英美诗歌essay
外国诗歌鉴赏英文范文
外国诗歌鉴赏英文范文An Appreciation of Foreign Poetry: Exploring the Depths of Emotion and Imagery.Poetry, a universal language of the soul, transcends linguistic barriers and cultural divides. Foreign poetry,in particular, offers a unique window into the emotionaland cultural landscapes of other nations. In this essay, I delve into the enchanting world of foreign poetry, examining its power to evoke emotions, create vivid imagery, and provide insights into human experiences.One of the first things that strikes me about foreign poetry is its ability to evoke strong emotions. Whetherit's the heartfelt love depicted in the passionate versesof Spanish poet Federico García Lorca or the profound melancholy captured in the haunting lines of Russian poet Anna Akhmatova, foreign poetry has a profound effect on the reader's emotional state. It takes us on a journey through the poet's inner world, allowing us to experience theirjoys, sorrows, and innermost thoughts.Another captivating aspect of foreign poetry is its vivid imagery. Poets from various cultures employ unique imagery to create striking visual representations of their ideas and emotions. For instance, the nature-inspired imagery of Japanese poet Bashō, with its emphasis on.。
英美诗歌鉴赏论文
Poems of W.B. Yeats: The Rose Themes1. IntroductionAs is known to all, Yeats’s poetic thinking is a complexity out of a variety of influences and out of his own originality. Therefore, this study of the Yeatsian poetic t hinking would focus on a few distinguished aspects，in order to make them coherently interrelated, I employ the metaphorical meanings of the rose, a key Yeatsian symbol, t o represent those chosen aspects.2. Analysis of the Rose ThemesThough a young poet at the time of the composition of The rose ,Yeats is quite preoccupied with themes of aging and mortality. Imagining his old age served as an escape for the young Yeats, who found himself unsuccessful in love and imagined that later in life he would either have won his beloved or his beloved would have come to regret her rejection of him. "In Old Age" is particularly marked by the image of an old er Maud Gonne (the woman with whom Yeats was in love) becoming wiser in old age Yeats also had an anxiety about death which was unusual in someone so young. He contemplated death less in terms of himself than in terms of his loved ones. When M aud Gonne travel to France as a convalescent, a worried Yeats wrote "A Dream of Dea th." This meditation on Gonne's possible death is less of a nightmare than a dream co mes true, as Yeats envisions himself being useful to her in death as he could not be in l ife. Yeats, therefore, views both aging and death as more or less positive forces.The Rose id rife with mythological references ,from King Fergus to Conchubar to Diarmuid. Indeed, such mythic Irish figures populate nearly every poem in the collecti on.[1]Mythology operates as a theme in this collection in a number of ways.First and foremost it separates Yeats' poetry from British writing. British writers drew on Roma n and Greek mythology - the mythology, in fact, of other (albeit ancient) imperialists. In choosing Irish mythology as his source of allusions and subjects,Yeats creates poetry distinct from that of Ireland’s long time oppressors.Moreover,Yeats’use of Irish mythological subjects allows him to avoid thepolitical.his own day. Yeats, a moderate compared to his beloved Maud Gonne, found his political beliefs to be a burden in his pursuit of love. In treating legendary figures, Yeats avoids the problem of referencing the complicated political environment that so tormentedNationalism in Ireland in the 1890s was in a complicated stage.Many die-hard Fenians (Republicans), including Maud Gonne, were more than willing to take arms a gainst the British to gain their independence. Another group, including Yeats, took the more cautious parliamentary approach. This political party, called the Home Rule Par ty, was led by John Red and held that Ireland could gain independence through legal means.[2]Because this collection focuses so much on Maud Gonne,Yeats inevitably touches upon his political differences with his beloved. These differences, needless to say, affe cted their relationship negatively. Yeats feared that Gonne was more repulsed by his m oderate politics than by his person.Thus,in some poems ,such as “To Ireland in the Coming Times”Yeats seems to be willfully disassociating himself from the complex political fabric of his own era, inste ad hearkening to a simpler politics of ancient kings. Undoubtedly Yeats was drawn to these ancient mythic times anyway, but his interest takes on a sadness in the context o f his relationship with the politics of his own day (and thus of his relationship with Go nne). Nationalist politics exist negatively in these poems, as the subject that Yeats doe sn't want to address.3. ConclusionBy making use of the metaphorical meanings of the rose,this thesis is a study of several chosen aspects of Yeats’s poetic thinking.Love drastically influenced Yeast’s writing, acting as his source that contributed considerably to the development of his s ymbolismYeats’s mysticism gave the philosophical quality to his poetry.Therefore，this study of Yeats’s poetic thinking might be useful to the Yeatsian scholarship.It is hoped that the thesis would be helpful to readers who seek for a be helpful to readers who seek for a better understanding of Yeats and his times.Works Cited[1] MacNeice, Louis. The Poetry of W.B. Yeats. New York: Oxford UP,1988.[2] Sidnell, Michael J. Yeats’s Poetry and Poetics. Basingstoke: Macmillan,1996.。
英美诗歌论文sample
Pound and Chinese PoetryYour name and student number hereAbstract: Ezra Pound, as the imagist poet and the representation of the American Modernism, was influenced by the Chinese poetry and devoted himself into it. Cathay, one of his early works on translation of the Chinese poetry is a good example to illustrate the influence. And the essay also covers the poetic theory of Pound, especially his theory to the Chinese poetry.Keywords:Ezra Pound, Chinese poetry, Imagism1. The Brief Introduction to Ezra Pound’s Early Life:Ezra Pound, the great imagist poet and scholar, the representation of the American Modernism, was born in Hailey, Idaho, to parents who had roots in New England and upper New York State as well as in the West. When Pound was an infant, his parents settled a comfortable suburb near Philadelphia where his father, Homer Pound, was employed by the Mint. …….2. Ezra Pound and China2.1 Ernest Fenollosa: Guiding Pound to Chinese LiteratureIt is believed that after Pound’s moving to London, he was attracted by China. However, at that time, he knew little about China, no mention to the Chinese poetry and Confucius. It is Ernest Fenollosa who took Pound to the splendid Chinese literary heritage. …….2.2 Imagism and Pound’s Principle of PoetryPound was known to be one of the leaders of the Imagism with his famous In a Station of the Metro:The apparition of these faces in the crowd;Petals on a wet, black bough.This short but effective poem that published before Pound received Fenollosa’s notes described a subway station in Paris. Two images are presented to us in it: the faces of people in the station and the petals on the wet and black bough. Pound put these two images together without any other words, which brings us an association, a concrete picture of the Paris subway.I believe it is the principle of Imagism determined Pound’s interest in the Chinese poetry. As to the specific aspects of poetry as rhythm, symbols, technique and form,Pound recapitulated what he had previously said under the heading ‘Credo’: Rhythm ---- in an ‘absolute rhythm’, a rhythm, that is, in poetry which corresponds exactly to the emotion or shade of emotion to be expressed. A man’s rhythm must be interpretative, it will be, therefore, in the end, his own, uncounterfeiting, uncounterfeitable.Symbols ---The proper and perfect symbol is the natural object, that if a man use ‘symbols’ he must so use them that their symbolic function does not obtrude; so that a sense, and the poetic quality of the passage, is not lost to those who do not understand the symbol as such, to whom, for instance, a hawk is a hawk.Technique ---- I believe in technique as the test of man’s sincerity; in law when it is ascertainable; in the trampling down of every convention that impedes or obscures the determination of the law, or the precise rendering of the impulse.Form ---- There is a ‘fluid’ as well as a ‘solid’ content, that some poems may have form as a tree has form, some as water poured into a vase. That most symmetrical forms have certain uses. That a vast number of subjects cannot be precisely, and therefore not properly rendered in symmetrical forms.12.3 Parallels: The Poetic Theory Between Pound and FenollosaAnd Fenollosa’s essay also more specific things on the eastern art, he said:It was constantly filled with parallels and comparisons between eastern and western art. To him the exotic was always a means of fructification. He looked to an American renaissance. The vitality of his outlook can be judged from the fact that although this essay was written some time before his death in 1908 I have not had to change the allusions to western conditions. The later movements in art have corroborated his theories.2……….The imagist feature, the magic sound and picture-like characters ---- all these led Pound devote himself into the Chinese poetry.2.4 Cathay: Bringing Chinese Poetry to WestThrough Pound’s life, a large part of his publication are issued on the Chinese culture, which I appreciate Cathay most.Cathay was published on April 1915, after Pound digested Fenollosa’s notes. From the 150 poems containing in the notes, Pound chose only 19 poems to translate. His success on choosing is thought to be the greatest gift by some critics. One of these 19 poems I want to mention here is 《长干行》by Li Po which Pound translated it into The River-Merchant Wife: A Letter:While my hair was still cut straight across my foreheadI played about the front gate, pulling flowers.1Literary Essays, pp.4-72Instigations, p.357You came by on bamboo stilts, playing horse,You walked about my seat, playing with blue plums.And we went on living in the village of Chokan:Two small people, without dislike or suspicion.At fourteen I married My Lord you.I never laughed, being bashful.Lowering my head, I looked at the wall.Called to, a thousand times, I never looked back.At fifteen I stopped scowling,I desired my dust to be mingled with yoursForever and forever and forever,Why should I climb the look out?At sixteen you departed,You went into far Ku-to-yen, by the river of swirling eddies,And you have been gone five months.The monkeys make sorrowful noise overhead.You dragged your feet when you went out.By the gate now, the moss is grown, the different mossesToo deep to cleat them away!The leaves fall early this autumn, in wind.The paired butterflies are already yellow with August,Over the grass in the West garden;They hurt me. I grow older.If you are coming down through the narrows of the river Kiang,And I will come out to meet youAs far as Cho-fu-sa.By RihakuRihaku is the Japanese translation to Li Po. Pound read this poem not in Chinese, but in Japanese. In that case, the translation is not so accurate to the original one by Li Po:妾发初覆额折花门前剧郎骑竹马來绕床弄青梅同居长干里两小无嫌猜十四为君妇羞颜未尝开低头向暗壁千唤不一回十五始展眉愿同尘与灰常存抱柱信岂上望夫台十六君远行瞿塘滟预堆五月不可触猿鸣天上哀门前迟行迹一一生绿苔苔深不能扫落叶秋风早八月蝴蝶来双飞西园草感此伤妾心坐愁红颜老早晚下三巴预将书报家相迎不道远直至长风沙…………3. ConclusionThe imagist spirit lying in the Chinese poems attracted Pound. In the Chinese poetry, he found his poetic aim and his poetic life. On Pound, Chinese poetry also found its new life. ………..Bibliography1.Ernest Fenollosa: Instigations, with an essay on ‘The Chinese Written Characteras a Medium for Poetry’, New York: Boni&Liveright, 1920.2.G. Singh: Ezra Pound as Critic, New York: St. Martin’s Press, 1994.3.Holt, Rinehart and Winston: To Read Poetry, New York: Donald Hall, 1981.4.Eliot, T. S. ed., Literary Essays, London: Faber&Faber; New York: NewDirections, 1954.5.Waislm Yip, Ezra Pound’s Cathay, London: Faber&Faber, 1983.。
英文诗歌格式作文
英文诗歌格式作文Writing a poem in English can be a beautiful and rewarding experience, allowing you to express your thoughts, emotions, and creativity in a unique way. Here's a guide to help you craft a poem in English, along with some tips and suggestions:1. Choose a Theme or Topic: Start by deciding what you want your poem to be about. It could be about love, nature, a personal experience, or any other theme that inspires you. Once you have a theme in mind, it will be easier tostructure your poem around it.2. Select a Form or Structure: English poetry comes in various forms and structures, such as sonnets, haikus, free verse, and more. Decide which form you want to use for your poem, or if you prefer, you can create your own unique structure. Each form has its own rules and guidelines, sobe sure to research the one you choose.3. Brainstorm and Draft: Before you start writing your poem, take some time to brainstorm ideas and jot down any phrases, words, or images that come to mind. This will help you get your creative juices flowing and provide materialto work with when you start drafting your poem.4. Focus on Imagery and Language: English poetry often relies heavily on imagery and figurative language to create vivid and evocative descriptions. Use similes, metaphors, and other literary devices to paint a picture with your words and evoke emotion in your readers.5. Consider Rhyme and Rhythm: While not all poems rhyme, many English poems do, and even free verse poems often have a sense of rhythm or musicality to them. Experiment with rhyme schemes and meter to see what works best for your poem, but don't feel constrained by traditional rules if they don't fit your vision.6. Revise and Edit: Once you've written a draft of your poem, take some time to revise and edit it. Pay attentionto the flow of your language, the clarity of your imagery,and the overall impact of your words. You may need to rearrange lines, change words, or even rewrite entire stanzas to improve your poem.7. Share and Seek Feedback: Finally, don't be afraid to share your poem with others and seek feedback. Whether it's friends, family, or fellow writers, getting input from others can help you identify areas for improvement and gain valuable insights into your work.Remember, writing poetry is a deeply personal and subjective process, so trust your instincts and don't be afraid to experiment and take risks with your writing. With time, practice, and dedication, you can craft beautiful and meaningful poems in English that resonate with readers.。
英美浪漫主义诗歌概论与欣赏
英美浪漫主义诗歌概论与欣赏 laura kasischkei passed this place once long agowhen a man lived here with his fourdaughters, peacefully, it seemed. thosedaughters took turns washingdishes, doing laundry. frothy pearls andfeathers in a sink. softsocks, warm towels, folded, clean, inclosets, drawers, and baskets, andon shelves. to methis was astonishing. the laundrydone by daughters! nomother in the house at all. a weepingwillow grew in their back-yard, but it was not a symbol then.it could not have beenbecause this was the only treei knew the name of yet -- unless it was a treethat bore familiar fruit. likean apple tree, a mulberry. thiswillow's branches did not seem to bebranches at all to me, butribbons dangling loosely, tanglinggirlishly. if there was any weeping, it was inaudible to me. (wasi supposed to see it?) oneof the daughters was onlya year ahead of me, and sheinvited me (once) inside becauseshe wanted to play house with me. when i confessed i wasn't sure what playing house might mean, this girlsaid she would teach me.she was mother for this reason.i was the family dog. shetold me to eat froot loopsfrom a bowl on the kitchen floorwhile on my hands and knees. welaughed when i couldn't do it. but when i was mother, shecouldn't do it either.that there was laughter!a blue tablecloth.salt and pepper shakers shapedlike hands, which, puttogether, appeared to pray. wheni was thirsty, another daughter poured a cup of water for me, pouringwater with such confidence itseemed to me that shemight have poured the first waterfrom the first tap. when, outof curiosity, i wentinto their bathroom and pretended to peei witnessed toilet paper printed withforget-me-nots, along with a little dishthat held a piece of pink soap in it.and, when, after this, i couldn't sleepfor three nights in a row, mymother finally gave uptrying to comfort me.adrian matejkaafter jean-michel basquiatwe are all famous sunday mornings at the y.that magnificent & rattled-rim space of big·timingsundays. gym bag hung over the shoulderof a matching sweatshirt sundays. touch one toethen the other if you can kind of days. ball shoescrisp in the bag & what up, team? we say.for real, on sundays, we're sweating in quintuplicate like a grinning team portrait. knees swollen as roundly as the composite basketball we play with. & sometimes, the shoe-string glance from the trainer up front, thestraight up & down of would-be ballers orbiting the ball court like paparazzi & handshake laughs at bad passeshave to be adequate when your jumper is so far offsomebody should staple flyers to telephone poles for it. heidilynn nilssonwe are not surprised,those of us who are made,we've been told,in god's image,that our god, who hasneither tissue nor tail,is a jealous god.what makes ussnappish, after all, about godis impeccability butif jealousy makes usalso godlike, and if that'swhere our love turned wrong,then light with light, loss with loss,on the strict and ruined earth,someone gets the very thinghe longs for -- and whowill let him? lord i'mdesolate enough --i see the firestarving on a switchafter all of those years making for himmyself into a forest.。
经典诗歌英语美文(精选12篇)
经典诗歌英语美文（精选12篇）篇1：英语美文――诗歌之灵性对青年男女来说，诗歌如同爱情一样，是一种激情。
不过，即使是为诗歌动人心弦的力量萦绕心灵而骄傲的人，也很快就必需挣脱诗歌那令人愉悦的束缚;或者这种束缚会自然而然地松懈。
With the young of both sexes, Poetry is, like love, a passion; but, for much the greater part of those who have been proud of its power over their minds, a necessity soon arises of breaking the pleasing bondage; or it relaxes of itself; ―the thoughts b eing occupied in domestic cares, or the time engrossed by business.对青年男女来说，诗歌如同爱情一样，是一种激情。
不过，即使是为诗歌动人心弦的力量萦绕心灵而骄傲的人，也很快就必需挣脱诗歌那令人愉悦的束缚;或者这种束缚会自然而然地松懈，因为家务占据了头脑，事业耗尽了时间。
Poetry then becomes only an occasional recreation; while to those whose existence passes away in a course of fashionable pleasure, it is a species of luxurious amusement.如此一来, 诗歌就只是偶尔的消遣了。
对那些一生都在追求时髦的人来说，诗歌是一种奢侈的娱乐。
In middle and declining age, a scattered number of serious persons resort to poetry, as to religion, for a protection against the pressure of trivial employments, and as a consolation for the afflictions of life.而少数中老年人则借助于诗歌――就像求助于宗教一样――来缓解琐事带来的压力和抚平生活中的创伤。
关于英美诗歌名篇选读
关于英美诗歌名篇选读【导语】英语诗歌是一个包含丰富社会生活内容和艺术内涵的世界,欣赏它,有多种方法,如对比法,背景分析法,艺术分析法等等。
下面是由无忧考网带来的关于英美诗歌名篇选读，欢迎阅读!【篇一】关于英美诗歌名篇选读A Musical InstrumentElizabeth Barrett Browning (1806 - 1861)What was he doing, the great god Pan,Down in the reeds by the river?Spreading ruin and scattering ban,Splashing and paddling with hoofs of a goat,And breaking the golden lilies afloatWith the dragon-fly on the river.He tore out a reed, the great god Pan,From the deep cool bed of the river;The limpid water turbidly ran,And the broken lilies a-dying lay,And the dragon-fly had fled awayEre he brought it out of the river.High on the shore sat the great god Pan,While turbidly flowed the river;And hacked and hewed as a great god canWith his hard bleak steel at the patient reed,Till there was not a sign of a leaf indeedTo prove it fresh from the river.He cut it short did the great god Pan(How tall it stood in the river!)Then drew the pith, like the heart of a man,Steadily from the outside ring,And notched the poor dry empty thingIn holes, as he sat by the river.'This is the way,' laughed the great god Pan(Laughed while he sat by the river),'The only way, since gods beganTo make sweet music, they could succeed.'Then dropping his mouth to a hole in the reedHe blew in power by the river.Sweet, sweet, sweet, O Pan!Piercing sweet by the river!Blinding sweet, O great god Pan!The sun on the hill forgot to die,And the lilies revived, and the dragon-flyCame back to dream on the river.Yet half a beast is the great god Pan,To laugh as he sits by the river,Making a poet out of a man:The true gods sigh for the cost and pain -For the reed which grows never more againAs a reed with the reeds of the river.【篇二】关于英美诗歌名篇选读Love in the LabJo ShapcottOne day the technicians touched souls as they exchanged everyday noises above the pipette. Then they knew that the state of molecules was not humdrum.The ins criptions on the specimen jars which lined the room in racks took fire in their minds: what were yesterday mere hieroglyphs from the periodic table became today urgent proof that even here - laboratory life - writing is mystical.The jars glinted under their labels: it had taken fifteen years to collect and collate them.Now the pair were of one mind.Quietly, methodically they removed the labels from each of the thousands of jars. It took all night.At dawn, rows of bare glass winked at their exhausted coupling against the fume cupboard.Using their white coats as a disguise they took their places at the bench and waited for the morning shift.【篇三】关于英美诗歌名篇选读The JaguarTed Hughes (1930 - 1998)The apes yawn and adore their fleas in the sun.The parrots shriek as if they were on fire, or strutLike cheap tarts to attract the stroller with the nut.Fatigued with indolence, tiger and lionLie still as the sun. The boa constrictor's coilIs a fossil. Cage after cage seems empty, orStinks of sleepers from the breathing straw.It might be painted on a nursery wall.But who runs like the rest past these arrivesAt a cage where the crowd stands, stares, mesmerized,As a child at a dream, at a jaguar hurrying enragedThrough prison darkness after the drills of his eyesOn a short fierce fuse. Not in boredom -The eye satisfied to be blind in fire,By the bang of blood in the brain deaf the ear -He spins from the bars, but there's no cage to him More than to the visionary his cell:His stride is wildernesses of freedom:The world rolls under the long thrust of his heel. Over the cage floor the horizons come.。
英文诗歌的英文作文怎么写
英文诗歌的英文作文怎么写英文：When it comes to writing an English essay about English poetry, there are a few things you should keep in mind. First of all, it's important to understand the basics of poetry, such as meter, rhyme, and imagery. Once you have a good grasp of these concepts, you can start analyzing specific poems and exploring their themes and meanings.One of the best ways to approach a poetry essay is to choose a specific poem or poet that you are interested in and focus on that. For example, you could write about the works of William Shakespeare, Emily Dickinson, or Langston Hughes. You could also choose a specific theme, such as love, nature, or death, and explore how different poets have approached that theme in their work.When analyzing a poem, it's important to pay attention to the language and imagery used by the poet. Look formetaphors, similes, and other literary devices that help to create meaning and emotion. Consider the tone and mood of the poem, as well as the overall structure and form.In addition to analyzing individual poems, you may also want to consider the historical and cultural context in which they were written. For example, the Romantic poets of the 19th century were influenced by the political andsocial upheavals of their time, while the Harlem Renaissance poets of the 1920s and 30s were responding to issues of race and identity.Ultimately, the key to writing a successful poetry essay is to be thoughtful, insightful, and creative. Use examples from the poems you are analyzing to support your arguments and make sure to cite your sources properly. And don't be afraid to express your own opinions and interpretations – after all, poetry is all about personal expression and interpretation.中文：写英文诗歌的英文作文需要注意几个方面。
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My Thoughts After Reading In ChurchIn Church"And now to God the Father", he ends,And his voice thrills up to the topmost tiles:Each listener chokes as he bows and bends,And emotion pervades the crowded aisles.Then the preacher glides to the vestry-door,And shuts it, and thinks he is seen no more.The door swings softly ajar meanwhile,And a pupil of his in the Bible class,Who adores him as one without gloss or guile,Sees her idol stand with a satisfied smileAnd re-enact at the vestry-glassEach pulpit gesture in deft dumb-showThat had moved the congregation so.This poem is written by a British poet named Thomas Hardy who was born on June 2, 1840, in HigherBock Hampton in Dorset, arural region of southwestern England. Although Hardy gave serious thought to attending university and entering the church, after a struggle he decided to pursue a career in writing instead. He spent nearly a dozen years toiling in obscurity and producing unsuccessful novels and poetry. Far from the Madding Crowd, published in 1874, was his first critical and financial success. And this poem In Church is one of his impressive poetries.This poem describes an image of a hypocriticalpreacher. In the congregation‟s eyes, he might bea sincere godly preacher who is always faithful in the discharge of his duties. He goes in fear of God, and keeps a good relationship with everyone in church. He is willing to listen to a sinner‟s confess at any time, helping them to get closer to God andthinking of themselves in a saintlyway again. This isan image of the brilliant preacher in general congregation‟s mind. But from this poem, we learned that the not every preach is a saint, they are human beings like any of us after all. They may have the skeleton in the cupboard as we do, who knows?“…And now to God the Father‟, he ends, and his voice thrills up to the topmost tiles. Each listener chokes as he bows and bends, and emotion pervades the crowded aisles.” What a standard image of a righteous preacher!What a solemn and awe-inspiring atmosphere in the church! It seems that this preacher is really close to God, he is the son of God, and he is expected to have the same characteristic like his God the Father, such as righteousness, kindness, humble and has nothing to hide from the congregation. But, as a matter of fact, we know he is not that kind of person.“Then the preacher glides to the vestry-door, and shuts it, and thinks he is seen no more.” This preacher shuts the vestry-door and in his thoughts, he can be far away from the public eye bythis way. When will a person afraid of being seen? There are some possibilities. First, he is ugly or he has some body defects that make him feel inferior to others. But he is a preacher who stands on pulpitevery Sunday to deliver a sermon for all the congregations. So this possibility is ruled out. Second, as we mentioned above, he has the skeleton in the cupboard, the real one in him is not like others‟ consideration. E ven more, he can be far away from the one he should be. In my opinion, itcould be the answer which we are pursuing. But there are other questions: what the preacher did that made him needed to hide himself away from the public eyes? Why can such a hypocritical person be a member of the clergy? Is he the only person act like this or it‟s a phenomenon that exists in the church?“The door swings softly ajar meanwhile, and a pupil of his in the Bible class, who adores him as one without gloss or guile, sees her idol stand with a satisfied smile and re-enact at thevestry-glass.” Here comes another character——a girl who is a student of the preacher‟sBible class. In this little girl‟s eye, the preacher is so powerful and great, or evenalmighty that worth her adoration and worship. The author uses a word “idol” here, what‟s his mean by this word? Exodus 20:4-5 tells us: “You shall not make for yourself an idol, whether in the form of anything that is in heaven above, or that is on the earth beneath, or that is in the water under the earth. You shall not bow down to them or worship them; for I the Lord your God am a jealous God, punishing children for the iniquity of parents, to the third and the fourth generation of those who reject me. ”Form these words selected from the Holy Bible we know that besides God other gods people worship for are called idol, and that‟s what God told people not to do. As we have already known, this little girl takes a Bible class; won‟t she know the Ten Commands in book Exodus? Or we can say that her teacher does n‟t interpret these commands in a right way. “…sees her idol stand with a satisfied smile.” Asatisfied smile! Though it‟s acceptable t hat the little girl does n‟t know this kind of thi ng, how could a preacher does n‟t know, either.Let alone stand with a satisfied smile! Through this smile, we can interpret the preacher‟s inner thoughts that he makes himself as a role like God, and that‟s diametrically opposite to God‟s command. A totally different image compare with hispreacher actions in front ofcongregations.“Each pulpit gesture in def t dumb-show that had moved the congregation so.” What the preacher does on the pulpit is like a dumb-show, and the pulpit here is a show stage more than a serious regional place. Although the preacher has a skeleton inside, he still looks like an angle outside, do the sanity thing, sing the hymn and moves the congregation so.In this poem, Thomas Hardy describes an image of the hypocritical preacher, through this preacher, we can see the corruption of the church in 19th century.。