英美文学选读(自考)Chapter1
《英美文学选读自学》的考核知识点与考核要求

Chapter 5I.George Bernard Shaw
IV. T. S. Eliot
V. D. H. Lawrence
美国文学:
Chapter 1 III. Nathaniel Hawthorne
IV. Walt Whitman
V. Herft
V. Henry Fielding
Chapter 3I.William Blake
II. William Wordsworth
V. Percy Bysshe Shelley
VII. Jane Austen
Chapter 4 I. Charles Dickens
II. Charlotte Bronte
(二)关于考核要求的调整
考核要求中每章概述内容不作调整:“该时期的重要作家”只包含对考核知识点中保留的重要作家的相关内容的考核。
《英美文学选读自学》的考核知识点与考核要求
(一)关于考核知识点的调整
考核知识点中的各章概述内容仍为考核内容;对知识点中的作家只保留对如下主要作家的考核。
英国文学:
Chapter 1 III. William Shakespeare
John Milton
Chapter 2 III. Daniel Defoe
Chapter 2I.Mark Twain
II. Henry James
III. Emily Dickinson
IV. Theodore Dreiser
Chapter 3 II. Robert Lee Frost
IV. F. Scott Fitzgerald
V. Ernest Hemingway
VI. William Faulkner
自考英美文学选读-(中英文对照)

Part one: English LiteratureChapter1 The Renaissance period(14世纪至十七世纪中叶)文艺复兴1. Humanism is the essence of the Renaissance.人文主义是文艺复兴的核心。
2. the Greek and Roman civilization was based on such a conception that man is the measure of all things.人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以“人”为中心,人是万物之灵。
3. Renaissance humanists found in then classics a justification to exalt human nature and came to see that human beings were glorious creatures capable of individual development in the direction of perfection, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy.人文主义者们却从古代文化遗产中找到充足的论据,来赞美人性,并开始注意到人类是崇高的生命,人可以不断发展完善自己,而且世界是属于他们的,供他们怀疑,探索以及享受。
4. Thomas More, Christopher Marlowe and William Shakespeare are the best representatives of the English humanists.托马斯.摩尔,克利斯朵夫.马洛和威廉.莎士比亚是英国人文主义的代表。
自考英美文学选读(英国篇

The Renaissance Period 文艺复兴时期Beowulf 《贝奥武夫》:第一部最古老、最长的较完整的文学作品The Canterbury Tales 《坎特伯雷故事集》小说集,描写了各行各业中的人物形象Italy 三方面:painting+sculputre+literature主要作家:William Shakespeare 威廉·莎士比亚The Merchant of Venice 《威尼斯商人》(1)手法:pun 双关(“Not on thy sole,but on thy soul,harsh Jew /Thou mak ’st thy knife keen.”“狠心的犹太人,你不是在鞋口上磨刀,而是在你的心口上磨刀”)(2)主人公名字:安东尼奥Antonio 巴萨尼奥Bassanio 鲍西亚Portia 犹太人Jews 夏洛克Shylock 生平2long poems 154sonnets38playsVenus and Adonis 《维纳斯与安东尼斯》The Rape of Lucrece 《鲁克丽丝受辱记》四大喜剧A Midsummer Night’s Dream 《仲夏夜之梦》As You Like It 《皆大欢喜》Twelfth Night 《第十二夜》The Merchant of Venice 《威尼斯商人》Hamlet 《哈姆雷特》(1)手法:soliloquy 独白(“To be,or not to be —that is the question ”)(2)The first and the most popular play of Shakespeare十四行诗(18)(1)起源Italy引入英国的人Wyatt 华埃特(2)经典名句:“Shall I compare thee to a summer ’s day?”我可能把你和夏天相比拟?(3)修辞:Personification 拟人手法(4)主题:美好夏日通常短暂,但诗歌之美却能永存。
英美文学选读试题自学考试答案解析(完整版)

英美文学选读试题自学考试答案解析(完整版)请考生按规定用笔将所有试题的答案涂、写在答题纸上。
全部题目用英文作答。
选择题部分注意事项:1.答题前,考生务必将自己的考试课程名称、姓名、准考证号用黑色字迹的签字笔或钢笔填写在答题纸规定的位置上。
2.每小题选出答案后,用2B铅笔把答题纸上对应题目的答案标号涂黑。
如需改动,用橡皮擦干净后,再选涂其他答案标号。
不能答在试题卷上。
I.Multiple Choice(40points in all,1for each)Select from the four choices of each item the one that best answers the question or completes the statement.Mark your choice by blackening the corresponding letter A,B,C orD on the answer sheet.1.Shakespeare has established his giant position in world literature with his______plays,154sonnets and2long poems.BA.27B.38C.47D.522.john Milton’s literary achievement can be divided into three groups:the early poetic works,the middle prose pamphlets and the last______.CA.romancesB.dramasC.great poemsD.ballads3.The novels of______are the first literary works devoted to the study of problems of the lower—class people.CA.John MiltonB.Daniel DefoeC.Henry FieldingD.Jonathan Swift4.The work ranked by many critics as William Wordswoth’s greatest work was______.BA.Lyrical BalladsB.The PreludeC.Poems in Two VolumesD.The Excursion5.The author of The History of Tom Jones,a Foundling is ______.CA.Daniel DefoeB.Johathan SwiftC.Henry FieldingD.William Blake6.The works of______are famous for the depiction of the life of the middle—class women,particularly governess.*BA.Charlotte BrontewrenceC.Thomas HardyD.Jane Austen7.All of the following writings are created by William Wordsworth EXCEPT______.DA.“I Wandered Lonely as a Cloud.”B.“Composed upon Westminster Bridge,Septemer3,1802.”C.“The Solitary Reaper.”D.“The Chimney Sweeper.”8.The most important representative work by Jonathan Swift is______.DA.A Tale of a TubB.The Battle of the BooksC.A Modest ProposalD.Gulliver's Travels9“If winter comes,can Spring be far behind?”comes from Shelly’s______.DA.“To a Skylark”B.“Adonais”C.“Ode to Liberty”D.“Ode to the West Wind”10.In Jane Austen's first novel______,she tells a story about two sisters and their love affairs.BA.Pride and PrejudiceB.Sense and SensibilityC.EmmaD.Persuasion11.Charles Dickens is one of the greatest______writers of the Victorian Age.DA.romanticB.modernistC.socialistD.critical realist12.Charlotte Bronte's most autobiographical work,______ is largely based on her experience in Brussels.AA.Jane EyreB.ShirleyC.VilletteD.The Professor13.William Wordsworth's theory of poetry is calling for simple themes drawn from humble life expressed in the language of ordinary people.The preface to the second edition of______acts as a manifesto for the new school and sets forth his own critical creed.AA.Lyrical BalladsB.The PreludeC.Poems in Two VolumsD.The Excursion14.George Bernard Shaw's play______established his position as the leading playwright of his time.*CA.Widowers’HousesB.Too True to Be GoodC.Mrs.Warren's ProfessionD.Candida15.Eliot's most important single poem______,has been hailed as a landmark and a model of the20th-century English poetry.BA.The Hollow MenB.The Waste LandC.Prurrock and Other ObservationsD.Poems1909-2516. D. /doc/info-926f89635dbfc77da26925 c52cc58bd630869377.htmlwrence’s autobiographical novel, ______shows the conflict between the earthy,coarse, energetic but often drunken father and the refined,strong —willed and up—climbing mother.AA.Sons and LoversB.The White PeacockC.The TrespasserD.The Rainbow17.“To be,or not to be—that is the question;/Whether 'tis nobler in the mind to suffer./The slings and arrows of outrageous fortune,/Or to take arms against a sea of troubles,/And by opposing end them?”These words are from ______.DA.King LearB.RomeoC.AntonioD.Hamlet18.John Milton’s last important work,______is the most powerful dramatic poem on the Greek model.AA.Paradise LostB.Paradise RegainedC.Samson AgonistesD.Lydidas19.The author of Moll Flanders and Captain Singleton is ______.BA.John MiltonB.Daniel DefoeC.Henry FieldingD.Jonathan Swift20.Drapier is the pseudonym of______.AA.Jonathan SwiftB.Daniel DefoeC.Henry FieldingD.William Blake21.One of Dickens'later works,______in which he presents a criticism of the governmental branches which run an indefinite procedure of management ofaffairs and keep the innocent in prison for life.BA.Bleak HouseB.Little DorritC.Hard TimesD.A Tale of Two Cities22.In the second part of Gulliver's Travels,Gulliver told his experience in______.AA.BrobdingnagB.LilliputC.Flying IslandD.Houyhnhnm23.Faulkner used the narrative techniques to construct his stories,which include______and mythological and biblical allusions.AA.symbolismB.free indirect speechC.contrastD.dialogue24.Ernest Hemingway,had been trying to demonstrate in his works an unvarying code,known as“______,”which is actually an attitude towards life.BA.facing the realityB.grace under pressureC.honesty with benevolenceD.security coming first25.The Blithedale Romance is a novel written by Hawthorne to reveal his own experience on the Brook Farm and his own methods as a______novelist.CA.naturalistB.imagistC.psychologicalD.feminist26.Theodore Dreiser's focus shifted from the pathos of the helpless protagonists at the bottom of the society to the power of the Americanfinancial tycoons in the late19th century in his work ______.DA.The GeniusB.An American TragedyC.Dreiser Looks at RussiaD.“Trilogy of Desire”27.Emily Dickinson frequently uses personae to render the tone more familiar to the reader,and______to vivify some abstract ideas.DA.imagesB.metaphorC.symbolsD.personification28.In his later works,Melville becomes more reconciled with the______,in which he admits,one must live by rules.BA.womenB.world of manC.familyD.politicians29.Walt Whitman's______has always been considered a monumental work which commands great attention in America.BA.The Pilgrim’s ProgressB.Leaves of GrassC.A Passage to IndiaD.Rip Van Winkle30.Mark Twain’s full literary career began to blossom in1869with a travel book______,an account of American tourists in Europe.AA.Innocents AbroadB.The Portrait of A LadyC.The Grapes of WrathD.The Great Gatsby31.With the development of the modern novel and the common acceptance of the______approach,Henry James's importance,as well as his wide influence as a novelist and critic,has been all the more conspicuous.AA.deconstructionB.romanticC.FreudianD.analytic32.Emily Dickinson addresses the issues that concern the whole human beings in her poems,which include religion, death,______,love,and nature.AA.immortalityB.wealthC.powerD.politics33.In Sister Carrie Theodore Dreiser expressed his______ pursuit by expounding the purposelessness of life and attacking the conventional moral standards.BA.romanticB.realisticC.naturalisticD.modernistic34.Profound ideas in Robert Frost's poems are delivered under the disguise of______.AA.the plain language and the simple formB.the vivid descriptionsC.metaphorsD.the complicated narration35.In______Hemingway presents his philosophy about life and death throughthe depiction of the bullfight as a kind of microcosmic tragedy.BA.The Green Hills of AfricaB.Death in the AfternoonC.The Snows of KilimanjaroD.To Have and Have Not36Of Faulkner’s literary works,four novels are masterpieces by any standards:The Sound and the Fury, Light in August,Absalom,Absalom!and______.AA.Go Down,MosesB.The FableC.The Snows of KilimanjaroD.To Have and Have Not37.As Whitman saw it,______could play a vital part in the process ofcreating a new nation.CA.musicB.fictionC.poetryD.painting38.In many of Hawthorne's stories and novels,the Puritan concept of life is condemned,especially in his The house of the Seven Gables and______.BA.Go Down,MosesB.The Scarlet LetterC.As I Lay DyingD.Song of Myself39.Henry James is generally regarded as the forerunner of the______and the founder of psychological realism.BA.“stream-of-consciousness”novelsB.metaphysical poemsC.short storiesD.literary criticism40.Generally considered to be Henry James’s masterpiece,______incarnates the clash between the Old World and the New in the life journey of an American girl in a Europe an cultural environment.BA.The AmbassadorsB.Daisy MillerC.The AmericanD.The Portrait of A Lady非选择题部分注意事项:用黑色字迹的签字笔或钢笔将答案写在答题纸上,不能答在试题卷上。
英美文学选读第一单元

人物影响
乔叟不仅创造了戏剧性独白,而且为英国文学 引进了许多其它文学体裁。 《坎特伯雷故事》堪称文学体裁的宝库。虽然 乔叟的故事集里只有21个完整的故事和另外一 些未完成的片段,它们却包括了当时欧洲的大 多数文学体裁,如骑士故事、市井故事、悲剧 故事、喜剧故事、传奇、圣徒传、历史传说、 宗教奇迹故事、动物寓言、宗教寓意故事、布 道词等等。 乔叟把悲剧故事体裁引入英国文学尤其具有特 殊意义。
Major Literary Schools
Classicism and neoclassicism Romanticism Realism Naturalism Modernism Postmodernism
Geoffrey Chaucer
Geoffrey Chaucer, known as the Father of English literature, is widely considered the greatest English poet of the Middle Ages and was the first poet to be buried in Poet's Corner of Westminster Abbey.
Types of Literature
The main purpose of nonfiction is to present truths and make logical conclusions about the factual world of history, science, and current events.
Influence in Literature
自考英美文学选读(美国文学史)

PART TWO: AMERICAN LITERATUREChapter1 The Romantic Period1.主要作家及其作品:i.Washington Irving:The Sketch Book; Rip Van Winkle;The Legend of Sleepy Hollowii.Ralph Waldo Emerson:Essays; The American Scholar; Self-Reliance;The Over-Soul; The Poet; Experience; Nature iii.Nathaniel Hawthorne:Mosses from an Old Manse; The Scarlet Letter;The Snow-Image and Other Twice-Told Tales;The House of the Seven Gables;The Blithedale Romance;The Marble Fauniv.Walt Whitman:Leaves of Grass; There was a Child Went Forth;Drum Taps; Cavalry Crossing a Ford; Song of Myself;When Lilacs Last in the Dooryard Bloom’dv.Herman Melville:Moby-Dick; Billy Budd; Typee; Omoo;Mardi; Redburn; White Jacket.2.清教主义Puritanism is the practices and beliefs of the Puritans. As the word itself hints,Puritans wanted to purify their religious beliefs and practices. They felt that the Church of England was too close to the Church of Rome in doctrine form of worship,and organization of authority. American Puritans,like their brothers back in England,were idealists,believing that the church should be restored to complete "purity". They accepted the doctrine of predestination,original sin and total depravity,and limited atonement through a special infusion of grace from God. But in the grim struggle for survival that followed immediately after their arrival in America,they became more and more practical,as indeed they had to be. Puritans were noted for a spirit of moral and religious earnestness that determinated their whole way of life. As a culture heritage,Puritanism did have a profound influence on the early American mind and American values. American Puritanism also had a conspicuously noticeable and an enduring influence on American literature. It had become,to some extent,so much a state of mind,so much a part of the national cultural atmosphere,rather than a set of tenets.3.超验主义Transcendentalism has been defined philosophical1y as "the recognition in man of the capacity of knowing truth intuitively,or of attaining knowledge transcendingthe reach of the senses." Emerson once proclaimed in a speech,"Nothing is at last sacred but the integrity of your own mind." Other concepts that accompanied Transcendentalism inc1ude the idea that nature is ennobling and the idea that the individual is divine and,therefore,self-re1iant. The transcendentalists reacted against the cold,rigid rationalism of Unitarianism in Boston. They adhered to an idealistic system of thought based on a belief in the essential unity of all creation ,the innate goodness of man,and the supremacy of insight over logic and experience for the revelation of the deepest truths.4.象征主义5.自由诗Whitman is also radically innovative in terms of the form of his poetry. He adopted "free verse," that is,poetry without a fixed beat or regular rhyme scheme. A looser and more open-ended syntactical structure is frequently favored. Lines and sentences of different lengths are left lying side by side just as things are,undisturbed and separate. There are few compound sentences to draw objects and experiences into a system of hierarchy. Whitman was the first American to use free verse extensively. By means of "free verse," Whitman turned the poem into an open field,an area of vital possibility where the reader can allow his own imagination to play.6.爱默生的超验主义思想及他的自然观In his essays, Emerson put forward his philosophy of the over-soul, the importance of the Individual, and Nature. Emerson rejected both the formal religion of the churches and the Deistic philosophy. Emerson and other Transcendentalists believed that there should be an emotional communication between an individual soul and the universal ―over-soul,‖ since the over-soul is an all-pervading power from which all things come from and of which all are a part. Emerson is affirmative about man’s intuitive knowledge, with which a man can trust himself to decide what is right and to act accordingly. The ideal individual should be a self-reliant man.. he means to convince people that the possibilities for man to develop and improve himself are infinite. Emerson’s nature is emblematic of the spiritual world, alive with God’s overwhelming presence; hence, it exercises a healthy and restorative influence on human mind. ―God back to nature, sink yourself back into its influence and you’ll become spiritually whole again.‖ By employing nature as a big symbol of the Spirit, or God, or the over-soul. Emerson has brought the Puritan Legacy of symbolism to its perfection. 7.《小伙子布朗》中的寓言和象征In ―Young Goodman Brown,‖ Hawthorne set out to prove that everyone possesses some evil secret. The story illustrates Hawthorne's allegorical theme of human evil. In the manner of its concern with guilt and evil,it exemplifies what Milville called the" power of blackness" in Hawthorne's work. In "Young Goodman Brown," he sets out to prove that everyone possesses some evil secret. "Evil is thenature of mankind." Its hero,a naive young man who accepts both society in general and his fellow men as individuals worth his regard,is confronted with the vision of human evil in one terrible night,and becomes thereafter distrustful and doubtful.Allegorically,our protagonist,becomes an Everyman named Brown,a "young man" who will be aged in one night by an adventure that makes everyone in this world a fallen idol.However, The story is manipulated in such a way that we as readers feel that Hawthorne poses the question of Good and Evil in man but withholds his answer,and he does not permit himself to determine whether the events of the night of trial are real or the mere figment of a dream.8.霍桑的清教思想和他人性本恶的观点As we can see, Hawthorne’s literary world turns out to be a most disturbed, tormented and problematical one possible to imagine. This has much to do with his ―black‖ vision of life and human beings. According to Hawthorne, ―There is evil in every human heart, which may remain latent, perhaps, through the whole life; but circumstances may rouse it to activity. One source of evil that Hawthorne is concerned most is overreaching intellect, which usually refers to someone who is too proud, too sure of himself. He believed that ―the wrong doing of one generation lives into the successive ones,‖ and often wondered if he might have inherited some of their guilt. This sensibility led to his understanding of evil being at the very core of human life., which is typical of the Calvinistic belief that human beings are basically depraved and corrupted, hence, they should obey God to atone for their sins.9.麦尔维尔长篇小说《白鲸》的象征意义Moby-Dick is not merely a whaling tale or sea adventure,it is also a symbolic voyage of the mind in quest of the truth and knowledge of the universe,a spiritual exploration into man's deep reality and psychology.Like Hawthorne,Melville is a master of allegory and symbolism. He uses allegory and symbolism in Moby-Dick to present its mighty theme. Instead of putting the battle between Ahab and the big whale into simple statements,he used symbols,that is,objects or persons who represent something else. Different people on board the ship are representations of different ideas and different social and ethnic groups;facts become symbols and incidents acquire universal meanings;the Pequod is the microcosm of human society and the voyage becomes a search for truth. The white whale,Moby Dick,symbolizes nature for Melville,for it is complex,unfathomable,malignant,and beautiful as well. For the character Ahab,however,the whale represents only evil. Moby Dick is like a wall,hiding some unknown,mysterious things behind. Ahab wills the whole crew on the Pequod to join him in the pursuit of the big whale so as to pierce the wall,to root out the evil,but only to be destroyed by evil,in this case,by his own consuming desire,his madness. For the author,as well as for the reader and Ishmael,the narrator,Moby Dick is still a mystery,an ultimate mystery of the universe,inscrutable and ambivalent,and the voyage of the mind will forever remain a search,not a discovery,of the truth.10.惠特曼《草叶集》的结构(自由诗)、主题、语言特色1. The themes in Whitman's poetry:His poetry is filled with optimistic expectation and enthusiasm about new things and new epoch. Whitman believed that poetry could play a vita1 part in the process of creating a new nation. It could enab1e Americans to celebrate their release from the Old World and the colonia1 rule. And it could also help them understand their new status and to define themse1ves in the new wor1d of possibi1ities. Hence,the abundance of themes in his poetry voices freshness. He shows concern for the whole hard-working people and the burgeoning life of cities. Pursuit of love and happiness is approved of repeatedly and affectionately in his lines. Sexual 1ove,a rather taboo topic of the time,is displayed candidly as something adorable. The individual person and his desires must be respected.2.Leaves of GrassWalt Whitman is a poet with a strong sense of mission,having devoted all his life to the creation of the "single" poem,Leaves of Grass.(1)the title :It is significant that Whitman entitled his book Leaves of Grass . He said that where there is earth,where there is water,there is grass. Grass,the most common thing with the greatest vitality,is an image of the poet himself,a symbol of the then rising American nation and an embodiment of his ideals about democracy and freedom.(a)theme:In this giant work,openness,freedom,and above all,individua1ism(the belief that the rights and freedom of individual people are most important)are all that concerned him. Whitman brings the hard-working farmers and laborers into American literature ,attack the slavery system and racial discrimination. In this book he also extols nature,democracy,labor and creation ,and sings of man's dignity and equality,and of the brightest future of mankind . Most of the poems in Leaves of Grass sing of the "en-masse" and the self as well.(b)the poet's essentia1 purposeHis aim was nothing less than to express some new poetica1 feelings and to initiate a poetic tradition in which difference shou1d be recognized. The genuine participation of a poet in a common cultural effort was,according to Whitman,to behave as a supreme individualist;however,the poet's essentia1 purpose was to identify his ego with the world,and more specifically with the democratic "en-masse" of America,which is established in the opening lines of "Song of Myself".3.Whitman's poetic style and languageTo dramatize the nature of these new poetical fee1ings,Whitman employed brand-new means in his poetry,which would first be discerned in his style and language.(1)Whitman's poetic style is marked,first of a1l,by the use of the poetic "I." Whitman becomes all those people in his poems and yet still remains "Walt Whitman",hence a discovery of the self in the other with such an identification. Insuch a manner,Whitman invites his readers to participate in the process of sympathetic identification.(3)Whitman is conversational and casual,in the fluid,expansive,and unstructured style of talking. However,there is a strong sense of the poems being rhythmical. The reader can feel the rhythm of Whitman's thought and cadences of his feeling. Parallelism and phonetic recurrence at the beginning of the lines also contribute to the musicality of his poems.(4)Whitman's languageContrary to the rhetoric of traditional poetry,Whitman's is relatively simple and even rather crude. Most of the pictures he painted with words are honest,undistorted images of different aspects of America of the day. The particularity about these images is that they are unconventional in the way they break down the social division based on religion,gender,class,and race. One of the most often-used methods in Whitman's poems is to make colors and images fleet past the mind's eye of the reader. Another characteristic in Whitman's language is his strong tendency to use oral English. Whitman's vocabulary is amazing. He would use powerfu1,colorful,as well as rarely-used words,words of foreign origin and sometimes even wrong words.美国现实主义时期1.Mark Twain: Adventures of Huckleberry Finn;The Adventures of Tom Sawyer;The Celebrated Jumping Frog of Calaveras County;Innocents Abroad; The Gilded Age2.Henry James: The American; Daisy Miller;The Europeans; The Portrait of A Lady;What Maisie Knows; The Wings of the Dove;The Ambassadors; The Golden Bowl; The Art to Fiction3.Emily Dickinson:4. Theodore Dreiser: Sister Carrie; American Tragedy1.What is Realism?In art and literature, Realism refers to an attempt to describe human behavior and surroundings or to represent figures exactly as they act or appear in life. Realism emerged as a literary movement in Europe in the 1850s. In reaction to Romanticism, realistic writers should set down their observations impartially and objectively. They insisted on accurate documentation, sociological insight, and avoidance of poetic diction and idealization. The subjects were to be taken from everyday life, preferably from lower-class life. Realism entered American literature after the Civil War. William Dean Howells, Mark Twain, and Henry James were the pioneers of realism in the U.S.1.What is Naturalism? (or American Naturalism)In literature, the term refers to the theory that literary composition should aim at a detached, scientific objectivity in the treatment of natural man. The movement is an outgrowth of 19th –century scientic thought, following in general the biological determinism of Darwin’s theory, or the economic determinism of Karl Marx. American Naturalism is a more advanced stage of realism toward the close of the 19th century. The American naturalists accepted the more negative implications of Darwin’s theory and used it to account for the behavior of those characters in literary works who were conceived as more or less complex combinations of inherited attributes, their habits conditioned by social and economic forces. And consciously or unconsciously the American naturalists followed the French novelist and theorist Emile Zola's cal l that the 1iterary artist ―must operate with characters, passions, human and social data as the chemist and the physicist work on inert bodies, as the physiologist works on living bodies.‖ They chose their subjects from the lower ranks of society and portrayed the people who were demonstrably victims of society and nature. And one of the most familiar themes in American Naturalism is the theme of human ―bestiality‖, especially as an explanation of sexual desire.Artistically, naturalistic writings are usually unpo1ished in language, lacking in academic skills and unwieldly in structure. Philosophically, the naturalists believe that the real and true is always partially hidden from the eyes of the individual, or beyond his control. Devoid of rationality and caught in a process in which he is but a part, man cannot fully understand, let alone contro1, the world he lives in; hence, he is left with no freedom of choice.In a word, naturalism is evolved from realism when the author's tone in writing becomes less serious and less sympathetic but more detached, ironic and more pessimistic. It is no more than a different philosophical approach to reality, or to human existence. Notable writers of naturalistic fiction were Frank Norris, Sherwood Anderson, and Theodore Driser.2.The distinction between Realism and NaturalismNaturalism is evolved from realism when the author's tone in writing becomes less serious and less sympathetic but more detached, ironic and more pessimistic. It is no more than a different philosophical approach to reality, or to human existence.The distinction lies, first of all, in the fact that Realism is concerned directly with what is absorbed by the senses; Naturalism, a term more properly applied to literature, attempts to apply scientific theories to art. Second, Naturalism differs from Realism in adding an amoral attitude to the objective presentation of life. Naturalistic writers, adopting Darwin’s biological determinism and Marx’s economic determinism, regard human behavior as controlled by instinct, emotion, or social and economic conditions, and reject free will. Third, Naturalism had an outlook often bleaker than that of Realism, and it added a dimension of predetermined fate that rendered human will ultimately powerless.3.What is (Social) Darwinism?Social Darwinism is a belief that societies and individual human beings compete in astruggle for existence in which natural selection results in ―struggle of the fittest.‖ Social Darwinists base their beliefs on theories of evolution developed by British naturalist Charles Darwin. Social Darwinists typically deny that they advocate a ―law of jungle.‖ But most propose arguments that justify imbalances of power between individuals, races, and nations because they consider some more fit to survive than others. The theory had produced a big impact on Naturalism.马克吐温1.Twain as a local coloristTwain is also known as a local colorist, who preferred to present social life through portraits of the local characters of his regions, including people living in that area, the landscape, and other peculiarities like the customs, dialects, costumes and so on. Consequently, the rich material of his boyhood experience on the Mississippi became the endless resources for his fiction, and the Mississippivalley and the West became his major theme. Unlike James and Howe1ls, Mark Twain wrote about the lower-class people, because they were the people he knew so we1l ancl their 1ife was the one he himself had lived. Moreover he successfully used local color and historical settings to i1lustrate and shed light on the contemporary societyAnother fact that made Twain unique is his magic power with language, his use of vernacular. His words are col1oquial, concrete and direct in effect, and his sentence structures are simp1e, even ungrammatical, which is typical of the spoken 1anguage. Mark Twain's humor is remarkable, too. It is fun to read Twain to begin with, for most of his works tend to be funny, containing some practical jokes, comic details, witty remarks, etc., and some of them are actually tall ta1es.(2) The novel’s theme, characterization of ―Huck‖ and the novel’s social significance: Theme: The novel is a vindication of what Mark Twain called ― the damned human race.‖ That is the theme of man’s inhumani ty to man---of human cruelty, hypocrisies, dishonesties, and moral corruptions. Mark Twain’s thematic contrasts between innocence and experience, nature and culture, wilderness and civilization. Adventures of Huckleberry Finn is best known for Mark Twain’s wonderful characterization of ―Huck,‖ a typical American boy whom its creator described as a boy with ―a sound heart and a deformed conscience,‖ and remarkable for the raft’s journey down the Mississippi river, which Twain used both realistically and symbolically to shape his book into an organic whole.Through the eyes of Huck, the innocent and reluctant rebel, we see the pre-Civil War American society fully exposed and at the same time we are deeply impressed by Mark Twain’s thematic contrasts between i nnocence and experience, nature and culture, wilderness and civilization.黛西米勒的主题和主要人物的性格分析1.The theme of the novelDaisy Miller is one of James’s early works that dealt with the international theme, i.e.,to set against a large international background, usual1y between Europe and America, and centered on the confrontation of the two different cu1tures with two different groups of peop1e representing two different value systems: American innocence in contact and contrast with European decadence and the moral and psychological complications arising therefrom.2.Characterization of Daisy MillerIn this novel, the ―Americanness ‖in Daisy is revealed by her relatively unreserved manners. Daisy Miller, a typical young American girl who goes to Europe and affronts her destiny. The unsophisticated girl is cruelly wronged because of the confrontation between the two value systems. Miller has ever since become the American Girl in Europe, a celebrated cultural type who embodies the spirit of the New World. However, innocence, the keynote of her character, turns out to be an admiring but a dangerous quality and her defiance of social taboos in the Old World finally brings her to a disaster in the clash between two different cultures. In this novel James’s sympathy for Daisy could be easily felt when we think of a tender flower crushed by the harsh winter in Rome.3.The content of this selection: Daisy has just arrived at Switzerland with her family and meets Winterborne for the first time. Two days later Daisy goes alone with Winterborne on an excursion to an old castle, which is soon in the air among theby its narration from the point of view of the American youth Winterborne狄金森诗歌的主题结构及艺术特色The thematic concerns and the original artistic features of Dickinson's poetry: 1.Themes: Dicksinson’s poems are usually based on her own experiences, her sorrows and joys. But within her litlle lyrics Dickinson addresses those issues that concern the whole human beings, which include religion, death, immortality, love, and nature.2.Artistic features: Her poetry is unique and unconventional in its own way. Her poems have no titles, hence are always quoted by their first lines. In her poetry there is a particular stress pattern, in which dashes are used as a musica1 device to create cadence and capital letters as a means of emphasis. Most of her poems borrow the repeated four-line, rhymed stanzas of traditional Christian hymns, with two lines of four-beat meter alternating with two lines of three-beat meter. A master of imagery that makes the spiritual materialize in surprising ways, Dickinson managed manifold variations within her simple form: She used imperfect rhymes, subtle breaks of rhythm, and idiosyncratic syntax and punctuation to create fascinating word puzzles, which have produced greatly divergent interpretations over the years. Dickinson’s irregular or sometimes inverted sentence structure also confuses readers. However, her poetic idiom is noted for its laconic brevity, directness and plainness. Her poems are usually short, rarely more than twenty lines, and many of them are centered on a single image or symbo1 and focused on one subject matter. Due to her deliberate sec1usion, her poems tend to be very personal and meditative. She frequently uses personae to render the tone more familiar to the reader, and personification to vivifysome abstract ideas. Dickinson's poetry, despite its ostensible formal simplicity, is remarkable for its variety, subtlety and richness; and her limited private world has never confined the limitless power of her creativity and imagination.美国现代时期1.Ezra Pound: The Cantos; In a Station of the Metro.2.Robert Lee Frost: The Road Not Taken; Stopping by Woods on aSnowy Evening3.Eugene O’Neill: Beyond the Horizon; The Emperor Jones; The HairyApe;All God’s Chillun Got Wings; Desire under the Elms;Anna Christie; The Great God Brown; Lazarus Laughed;Strange Interlude; The Iceman Cometh;Long Day’s Journey Into Night.4. F Scott Fitzgerald: This Side of Paradise; The Beautiful andDamned;The Great Gatsby; Tender is the Night;Flappers and Philosophers; Tales of the Jazz Age;All the Sad Young Men; Taps at Reveille;Babylon Revisited.5.Ernest Hemingway: In Our Time; The Sun Also Rises;A farewell to Arms; For Whom the BellTolls;The Old Man and the Sea; Men Without Women.6.William Faulkner: The Sound and the Fury; Light in August;Absalom, Absalom; Go Down, Moses;A Rose for Emily.1)The Imagist Movement and the artistic characteristics of imagist poems:Led by the American poet Ezra Pound,Imagist Movement is a poetic movement that flourished in the U.S. and England between 1909-1917. It advances modernism in arts which concentrates on reforming the medium of poetry as opposed to Romanticism,especially Tennyson's worldliness and high-flown language in poetry. Pound endorsed three main principles as guidelines for Imagism,including direct treatment of poetic subjects,elimination of merely ornamental or superfluous words,and rhythmical composition should be composed with the phrasing of music,not a metronome. The primary Imagist objective is to avoid rhetoric and moralizing,to stick closely to the object or experience being described,and to move from explicit generalization. The leading poets are Ezra Pound,Wallace Stevens,wrence,etc.The characteristic products of the movement are more easily recognized than its theories defined;they tend to be short,composed of short lines of musical cadence rather than metrical regularity,to avoid abstraction,and to treat the imagewith a hard,clear precision rather than with overt symbolic intent. The influence of Japanese forms,tanka and haiku,is obvious in many. Most of the imagist poets wrote in free verse and they like to emply common speech. They stressed the freedom in the choice of subject matter and form.2)The Lost GenerationIt refers to,in general,the post-World WarⅠgeneration,but specifically a group of expatriate disillusioned intellectuals and artists,who experimented on new modes of thought and expression by rebelling against former ideals and values and replacing them only by despair or a cynical hedonism. The remark of Gertrude Stein,"You are all a lost generation,"addressed to Hemingway,was used as an epigraph to the latter's novel The Sun Also Rises,which brilliantly describes those expatriates who had cut themselves off from their past in America in order to create new types of writing. The generation was "lost" in the sense that its inherited values were no longer relevant in the postwar world and because of its spiritual alienation from a U.S. that seemed to its members to be hopelessly provincial,materialistic,and emotional barren. The term embraces Hemingway,F. Scott Fitzgerald,Ezra Pound,E.E.Cummings,and many other writers who made Paris the center of their literary activities in the 1920s.3)What is Expressionism?Expressionism is used to describe the works of art and literature in which the representation of reality is distorted to communicate an inner vision,transforming nature rather than imitating it. In literature it is often considered a revolt against realism and naturalism,a seeking to achieve a psychological or spiritual reality rather than to record external events.In drama,the expressionist work was characterized by a bizarre distortion of reality. writers's concern was with general truths rather than with particular situations,hence they explored in their plays the predicaments of representative symbolic types rather than of fully developed individualized characters. Emphasis was laid not on the outer world,which is merely sketched in and barely defined in place or time,but on the internal,on an individual's mental state;hence the imitation of life is replaced in Expressionist drama by the ecstatic evocation of states of mind. In America,Eugene O'Neille's Emperor Jones,The Hairy Ape,etc. are typical plays that employ Expressionism4)The concept of "wasteland" in relation to the works of those writers in the twentieth-century American literatureThe Waste Land is a poem written by T.S.Eliot on the theme of the sterility and chaos of the contemporary world. This most widely known expression of the despair of the post-War era has appeared over and again in the works of those writers in the twentieth-century American literature. Fitzgerald sought to portray a spiritual wasteland of the Jazz Age. Beneath the masks of relaxation and joviality,there was only sterility,meaninglessness and futility amid the grandeur and extravagance,。
《英美文学选读》word版

英美文学选读英美文学选读1.课程性质与学习目的英美文学选读课是全国高等教育自学考试英语语言文学专业本科段的必修课程,是为培养和检验自学应考者英美文学的基本理论知识和理解、鉴赏英美文学原著的能力而设置的一门专业理论课程.设置本课程旨在使英语自学者对英美两国文学形成与发展的全貌有一个大概的了解;并通过阅读具有代表性的英美文学作品,理解作品的内容,学会分析作品的艺术特色并努力掌握正确评价文学作品的标准和方法.由于本课程以作家作品为重点,因此考生需仔细阅读原作.通过阅读,努力提高语言水平,增强对英美文学原著的理解,特别是对作品中表现的社会生活和人物思想感情的理解,提高他们阅读文学作品的能力和鉴赏水平.2.课程内容与考核目标本课程的考试要求为全日制普通高等学校英语语言文学专业《英美文学选读》课程本科的结业水平.课程的内容和考核目标是根据本课程的性质、学习目的以及自学考试的特点编制而成的.本课程由英国文学和美国文学两部分组成.主要内容包括英美文学发展史及代表作家的简要介绍和作品选读.文学史部分从英美两国历史、语言、文化发展的角度,简要介绍英美两国文学各个历史断代的主要历史背景,文学文化思潮,文学流派,社会政治、经济、文化等对文学发展的影响,主要作家的文学生涯、创作思想、艺术特色及其代表作品的主题结构、人物刻画、语言风格、思想意义等;选读部分主要节选了英美文学史上各个时期重要作家的代表作品,包括诗歌、戏剧、小说、散文等,详见全国高等教育自学考试指导委员会编写的指定用书《英美文学选读》〔X伯香主编,外语教学与研究1999年12月第2版〕.根据本课程考试的大纲,凡要求"识记"的内容,所涉及的知识和理论都与考核点直接相关,考生应熟知其概念和有关知识,理解其原理,并能在语言环境中予以辨认.凡要求"领会"的内容,必须做到掌握有关知识和理论.凡要求"应用"的内容,必须做到在掌握有关知识和理论的基础上使之转换为能力,即能用有关知识和理论来分析解决英美文学中的相关问题,并指导作品的阅读.凡要求"一般识记"的内容,所涉及的知识和理论,一般不直接作为考核时命题的内容,但由于这些内容对于其他相关知识和理论以及作品阅读能力的考核有直接或间接的影响,因此要求考生在自学过程对这些内容也要有所了解.英美文学选读第1章<英国文学>文艺复兴时期第1节Edmund Spenser第2节Christopher Marlowe第3节William Shakespeare第4节Francis Bacon第5节John Donne第6节John Milton第2章新古典主义时期第1节John Bunyan第2节Alexander Pope第3节Daniel Defoe第4节Jonathan Swift第5节Henry Fielding第6节Samuel Johnson第3章浪漫主义时期第1节William Blake第2节William Wordsworth第3节Samuel Taylor Coleridge第4节George Gordon Byron第5节Percy Bysshe Shelley第6节John Keats第7节Jane Austen第4章维多利亚时期第1节Charles Dickens第2节The Bronte Sisters第3节Alfred Tennyson第4节Robert Browning第5节George Eliot第6节Thomas Hardy第5章现代时期第1节George Bernard Shaw第2节John Galsworthy第3节William Butler Yeats第4节T. S. Eliot第5节D. H. Lawrence第6节James Joyce第6章<美国文学>浪漫主义时期第1节Washington Irving第2节Ralph Waldo Emerson第3节Nathaniel Hawthorne第4节Walt Whitman第5节Herman Melville第7章现实主义时期第1节Mark Twain第2节Henry James第3节Emily Dickinson第4节Theodore Dreiser第8章现代时期第1节Ezra Pound第2节Robert Lee Frost第3节Eugene O'Neill第4节F. Scott Fitzgerald第5节Ernest Hemingway第6节William Faulkner<英国文学>文艺复兴时期本章简介<>The Renaissance marks a transition from the medieval to the modern world. Generally, it refers to the period between the 14th and mid-17th centuries. It first started in Italy, with theflowering of painting, sculpture and literature. From Italy the movement went to embrace the rest of Europe. The Renaissance, which means rebirth or revival, is actually a movement stimulated by a series of historical events, such as the rediscovery of ancient Roman and Greek culture, the new discoveries in geography and astrology, the religious reformation and the economic expansion. The Renaissance, therefore, in essence, is a historical period in which the European humanist thinkers and scholars made attempts to get rid of those old feudalist ideas in medieval Europe, to introduce new ideas that exssed the interests of the rising bourgeoisie, and to recover the purity of the early church from the corruption of the Roman Catholic Church. The Renaissance was slow in reaching England not only because of England's separation from the Continent but also because of its domestic unrest. The century and a half following the death of Chaucer is the most volcanic period of English history. The war-like nobles seized the power of England and turned it into self-destruction. The Wars of Roses are examples to show how the energy of England was violently destroying itself. The frightful reign of Richard III marked the end of civil wars, making possible a new growth of English national feelings under the popular Tudors. But it was not until the reign of Henry VIII <from 1509 to 1547> that the Renaissance really began to show its effect in England. With Henry VIII's encouragement, the Oxford reformers, scholars and humanists introduced classical literature to England. Education, based upon the classics and the Bible, was revitalized, and literature, already much read during the 15th century, became even more popular. Thus began the English Renaissance, which was perhaps England's Golden Age, especially in literature. Among the literary giants were Shakespeare, Spenser, Johnson, Sidney, Marlowe, Bacon and Donne. The English Renaissance had no sharp break with the past. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and Reformation. Humanism is the essence of the Renaissance. It sprang from the endeavor to restore a medieval reverence for the antique authors and is frequently taken as the beginning of the Renaissance on its conscious, intellectual side, for the Greek and Roman civilization was based on such a conception that man is the measure of all things. Through the new learning, humanists not only saw the arts of splendor and enlightenment, but the human values resented in the works. In the medieval society, people as individuals were largely subordinated to the feudalist rule without any freedom and independence; and in medieval theology, people's relationships to the world about them were largely reduced to a problem of adapting to or avoiding the circumstances of earthly life in an effort to pare their souls for a future life. But Renaissance humanists found in the classics a justification to exalt human nature and came to see that human beings were glorious creatures capable of individual development in the direction of perfection, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy. Thus, by emphasizing the dignity of human beings and the importance of the sent life, they voiced their beliefs that man did not only have the right to enjoy the beauty of this life, but had the ability to perfect himself and to perform wonders. Humanism began to take hold in England when the Dutch scholar Desiderius Erasmus <1466-1536> came to teach the classical learning, first at Oxford and then at Cambridge. Thomas More, Christopher Marlowe and William Shakespeare are the best resentatives of the English humanists. The long reign of Henry VIII was marked not only by a steady increase in the national power at home and abroad but also by the entrance of the religious reformation from the Continent. It was Martin Luther <1483-1546>, a German Protestant, who initiated the Reformation. Luther believed that every true Christian was his own priest and was en学习指导d to intert the Bible for himself. Encouraged by Luther's aching, reformers fromnorthern Europe vitalized the Protestant movement, which was seen as a means to recover the purity of the early church from the corruption and superstition of the Middle Ages. The colorful and dramatic ritual of the Catholic Church was simplified. Indulgences, pilgrimages, and other practices were condemned. In the early stage of the continental Reformation, Henry VIII was regarded as a faithful son of the Catholic Church and named "Defender of the Faith" by the Pope. Only his need for a legitimate male heir, and hence a new wife, led him to cut ties with Rome. But the common English people had long been dissatisfied with the corruption of the church and inspired by the reformers' ideas from the Continent. So they welcomed and sup-ported Henry's decision of breaking away from Rome. When Henry VIII declared himself through the approval of the Parliament as the Sume Head of the Church of England in 1534, the Reformation in England was in its full swing. One of the major results was the fact that the Bible in English was placed in every church and services were held in English instead of Latin so that people could understand. In the brief reign of Edward VI, Henry's son, the reform of the church's doctrine and teaching was carried out. But after Mary ascended the throne, there was a violent swing to Catholicism. However, by the middle of Elizabeth's reign, Protestantism had been firmly established, with a certain extent of compromise between Catholicism and Protestantism. The religious reformation was actually a reflection of the class struggle waged by the new rising bourgeoisie against the feudal class and its ideology. Strong national feeling in the time of the Tudors gave a great incentive to the cultural development in England. English schools and universities were established in place of the old monasteries. With classical culture and the Italian humanistic ideas coming into England, the English Renaissance began flourishing. And one of the men who made a great contribution in this respect was William Caxton, for he was the first person who introduced printing into England. In his lifetime, Caxton printed about one hundred books in English, including Chaucer's The Canterbury Tales <1483> and Malory's Morte Darthur <1485>. Thus, for the first time in history it was possible for a book or an idea to reach the whole nation in a speedy way. With the introduction of printing, an age of translation came into being. And lots and lots of continental literary works both ancient and modern were translated and printed in English. For instance, Plutarch's Lives of the Noble Grecians and Romans was translated by North, Ovid's etamorphoses by Golding, Homer's The Iliad by Chapman, and Montaigne's Essays by Florio. As a result, the introduction of printing led to a commercial market for literature and provided numerous books for the English people to read, thus making everything ready for the appearance of the great Elizabethan writers. The first period of the English Renaissance was one of imitation and assimilation. Academies after the Italian type were founded. And Petrarch was regarded as the fountainhead of literature by the English writers. For it was Petrarch and his successors who established the language of love and sharply distinguished the love poetry of the Renaissance from its counterparts in the ancient world. Wyatt and Surrey began engraving the forms and graces of Italian poetry upon the native stock. While the former introduced the Petrarchan sonnet into England, the latter brought in blank verse, i.e. the unrhymed iambic pentameter line. Sidney followed with the sestina and terza rima and with various experiments in classic meters. And Marlowe gave new vigor to the blank verse with his "mighty lines. "From Wyatt and Surrey onwards the goals of humanistic poetry are: skillful handling of conventions, force of language, and, above all, the development of a rhetorical plan in which meter, rhyme, scheme, imagery and argument should all be combined to frame the emotional theme and throw it into high relief. Poetry was to be a concentrated exercise of the mind, of craftsmanship, and of learning. Spenser'sThe Shepheardes Calender showed how the pastoral convention could be adopted to a variety of subjects, moral or heroic, and how the rules of decorum, or fitness of style to subject, could be applied through variations in the diction and metrical scheme. In "The Passionate Shepherd to His Love," Marlowe spoke with a voice so innocent that it would be very difficult for us to connect it with the voice in his tragedies. In the early stage of the Renaissance, poetry and poetic drama were the most outstanding literary forms and they were carried on especially by Shakespeare and Ben Jonson. But the poetry written by John Donne, George Herbert and others like them <who were later labeled as the metaphysical poets by Dryden and Johnson> resented a sharp break from the poetry by their decessors and most of their contemporaries. The Elizabethan drama, in its totality, is the real mainstream of the English Renaissance. It could be dated back to the Middle Ages. Interludes and morality plays thriving in the medieval period continued to be popular down to Shakespeare's time. But the development of the drama into a sophisticated art form required another influence- the Greek and Roman classics. Lively, vivid native English material was put into the regular form of the Latin comedies of Plautus and Terence. Tragedies were in the style of Seneca. The fusion of classical form with English content brought about the possibility of a mature and artistic drama. The most famous dramatists in the Renaissance England are Christopher Marlowe, William Shakespeare, and Ben Jonson, who wrote plays with such universal qualities of greatness. By imitating the romances of Italy and Spain, embracing the mysteries of German legend, and combining the fictions of poetic fancy with the facts of daily life, they made a vivid depiction of the sharp conflicts between feudalism and the rising bourgeoisie in a transitional period. And with humors of the moment, abstractions of philosophical speculation, and intense vitality, this extraordinary drama, with Shakespeare as the master, left a monument of the Renaissance unrivaled for pure creative power by any other product of that epoch. Francis Bacon <1561-1626>, the first important English essayist, is best known for his essays which greatly influenced the development of this literary form. He was also the founder of modern science in England. His writings paved the way for the use of scientific method. Thus, he is undoubtedly one of the resentatives of the English Renaissance.新古典主义时期本章简介<> What we now call the neoclassical period is the one in English literature between the return of the Stuarts to the English throne in 1660 and the full assertion of Romanticism which came with the publication of Lyrical Ballads by Wordsworth and Coleridge in 1798. The English society of the neoclassical period was a turbulent one. Of the great political and social events there were the Restoration of King Charles II in 1660, the Great Plague of 1665 which took 70,000 lives in London alone, the Great London Fire which destroyed a large part of the city, leaving two-thirds of the population homeless, the Glorious Revolution in which King James Il was replaced by his Protestant daughter Mary and her Dutch husband William, Duke of Orange, in 1689, and so on. There was constant strife between the monarch and the parliament, between the two big parties -- the Tories and the Whigs -- over the control of the parliament and government, between opposing religious sects such as the Roman Catholicism, the Anglican Church and the Dissenters, between the ruling class and the laboring poor, etc. In short, it was an age full of conflicts and divergence of values. The eighteenth century saw the fast development of England as a nation. Abroad, a vast expansion of British colonies in North America, India, the West Indies, and a continuous increase of colonial wealth and trade provided England with a market for which the small-scale handproduction methods of the home industry were hardly adequate. This created not only a steady demand for British goods but also standardized goods. And at home in the country, Acts of Enclosure were putting more land into fewer privileged rich landowners and forcing thousands of small farmers and tenants off land to become wage earners in industrial towns. This coming together of free labor from the home and free capital gathered or plundered from the colonies was the essence of the Industrial Revolution. So, towards the middle of the eighteenth century, England had become the first powerful capitalist country in the world. It had become the work-shop of the world, her manufactured goods flooding foreign markets far and near. Along with the fast economic development, the British bourgeois or middle class also grew rapidly. It was the major force of the Revolution and was mainly composed of city people: traders, merchants, manufacturers, and other adventurers such as slave traders and colonists. As the Industrial Revolution went on, more and more people joined the rank of this class. Marx once pointed out that the bourgeois class of the eighteenth-century England was a revolutionary class then and quite different from the feudal aristocratic class. They were people who had known poverty and hardship, and most of them had obtained their sent social status through hard work. They believed in self-restraint, self-reliance and hard work. To work, to economize and to accumulate wealth constituted the whole meaning of their life. This aspect of social life is best found in the realistic novels of the century. The eighteenth-century England is also known as the Age of Enlightenment or the Age of Reason. The Enlightenment Movement was a progressive intellectual movement which flourished in France and swept through the whole Western Europe at the time. The movement was a furtherance of the Renaissance of the fifteenth and sixteenth centuries. Its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas. The enlighteners celebrated reason or rationality, equality and science. They held that rationality or reason should be the only, the final cause of any human thought and activities. They called for a reference to order, reason and rules. They believed that when reason served as the yardstick for the measurement of all human activities and relations, every superstition, injustice and opssion was to yield place to "eternal truth," "eternal justice" and "natural equality." The belief provided theory for the French Revolution of 1789 and the American War of Independence in 1776. At the same time, the enlighteners advocated universal education. They believed that human beings were limited, dualistic, imperfect, and yet capable of rationality and perfection through education. If the masses were well educated, they thought, there would be great chance for a democratic and equal human society. As a matter of fact, literature at the time, heavily didactic and moralizing, became a very popular means of public education. Famous among the great enlighteners in England were those great writers like John Dryden, Alexander Pope, Joseph Addison and Sir Richard Steele, the two pioneers of familiar essays, Jonathan Swift, Daniel Defoe, Richard Brinsley Sheridan, Henry Fielding and Samuel Johnson. In the field of literature, the Enlightenment Movement brought about a revival of interest in the old classical works. This tendency is known as neoclassicism. According to the neoclassicists, all forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers <Homer, Virgil, Horace, Ovid, etc.> and those of the contemporary French ones. They believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity. This belief led them to seek proportion, unity, harmony and grace in literary exssions, in an effort to delight, instruct and correct human beings, primarily as social animals. Thus a polite, urbane, witty, and intellectual art developed.Neoclassicists had some fixed laws and rules for almost every genre of literature. Prose should be cise, direct, smooth and flexible. Poetry should be lyrical, epical, didactic, satiric or dramatic, and each class should be guided by its own principles. Drama should be written in the Heroic Couplets <iambic pentameter rhymed in two lines>; the three unities of time, space and action should be strictly observed; regularity in construction should be adhered to, and type characters rather than individuals should be resented. In the last few decades of the 18th century, however, the neoclassical emphasis upon reason, intellect, wit and form was rebelled against or challenged by the sentimentalists, and was, in due time, gradually replaced by Romanticism. But it had a lasting wholesome influence upon English literature. The poetic techniques and certain classical graces such as order, good form, unified structure, clarity and conciseness of language developed in this period have become a permanent heritage. The neoclassical period witnessed the flourish of English poetry in the classical style from Restoration to about the second half of the century, climaxing with John Dryden, Alexander Pope and the last standard-bearer of the school, Samuel Johnson. Much attention was given to the wit, form and art of poetry. Mock epic, romance, satire and epigram were popular forms adopted by poets of the time. Besides the elegant poetic structure and diction, the neoclassical poetry was also noted for its seriousness and earnestness in tone and constant didacticism. The mid-century was, however, dominated by a newly rising literary form -- the modern English novel, which, contrary to the traditional romance of aristocrats, gives a realistic sentation of life of the common English people. This -- the most significant phenomenon in the history of the development of English literature in the eighteenth century -- is a natural product of the Industrial Revolution and a symbol of the growing importance and strength of the English middle class. Among the pioneers were Daniel Defoe, Samuel Richardson, Henry Fielding, Laurence Sterne, Tobias George Smollett, and Oliver Goldsmith. And from the middle part to the end of the century there was also an apparent shift of interest from the classic literary tradition to originality and imagination, from society to individual, and from the didactic to the confessional, inspirational and prophetic. Gothic novels -- mostly stories of mystery and horror which take place in some haunted or dilapidated Middle Age castles -- were turned out profusely by both male and female writers; works such as The Castle of Otranto <1765> by Horace Walpole, The Mysteries of Udolpho <1794> and The Italian <1797> by Mrs. Ann Radcliffe, The Champion of Virtue, a Gothic Story <1777> by Clara Reeve, and The Monk <1796> by M.G. Lewis became very popular. Eulogizing or lamenting lyrics by nature poets like James Thomson, William Collins, and William Cowper, and by such sentimentalists as the "GraveyardSchool" were widely read. The romantic poems of the Scottish peasant poet, Robert Burnsand William Blake also joined in, paving the way for the flourish of Romanticism early the century. In the theatrical world, Richard Brinsley Sheridan was the leading figure among a host of playwrights. And of the witty and satiric prose, those written by Jonathan Swift are especially worth studying, his A Modest Proposal being generally regarded as the best model of satire, not only of the period but also in the whole English literary history.浪漫主义时期本章简介<> The movement which we call Romanticism is something not so easy to define, especially concerning its characteristics or dates. For it is a broad movement that affected the whole of Europe <and America>. However, English Romanticism, as a historical phase of literature, is generally said to have begun in 1798 with the publication of Wordsworth and Coleridge's LyricalBallads and to have ended in 1832 with Sir Walter Scott's death and the passage of the first Reform Bill in the Parliament. However, these dates are arbitrary and, to some extent, conventional, for a new current of literature, in fact, had started long before the publication of the Lyrical Ballads. In the works of the sentimental writers, we note a new interest in literatures and legends other than those of Greece and' Rome. It was in effect a revolt of the English imagination against the neoclassical reason which vailed from the days of Pope to those of Johnson. And some of the great imaginative writings in English literature sprang from the confrontation of radicals and conservatives at the close of the 18th century, as the history in England started to move with a new urgency. This urgency was provoked by two important revolutions: the French Revolution of 1789-1794 and the English Industrial Revolution which happened more slowly, but with astonishing consequences. Jean-Jacques Rousseau, a French philosopher, was one of the leading thinkers in the second half of the 18th century. In 1762 he published two books that electrified Europe -- Du Contrat Social and Emile, in which he explored new ideas about Nature, Society and Education. These ideas of Rousseau's provided necessary guiding principles for the French Revolution, for they inspired an implacable resentment against the tyrannical rule in France and an immense hope for the future. In 1789 there broke out the epoch-making French Revolution. The news of the Revolution, especially the Declaration of Rights of Man and the storming of Bastille, aroused great sympathy and enthusiasm in the English liberals and radicals. Patriotic clubs and societies multiplied in England, all claiming Liberty, Equality and Fraternity. Then, in October, 1790, Edmund Burke published his Reflections on the Revolution in France. Burke's pamphlet was designed as a crusade against the sad of such radical innovations and the overthrow of the established privileges he saw enshrined in the church, the hereditary power of the monarchy and the greater landed families. By pouring scorn on the feverish violence of rebellion and prophesying mob-rule and military dictatorship in France, Burke raised the most authoritative voice in Britain in denouncing the Revolution. Burke's Reflections provoked many replies from the radical writers who argued for the rights of the people to fight against tyranny and to overthrow any government of opssion; but none was so effective as Thomas Paine's Declaration of Rights of Man <1791-1792>. Paine knew what he was talking about: he had been in France during the Revolution, and demonstrated conclusively that by 1789 France was so enmeshed in opssion and misery that nothing short of revolution could set her free. William Godwin, who exerted a great influence on Wordsworth, Shelley and other poets, wrote passionately against the injustices of the economic system and the opssion of the poor in his Inquiry Concerning Political Justice <1793>. Fighting against Burke's conservative ideas was also William Cobbet whom Marx once extolled as "an instinctive defender of the masses of the people against the encroachment of the bourgeoisie." If law and government appeared to some contemporaries as one system of injustice, conventional gender roles were another, for women had long been regarded as inferior to men. After the Declaration of Rights of Man was released, Mary Wollstonecraft urged the equal rights for women in her A Vindication of the Rights of Woman <1792>, thus setting out the earliest exposition of feminism based on a comhensive system of ethics. But later when Jacobeans took over power in France and started to push a policy of violent terror at home and aggressive expansion abroad, most of the English sympathizers dropped their support. And the English government even waged wars against France till the fall of Napoleon in 1815. During this period, England itself had experienced profound economic and social changes. The primarily agricultural society had been replaced by a modern industrialized one. The biggest social change in Englishhistory was the transfer of large masses of the population from the countryside to the towns. The prosperous peasant farmers had long been considered the solid base of English society; but by the 19th century they had largely disappeared. As a result of the Enclosures and the agricultural mechanization, the peasants were driven out of their land: some emigrated to the colonies; some sank to the level of farm laborers; and many others drifted to the industrial towns where there was a growing demand for labor. But the new industrial towns were no better than jungles, where the law was "the survival of the fittest." The workers were herded into factories arid overcrowded streets, and reduced to the level of commodities, valued only according to the fluctuating demand for their labor. Women and children were treated no differently in this respect from the men. With the British Industrial Revolution coming into its full swing, the capitalist class came to dominate not only the means of production, but also trade and world market. Though England had increased its wealth by several times, it was only the rich who owned this wealth; the majority of the people were still poor, or even poorer. After the Napoleonic War, the English people suffered severe economic dessions. While the price of food rose rocket high, the workers' wages went sharply down; sixteen hours' labor a day could hardly pay for the daily bread. This cruel economic exploitation caused large-scale workers' disturbances in England; the desperation of the workers exssed itself in the popular outbreaks of machine-breaking known as the Luddite riots. The climax of popular agitation and government brutality came in August 1819 at St. Peter's Field, Manchester, where a huge but orderly group of peaceful protesters were charged by mounted troops who killed nine and wounded hundreds more. This was the notorious "Peterloo Massacre'' which roused indignation even among the upper class. However, the workers' strong demands for reform, for their own political and economic rights did not die down. The industrial bourgeoisie made use of this struggle to fight for its own sumacy in political power against the landed aristocrats. In 1832, the Reform Bill was enacted, which brought the industrial capitalists into power; but the workers who played the major role in the fight got nothing. Consequently, there arose sharp conflicts between capital and labor. The Romantic Movement, whether in England, Germany or France, exssed a more or less negative attitude toward the existing social and political conditions that came with industrialization and the growing importance of the bourgeoisie. The Romantics, who were deeply immersed in the most violent phase of the transition from a decadent feudal to a capitalist economy, saw both the corruption and injustice of the feudal societies and the fundamental inhumanity of the economic, social and political forces of capitalism. They felt that the society denied people their essential human needs. So under the influence of the leading romantic thinkers like Kant and the Post-Kantians, they demonstrated a strong reaction against the dominant modes of thinking of the 18th century writers and philosophers. Where their decessors saw man as a social animal, the Romantics saw him essentially as an individual in the solitary state. Where the Augustans emphasized those features that men have in common, the Romantics emphasized the special qualities of each individual's mind. Thus, we can say that Romanticism actually constitutes a change of direction from attention to the outer world of social civilization to the inner world of the human spirit. In essence it designates a literary and philosophical theory which tends to see the individual as the very center of all life and all experience. It also places the individual at the center of art, making literature most valuable as an exssion of his or her unique feelings and particular attitudes, and valuing its accuracy in portraying the individual's experiences. The Romantic period is an age of poetry. Blake, Wordsworth, Coleridge, Byron, Shelley and Keats are the major Romantic poets. They started a rebellion against the neoclassical literature, which。
英美文学选读自考题-1_真题(含答案与解析)-交互

英美文学选读自考题-1(总分100, 做题时间90分钟)Ⅰ.Multiple ChoiceSelect from the four choices of each item the one that best answers the question or completes the statement.1.In Renaissance, the European humanist thinkers and scholars made attempts to do the following EXCEPT ______.A. getting rid of those old feudalist-ideasB. getting control of the parliament and governmentC. introducing new ideas that expressed the interests of the rising bourgeoisieD. recovering the purity of the early church, from the corruption of the Roman Catholic ChurchSSS_SIMPLE_SINA B C D分值: 1答案:B主要考查的知识点为对文艺复兴的描述。
文艺复兴从本质上是欧洲人文主义者竭力摒弃中世纪欧洲的封建主义,推行代表新兴城市资产阶级利益的新思想,并恢复早期**的纯洁性,远离腐败的罗马天主教廷的一场运动。
2.______ was the first to start the attack on middle-class privileges and power in his novel Lucky Jim.A. JohnBraine B. Kingsley AmisC. AlanSillitoe D. John WainSSS_SIMPLE_SINA B C D分值: 1答案:B3.For his contribution to the establishment of the form of the modern novel, ______ has been regarded as "Father of the English Novel. "A. DanielDefoe B. Jonathan SwiftC. Henry FieldingD. Oliver GoldsmithSSS_SIMPLE_SINA B C D分值: 1答案:C主要考查的知识点为英国小说之父。
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自学考试英美文学选读Selected Readings In English AndAmerican LiteraturesPart one: English literatureAn Introduction to Old and Medieval EnglishLiterature1. The Old English poetry that has survived can be dividedinto two group: the religious group and the secular one. The poetry of the religious group is mainly on biblical themes………In addition to these religious compositions, Old English poets produced the national epic poem, Beowulf, a typical example of Old English poetry, is regarded today as the national epic of the Anglo-Saxons.2. Romance which uses narrative verse or prose to singknightly adventures or other heroic deeds is a popular literary form in the medieval period. R omantic love is an important part of the plot in romance.3. I t is Chaucer alone who, for the first time in Englishliterature, presented to us a comprehensive realistic picture of the English society of his time and created a whole gallery of vivid characters from all walks of life in his masterpiece The Canterbury Tales.Geoffrey Chaucer is the greatest writer of this period.I n short, Chaucer develops his characterization to a higherartistic level by presenting characters with both typical qualities and individual dispositions. Chaucer introduced from France the rhymed stanzas of various types to English poetry to replace the Old English alliterative verse.Chaucer dominated the works of his15th-centtruy English followers and the so-called Scottish Chaucerians. For the Renaissance, he was the English Homer.Chapter 1 The Renaissance Period1. The Renaissance arks a transition from the medieval tothe modern world. Generally, it refers to the periodbetween the 14th and mid-17th centuries.T he Renaissance is a historical period in which the European humanist thinkers and scholars made attempts to get rid of those old feudalist ideas in medieval Europe, to introduce new ideas that expressed the interests of the rising bourgeoisie, and to recover the purity of the early church form the corruption of the Roman Catholic Church. B ut it was not until the reign of Henry VIII that the Renaissance really began to show its effect in England.The English Renaissance had no sharp break with the past.Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and Reformation.2. Humanism is the essence of the Renaissance. T hus, byemphasizing the dignity of human beings and the importance of the present life, they voiced their beliefs that man did not only have the right to enjoy the beauty of this life, but had the ability to perfect himself and to perform wonders.3. S trong national feeling in the time of the Tudors gave agreat incentive to the cultural development in England. W ith classical culture and the Italian humanistic ideas coming into England, the English Renaissance began flourishing.T he first period of the English Renaissance was one of imitation and assimilation. T he Elizabethan drama, in its totality, is the real mainstream of the English Renaissance.4. F rom Wyatt and Surrey onwards the goals of humanisticpoetry are: skillful handling of conventions, force of language, and, above all, the development of a rhetorical plan in which meter, rhyme, scheme, imagery and argument should all be combined to frame the emotional theme and throw it into high relief. P oetry was to be a concentrated exercise of the mind, of craftsmanship, and of learning.I. Edmund Spenser (埃德蒙·斯宾塞)1. Spenser’s masterpiece is The Faerie Queene, a great poemof its age. A ccording to Spenser’s own explanation, his principal intention is to present through a “historical poem”the example of a perfect gentleman: “to fashion a gentleman or noble person in virtuous and gentle discipline.”2. The five main qualities of Spenser’s poetry are 1) aperfect melody; 2) a rare sense of beauty; 3) a splendid imagination; 4) a lofty moral purity and seriousness; and 5)a dedicated idealism.II. Christopher Marlowe(克里斯托夫·马洛)1. M asterpieces: Tamburlaine, Parts I &II; Dr. Faustus;The Jew of Malta; Edward II2. Tamburlaine is a play about an ambitious and pitilessTartar conqueror in the fourteenth century who rose from a shepherd to an overpowering king. I n fact, Tamburlaine is a product of Marlowe’s characteristically Renaissance imagination, fascinated by the earthly magnificence available to men of imaginative power who have the energy of their convictions.3. D r. Faustus is a play based on the German legend of amagician aspiring for knowledge and finally meeting his tragic end as a result of selling his soul to the Devil. I t celebrates the human passion for knowledge, power and happiness; it also reveals man’s frustration in realizing the high aspirations in a hostile moral order. A nd the confinement to time is the cruelest fact of man’s condition.Marlowe praises his soaring aspiration for knowledge while warning against the sin of pride since Faustus’s downfall was caused by his despair I god and trust in Devil.4. M arlowe’s greatest achievement lies in that he perfectedthe blank verse and made it the principal medium of English drama. Marlowe employed hyperbole as his major figure of speech, which, instead of referring to the exaggeration of the language, indicates the poetic energy and intensityconveyed through the verseMarlowe’s second achievement is his creation of the Renaissance hero for English drama. D ifferent from the tragic hero I medieval plays, who seeks the way to heaven through salvation and God’s will, he is against convention al morality and contrives to obtain heaven on earth through his own efforts.III. William Shakespeare (威廉·莎士比亚)1. T he first period of Shakespeare’s dramatic career was oneof apprenticeship.(Henry VI; Richard III; The Comedy of Errors.In the second period, Shakespeare’s style and approach became highly individualized. B y constructing a complex pattern between different characters and between appearance and reality, Shakespeare made subtle comments on a variety of human foibles. (The M idsummer Night’s Dream; The Merchant of Venice; Romeo and Juliet.S hakespeare’s third period includes his greatest tragedies and his so-called dark comedies. (Hamlet; Othello;King Lear)T he last period of Shakespeare’s work includes his principal romantic tragicomedies.2. S hakespeare’s history plays are mainly written under theprinciple that national unity under a mighty and just sovereign is a necessity.3. I n his romantic comedies, Shakespeare takes an optimisticattitude toward love and youth, and the romantic elements are brought into full play. T he most important play among the comedies is The Merchant of Venice. T he sophistication derives in part from the play between high, outgoing romance and dark forces of negativity and hate. T he traditional theme of this play is to praise the friendship between Antonio and Bassanio, to idealize Portia as a heroine of great beauty, wit and loyalty, and to expose the insatiable greed and brutality of the Jew.C ompared with the idealism of other plays, The Merchantof Venice takes a step forward in its realistic presentation of human nature and human conflict. T hough there is a ridiculous touch on the part of the characters restrained by their limitations, Shakespeare’s youthful Renaissance spirit of jollity can be fully seen in contrast to the medieval emphasis on future life in the next world.4. T he successful romantic tragedy is Romeo and Juliet,which eulogizes the faithfulness of love and the spirit of pursuing happiness. T he play, though a tragedy, is permeated with optimistic spirit.5. S hakespeare’s greatest tragedies are: Hamlet, Othello,King Lear, and Macbeth. T hey have some characteristics in common. Each portrays some noble hero, who faces the injustice of human life and is caught in a difficult situation and whose fate is closely connected with the fate of the whole action. E ach hero has his weakness of nature.W ith the concentration on the tragic hero, we see the sharp conflicts between the individual and the evil force in the society, which shows that Shakespeare is a great realist in the true sense.6. T he hero Hamlet in Shakespeare’s play Hamlet is noted forhis hesitation to take his revenge, his melancholy nature of action only to deny possibilities to do anything. H e came to know that his father was murdered by his uncle who became king. He hated him so deeply that he wanted to kill him.B ut he loved his widowed mother who later married hisuncle, and he was afraid to hurt his mother. A nd also, when everything was ready for him to kill his uncle, he forgave him for his uncle was praying to God for his crime. T hus he lost the good chance. H amlet represented humanism of his time.7. S hakespeare takes the bare outlines of Revenge Tragedy,but what he adds is infinitely more interesting than what he adopts. A nd the timeless appeal of this mighty drama lies in its combination of intrigue, emotional conflict andsearching philosophic melancholy. T his play is also Shakespeare’s most detailed expose of a corrupted court—“an unweeded garden”in which there is nothing but“a foul and pestilent congregation of vapours.”B y revealing the power-seeking ,the jostling for place the hidden motives, the courteous superficialities that veil lust and guilt, Shakespeare condemns the hypocrisy and treachery and general corruption at the royal court.8. Shakespeare, as a humanist of the time, is againstreligious persecution and racial discrimination, against social inequality and the corrupting influence of gold and money. I n his plays, he does not hesitate to describe the cruelty and anti-natural character of the civil wars, but he did not go all the way against the feudal rule.9. S hakespeare’s views on literature:Shakespeare has accepted the Renaissance views on literature. H e holds that literature should be a combination of beauty, kindness and truth, and should reflect nature and reality. Shakespeare also states that literary works which have truly reflected nature and reality can reach immortality.10. T he characteristics of Shakespeare’s characters:S hakespeare’s major characters are neither merely individual ones nor type ones; they are individuals representing certain types. E ach character has his or her own personalities; meanwhile, they may share features with others.11. T he characteristics of Shakespeare’s plot:S hakespeare’s plays are well-known for their adroit plot construction. S hakespeare seldom invents his own plots;instead, he borrows them from some old plays or storybooks, or from ancient Greek and Roman sources.12. T he characteristics of Shakespeare’s language:I t is necessary to study the subtlest of his instruments—the language. Shakespeare can write skillfully in different poetic form, like the sonnet, the blank verse, and therhymed couplet. H e has an amazing wealth of vocabulary and idiom. H is coinage of new words and distortion of the meaning of the old ones also create striking effects on the reader.IV. Francis Bacon (弗兰西斯·培根)1. Francis Bacon, a representative of the Renaissance inEngland, is a well-known philosopher, scientist and essayist.2. T he most important works of his first group include TheAdvancement of Learning; Novum Organum. H is philosophical works also belong to the first group. H is literary works are in the second group, among which the most famous is Essays. Maxis of Law and The Learned Reading upon the Statute of Uses are the two famous works from the third group.3. N ovum Organum is a successful treatise written in Latin onmethodology. I t is the most impressive display of bacon’s intellect. T he argument is for the use of inductive method of reasoning in scientific study. B ut Bacon first expounds the four great false conceiving that beset men’s mind and prevent them from seeking the truth. B acon suggests the inductive reasoning, i.e. proceeding from the particular to the general, the deductive reasoning, putting forward this theory. B acon shows the new empirical attitudes toward truth about nature and bravely challenges the medieval scholasticists.4. T he Advancement of Learning is a great tract oneducation. B acon highly praises knowledge, refuting the objections to learning and outlining the problems with which his plan is to deal. A ccording to Bacon, man’s understanding consists of three parts: history to man’s memory, poetry to man’s imagination and creation, and philosophy to man’s reason.5. B acon cares more about axioms under the guidance of whichman think and acts than human nature or morality.B acon’s essays are famous for their brevity, compactnessand powerfulness. T he essays are well-arranged and enriched by Biblical allusions, metaphors and cadence.6. O f Studies is the most popular of Bacon’s 58 essays. I tanalyzes what studies chiefly serve for, the different ways adopted by different people to pursue studies, and how studies exert influence over human character. F orceful and persuasive, compact and precise. O f Studies reveals to us Bacon’s mature attitude towards learning.V. J ohn Donne (约翰·邓恩)1. T he term “metaphysical poetry”is commonly used to namethe work of the 17th-century writers who wrote under the influence of John Donne. W ith a rebellious spirit the metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry. T he diction is simple as compared with that of the Elizabethan or the Neoclassic periods, and echoes the words and cadences of common speech.T he imagery is drawn from the actual life. T he form is frequently that of an argument with the poet’s beloved, with God, or with himself.2. T he Elegies and Satires; The Songs and Sonnets.VI. J ohn Milton (约翰·弥尔顿)1. Paradise Lost ; Paradise Regained; Samson Agonistes.2. P aradise Lost is about Eve, seduced by Satan’s rhetoricand her own confused ambition—as well as the mere prompting of hunger—falls into sin through innocent credulity. A dam falls by consciously choosing human love rather than obeying God.T his is the error wherein his greatness lies. I n the fall of man Adam discovered his full humanity. B ut man’s fall is the sequel to another and more stupendous tragedy.3. W orking through the tradition of a Christian humanism,Milton wrote Paradise Lost, intending to expose the ways of Satan and to “justify the ways of God to men.”A t the center of the conflict between human love and spiritual duty liesMilton’s fundamental concern with freedom and choice; the freedom to submit to God’s prohibition on eating the apple and the choice of disobedience made for love.4. T he freedom of the will is the keystone of Milton’screed. H is poem attempts to convince us that the unquestionable truth of Biblical revelation means that an all-knowing God was just in allowing Adam and Eve to be tempted and, of their free will, to choose sin and its inevitable punishment. A nd, thereby, it opens the way for the voluntary sacrifice of Christ which showed the mercy of God in bringing good out of evil.5. I n his life, Milton shows himself a real revolutionary, amaster poet and a great prose writer. H e fought for freedom in all aspects as a Christian humanist, while his achievements in literature make him tower over all the other English writers of his time and exert a great influence over later ones.莎士比亚1. 莎士比亚戏剧生涯的第一阶段是作为一名学徒。