隐喻和象征_弗罗斯特诗歌的两大特色_英文_
弗罗斯特诗歌中的象征主义

弗罗斯特诗歌中的象征主义梁文琴(四川托普信息技术职业学院英语系)Symbolism in Robert Frost’s PoetryLiang Wenqin(Sichuan TOP V ocational Institute of Information Technology)[摘要]:弗罗斯特是20世纪的一位伟大诗人。
他的诗歌主要以新英格兰为背景,描绘美丽的自然风景和人民淳朴的生活,充满田园情趣。
本文主要对弗罗斯特的诗歌主题和风格,诗歌中的象征主义进行了分析和评论。
诗歌中的象征给人无限遐想,赋予作品深刻的涵义。
[关键字]:弗罗斯特主题风格象征主义[ABSTRACT] Robert Frost is a great poet in the 20th century. His poetry depicts the natural beauty and people’s simple life in New England, which is full of country joy. This article mainly explores the theme, style and symbolism in Robert Frost’s poetry. The images in the poems extend reader’s imaginations and give the poems profound meanings.[KEY WORDS]Robert Frost, theme, style, symbolism1 前言罗伯特.弗罗斯特是美国20世纪最伟大的诗人之一,享有极高的声誉和社会地位,曾四次获得普利策奖,并在总统约翰.肯尼迪的就职仪式上被尊称为“非官方的桂冠诗人”。
他荣获多所大学的荣誉,赢得了许多艺术家和作家们奋斗一生都未曾梦想的荣誉。
弗罗斯特的诗歌多以新英格兰为背景,具有浓厚的乡土气息和田园情趣,被誉为“新英格兰诗人”。
罗伯特·弗罗斯特诗歌中的隐喻研究

罗伯特·弗罗斯特诗歌中的隐喻研究作者:焦阳来源:《科技视界》2014年第11期【摘要】在传统的语言学中,隐喻(metaphor)被认为是一种修辞方式。
而认知语言学则认为隐喻是一种认知模式。
罗伯特·弗罗斯特在诗歌中运用大量隐喻而闻名于世。
他的诗歌中有许许多多的令人难以忘记的隐喻用法。
这些诗歌包括《未选择的路》(“The Road Not Taken”),《雪夜林边小驻》(“Stopping by Woods on a Snowy Evening” ),《修墙》(“Mending Wall”),等等。
本文将分析罗伯特·弗罗斯特的两首诗歌:《未选择的路》(“The Road Not Taken”),《雪夜林边小驻》(“Stopping by Woods on a Snowy Evening”),来分析其诗歌的隐喻意义。
【关键词】隐喻;诗歌;罗伯特·弗罗斯特0 引言隐喻是哲学、心理学、社会学、语言学和文学批评等众多学科研究的热点,隐喻是人们日常生活中非常常见的语言现象,正如理查德所言,每三句话中就有一个隐喻。
罗伯特·弗罗斯特(Robert Frost)(187-1943)美国著名现代诗人。
罗伯特·弗罗斯特的诗歌看似简单易懂,但是实际上都是经过精心地设计、构造、在平淡、简单形式下运用隐喻传递了深刻的人生道理。
以下是对罗伯特·弗罗斯特两首诗歌的隐喻分析:1 《雪夜林边小驻》《雪夜林边小驻》是罗伯特·弗罗斯特最著名的诗歌之一。
这首诗歌描述这样的一幅画面:一个旅行者牵着一匹马停在了一片树林边,这片树林很美,昏暗而幽深。
一切的一切都被皑皑的白雪覆盖着。
他独自地享受着这美丽的宁静的景色久久不愿离去。
然而为了他的诺言他不得不继续前行。
大量的隐喻在本首诗歌中出现。
树林(“Woods”)频繁出现在罗伯特·弗罗斯特诗歌中,其隐喻的是充满着奇妙和吸引力的大自然。
罗伯特·弗罗斯特诗歌的隐喻分析与意象图式的构建

学教育2049."罗伯特•弟罗斯特诗歌的隐喻分析与宣象图式的构建◎魏护婷内容摘要:诗人用诗歌抒情言志,而隐喻作为诗歌重要的表现形式之一,其解读和意义的构建受到了越来越多语言学家的重视。
本文以认知语言学中的概念隐喻理论(CMT)和概念整合理论(MIT)为基础,从罗伯特•弗罗斯特的三首诗A Girl's Garden^Leaves Compared with Flowers和Desert Place中选取了在其诗歌中常见的意象,分析了诗歌中的隐喻,探讨了隐喻含义的构建过程,继而建立了“植物一人”和“动物一人”这两个意象图式框架。
关键词:概念隐喻理论概念整合理论罗伯特•弗罗斯特隐喻koff和Johnson的概念隐喻理论诗歌中充满了隐喻,因而诗歌被称为隐喻式语言,可以说诗歌与隐喻是互为依存的关系叫语言学自上世纪起就对隐喻进行研究,从单纯的语用学视角到现今的认知语言学视角,有关隐喻的理论进一步得到发展。
其中最著名的作品之一是Lakofif和Johnson合著的《Metaphors We Live by》一■书,在其中,他们提出了概念隐喻理论(Conceptual Metaphor Theory,即CMT)。
他们认为隐喻是概念系统中从一个认知域“源域”向另一个认知域“目标域”的跨域结构投射。
在“A即B”这一形式中,B则可以被称为概念隐喻。
源域通常相对具体,而目标域则更加抽象。
这一理论的提出使隐喻突破了以往的修辞学特性叫2.Fauconnier的概念整合理论随着研究的深入,人们发现CMT并不适用于所有隐喻,尤其是一些新奇的隐喻,这是由隐喻的特点所决定的。
不同于含义相对固定的转喻,隐喻含义常常会随着人们的需要而发生改变,进而出现新的隐喻,最常见的如漫画、宣传广告等,但概念隐喻理论却无法解读这一类隐喻。
为了弥补这一不足,语言学家Fauconnier提出了概念整合理论(Conceptual Integration Theory,BPCIT)O在该理论中,之前的"源域"和“目标域”的双域单向映射被发展成了四个心理空间(mental space)的双向映射,即输入空间1(Inputl)、输入空间2(Input2)、类属空间(Generic Space)和合成空间(Blending Space)o从两个输入空间中提取出共有的相似部分构成类属空间,而两个输入空间的成分再经过选择性的跨空间映射整合成合成空间。
经典英文诗歌赏析(全)

经典英文诗歌赏析(全)一 nothing gold can stay1简介:《美景易逝(Nothing Gold Can Stay)》罗伯特弗罗斯特的代表作之一。
此诗于1923年写就,即于当年十月在《耶鲁杂志(The Yale Review)》上刊印出版,随后就被收录到弗罗斯特的一本名为《新罕布什尔州(New Hampshire)》的诗集中。
2诗歌翻译:Nothing gold can stay 岁月留金Nature's first green is gold, 大自然的第一抹新绿是金,Her hardest hue to hold. 也是她最无力保留的颜色.。
Her early leaf's a flower; 她初发的叶子如同一朵花,;But only so an hour. 不过只能持续若此一刹那。
Then leaf subsides leaf, 随之如花新叶沦落为旧叶。
So Eden sank to grief. 由是伊甸园陷入忧伤悲切,So down gose down to day, 破晓黎明延续至晃晃白昼。
Nothing gold can stay. 宝贵如金之物岁月难保留。
3诗歌赏析:这首诗揭示了一切真切而美好的事物最终定会逐渐消失的哲理。
它同时也使用了独特的技巧来表现了季节的变化。
想到了小时了了,大未必佳。
一切都是转瞬即逝的,浮世有的仅仅转丸般的繁华。
二 the road not taken1诗歌简介:这首名诗《The Road NotTaken》形式是传统的抑扬格四音步,但音步可变(含有很多抑抑扬的成分);每节的韵式为abaab 。
弗罗斯特写诗的特色就是善于使用眼前看似平淡无奇的事物,去表达一个深刻的哲理。
这正如他在一首诗中写的:“黄色的树林里有两条岔开的路/可惜我不能在同一时间走两条路/我选择了少人行走的那条/这就造成了一切的差异。
”诗人选择了诗歌,放下了在一所师范学校教书的职业以及那可能平坦,安稳的生活。
罗伯特·弗罗斯特诗歌的隐喻分析与意象图式的构建

罗伯特·弗罗斯特诗歌的隐喻分析与意象图式的构建作者:魏梦婷来源:《文学教育》2019年第11期内容摘要:诗人用诗歌抒情言志,而隐喻作为诗歌重要的表现形式之一,其解读和意义的构建受到了越来越多语言学家的重视。
本文以认知语言学中的概念隐喻理论(CMT)和概念整合理论(MIT)为基础,从罗伯特·弗罗斯特的三首诗A Girl’s Garden、Leaves Compared with Flowers和Desert Place中选取了在其诗歌中常见的意象,分析了诗歌中的隐喻,探讨了隐喻含义的构建过程,继而建立了“植物——人”和“动物——人”这两个意象图式框架。
关键词:概念隐喻理论概念整合理论罗伯特·弗罗斯特隐喻koff和Johnson的概念隐喻理论诗歌中充满了隐喻,因而诗歌被称为隐喻式语言,可以说诗歌与隐喻是互为依存的关系[1]。
语言学自上世纪起就对隐喻进行研究,从单纯的语用学视角到现今的认知语言学视角,有关隐喻的理论进一步得到发展。
其中最著名的作品之一是Lakoff和Johnson合著的《Metaphors We Live by》一书,在其中,他们提出了概念隐喻理论(Conceptual Metaphor Theory,即CMT)。
他们认为隐喻是概念系统中从一个认知域“源域”向另一个认知域“目标域”的跨域结构投射。
在“A即B”这一形式中,B则可以被称为概念隐喻。
源域通常相對具体,而目标域则更加抽象。
这一理论的提出使隐喻突破了以往的修辞学特性[2]。
2.Fauconnier的概念整合理论随着研究的深入,人们发现CMT并不适用于所有隐喻,尤其是一些新奇的隐喻,这是由隐喻的特点所决定的。
不同于含义相对固定的转喻,隐喻含义常常会随着人们的需要而发生改变,进而出现新的隐喻,最常见的如漫画、宣传广告等,但概念隐喻理论却无法解读这一类隐喻。
为了弥补这一不足,语言学家Fauconnier提出了概念整合理论(Conceptual Integration Theory,即CIT)。
英文诗歌鉴赏-The-road-not-taken

And be one traveler, long I stood我在那路口久久伫立
And looked down one as far as I could我向着一条路极目望去
To where it bent in the undergrowth;直到它消失在丛林深处
(2)弗罗斯特在诗歌风格上的一个最大特点是朴素无华,含义隽永,把深刻的思考和哲理寓于平淡无奇的内容和简洁朴实的诗句之中。本诗堪称是这方面的典范。这首诗的语言质朴自然,但在构思上却非常巧妙。我们不难看出,诗歌中所描写的岔路就是人生岔路的象征。它说明,在人生的旅途中,我们时常必须要在两条道路、两种思想或两种行动中做出选择,不同的选择将决定不同的人生方向。面对选择时,我们往往会变得犹豫不决,反复权衡,拿不定主意。最后,我们终究会选择其中的一条路。这首诗,描绘的是一个面临选择的人和他进行选择时的心态,至于选择的具体内容并没有写出,诗人的着眼点是选择本身。每一个读者都能够在这首诗中发现自己的生活体验,体味其中的哲理。因为这首诗具有丰富的内涵,给读者留下了想像的空间,从而受到触动,引发深深的思索。这种每个人都有过的复杂的心理体验,被弗罗斯特敏感地捕捉到了,并谱写成一首脍炙人口的佳作.
罗伯特弗罗斯特堪称美国20世纪90年代最受欢迎的诗人之一,是美国非官方的桂冠诗人,他一生致力于诗歌的创作,主要写作并出版了10部诗集,这一首是其第三部诗集《山的间隔》中的名篇。
2诗歌翻译:
The Road Not Taken——Robert Frost未选择的路罗伯特•弗罗斯特
Two roads diverged in a yellow wood,黄色的树林里分出两条路
英文诗歌翻译与赏析

我是生物工程专业学生###,虽然我是理科生,但是我也同样喜欢文学,喜欢语言,喜欢诗歌,因此选了学习这门课,我经常用这句话来激励自己:沧海横流,方显英雄本色;说真心话,做真心人;只要是合理的,就没有做不到的事.二. the road not taken1诗歌简介:这首名诗《The Road NotTaken》形式是传统的抑扬格四音步,但音步可变(含有不少抑抑扬的成分);每节的韵式为abaab 。
弗罗斯特写诗最大的特色就是善于运用眼前看似平淡无奇的事物,去表达一个深刻的哲理。
这正如他在一首诗中写的:“黄色的树林里有两条岔开的路/可惜我不能在同一时间走两条路/我选择了少人行走的那条/这就造成了一切的差异。
”诗人选择了诗歌,放下了在一所师范学校教书的职业以及那可能平坦,安稳的生活。
他对自己说:写诗吧,穷就穷吧,于是他们就来了英国,在离伦敦不远的一个村子里找到了一座木板茅屋作为新家。
罗伯特弗罗斯特堪称美国20世纪90年代最受欢迎的诗人之一,是美国非官方的桂冠诗人,他一生致力于诗歌的创作,主要写作并出版了10部诗集,这一首是其第三部诗集《山的间隔》中的名篇。
2诗歌翻译:The Road Not Taken Robert Frost 未选择的路罗伯特•弗罗斯特Two roads diverged in a yellow wood, 黄色的树林里分出两条路And sorry I could not travel both 可惜我不能同时去涉足And be one traveler, long I stood 我在那路口久久伫立And looked down one as far as I could 我向着一条路极目望去To where it bent in the undergrowth; 直到它消失在丛林深处Then took the other, as just as fair, 但我却选择了另外一条路And having perhaps the better claim, 它荒草萋萋,十分幽寂Because it was grassy and wanted wear; 显得更诱人,更美丽Though as for that the passing there虽然在这两条小路上Had worn them really about the same, 都很少留下旅人的足迹And both that morning equally lay 虽然那天清晨落叶满地In leaves no step had trodden black. 两条路都未经脚印污染Oh, I kept the first for another day! 呵,留下一条路等改日再见Yet knowing how way leads on to way, 但我知道路径延绵无尽头I doubted if I should ever come back. 恐怕我难以再回返I shall be telling this with a sigh 也许多少年后在某一个地方Somewhere ages and ages hence: 我将轻声叹息把往事回顾Two roads diverged in a wood,and I—一片森林里分出两条路I took the one less traveled by, 而我却选择了人迹更少的一条And that has made al lthe difference.从此决定了我一生的道路3诗歌赏析:(1)诗歌特点: 全诗共4节,可分两层:1—3节为第一层,在树林里,“我”面临着两条路,而经过思考决定选择了一条人迹罕至的路。
浅析罗伯特·弗罗斯特诗歌艺术特点

浅析罗伯特弗罗斯特诗歌艺术特点
柯秋芳
【期刊名称】《三峡大学学报(人文社会科学版)》
【年(卷),期】2007(029)004
【摘要】罗伯特·弗罗斯特(Robert Frost,1874~1963)是20世纪美国的著名诗人.其诗歌意象鲜明,措辞简练,形象生动.诗歌素材大部分来源于他本人生活的新英格兰地区农场.诗人"旧瓶装新酒",借用传统的英诗格律,朴实无华的语言,以日常生活中的所见所闻为题材,从描写着手,以提喻的形式,发掘自然环境、现象以及日常生活中所蕴涵的深刻哲理,内容寄寓深远,令人回味无穷,浮想联翩.通过一些特殊的场景、事物以及现象来引发对普遍性的沉思.正如海明威的小说那样,具有一种"骗人的朴素"以及"冰山"下的厚重.
【总页数】3页(P30-31,58)
【作者】柯秋芳
【作者单位】咸宁学院,外国语学院,湖北,咸宁,437005
【正文语种】中文
【中图分类】I106.2
【相关文献】
1.浅析英国经历对罗伯特·弗罗斯特诗歌创作的影响 [J], 郑艳
2.浅析罗伯特·弗罗斯特诗歌中的平衡性 [J], 朱先萍
3.浅析罗伯特·弗罗斯特诗歌中的平衡性 [J], 朱先萍;
4.浅析罗伯特·弗罗斯特诗歌的艺术特色 [J], 徐梦天
5.罗伯特·弗罗斯特及其诗歌中的象征主义浅析 [J], 杨东益
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M et aphor and Sy mbolis m:Two Typi cal Features of Frost’s Poetry3CHEN Yan1,L I S i-hong2(1.Yunnan Vocati onal College of Tr op ical Cr op s,Pu’er665000,China;2.I nternati onal College of Honghe University,Mengzi661100,China)Abstract:W ith its see m ingly si m p licity and a mbiguity in language but rich i m p licati ons in thinking,Fr ost’s poetry often p r oduces a rewarding and lasting i m p ressi on on the readers.The authors hold that the main characteristics of his poetry are metaphor and sy mbolis m, and his fa mous typ ical poe m s reveal p r ofound phil os ophical ideas that are Fr ost’s inter p retati on of life and existence aswell as the relati on2 shi p bet w een man and nature.Key words:Robert Fr ost;metaphor;sy mbolis m;phil os ophical connotati on中图分类号:I712.2 文献标识码:A 文章编号:1008-9128(2008)01-0068-04 Robert Fr ost(1874-1963)is one of the greatest po2 ets in the20th century American literature.Four ti m es of the Pulitzer Prize winner,Fr ost received honors fr o m f orty -f our instituti ons,and beca me the nati on’s unofficial Poet Laureate and in1961recited his poe m“The Gift Outright”at the inaugurati on of President John F.Ken2 nedy,a rare case in American hist ory.Fr ost is often co mpared with Words worth and E mer2 s on in s o me as pects.Words worth may have influenced Fr ost in many as pectswhile E mers on’s influence is large2 ly the concep t of“nature-as-sy mbol”.And in s ome degree,Fr ost’s life experience als o has a great influence on his poetic creati on,and is hel pful t o f or m his own style and characteristics.H isworks often set in rural Ne w England.Natural surr oundings give hi m much ins p irati on and trigger his i m aginati on.On the surface,Fr ost’s po2 etry is si m p le and easy t o understand,but Fr ost hi m self refused t o be considered as a nature poet.“I’m not a nature poet,”he once declared,“there is al w ays s o me2 thing else in my poetry.”[1]86H is work is often“decep2 tively si m p le”,and can be read very often on many lev2 els.H is poetry is rich in connotati ons and many poe m s suggest a deeper meaning.And although most of his po2 e m s often contain p r of ound phil os ophical ideas,they are not didactic.A good understanding of Fr ost’s clever use of metaphor and sy mbols can shed much light on his rich phil os ophical thinking.I M et aphor and Sy m bolis mMetaphor is s o i m portant in poetry that poetry has al m ost beco me the art of metaphors,as the Spanish es2 sayist and phil os opher Jose O rtega Y Gasset says that “Poetry has beco me the higher algebra of meta2 phor.”[2]360“Metaphor is a figure of s peech in which the quality of one is transferred ont o another.”[2]361Fr ost ar2 gued,“Thought was dependent upon figurative language, not as mere decorati on but as the basis of concep tualiza2 ti on”[3]4.He thought about the nature of metaphor.“Metaphor is the whole of poetry.”[3]115“Poetry is si m p ly made of metaphor…Every poe m is a ne w metaphor inside or it is nothing”.[3]115Such are the burdens Robert Fr ost p laced both upon metaphor and on hi m self as a poet.He went even farther in his clai m ing that metaphor is the whole of thinking,and that,theref ore,t o be educated by poetry is t o be taught t o think.[3]115Metaphor as a poetic device is hel pful t o exp ress the the me of a poe m and re2 veal the phil os ophical i m p licati ons of a poe m.Sy mbolis m is a literary move ment that ar ose in France in the last half of the nineteenth century and that greatly influenced many writers,particularly poets,of the t w entieth century.Hol m an defines sy mbolis m as the f ol2 l o wing,“in its br oad sense,sy mbolis m is the use of one object t o suggest another,or in literature,the p ractice of rep resenting objects or ideas by sy mbols or giving things a sy mbolic(ass ociated)character and meaning.”[4]118A s a literary technique,sy mbolis m can be defined第6卷 第1期2008年2月 红河学院学报Jounal of Honghe UniversityVol.6 No.1Feb.20083收稿日期:2007-09-27第一作者:陈燕(1978-),女,云南普洱人,云南热带作物职业学院教师,在读硕士。
研究方向:英语文学。
as the art of ex p ressing ideas and e moti ons not by descri2 bing the m directly,nor by defining the m thr ough making a co mparis on bet w een concrete i m ages,but by suggesting what these ideas and e moti ons are thr ough the use of po w2 erful sy mbols.And W inifred No wottney gives us a more vivid descri p ti on of sy mbolis m:“W ith metaphor,the po2 et talks about object X as though it were a Y…W ith sy mbolis m,he p resents an…X,but his way of p resenting X makes us think that it is not only X,but als o is or stands for s o mething more than itself—s ome Y or other, or a nu mber of‘Y’s…It is as though…the poet were try2 ing t o leap out of the mediu m of language alt ogether and t o make his meaning s peak thr ough objects instead of words.Even though he does not tell us what…X stands for,or even that it stands f or anything,he makes us be2 lieve that it means,t o hi m at least,s omething beyond it2 self”.[3]160II Ph ilosoph i ca l Connot a ti on s E m bod i ed i n Frost’sM et aphor and Sy m bolis mFr ost is a keen observer of nature.He often uses a metaphor as vehicle t o ex p ress his feelings evoked by the natural scenes,pheno mena and events.And he is skillful in using a nu mber of sy mbols in his poetry,which make his poetry possess a quality of sy mbolic i m p licati on.H is abundant use of metaphors and sy mbols in his poe m s makes his poe m s see m ingly describe the beauty of na2 ture,but indeed they contain s ome phil os ophic signifi2 cance.Fr ost is a poet full of i m aginati on.I n the poe m,“The Silken Tent”,Fr ost connects t w o apparently differ2 ent things,that is,he co mpares a girl t o a silken tent in the field on a m ild su mmer day.Fr ost p resents us a vivid p icture of the girl’s beauty and grace thr ough using meta2 phor as poetic vehicle.“She is as in a field a silken tent/A t m idday when a sunny su mmer breeze/Has dried the de w and all its r opes relent,/So that in guys it gently s ways at ease.”The weather is nice and“the sunny su m2 mer breeze has dried the de w”,and the tent is gently s waying in the breeze,and this i m age l ooks as if a girl is dancing in the field.The state of the silken tent in the breeze i m p lies that the girl see m s t o be at peace and eve2 rything in her life is g oing well.I n fact,this poe m reveals the tensi on bet w een the girl’s pursuit of freedo m and l oyalty t o G od and l ove.“And its supporting central cedar pole,/That is its p in2 nacle t o heaven ward/And signifies the sureness of itss oul,/See m s t o owe naught t o any single cord,/But strictly held by none,is l oosely bound/By countless silk2 en ties of l ove and thought/T o everything on earth the co mpass r ound,/And only by one’s going slightly taut”reveals t w o paradoxical as pects that exist in the girl:on the one hand,she should be faithful t o G od,and l oyal t o her l over;on the other hand,she de mands the freedo m t o think and t o perf or m.The“supporting central cedar pole”stands f or s oul,which should be free,but“she”is “l oosely bound”by the cords that hold the tent in p lace. Ropes sy mbolize the ties of the girl’s feeling and thought which connects the inner world of the girl with other peo2 p le and the earthly things of this world.A lthough the r opes are rather l oose and holding gently on her,it does not mean that she is abs olutely free,and the bondage stands f or the relati onshi p bet w een her and other peop le. W hat’s more,the r opes functi on t o keep the tent erect, which i m p lies that she can live a happy life with the hel p of these“r opes”.The pole sy mbolizes her l oyalty t o G od and l ove.The central pole is the main part of the tent. W ithout this pole,the tent would not stay up,but would be bl own by the wind and fall down.The very t op of the pole is not leaning but rather reaching heaven ward.This i m p lies a str ong and enduring faith in G od that is at the core of this girl’s heart.I n this s onnet,we can clearly see ho w skillfully Fr ost uses metaphor:he integrates a girl and a silken tent int o one i m age and t o reveal his un2 derstanding of the contradict ory relati onshi p bet w een one and self,individual and s ociety.Man exists in s ociety as an individual,in this sense he hi m self is paradoxical in nature.This poe m reveals the inner paradoxical mood of one pers on.And it als o reflects the relati onshi p bet w een individual and other peop le.One of Fr ost’s poetic theories is that a poe m should “begins in delight and ends in wisdom”.[5]1200The poe m “B irches”is the e mbodi m ent of his theory.W hen the po2 et sees that“birches bend t o left and right,”he wonders what caused the m t o be s o bent,s o he i m agines that may2 be“s o me boy’s been s winging the m.“The poe m p res2 ents us a vivid p icture that a boy is happ ily s winging bir2 ches.But the poet does not only mean t o tell us a st ory. There is s omething beyond the literary meaning hidden in this poe m.Fr ost is quite skillful in creating metaphor t o get his idea acr oss;for exa mp le,in this poe m he com2 pares the trees t o”girls on hands and knees that thr o w their hair/Before the m over their heads t o dry in the sun.”Fr ost holds that life is a difficult j ourney filled with96CHE N Yan,L I Si-hongMetaphor and Sy mbolis m:T wo Ty p ical Features of Fr ost’s Poetrypain,s o he says in the poe m,“And life is t oo much like a pathless wood/W here your face burns and tickles with the cob webs/B r oken acr oss it,and one eye is weep ing/ Fr o m a t w ig’s having lashed acr oss it open”.Fr ost co m2 pares our life j ourney t o a wood without paths,and he be2 lieves that one may have t o ex perience s o me difficulties and even be injured in such a situati on.I feel that the perfect metaphor in this poe m is that the poet co mpares the p r ocess of the boy’s s winging birches fr om t op t o gr ound t o the state of a pers on’s maintaining balance be2 t w een ideal and reality.“So was I once myself a s winger of birches./And s o I drea m of going back t o be./It’s when I’m weary of considerati ons,/And life is t oo much like a pathless wood…/And half grant what I wish and snatch me a way/Not t o return.Earth’s the right p lace for l ove:/I don’t know where it’s likely t o go better”re2 flects that the poet wants t o get a way a while when he feels life is t oo much f or hi m,but it does not mean he wants t o escape eternally fr o m reality.The poet desires t o escape the earthly worries and p ressure in life;and t o cli m b t oward heaven,and t o l ook f or a te mporary s p iritu2 al salvati on,but finally he still returns t o the real world, for reality is the fir m base f or ideal though s ometi m es it is indifferent and cruel,f or“Earth’s the right p lace for l ove:/I don’t kno w where it’s likely t o go better.”The “wisdo m”contained in the poe m is that it suggests the best way of life is t o make a reconciliati on bet w een one’s desire and the reality.Fr ost creates a perfect metaphor t o ex p ress his understanding of the hu man experience and sho ws his active attitude t owards life.“B irches”shares a si m ilar the me with another poe m“St opp ing by Woods on a Sno wy Evening”.“St opp ing by Woods on a Sno wy Evening”is not only one of the most popular American poe m s,but als o one written in a clear and see m ingly direct style.“St op2 p ing byWoods on a Snowy Evening”narrates a very si m2 p le st ory.A man st op s by woods on a snowy evening that is darkest evening of the year.He watches the woods fill up with sno w,and he is fascinated by the beautiful scen2 ery and stays s o l ong that his little horse shakes his har2 ness bells t o ask if there is s ome m istake.The poet re2 me mbers his p r om ises that he has t o keep,s o he decides move on and travel m iles before he sleep s.W ith the ex2 cep ti on of si m p licity,the poe m gives us an i m p ressi on of uncertainty and a mbiguity.The poet does not tell us who the pers on is,or where the rider is g oing t o,or what the rider’s p r o m ise is.It can be inter p reted that“sleep”stands f or death and the man’s j ourney t oward sleep re2 p resents a pers on’s life j ourney—fr om birth t o death; fr om the realistic world t o natural world.“Woods”in this poe m may sy mbolize the natural world where a pers on be2 l ongs after his death.Another inter p retati on of this poe m is that“woods”sy mbolizes a perfect,mysteri ous ideal world,and the man’s leaving the woods stands f or his accep tance of s ocial duty and pers onal res ponsibility.I p refer t o the latter one.“St opp ing byWoods on a Sno wy Evening”contains several i m ages,and each i m age has its sy mbolic mean2 ing.“Sno wy evening”,which is the i m age of coldness and gl oo m,and it is the reflecti on of the man’s mood.“Woods”,which is“l ovely,dark and deep”,may sy m2 bolize the whole natural world;the owner of the woods and“the village”stand for the hu man s ociety and life and the“little horse”rep resents a life pattern:devoting oneself t o fulfilling one’s s ocial res ponsibility and indul2 ging oneself in the chaotic life of modern s ociety,but ig2 noring the natural beauty in daily life and f orgetting t o pursue the s p iritual enj oy ment.The man’s st opp ing by woods may sy mbolize his desire t o obtain the te mporary tranquility of inner m ind.The poe m p resents readers t w o worlds:the world of the woods—an ideal world offering perfect quietness and s olitude,and a real world full of s ocial obligati ons and tr oubles ome.I n the end,the man decides t o leave the woods and return t o the real world.The phil os ophical overt one e mbodied in this poe m is very obvi ous,that is,we can have a moment of relaxati on fr om the realistic world and learn t o app reciate natural beauty and obtain s p iritual enj oy ment when we are tired of the chaotic life,but this does not mean we should be an escap ist.A s an individual in s ociety,we should fulfill our task and keep our p r om ises.I n a word,we should keep balance bet w een the t w o worlds—drea m and reality. The poe m“St opp ing byWoods on a Snowy Evening”re2 veals the relati onshi p bet w een man and s ociety.It will be very hel pful f or us t o live an active and meaningful life, t o shoulder our s ocial res ponsibility and realize our value in this s ociety.Fr ost“was good at exp l oring the comp lexity of hu2 man existence thr ough treating see m ingly trivial subjects and had al w ays in vie w the ulti m ate ai m in writing of making life“whole again bey ond confusi on”[3]203.“The Road Not Taken”by Robert Fr ost is an ad m irable poe m.I n this poe m,Fr ost p resents a conflict-t o make a choice bet w een an easy r oad and a challenging one.D if207红河学院学报 2008.1/文学ferent peop le may have different understandings of thethe me of this poe m.I n my understanding,the t w o r oads that diverged in a yell ow wood sy mbolize t w o different choices in one ’s life .The the me of this fa mous poe m is about choice in life,and we can inter p ret this the me fr om three as pects .The first as pect is that life is a p r ocess that we have t o make a choice all the ti m e and at every p lace;the second one is that Fr ost discusses ho w one ’s choice has an i m portant effect on the rest of his life .Choosing the common r oad means the consequences can be f ore 2t old;while choosing the “less traveled by ”r oad means that a pers on can ex perience more excite ment and have a more satisfact ory life,contrasting the more fa m iliar lives other peop le take;everyone will be res ponsible f or his/her o wn choice and different choices different peop le make in life will bring the m different futures;the third one is that Fr ost ex p resses the regret that peop le can have only one choice and he p resents man ’s li m itati on t o ex 2p l ore different possibilities of life .“Yet knowing how way leads on t o way,/I doubted if I should ever come back ”i m p lies that once he makes a choice,he can never come back t o the past and experience other possibilities .“The Road Not Taken ”is a lucid reflecti on of Fr ost ’s life phi 2l os ophy which p r oves that.“al m ost everything in Fr ost is figurative and metaphoric but in the suggestive ways ofparable or p r overb .”[3]52Thus,Fr ost ’s dicti on has its rich metaphorical and sy mbolic significance .“woods ”,“birch ”,“cedar ”,“tree ”,“app le ”,“fl ower ”,etc .are inseparable parts of nature,while “day ”,“evening ”,“su mmer ”,“hour ”,“da wn ”,“m idday ”,“winter ”etc .are either ti m e -bound or seas on -related .I n fact,I believe that they carry with the m selves the i m p licati ons that nature exists in a la w of recycle and hu man existence re mains in the sa me way:e 2merging,gr o wing and dying,which reveals the nature of nature and of mankind .III Conclusi onRobert Fr ost is often regarded as one of the greatestand the most popular and bel oved American poets in the 20th century .A lthough his work is r ooted in the Ne w England landscape,he can never be regarded as regi on 2al poet,because his poetry often has a universal the me and carries rich metaphorical and sy mbolic meanings .He holds that nature with its inexhaustible ins p irati on is a valuable s ource of hu man wisdom ,fr om which he dra ws all he needs .On the surface,most of his poe m s are si m p le and direct,and f ocus on describing the beau 2ty or facts of nature,but with his power of poetic i m agi 2nati on and figurative language,they exp ress Fr ost ’s p r of ound phil os ophical ideas about nature and man and his concern with human survival .Thr ough cleverly utili 2zing metaphor and translating natural objects and inci 2dents int o suggestive sy mbols,Fr ost ’s poe m s show his deep app reciati on and understanding of the natural world and human existence .W ith a t otal l oyalty t o his own be 2lief in poetic creati on and a see m ingly truthful descri p 2ti on of nature,Fr ost ’s poetry exp l ores the hu man rela 2ti onshi p s and discl oses the meaning of human existence in nature,which requires the readers t o inter p ret its rich i m p licati ons thr ough a correct understanding of his meta 2phor and sy mbols .References:[1] Trikha,Manorama,(ed .).Robert Fr ost:An Anthol ogy ofRecent Criticis m [M ],Delhi:Ace Publicati ons,1990.[2] 邵锦娣,白劲鹏.文学导论[M ].上海:上海外语教育出版社,2002.[3] Faggen,Robert .The Ca mbridge Compani on To RobertFr ost [M ].Shanghai:Shanghai Foreign Language Educa 2ti on Press,2004.[4] Denise,Theodre,et al .Great Traditi ons in Ethics [M ].Beijing:Peking University Press,2002.[5] Reidhead,Julia,(ed ).The Nort on Anthol ogy of Ameri 2can L iterature[M ].Ne w York:W .W.Nort on &Compa 2ny,I nc .,2003.[6] 常耀信1美国文学简史[M ].天津:南开大学出版社,2003.[责任编辑 杨文伟]隐喻和象征:弗罗斯特诗歌的两大特色陈 燕1,李思红2(1.云南热带作物职业学院,云南普洱665000;2.红河学院国际学院,云南蒙自661100)摘 要:弗罗斯特诗歌的语言似乎简单、含糊,但其思想蕴意深刻,常常给读者留下难忘的印象,余味无穷。