded successful if the receivers interpret it as being sufficiently coherent with their situation. (Nord, 2001: 32) For intertextual coherence, a translation is expected to bear some kind of relationship with the corresponding source text. Intertexual coherence should exit between source and target text. (Nord, 2001: 32) Intertextual coherence is considered subordinate to intratextual coherence and both are subordinate to the skopos rule. (Nord, 2001: 33)The theory prescribes a mode of thinking that will allow the translator to explore new approaches to the task of producing a successful target text. The theory particularly emphasizes target-orientation of translation. And it also stresses the translation situation which always determines the translation strategies to be used.This rule is intended to solve the eternal dilemmas of free vs. faithful translation, dynamic vs. formal equivalence, good interpreters vs. slavish translators and so on. It means that the skopos of a particular translation task may require a ‘free’ or a ‘faithful’ translation, or anything between these two extremes, depending on the purpose for which the translation is needed. (Nord, 2001: 29)Skopostheorie bears on C-E translation of public signs. Nord points out that “a text is made meaningful by its receiver and for its receiver.” (Nord, 2001: 31) The reaction of target readers’ should be taken into prime consideration. That is translation of public signs should be target-reader oriented.2.2.3 Christiane Nord and Her “Functions plus Loyalty”Christiane Nord further develops functional theory in the early 1990s and puts forward a rule of “Functions plus Loyalty”.Nord indicates that “My personal version of the functionalist approach stands on two pillars: function plus loyalty. Function refers to the factors that make a target text work in the intended way in the target situation. Loyalty refers to the interpersonal relationship between the translator, the source-text sender, the target-text addresses and the initiator. (Nord, 2001: 126). She holds that the translator should be responsible bilaterally for the target reader aswell as the original author. The translator should respect the source text producer and try to adjust the purpose of the target text and the source text author’s intention. The notion of loyalty not only means conveying the content and style of the source text, but also proposes necessary adaptation based on the source text in order to achieve the intended function of the target text, such as in the case of pragmatic translation. (Chen Xiaowei, 2006: 17) The principle of loyalty limits the range of justifiable target-text functions for one particular source text and raises the need for a negotiation of the translation assignment between translators and their clients. (Nord, 2001: 126). Thus the loyalty principle reduces the probability of “radical” functionalism. It is also an answer to those critics who argue that the functional approach leaves translators free to do whatever they like with any source text.The combination of function plus loyalty further improved the Skopostheorie. It grants translators some liberty in the translation process to achieve the intended function of the target text. Meanwhile it also keeps them from going far away from the original author’s intention. Moreover, Nord also proposes her documentary and instrumental translation. Documentary translation and instrumental translation are different in their emphasis on the source text and the target text. The former focused on source text, translators try to keep the language features or culture of the source text in the translated version, so this strategy is used with the classic works or serious literature. The latter resembles domestication translation, which produces equivalent effect by cultural adaptation; the target readers generally can not feel the text is a translation. The criterion for judging whether it is documentary or instrumental translation is that “the target audience is supposed to be aware or not they are reading a translation” (Nord, 2001: 50)According to Nord’s theory, translators of Chinese public signs should always bear in mind the priority of target text readers. Public signs should be translated according to the specific target functions. However it does not mean that translators have the right to change the functions at will. Any translation, regardless of its different specific purposes, should be based on the source texts.2.3 Peter Newmark and His Semantic vs. Communicative TranslationPeter Newmark’s major contribution to functionalism is his semantic translation versuscommunicative translation. “Communicative translation attempts to produce on its readers an effect as close as possible to that obtained on the readers of the original. Semantic translation attempts to render, as closely as the semantic and syntactic structures of the second language allow, the exact contextual meaning of the original” (Newmark: 1981: 39)It is quite obvious that communicative translation focuses on producing similar effect on the target readers. On the contrary, semantic translation remains within the original language convention and culture. He proposes that semantic translation is used for expressive texts and communicative translation for informative and vocative texts. That is in translating expressive texts, the expressive components should be rendered completely, original culture tend to be transferred intact and even badly and/or inaccurately written passages must remain so. However, for informative and vocative texts, the translator should focus on the accuracy of message and the main function of the source text, trying to produce an equivalent effect on target readers.He also proposes that different texts require different translation criteria and methods. He points out that for informative and vocative text the core is the accuracy of information and the readership. Accessibility and comprehensibility of the translation is very important as the reader does not anticipate difficulties or obscurities and would expect a generous transfer of foreign elements into his own culture as well as his language where necessary. (Newmark, 1981: 39)Peter Newmark’s theory also shed light on C-E translation of public signs. The translator is supposed to use language forms which read naturally to the target reader and he/she is entitled to improve the original text if it is badly and/or inaccurately written. Public signs should not be translated mechanically without an eye to the effect of the target texts on the target readers. Newmark’s semantic vs. communicative translation share some similarities with Nord’s documentary vs. instrumental translation. Semantic and documentary translations remain with the original linguistic and cultural conventions, while communicative and instrumental translations are target language oriented. But their difference is also quiet obvious. Nord holds that the skopos of the translation determines the choice of translation strategies, while Newmark proposes that the choice of translation methods is determined by the source text. However in translation practice, the methods of translation are not determined by the functionof the source text, but that of the target text. Very frequently the translation involves substantial adaptation of the source text in order to achieve the intended function of the target text.2.4 Enlightenments of the Functional Approach on C-E Translation of Public SignsAccording to Newmark’s typology (Newmark, 1981: 15), the features of public signs can be summarized from the functionalist point of view in the following graph.Functional analysis of Chinese public sings and English public signsNotes:1. Cpb: Chinese public signs; Epb: English public signs2. Culture, “low” means there are not many culture elements in public signs.3. Politeness, “low” means the public signs which do not read polite.The above graph gives us a general idea of the features of Chinese public signs and English public signs from the functional approach. Chinese public signs and English public signs are both in the service of their respective target readers. For most public signs, the source text and the target text share the same functions, informative, evocative or a combination of the two. There are other public signs: the function of the target text is different from that of the source text. An evocative public sign may be translated into an informative one or vice versa.This is because Chinese and English are different in language conventions and cultural traditions. Chinese public signs and English public signs differ in the ways they appeal to their respective readers. The source text readers (Chinese travelers) are prone to be affected by flowery expressions; while the target readers (foreign travelers) prefer more concrete information.Chinese public signs are therefore more descriptive. The language used is ornate and figurative, containing many flowery expressions like idioms or poems or quotations of famous persons’ remarks. English public signs are more informative. They read simple and concise. The language is plain and factual. When translating Chinese public signs into English, translators are usually required to apply various translation strategies, such as literal or liberal translation or adaptation.The main point of Skopostheorie is: it is the prospective function or skopos of the target text, not the source text that determines the translation process. Translators of public signs should apply various translation strategies in order to produce a version that will arouse the same effect on target text readers as that of the source text does on the source text readers.2.5 SummaryIn this part the writer discusses functional approach and its enlightenments on C-E translation of public signs. Reiss’s typology, Vermeer’s Skopostheorie, Nord’s function plus loyalty and Newmark’s semantic vs. communicative translation are the key theories involved in this chapter. According to the functional approach, it is the intended function of the target text that determines the overall translation process including the selection of translation strategies. The source text can’t be neglected either, as it serves as the main source of information. Translators of public signs should be aware of the status of target text readers. And the translations should always fulfill the need of target readers. The following chapter further explores the features and functions of public signs, giving us an insight on how functional approach applied to C-E translation in this area.Chapter Three A Functional Analysis of Public Signsin Scenic SpotsThe functional approach fits better in public signs translation as discussed in the previous chapter. The definition of a public sign, its categorization and the features are mainly discussed in the following paragraphs from the functional perspective.3.1 Definitions of Public SignsPublic signs are also called public notices, slogans, the languages of public notices, expressions on public signs.According to Longman Dictionary of Contemporary English1a sign is “a piece of paper, metal etc. in a public place with words or drawings on it that gives people information, warn them not to do something etc. e.g. a road sign, a no-smoking sign.”A Pubic sign can be defined as a piece of paper, metal or billboard in a public place with words or drawings on it that provides information or arouse people’s attention.The counterparts of public signs in Chinese are: 公示语、标志、标示语、告示语、标语、标牌语、标识. The most widely used one is “公示语”.Public signs and other related definitions in Chinese are as follows,1) 标语：用简短的文字写出的具有宣传鼓动作用的口号。
旅游公示语汉英翻译
旅游公示语汉英翻译本文从网络收集而来，上传到平台为了帮到更多的人，如果您需要使用本文档，请点击下载按钮下载本文档（有偿下载），另外祝您生活愉快，工作顺利，万事如意！随着我国旅游业的迅速发展，各旅游景点都广泛使用了英语公示语。
本文根据一些实例，对章丘的百脉泉公园、朱家裕民俗风景区、桃花山公园进行实地考察，发现单词拼写错误、语法错误、标点符号使用不当等问题，对问题进行分析总结并提出相关意见与建议，由此提高章丘旅游景点公示语的翻译质量，完善章丘的公示语的语言环境。
一、引言吕和发先生曾较全面地指出了公示语的定义和内涵，即公开和面对公众，告示、指示、提示、显示、警示、标示与其生活、生命、生态、生业休戚相关的文字及图形信息。
旅游景区的公示语对促进当地旅游业的发展有着举足轻重的作用，公示语的英语翻译质量直接影响当地旅游业的发展和城市形象，甚至国际形象。
所以，为了促进当地的国际化发展，我们要采取有效措施净化旅游景点的语言环境，加强英译问题的研究，提高英译质量。
现在很多地方忽略了公示语的重要性，含糊了事。
就以章丘市旅游景区为例，我们研究小组先后在百脉泉公园、朱家裕民俗风景区、桃花山公园等旅游景点进行实地研究考察，通过分组搜集回来的资料整理，发现章丘市旅游景点存在很多问题，公示语翻译体系还不成熟，有待完善。
二、章丘旅游公示语汉英翻译存在的问题(一)单词拼写错误拼写错误在英译中是很常见的，主要有漏拼、误拼等。
产生错误的原因可归结为两种：一种是译者的英语教学教育的水平不高，导致出现的错误;另一种是在制作公示牌的过程中排版人员出现失误，导致拼写错误或多余空格等。
百脉泉景区很多公示牌是由石碑制成的，由于制作过程繁琐，制作后无人校对，公示语就存在单词拼错、少拼、两单词拼在一起等问题。
例1：以李清照词“庭院深深深几许”为主题设计的一组仿宋园林。
a unlt of garden imitating the style of the song Dynasty(960-1279) and designed according to the Ci poem of Li Qingzhao “Deep mboo courtyard，how deep could it be”.评析：先不分析单词大小写问题，第一行第二个单词“unlt”应该是“unit”;而第二行的单词“mboo”应该改为竹子“bamboo”。
旅游景点英译公示语语用失误例析
旅游景点英译公示语语用失误例析旅游景点英译公示语是指在旅游景点中使用的公示语，它是游客获取信息、导向方向、了解景点特色的主要途径。
由于语言和文化差异，翻译时经常出现语用失误，给游客的理解和体验带来困扰甚至误导。
下面是一些旅游景点英译公示语语用失误例析。
例1：中文原文：请勿触摸雕塑。
英文译文（错误）：Please don't touch the sculpture.问题分析：这个例子中，译者直接翻译了中文的“触摸”一词，但在英文中，更常用的表达方式是“touch”，它有触摸、碰触的意思，但刻意追求触摸的程度和方式可能更合适。
所以译文应该改为：“Please don't touch the sculpture with your hands.”例3：中文原文：淋浴时间限制15分钟。
英文译文（错误）：Shower time is limited to 15 minutes.问题分析：这个例子中，“淋浴时间限制15分钟”这个信息是想告诉游客在淋浴时限制时间为15分钟，但是译文中的“limited to”给人一种不提倡超过15分钟的感觉，给游客留下了误导。
所以译文应该改为：“Please limit your shower time to 15 minutes.”例5：中文原文：报警电话110。
英文译文（错误）：Emergency call 110.问题分析：在中文中，“报警电话”是指报警所使用的电话号码，但在译文中的“Emergency call”更像是表示发生紧急情况时打电话，而不是向游客告知报警电话号码。
所以译文应该改为：“Dial 110 for emergencies.”。
景点的标语翻译
公共场所双语标识英文译法English Translation of Public Signs第2部分景区景点Part2:Tourist Attractions1.1旅游景点通名地名通名通常采用英文直接翻译，英文单词首字母大写，其余小写。
1.1.1植物园译为Botanical Garden，如北京植物园Beijing Botanical Garden。
1.1.2博物馆1.1.2.1一般名称译为xxxx Museum,Museum放在最后，如历史博物馆History Museum。
1.1.2.2某机构的博物馆译为xxxx Museum of xxxx(机构名)，如大钟寺古钟博物馆Ancient Bell Museum of Great Bell Temple。
1.1.3纪念馆1.1.3.1历史名人的纪念馆译为Memorial，人名不加’s，如吴运铎纪念馆Wu Yunduo Memorial。
1.1.3.2历史事件或事迹的纪念馆译为Memorial Museum，如新文化运动纪念馆New Culture Movement Memorial Museum。
1.1.4故居译为Former Residence，如宋庆龄故居Former Residence of Soong Ching Ling。
1.1.5展览馆、陈列馆译为Exhibition Hall/Exhibition Center，会展中心译为Convention&Exhibition Center。
1.1.6陈列室译为Exhibition Room/Display Room。
1.1.7宫、院译为Palace，如颐和园Summer Palace。
有些宫译为Hall，如乾清宫Hall of Heavenly Purity。
1.1.8殿、堂译为Hall，如太和殿Hall of Supreme Harmony、乐寿堂Hall of Longevity in Happiness。
景点公示语中英对照收集
景点公示语中英对照收集1.欢迎光临！Welcome!2.请勿随地乱扔垃圾。
Please do not litter.3.禁止吸烟。
No smoking.4.为确保您的安全，请遵守规定。
To ensure your safety, please follow the regulations.5.请保持安静。
Please keep quiet.6.请勿触摸展品。
Please do not touch the exhibits.7.请勿攀爬树木或其他设施。
Please do not climb trees or other facilities.8.注意保管好您的贵重物品。
Please keep your valuables safe.9.请勿擅自进入私人区域。
Please do not enter private areas without permission.10.请勿摄影。
No photography.11.请勿违规使用无人机。
Please do not use drones without permission.12.请勿喂食动物。
Please do not feed the animals.13.请尊重动植物，爱护环境。
Please respect the animals and plants, and protect the environment.14.穿高跟鞋进入部分区域需谨慎。
Please be cautious when entering certain areas wearing high heels.15.请不要随意碰动或更改展示布置。
Please do not touch or alter the exhibition layout.16.禁止带宠物入内。
No pets allowed.17.禁止骑行。
No cycling.18.请遵守交通规则，保持公共秩序。
Please abide by traffic rules and maintain public order.19.请勿在景区内乱扔烟蒂。
旅游景点英译公示语语用失误例析
旅游景点英译公示语语用失误例析旅游景点的英文公示语有时候会出现语用失误，下面就举几个例子来分析。
1. “欢迎您参观我们的公园，感受大自然的美妙。
”错误：在英文中，使用感觉动词feel是不符合语用的。
更正：改为“Welcome to visit our park and enjoy the beauty of nature。
”或者“Welcome to our park and experience the magnificence of nature。
”2. “这是一个适合亲子游的度假村。
”错误：英文中不使用亲子游这种词汇。
更正：改为“This is a family-friendly resort。
”3. “请您注意保护环境，不要随便丢垃圾。
”错误：使用please注意，太过婉转。
更正：改为“Please do not litter and help us keep the environment clean.”4. “希望您玩得开心！”错误：在英文中，这句话显得有点口语化，不符合公示语的规范。
更正：改为“Hope you enjoy your visit!”或者“We wish you a happy trip!”5. “美食街集美食、娱乐、休闲于一体。
”错误：使用了“娱乐”和“休闲”这样的词汇，使得信息不够清晰。
更正：改为“Food street offers a variety of tasty foods for your enjoyment.”总之，在翻译英语公示语的时候，应该以符合规范和语用清晰为前提，力求简洁明了。
旅游景点标识语(英语)
这是为了保护游客和工作人员的健康， 确保非吸烟区的空气质量不受影响， 同时减少火灾等安全风险。
04
Information prompt language
Opening hours of tourist attractions
Opening hours
Our scenic spots are open from 8:00am to 6:00pm daily.
Welcome to your visit, we wish you a pleasant stay and an enjoyable time during your visit. Our destination is a perfect blend of natural beauty, rich history, and vibrant culture.
Information about the availability of family restrooms, handicap accessible facilities, and any specific requirements
or instructions for use.
Parking Lot
Welcome to our tourist attractions, a place where you can immerse yourself in the rich history and culture of our region. We are excited to share our local treasures with you.
A place where tourists can obtain information about the attraction, including hours of operation, admission prices, and any rules or regulations.
- 1、下载文档前请自行甄别文档内容的完整性，平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益，请联系客服反馈,我们会尽快为您处理(人工客服工作时间：9:00-18:30)。
Service Operating Area Staff Only
闭路电视监控区
CCTV in Operation
请沿此路上下山
Follow this Path while Hiking in the Mountain
请沿此路上山
Climbing Route / To the Top
禁止携带易燃易爆物品
No Inflammables and Explosives / Inflammables & Explosives Prohibited
禁止速降
Downhill Skiing Prohibited
禁止雪道中间停留
Don’t Stop on Ski Slope
禁止由此滑行
No Skiing Here
禁止开窗
Keep Windows Closed / Don’t Open Windows
非机动车禁止入内
Motor Vehicles Only
雷雨天禁止拨打手机
Cell Phones Prohibited during Thunderstorms
禁止拍照
NoPhotographs/No Cameras
旅行景区公示语英译汇编
公示语是公布面对公众、通告、指示、提示、显示、警示、标示与其生活、生产、生态、生业、休闲相关的文字及图形信息。旅行景区公示语要紧指的是旅行景区公布和面对旅行者的通告、指示、提示、警示、标示等文字及图形信息，涉及到食、宿、行、游、娱、购等日常生活的方方面面。在旅行景区内，游客最为集中，与旅行宣传册、地图、宣传单等相较，公示语加倍引人注目，加倍直接发挥其信息指示功能。
旅行公示语能及时知足的社会公众和旅行者的行为和心理需求，也反映了生活在那个社会群体的整体文化素养、道德修养和精神面貌，是一个国家对外交流水平和人文环境的具体表现。因此其翻译质量将阻碍游客的旅行线路、兴致、感受及印象，进而间接阻碍我省旅行业的进展。因此，对省内旅行景区公示语进行统一标准势在必行。以下将省内旅行景区常见公示语及其标准英译依照分类的形式进行罗列。
雪崩高发区严禁停车停留
High-risk Avalanche Area, No Parking or Loitering
严禁滑板与旱冰运动
Skateboards and Rollerblades Prohibited
二、提示类
中文标示
英文标示
索道安全警示
CablewayWarning
请您排队购票
Please Line Up
Caution! Downhill Slope
当心坠落
Caution! Watch Your Step
当心绊倒
Caution! Do Not Stumble
小心滑倒
Mind Your Step
小心落石
Falling Rocks
当心坠落
Caution! Watch Your Step
小心落水
Caution! Deep Water
Do Not Get Out OfYour Vehicles, Open Windows or Feed Animals With Outside
Food
请勿靠近护栏 请勿投喂动物
Keep Off the Guardrails. Don’t Feed the Animals
警告
WARNING
严禁倚靠
请勿穿越
No Crossing!
非饮用水
Not for Drinking! / Non-potable Water!
猴子伤人 请勿靠近
Beware of Monkeys!
小心电网 请勿靠近
Keep Off the Electric Fence!
猴子伤人 严禁投食
Beware of Monkeys. Feeding Not Allowed.
保护森林资源 严禁野外用火
Protect Forest Resources. Outdoor Fire Use Prohibited.
猴子伤人 严禁靠近、打逗、投喂
Beware of Monkeys. Teasing and Feeding Them Prohibited.
防火林区 严禁烟火
Fire Zone!Smoking or Use of Fire Prohibited.
本票当日有效
Ticket Good Only on the Day ofIssue
本公园晚11点关闭
This Park Closes at 11:00
暂停服务
Out of Service
注意：正在维修
Caution! Maintenance in progress
为可能带来的任何不便表示歉意
We Apologize for Any Inconvenience
冬季封闭区
Area Closed in Winter
一级防火区 严禁烟火
High-risk Fire Zone. Smoking or Use of Fire Prohibited.
猴子伤人 请勿打逗 请勿靠近
Beware of Monkeys. Teasing and Approaching Them Prohibited.
仅收现金支票谢谢
Cash and Checks Only
当心不要丢失东西
Take Care, Not to Leave Things Behind
当心扒手
Beware of Pickpockets
钱款当面点清，离柜概不负责
Complete the Transaction Before Leaving the Counter.
请您在17:30分前下山
Please Return by 5:30 .
雨雾天气结伴及早下山
On Rainy or Foggy Days, Please Hike in Groups and Return Early
保护古树
Please Protect Ancient Trees
谢绝参观
No Visitors
注意安全 严防啄伤
Caution! Be Aware of Birds
山上野猴伤人 请您切勿靠近
Caution! Wild Monkeys are Dangerous
动物伤人 严禁挑逗
Animals Can Be Dangerous. No Teasing.
注意安全，保持距离。请勿追赶、打逗动物。
Keep a Safe Distance. Chasing or Teasing Animals Not Allowed!
禁止推搡，奔跑或挤靠
No Pushing, Running or Shoving
禁止靠近
Do Not Approach
禁止启动
Don’t Start It
水深危险请勿靠近
Danger! Deep Water
禁止跳水
No Diving
禁止打闹
NoRoughhousing
请勿攀爬
No Climbing
严禁下车开窗 投喂自带食品
卧床请勿吸烟
Don’t Smoke in Bed
殿内请勿燃香
Don’t Burn Incense in the Hall
风力较大勿燃香，请敬香
Windy. No Incense Burning
高血压、心脏病患者以及晕车、晕船、酗酒请勿乘坐
Drunks, sufferers of hypertension, heart disease and motion sickness not allowed on board.
Stand Clear / No Leaning
严禁携带宠物
No Pets Allowed
严禁中途下车
No Exiting between Stops
禁止排放污水
Do Not Throw Out Waste Water
禁止无照经营
No Unlicensed Vendors
禁止燃放烟花爆竹
No Fireworks Allowed / Fireworks Prohibited
旅游区内 禁止吸烟
No Smoking in the Tourist Attraction
不得携带火种
No Flammables
请勿随手乱扔废弃物 保护环境卫生
No Littering. Keep the Environment Clean
注意下道停车 保持主线畅通
Park Off the Road. Keep Main Lanes Clear
忍一时烟瘾 留万亩绿茵
No Smoking
注意安全 请勿靠近
Caution!Keep Off
弯道下坡 注意安全
Caution! Downhill Slope
弯道上坡 注意安全
Caution! Uphill Slope
连续上坡 注意安全
Caution! Long Uphill Slope
弯道下坡 注意安全
注意脚下地面有时滑
Watch Your Step, Floor May Be Slippery at Times
保护文物，人人有责
Please Protect Cultural Relics
景区是我家，人人都爱它
Please Protect the Environment
请您爱护景区动物
Please Protect theWildlifein t
中文标示
英文标示
禁止攀折花木
Don’t Pick the Flowers
严禁攀爬索道
Do Not Climb onto Cableways