狄金森诗歌EmilyDickinson
emily_dickinson诗歌赏析
①I’m Nobody!我是无名之辈－Emily DickinsonI’m nobody! Who are you?我是无名之辈！你是谁？Are you nobody, too?你也是无名之辈吗？Then there’s a pair of us----don’t tell!那么我们就是一对儿了！千万不要透露出去They’d banish us, you know!不然我们都会被他们驱逐，你知道。
How dreary to be somebody!做一个某某，是多么沉闷无聊How public, like a frog众人像是青蛙To tell your name the livelong day整日地把你谈论啊To an admiring bog!对着他们倾慕的泥沼我是无名之辈艾米莉·狄金森我是无名之辈，你是谁？你，也是，无名之辈？这就凑成一双，别声张！你知道，他们会大肆张扬！做个，显要人物，好不无聊！像个青蛙，向仰慕的泥沼——在整个六月，把个人的姓名聒噪——何等招摇！This poem is Dickinson’s most famous and most defense of the kind of spiritual privacy she favored, implying that to be a Nobody is a luxury incomprehensible to a dreary somebody—for they are too busy keeping their names in circulation. But to be somebody is not as fancy as it seems to be.Emily DickinsonAs you probably noticed when you read this poem, none of the themes that I discussed in the Overview of Dickinson applies to this poem. My list was not meant to cover every topic Dickinson wrote on, nor does every poem she wrote fit neatly into a category.Dickinson adopts the persona of a child who is open, naive, and innocent. However, are the questions asked and the final statement made by this poem naive? If they are not, then the poem is ironic because of the discrepancy between the persona's understanding and view and those of Dickinson and the reader. Under the guise of the child's accepting society's values, is Dickinson really rejecting those values?Is Dickinson suggesting that the true somebody is really the "nobody"? The child-speaker welcomes the person who honestly identifies herself and who has a true identity. These qualities make that person "nobody" in society's eyes. To be "somebody" is to have status in society; society, the majority, excludes or rejects those who lack status or are "nobody"--that is, "they'd banish us" for being nobody.In stanza 2, the child-speaker rejects the role of "somebody" ("How dreary"). The frog comparison depicts "somebody" as self-important and constantly self-promoting. She also shows the false values of a society (the "admiring bog") which approves the frog-somebody. Does the word "bog" (it means wet, spongy ground) have positive or negative connotations? What qualities are associated with the sounds a frog makes (croaking)?Is there satire in this poem?Some readers, who are modest and self-effacing or who lack confidence, feel validated by this poem. Why?②To Make a Prairie…To make a prairieIt takes a clover and one bee,One clover and a bee,And revery.Revery alone will do,If bees are few.去造一个草原张祈试译去造一个草原需要一株三叶草和一只蜜蜂，一株三叶草和一只蜜蜂，还有梦。
艾米莉·狄金森
艾米莉·狄金森假如我不曾见过太阳(Had I not seen the Sun)是美国著名女诗人艾米莉·狄金森作的一首小诗，相传本诗作于1872年。
该诗秉承了狄金森一贯简洁的诗风，四行两句，意蕴无穷。
艾米莉·狄金森（也译作狄更生）(Emily Dickinson)，美国诗人。
1830年12月10日生于马萨诸塞州阿默斯特镇，出生于律师家庭。
青少年时代生活单调而平静受正规宗教教育。
1886年5月15日去世。
她20岁开始写诗，早期的诗大都已散失。
1858年后闭门不出，70年代后几乎不出房门，文学史上称她为“阿默斯特的女尼”。
她在孤独中埋头写诗三十年，留下诗稿1,775首。
在她生前只有7首诗被朋友从她的信件中抄录出并发表，其余的都是她死后才出版，并被世人所知名气极大。
她的诗在形式上富于独创性，大多使用17世纪英国宗教圣歌作者艾萨克·沃茨的传统格律形式，但又作了许多变化，例如在诗句中使用许多短破折号，既可代替标点，又使正常的抑扬格音步节奏产生突兀的起伏跳动。
她的诗大多押半韵。
英语原文Had I not seen the Sun------- by Emily DickinsonHad I not seen the SunI could have borne the shadeBut Light a newer WildernessMy Wilderness has made —译文一（江枫/译）我本可以忍受黑暗如果我不曾见过太阳然而阳光已使我的荒凉成为更新的荒凉译文二假如我没有见过太阳我也许会忍受黑暗；可如今，太阳把我的寂寞照耀得更加荒凉创作背景相传这首诗作于1872年，这时候的狄金森已经42岁，过了自己的创作黄金期。
但恰恰因为喷涌的诗情慢慢平缓，诗人的笔触也更加冷静并充满思考。
42年人间岁月，喜悲寒暑，就是这一番。
诗歌赏析该诗秉承了狄金森一贯简洁的诗风，四行两句，意蕴无穷。
i'm nobody 诗歌汉译
I'm Nobody! Who are you? by Emily Dickinson （1830-1886）1. I'm nobody! Who are you?Are you nobody too?Then there’s a p本人r of us!Don't tell! They’d banish us, you know!2. How dreary to be somebody!How public, like a frogTo tell your name the livelong JuneTo an admiring bog!我是无名之辈！你呢？1. 我是无名之辈！你呢？你也是无名之辈吗？那我们是一伙的！不要说出去！你知道他们会放逐我们的。
2. 要成为名人多么无聊！像一只蛙一样被众人裙众在整整六月里念叨自己的名字对一片崇拜的沼泽。
以上是美国诗人艾米莉·狄金森所作诗歌《我是无名之辈》的原文，以下为该诗的汉译：我是无名之辈！你呢？——艾米莉·狄金森1. 我是无名之辈！你呢？你也是无名之辈吗？那我们是一伙的！不要告诉他们！他们会把我们放逐。
2. 成为名人多么无聊！像蛙一样公开地在整整六月里对着仰慕的泥塘说出自己的名字。
这首诗简短而富有内涵，表达了诗人对于平凡的认同和对名利的厌倦之情。
通过对诗歌的汉译，我们也可以更加深入地理解诗意所在。
在第一节中，诗人通过对“无名之辈”的自我认同，暗示了对于平凡生活的接纳和渴望找到知己的心情。
她也警示了“不要告诉他们”，即不要向社会展现自己的真实面目，以免被排挤和孤立。
而第二节则明确表达了诗人对于成为名人和备受瞩目的反感之情，她将之形象地比喻为“公开地在整整六月里告诉泥塘自己的名字”，充满了对于世俗名利的鄙视和对于宁静平淡生活的向往。
在这首诗中，艾米莉·狄金森用简练而雄辩的语言，表达了自己对于平凡的理解和对于名利的厌倦之情，以及对于自由和隐秘生活的向往。
艾米莉·狄金森《我为美而死》及诗歌中死亡意象
艾米莉·狄金森《我为美而死》及诗歌中死亡意象艾米莉·狄金森（EmilyDickinson，1830—1886），美国女诗人。
出生于律师家庭，青少年时代生活单调而平静，受正规宗教教育。
20岁开始写诗，早期的诗大都已散失。
从25岁起弃绝社交，女尼似的闭门不出，在孤独中埋头写诗30年，在文学史上被称为“阿默斯特的女尼”，留下诗稿1775首，生前只发表过7首，其余的都是在死后才出版，并被世人所知，名气极大。
狄更生的诗主要写生活情趣，自然、生命、信仰、友谊、爱情。
诗风凝练婉约、意向清新，描绘真切、精微，思想深沉、凝聚力强，极富独创性，被视为20世纪现代主义诗歌的先驱之一。
I Died for BeautyI died for beauty－－but was scarceAdjusted in the TombWhen one who died for Truth，was lainIn the adjoining Room－－He questioned softly“Why I failed?”“For beauty，”I replied－－“And I－－for Truth－－Themself are OneWe Brethren，are，”He said－－And so，as Kinsmen，met a Night－－We talked between the Rooms－－Until the Moss had reached our lips－－And covered up－－our names－－我为美而死去我为美而死——对坟墓几乎，还不适应一个殉真理的烈士就成了我的近邻——他轻声问我“为什么倒下？”我回答他：“为了美”——他说：“我为真理，真与美——是一体，我们是兄弟”——就这样，像亲人，黑夜相逢——我们，隔着房间谈心——直到苍苔长上我们的嘴唇——覆盖掉，我们的姓名——《我为美而死》是女诗人对美与真理关系进行探讨的一首诗。
艾米莉·狄金森《我为美而死》
艾米莉·狄金森《我为美而死》艾米莉·狄金森(Emily Dickinson，1830年12月10日——1886年5月15日)，美国著名女诗人。
1830年12月10日出生于美国马萨诸塞州当时还是个小镇的艾默斯特；在艾默斯特学校受完中等教育又入芒特霍利约克女子学院就读不足一年。
从25岁开始，弃绝社交，在家务劳动之余埋头写诗；到1886年5月15日，由于肾脏疾患而在昏迷中离去时，已给人间留下了自成一格、独放异彩、数量可观的诗篇。
我为美而死译本一：我为美而死——但孤零零地躺在坟墓里一位为真理而献身的人，被葬在毗邻的一块墓地他轻轻问我：“你为何丧生？”我回答说：“为了美”“我为真理——真理和美本是一体”他说：“我们也是兄弟。
”于是，我们像兄弟在黑夜相逢隔着坟墓喋喋低语直到苔藓封住我们的嘴唇遮住了墓碑上——我们的名字译本二：我为美而死，但是几乎还没有适应坟墓一个为真理而死的人就躺在了隔壁他轻声问我为什么失败？“为了美。
”我回答“而我为了真理，他们本是一体，我们，是兄弟。
”于是，像亲人在黑夜里相遇我们隔着墙壁交谈直到苔藓蔓上我们的唇际掩盖了我们的名字原文：I dead for beauty, but was scarce Adjusted in the tomb,When one who died for truth was lain In an adjoining room.He questioned softly why I failed? “For beauty,” I replied.“And I for truth,—the two are one; We brethren are,” he said.And so, as kinsmen met a night,We talked between the rooms,Until the moss had reached our lips, And covered up our names.。
Emily Dickenson诗歌赏析及解读
Because I could not stop for Death, He kindly stopped for me;The carriage held but just ourselves And Immortality.We slowly drove, he knew no haste, And I had put awayMy labor, and my leisure too,For his civility.We passed the school, where children stroveAt recess, in the ring;We passed the fields of gazing grain, We passed the setting sun.Or rather, he passed us;The dews grew quivering and chill,For only gossamer my gown,My tippet only tulle.We paused before a house that seemed A swelling of the ground;The roof was scarcely visible,The cornice but a mound.Since then 'tis centuries, and yet each Feels shorter than the dayI first surmised the horses' heads Were toward eternity. 我无暇去会死亡爱米莉·伊丽莎白·狄更生我无暇去会死亡，死神便和善地接我前往，我只好放下劳作与闲暇，无法拒绝他的殷勤礼让。
我们一起坐上马车，还有永生陪伴身旁，我们驱车缓缓前行，他悠然自得不慌不忙。
我们经过校园，娱乐的孩子挤满操场，我们经过田野，麦穗张望，我们经过西沉的太阳。
美国文学 Emily Dickinson
Emily Dickinson艾米莉·狄金森(1830 - 1886)1.The usual beginning : her life1) Born to religious, well-to-do New England family•Well-behaved, well-educated, obedient•Expected to become a graceful woman, marry well, and settle into a life of church service2) Heartbreak :•Heartbreak At 24, travels with her father to Washington D.C. Escaping her love of an older lawyer, who was married, and would die of tuberculosis that same year•On the journey, falls in love with Charles Wadsworth, a married pastor of a church in Philadelphia In 1862, Wadsworth leaves for San Francisco, and Emily falls into despair3) The Nun of Amherst : 阿默斯特的女尼•Emily withdraws from social life – except for immediate family gatherings•Dresses all in white – like the wedding gown she would never wear •Communicates mostly through notes4) A Published Poet :•During her period of recluse, Emily send a few poems to be published.•Her poetry was never widely admired during her lifetime•and she assumed her audience would only be her family and few close friends. •Dickinson asked that upon her death, all of her poems be destroyed.5) After her death :•She wrote altogether 1775 poems, of which only seven appeared in print in her lifetime. •These were eventually published and Dickinson has become one of the most widely known of the American poets.2. Themes in her poetry1). The largest poetry concerns death and immortality.For Dickinson, death leads to immortality.•E. g: ―Because I could not Stop for Death‖因为我不能为死神止步Because I could Not Stop For Death因为我不能为死神止步•Beause I could not stop for Death—因为我不能为死神止步•He kindly stopped for me—他却慈祥地为我驻足.•The Carriage held but just Ourselves—那辆马车只能容下我们两个•And Immortality.还有不朽.•We slowly drove— He knew no haste,我们徐徐而行—他不慌不忙. •And I had put away•My labor and my leisure too我也把我的劳与闲统统丢掉一边，•For His Civility —为了他的礼让—•We passed the School where Children strove 我们路过学校,孩子们你推我搡，•At Recess —in the Ring —在休息时间，在圆形广场•We passed the Fields of Gazing Grain—我们走过在田间凝眸的麦田—. •We passed the Setting Sun—我们路过夕阳-•Or rather— He passed Us—或毋宁说，他走过我们身旁•The Dews drew quivering and chill—寒露降，身子冻得打颤•For only Gossamer, my Gown—因为我只披着薄纱长袍—•my Tippet —only Tulle—我的披肩如丝网•We paused before a House that seemed 我们停步在一所房子前•A swelling of the Ground—那是隆起的土地一片—•The Roof was scarcely visible—屋顶几乎看不见—•The Cornice —in the Ground—屋檐—在地里—•Since then — `tis Centuries— and yet离那时—已是几个世纪—然而•Feels shorter than the Day感觉却比一天还短•I first surmised the Horses' Heads•我开始猜想着马车•Were toward Eternity—•正驶向永恒—该诗的核心意象是通向永恒的生命旅程.Journey of life：•the School--childhood•the Field --adult/maturity•the Setting Sun - old age•the grave - end of life’s journey-death--EternityDetailed analysis of the poem•The first line hints that death is not the final stopping place or terminus of existence.•i had...too:figuratively I put behind me the labour and toil of worldly existence. Literally, as a courteous passenger she puts aside her work, possibly her knitting ("labour") and gives all her attention to the coach driver (Death).•where...ring: they pass children at playtime ("recess") actively engaged in playing a game (symbolic of the world, and/or of meaningless worldly striving).•fileds of gazing grain: cornfields,perhaps suggestive of harvest, or the cycle of the seasons, the natural world she is leaving behind. ("Gazing" is nicely alliterative but difficult to explain to expain-may mean simply something gazed at through the carriage window).•The dews: in the English culture, drew is traditionally associated with transience and also, because of a dew-drop's pearl like shape, with the soul.•My tippet only tulle:my fur was only soft fine silk (I wore little to protect me from the cold). •We...ground: a grave or tomb. ("paused"implies that burial in a grave signfied no more than a temporary restinplace before the soul attends to heaven).•Since then 'tis centuries:time is meaningless in terms of eternity,and therefore it seems no time at all since she first suspected("surmised")that the horse drawing Death's carriage were heading for Eternity. •"Surmised"is a beautifully apt word in this context because it tactfully suggeste something less than a certitude, but someting more than guess or conjecture-the sound of the word with its long drawn out second syllable counts for a good deal here(possibly about Cortez the explorer first viewing the continent of South America:"...and all his men Look'd at each other with a wild surmise..."). •Other poems dealing with death:•My life closed twice before its close在我生命结束之前已经结束过两次•I heard a fly buzz—when I died我死时听到了苍蝇的嗡嗡声She began to conceive of the process of dying.2). She regards nature as both kind and cruel•Extol the magnificence of sunrise in ―I’ll tell you how sun rise‖我将告诉你太阳如何升起,•In the meantime, reveal the cold indifference of nature.•In ―Apparently with no surprise‖显然地并无伴随惊讶, Frost kills a happy flower without being punished while both the sun and God look on.3). On the ethical level she emphasizes free-will and human responsibility.•In ―To fight aloud‖•The individual’s highest duty is to resist anything that will do harm to man’s self-respect and spiritual heritage.4). Like Emerson, she holds that beauty, truth and goodness are ultimately one.•In ―I died for beauty‖(我为美而死), discusses beauty and truth, concludes that the two are one.I Died for Beauty— But was scarce•I died for Beauty — but was scarce我为美而死—但还不怎么•Adjusted in the Tomb适应坟墓里的生活，•When One who died for Truth , was lain这时一位为真理而死的人被安放在•In an adjoining Room —隔壁墓室里—•He questioned softly"Why I failed?―他柔声问：―我为什么而亡？‖•"For Beauty ",I replied —―为了美‖，我回答说—•"And I — for Truth — Themself are One —―我—为了真理—美和真是一样的—•We Bretheren, are", He said —我们两是兄弟‖，他说•And so, as Kinsmen, met a Night —就这样，像亲人在夜里相遇。
艾米莉·狄金森诗选31首
艾米莉·狄金森诗选31首艾米莉.狄金森(Emily Dickinson)(1830～1886) 为美国隐士女诗人，生前写过一千七百多首令人耳目一新的短诗，却不为人知，死后名声大噪。
她诗风独特，以文字细腻、观察敏锐、意象突出著称。
题材方面多半是自然、死亡、和永生。
我从未看过荒原我从未看过荒原--我从未看过海洋--可我知道石楠的容貌和狂涛巨浪。
我从未与上帝交谈也不曾拜访过天堂--可我好像已通过检查一定会到那个地方。
I never saw a moorI never saw a Moor--I never saw the Sea--Yet know I how the Heather looksAnd what a Billow be.I never spoke with GodNor visited in Heaven--Yet certain am I of the spotAs if the Checks were given--云暗天低又复云暗，飞过雪花一片。
穿越车辙马圈，去留择决艰难。
谁人这样待风，令其整天抱怨。
自然犹如我等，时常没戴皇冠。
BecloudedTHE sky is low, the clouds are mean, A travelling flake of snowAcross a barn or through a rut Debates if it will go.A narrow wind complains all day How some one treated him; Nature, like us, is sometimes caught Without her diadem.我是无名之辈! 你是谁?我是无名之辈! 你是谁?你也是无名之辈吗?那么我们为一对!别说! 他们会传开去-- 你知道!多无聊-- 是-- 某某名人!多招摇-- 象个青蛙--告诉你的名字 -- 漫长的六月--给一片赞赏的沼泽!I’M Nobody! Who are you?I’M Nobody! Who are you?Are you--Nobody--too?Then there’s a pair of us!Dont tell! they’d advertise--you know! How dreary--to be--Somebody!How public--like a Frog--To tell your name--the livelong June-- To an admiring Bog!" 信念" 是个微妙的发明" 信念" 是个微妙的发明当绅士们能看见的时候--但显微镜却是谨慎的在紧急的时候。
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狄金森诗歌（Emily Dickinson）我从未看过荒原我从未看过荒原--我从未看过海洋--可我知道石楠的容貌和狂涛巨浪。
我从未与上帝交谈也不曾拜访过天堂--可我好像已通过检查一定会到那个地方。
I never saw a moorI never saw a Moor--I never saw the Sea--Yet know I how the Heather looksAnd what a Billow be.I never spoke with GodNor visited in Heaven--Yet certain am I of the spotAs if the Checks were given--云暗天低又复云暗，飞过雪花一片。
穿越车辙马圈，去留择决艰难。
谁人这样待风，令其整天抱怨。
自然犹如我等，时常没戴皇冠。
BecloudedTHE sky is low, the clouds are mean,A travelling flake of snowAcross a barn or through a rutDebates if it will go.A narrow wind complains all day How some one treated him; Nature, like us, is sometimes caught Without her diadem.我是无名之辈! 你是谁?我是无名之辈! 你是谁?你也是无名之辈吗?那么我们为一对!别说! 他们会传开去-- 你知道!多无聊-- 是-- 某某名人!多招摇-- 象个青蛙--告诉你的名字-- 漫长的六月--给一片赞赏的沼泽!I’M Nobody! Who are you?I’M Nobody! Who are you?Are you--Nobody--too?Then there’s a pair of us!Dont tell! they’d advertise--you know! How dreary--to be--Somebody!How public--like a Frog--To tell your name--the livelong June-- To an admiring Bog!" 信念" 是个微妙的发明" 信念" 是个微妙的发明当绅士们能看见的时候--但显微镜却是谨慎的在紧急的时候。
"Faith" is a fine invention"FAITH" is a fine inventionWhen Gentlemen can see--But Microsopes are prudentIn an Emergency.逃亡我一听说"逃亡"这个词血液就加快奔流,一个突然的期望,一个想飞的冲动。
我从未听说敞开的监狱被战士们攻陷,但我幼稚的用力拖我的围栏--只不过再失败!EscapeI NEVER hear the word "escape" Without a quicker blood,A sudden expectation,A flying attitude.I never hear of prisons broadby soldiers battered down,But I tug childish at my bars-- Only to fail again!希望" 希望" 是物长着羽毛寄居在灵魂里，唱着没有词的曲调，绝无丝毫停息，微风吹送最为甘甜暴雨致痛无疑能够使得小鸟不安保有此多暖意。
听它越过奇妙大海飞遍严寒田地可它不要我面包屑哪怕饥饿至极。
"Hope""HOPE" is the thing with feathers That perches in the soul，And sings the tune without the words，And never stops at all，And sweetest in the gale is heard; And sore must be the stormThat could abash the little birdThat kept so many warm.I’ve heard it in the chillest land,And on the strangest Sea;Yet, never, in extremity,It asked a crumb of Me.Emily Dickinson (1861)心先要求愉快(536)心先要求愉快再要求免除疼痛；其后，要那些小止痛片来减轻苦痛；然后，要求睡觉；如它法官的愿望而后应当是要求去死的自由。
The heart asks pleasure firstThe heart asks pleasure first,And then, excuse from pain;And then, those little anodynesThat deaden suffering;And then, to go to sleep;And then, if it should beThe will of its Inquisitor,The liberty to die.补偿为每一个狂喜的瞬间我们必须偿以痛苦至极，刺痛和震颤正比于狂喜。
为每一个可爱的时刻必偿以多年的微薄薪饷，辛酸争夺来的半分八厘和浸满泪水的钱箱。
CompensationFor each ecstatic instantWe must an anguish payIn keen and quivering ratioTo the ecstasy.For each beloved hourSharp pittances of years,Bitter contested farthingsAnd coffers heaped with tears.战场他们雪片般落下，他们流星般落下，象一朵玫瑰花的花瓣纷纷落下，当风的手指忽然间穿划过六月初夏。
在眼睛不能发现的地方，--他们凋零于不透缝隙的草丛；但上帝摊开他无赦的名单依然能传唤每一副面孔。
The BattlefieldThey dropped like flakes, they dropped like stars, Like petals from a rose,When suddenly across the JuneA wind with fingers goes.They perished in the seamless grass, -- No eye could find the place;But God on his repealless listCan summon every face.我没有时间憎恨我没有时间憎恨，因为坟墓会将我阻止，而生命并非如此简单能使我敌意终止。
我也没时间去爱，仅因为必须有点勤奋，我以为爱的那少许辛苦对我已是足够莫大难忍。
I had no time to hate, becauseI had no time to hate, becauseThe grave would hinder me,And life was not so sample ICould finish enmity.Nor had I time to love, but sinceSome industry must be,The little toil of love, I thought,Was large enough for me.我的河儿流向你我的河儿流向你--蓝色的海! 会否欢迎我?我的河儿待回响--大海啊--样子亲切慈祥--我将给你请来小溪从弄污的角落里--说呀--大海--接纳我!(162)My River runs to thee—Blue Sea! Wilt welcome me?My River waits reply—Oh sea—look graciously—I’ll fetch thee BrooksFrom spotted nooks—Say—Sea—Take me!我的朋友我的朋友肯定是只鸟--因为它飞翔!我的朋友肯定是个人,因它会死亡!它有倒刺,象蜜蜂一样!哦,古怪的朋友啊!你使我迷茫!My friend must be a Bird-- Because it flies!Mortal, my friend must be, Because it dies!Barbs has it, like a Bee! Ah, curious friend!Thou puzzlest me!天堂是个医生吗？天堂是个医生吗？他们说他能治病；但死后的医药是没有效用的。
天堂是国库吗？他们谈及我们欠的债；可是那谈判我没参加。
Is Heaven a Physician?Is Heaven a Physician? They say that He can heal - But Medicine PosthumousIs unavailable -Is Heaven an Exchequer? They speak of what we owe - But that negotiationI’m not a Party to -剧痛在于特征上剧痛在于特征上急切在于那迹象告别的狂喜称之为“死亡”当去忍受成长苦恼就因之遭遇我知道许可已经给予去与同类团聚(71)A throe upon the features -A hurry in the breath -An ecstasy of parting Denominated “Death” -An anguish at the mention Which when to patience grown, I’ve known permission given To rejoin its own.痛之神秘痛有一个空白的元素；不能够记起当它开始，或如有一天当它不是痛时。
它没有未来只有自己，包含它无限的领地它是过去，开明的去感知新的痛的周期。
The Mystery of PainPain has an element of blank;It cannot recollectWhen it began, or if there wereA day when it was not.It has no future but itself,Its infinite realms containIts past, enlightened to perceive New periods of pain.对人类而言太晚对人类而言太晚可对于上帝还早创世，虚弱无力的帮助可剩下的，我们还能够祈祷当地上不能存在天堂是何等美妙那时，我们老邻居上帝的表情会多么好客，殷勤，周到It was too late for Man -But early, yet for God -Creation - impotent to help -But Prayer - remained - Our Side -How excellent the Heaven - When Earth - cannot be had - How hospitable - then - the face Of our Old Neighbor God -去天堂！去天堂！我不知何时-请千万别问我怎样！我实在太惊讶想不出回答你！去天堂！多么黯淡悲凉！可是必将做到就象羊群夜晚一定回家给牧羊人来关照！也许你也正在去！谁知道呢？假若你要先到那里就请为我保留一小块空间靠近我失去的两位亲人-那最小的“睡袍”对我会合适和仅仅一点点“花冠”-你知道当我们回家我们不在意穿着我很高兴我不信它因它会停止我的呼吸-而我愿意多看上一眼这样一个稀奇古怪的尘世！我很高兴他们信它他们我再没有找到过自从那伟大的秋天的午后我在地底下离开他们。