电影幸福终点站英文版PPT
励志电影英语演讲PPT素材
励志英语演讲yes, yes, yes, it’s a new day, it’s a different day, and it’s a bright day!and most importantly, it is a new beginning for your life, a beginning where you aregoing to make new decisions, take new actions, make new friends, and take your lifeto a totally unprecedented level! in your minds eye, you can see clearly the things you want to have, the pacesyou intend to go, the relationships you desire to develop, and the positions you aspireto reach.you can hear your laughters of joy and happiness on the day when everything happensas you dream.you can see the smiles on the people around you when the magic moment strikes. you can feel your face is getting red, your heart is beating fast, and your bloodis rushing all over your body, to every single corner of your being! you will no longer fear making new sounds, showing new facial expressions, usingyour body in new ways ,approaching new people, and asking new questions. you will live every single day of your life with absolute passion, and you willshow your passion through the words you speak and the actions you take. you will focus all your time and effort on the most important goals of your life.you will never succumb to challenges of hardships. you will never waver in your pursuit of excellence. after all ,you are the best,and you deserve the best!as your coach and friend, i can assure you the door to all the best things inthe world will open to you, but the key to that door is in your hand. you must doyour part, you must faithfully follow the plans you make and take the actions youplan, you must never quit, you must never fear. i know you must do it, you can doit, you will do it, and you will succeed! now stand firm and tall, make a fist, getexcited, and yell it out:i must do it! i can do it! i will do it! i will succeed!i must do it! i can do it! i will do it! i will succeed!i must do it! i can do it! i will do it! i will succeed!篇二：震撼心灵的50部英文励志电影震撼心灵的50部英文励志电影（英汉对照珍藏版） 50部电影的详细目录：1、《8 mile 8英里》，巨星成长之路上的烦恼与困扰2、《127 hours 127小时》，大自然的狰狞与人类的坚持不懈3、《a beautiful mind美丽心灵》，为你，我会终身美丽4、《a better life更好的生活》，对人生深入骨髓的感触5、《big fish大鱼》，“坏孩子”用超现实的方式触摸真实世界6、《billy elliot跳出我天地》，在家庭责任与个人理想之间7、《braveheart勇敢的心》，不是每个人都曾真正活过8、《cast away荒岛余生》，在世界尽头，他开始了旅程9、《coach carter卡特教练》，“放牛班的严冬”10、《dancer in the dark黑暗中的舞者》，执着信念的赞美诗11、《eight below南极大冒险》，不要低估任何动物的求生意志12、《everybodys fine天伦之旅》，“大家都好”背后的温情14、《glory road光荣之路》，有王者气势的梦幻之作15、《good will hunting心灵捕手》，让我们跟着心走16、《gran torino老爷车》，为捍卫朋友和尊严而战17、《gridiron gang重振球风》，摆脱心灵羁绊重获新生18、《hotel rwanda卢旺达饭店》，一个人可以多么无私无畏19、《i am sam我是山姆》，爱是一种能力20、《into the wild荒野生存》，或许，世界真的在等你21、《invictus成事在人》，你总能成就自己想做的事22、《invincible万夫莫敌》，从一无所有到荣誉之巅23、《juno朱诺》，对与错的评判标准是什么24、《men of honor怒海潜将》，没有人能阻止你成为英雄25、《million dollar baby百万美元宝贝》，不躲避疼痛，迎接它26、《mona lisa smile蒙娜丽莎的微笑》，与传统观念抗争的女子27、《moneyball点球成金》，有时候，你要做的正是打破常规28、《people like us我们这样的人》，关于生命和生活的故事29、《real steel铁甲钢拳》，饱含亲情与梦想的励志故事30、《seabiscuit奔腾年代》，那种不服输的天性与斗志31、《secretariat一代骄马》，千里马与伯乐缔造的奇迹32、《seven pounds七磅》，这个世界太需要温情与爱33、《slumdog millionaire贫民窟的百万富翁》，史诗格局与童话气质34、《soul surfer灵魂冲浪人》，失去臂膀依然能舞动人生35、《step up舞出我人生》，每个人都有追逐梦想的机会36、《the aviator飞行家》，娱乐大亨的云霄之梦37、《the blind side弱点》，暖人心房、鼓舞人心的真实故事38、《the fighter斗士》，超越恶俗肤浅套路的铁汉柔情39、《the great debaters伟大辩手》，真实英雄改编世界的神力40、《the iron lady铁娘子》，从杂货商女儿到英国首相41、《the kings speech国王的演讲》，温暖人心的艺术作品42、《the last samurai最后的武士》，在战斗中寻求心的宁静43、《the pianist钢琴家》，这是一部关于希望的电影44、《the pursuit of happyness当幸福来敲门》，我们含泪迎接45、《the social network社交网络》，脸谱网的前世今生46、《the terminal幸福终点站》，一种“塞翁失马”的乐观47、《the wrestler摔角手》，努力汲取一些来自生活的力量48、《up飞屋环游记》，一个一飞冲天的“天外奇迹”49、《warrior勇士》，为生命中最在乎的人和事而战50、《win win双赢》，在困境中品味苦涩的人生篇三：英文励志电影1.《解构企业》（the corporation）（2003）[18世纪美国法律正式通过了一个企业可以是一个个人的组织行为后，仅仅两个多世纪，美国的这个公司法居然影响了全球，你可以在中国的公司法中也看到类似的描述。
幸福终点站 PPT
background
• The film is adapted from a true story. Fifteen years ago,Iranian exiles Nasseri have no refugee document, so he had to stay at the French airport and forbidden to leave . Although seven years later he got the files can leave,but he didn’t want to leave. Nasseri’s story aroused the director’s creative enthusiasm ,so he shot the film, "the terminal"
However after he left his country ,war broke out. Suddenly Navorski was a man without a country - or one that the U.S. cannot recognize, he had to remain in the airport until his status can be fixed.
Байду номын сангаас
This film tells us such a story: An ordinary man whose name is Viktor Navorski .He was from a small country called Bulgaria. In order to realise his father's dream----getting an autograph of a musician he loved,and in order to get away from the war in his own country,he left his own country for the United States
斯皮尔伯格解读PPT课件
上 映 时 竟 为 环 球 公 司 赚 了 几 百 万 美 元 ， 令 圈 内 人 士 刮 目
尔 伯 格 仅 用 十 天 就 导 演 了 这 部 电 视 电 影 。 这 部 片 子 在 欧
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任 剧 本 改 编 的 《 决 斗 》 《 飞 轮 喋 血 》 。 初 出 茅 庐 的 斯
签 定 了 三 部 电 影 的 合 同 。 第 一 部 电 影 是 由 理 查 德 曼 森
电 影 制 片 厂 签 订 长 期 合 同 的 最 年 轻 的 导 演 。 环 球 公 司 和
环 球 公 司 电 视 部 的 总 经 理 并 因 此 于 不 久 有 幸 成 了 与 好 莱
从 加 利 福 尼 亚 大 学 毕 业 后 ， 一 次 偶 然 机 会 ， 他 去 采 访
入 行
5
成功 生性喜欢幻想的斯皮尔伯格最喜欢 拍鲨鱼、太空人和蛇之类的题材。他曾 指挥着一支庞大的摄制队伍和一条任性 的机器鲨鱼拍摄了他的首部巨制《大白 鲨》。该片那令人战栗的场景为好莱坞 赢得四亿一千万美元的空前票房收入， 让整个电影界目瞪口呆。接着，斯皮尔 伯格结合个性，抓住了人们求幻想、求 刺激的心理， 从1977年开始， 陆续执 导了和制作了《第三类接触》《外星人 ET》、《夺宝奇兵》系列等诸多巨片。 这些影片都以充满幻想的故事情节给观 众以前所未有的离奇感受，引起了极大 的反响。其中以《外星人ET》为代表的 讲述地球上的人们与来自外层空间的生 物接触的影片更给了观众以巨大的幻想 空间和心理刺激，令斯皮尔伯格在美国 几乎家喻户晓。该片使他被提名为奥斯 卡奖最佳导演。至此，他那充满幻想的 导演风格也已形成。
于 迎 来 了 能 够 自 己 执 导 的 第 一 部 完 整 电 视 剧 《 哥 伦 布 》 。
Acriticreviewoftheterminal课文翻译
Acriticreviewoftheterminal课文翻译第一篇：A critic review of the terminal课文翻译《幸福终点站》影评（节选）A.O.司各特斯蒂芬·斯皮尔伯格的新片《幸福终点站》今天在全国影院上线。
“航空终点站”的字面意思是旅客从甲地前往乙地的通道，人们只愿意在那儿花尽可能少的时间。
然而,“航空终点站”除了普通字面意思外，还有更深层次的内涵。
英语“terminal”的拉丁词根是“termini”，原意是古罗马时期的土著神，其神殿被用来当做界碑，暗示两极世界的交界。
现代医学更将该词与死亡联系在了一起。
因此，无限期地困在穷途末路，毫无逃生的可能，会给人一种生不如死、永久禁锢的无力感。
人们这些先入为主的观念，使得斯蒂芬·斯皮尔伯格的新电影更引人注目，他将典型的现代噩梦——即被中断的航程——转变成人间天堂。
导演（斯蒂芬·斯皮尔伯格）不断在他的影片中展示飞行会有多浪漫。
《第三类接触》（1977）片尾闪烁的飞船光、《E.T.外星人》（1982）中翱翔的自行车和《太阳帝国》（1987）都体现了斯蒂芬·斯皮尔伯格对飞行的兴趣。
《幸福终点站》继续呈现了斯蒂芬·斯皮尔伯格对空中航行的痴迷，这部电影讲的是被困航站楼后发生的浪漫故事，与他原来对飞行的诠释形成直接对比。
影片以维克多·那维斯基（汤姆·汉克斯饰）从虚构的东欧共和国克拉考次亚飞往纽约开始。
维克多降落在肯尼迪国际机场时，恰逢国内军事政变废除政权让他失去原来的祖国。
一系列复杂（有点虚构）的官僚制度使他滞留在机场近一年时间。
他既不能回国也不能乘计程车去曼哈顿。
维克多做事中规中矩，机场方面也找不到拘禁他的理由，他完全被禁足在机场航站楼内，但同时他又是完全自由的。
（该片根据一位伊朗游客的真实经历改编，沙哈国王政权垮台后，他在巴黎机场滞留了更长时间。
）斯蒂芬·斯皮尔伯格以及编剧沙查·盖华斯和杰夫·纳森强调的是自由而不是限制。
奥斯卡经典影片《最后一站》完整版英文剧本(word format)
THE LAST STATIONBased on the Novel byJan PariniScreenplay byMichael HoffmanAll happy families are the same. Each unhappy family is unhappy in its own way.Leo Tolstoy- Anna Karenina1 EXT. COUNTRYSIDE. DAY. 1High angle of the steam train travelling through a wideriver valley. The stack belching smoke against the Russiansky.2 INT. SECOND CLASS CARRIAGE. COUNTRY SIDE. DAY. 2 Leo Tolstoy (80), sits writing on his lapboard. He is quitesimply the greatest living writer in the world. Hisdevotion to pacifism, his rejection of the trappings ofOrthodoxy in favor of a simple Christian lifestyle convincemany to regard him as a living saint. With him are his much younger wife, the COUNTESS SOFYA, favorite daughter SASHA, and his personal physician DUSHAN MAKOVITSKY. Sasha and Dushan write in their diaries. Sofya looks from one to thenext a little impatient. The train begins to slow.SOFYAWhy are we slowing down?No one responds. Slower. Slower.SOFYAWe‟re stopping. Why are westopping?SASHAI don‟t know, mother. No idea.Tolstoy look up from his work, asks a passing conductor. SOFYAExcuse me, why has the trainstopped?CONDUCTORIt‟s the crowd, ma‟m, the people.They‟re blocking the track.In the distance we can here voices.VOICES (O.S.)Long live Tolstoy! Long live theold warrior!SOFYABut if they block the track, thetrain can‟t go...YOU HAVE TO MAKETHEM MOVE.The conductor shrugs, walks away. She goes to the window to investigate. A crowd of a hundred peasants, students surround the engine, block the track. They carry a hugecloth banner honoring Tolstoy. We can hear voices chanting “Tolstoy. Tolstoy. Tolstoy”, voices crying “You are the truth.” “You are the hope of the Russian people.”SOFYAOh, they won‟t move. We aregonna die here. Leo, Leo, go andsay something to them. It‟s theonly way we are gonna get out ofhere.The chanting grows in intensity. Tolstoy gets to his feet, walks to the window, shows himself to the crowd. A great shout goes up. Tolstoy lifts his hand for silence.Gradually, it comes.TOLSTOYI have seen your banner. And I´veheard what you say. You think I´mthe hope of Russia, do you? Well,that´s not true. You are the hopeof Russia. The hope of all theworld. You say, you want a newway to live? Well, you are notgonna find it making a fuss overme. So, I suggest that you get onwith your work and let a poor oldmen get on with his.The cries begin. “Clear the tracks. Let them pass. Let them go.” Tolstoy closes the door and waves to the crowd as the train pulls away.3 EXT. COUNTRYSIDE. DAY. 3On the chanting crowd now as the train pulls away. Wefocus on a handsome young man, a little stiff maybe, alittle intellectual. This is VALENTIN FEDOROVITCH BULGAKOV. He can‟t contain his enthusiasm. Over the noise of the train.VALENTINDo you know who that is? That isthe greatest man in the world.The train pulls away into the distance.TITLE OVER BLACK: SPRING 19104 EXT. YASNAYA POLYANA. DAWN. 4The ancestral home of the Tolstoy family in the firstbudding of spring.2.Muzhiks (peasants) gather wood, carry water to the house. Acart arrives loaded down with mail bags.5 INT. YASNAYA POLYANA. SOFYA‟S BEDROOM. DAY. 5A handsome room, walls covered with generations of family photographs. Religious icons are given pride of place, atestament, not to piety, but to an ingrained socialconservatism, a certain position in the world.Countess Sofya mumbles her morning prayers before a makeshift altar. Wiping away tears, she leaves the room.5A INT. YASNAYA POLYANA. ENTRY/STAIR. DAY. 5ASofya walks down the stairs and through the entry passed anold servant asleep in a chair. She continues to thebasement.6 INT. YASNAYA POLYANA. TOLSTOY‟S BEDROOM/STUDY. DAY. 6 Tolstoy has moved himself out of the refined upper floorsinto a simple vaulted room he uses as both bedroom andstudy. The walls are bare except for a portrait of hisdaughter. The furniture is simple, some of it hand made: asmall bed against the wall, a little writing desk in onecorner stacked with books, littered with papers, more mail,opened and unopened. Pairs of rude homemade shoes line awork bench.Tolstoy sleeps in his bed. Though it‟s late March andstill cold, the window is open. Sofya closes it. Shestands very still, watching Tolstoy sleep. Sitting on thebed, she gently touches his hand, whispers.SOFYADarling.She lies next to him, something girlish, hopeful in herface, as if waiting for him to wake up and adore her, buthe sleeps on. She carefully takes his arm, positions itunder her neck, and rolling toward him, wraps it aroundher. The image of love‟s intimacy, of wedded bliss.His hand slips off her shoulder, once, twice. She movesawkwardly to replace it. He moves a little toward her. Shekisses his neck, his cheek. We don‟t know if he‟s awake,but even this shadow of intimacy penetrates her soul.7 OMITTED 73.8 INT. MOSCOW. STUDY. DAY. 8A handsome study in the Moscow townhouse of VLADIMIR GRIGOREVICH CHERTKOV, Tolstoy‟s most articulate and dedicated disciple. He‟s interviewing Tolstoy‟s newlyappointed secretary, VALENTIN BULGAKOV, the young man we met near the train, who, at the mention of sex, blushes alittle.CHERTKOVBut sex... You are twenty three.Not an easy age for abstinence,is it?VALENTINTolstoy does not approve ofsexual relations. I know this.CHERTKOVHe despises them, in fact...Chertkov reaches for a small tin of moustache wax. CHERTKOVI don't want to belabor thepoint, but I arranged for amanservant last year whoproceeded to ruin two housemaidsjust like that. He was veryupset.VALENTINThi s would not be a problem. I‟mcelibate. I‟m also a strictvegetarian.Chertkov nods his approval, begins to worry his moustache. CHERTKOVYes, I‟ve heard many good thingsabout you. I‟ve even read whatyou…ve written. So has he.Valentin‟s face flushes wit h pride. Chertkov steals aglance at his reflection in the glass bookcase. One side ofhis moustache droops a little. He tugs awkwardly at it. CHERTKOVMy dear boy, if you were tobecome Tolstoy‟s privatesecretary, you would be given agreat gift. You‟ll be with himevery day, eat together, walk inthe forest by his side.It‟s difficult to contain himself.4.VALENTINBelieve me, since becoming aTolstoyan, I have become so eagerto learn, so comitted todiscussing ideas, improving myvery soul.CHERTKOV(smiling)Well, we have a lot to do if weare to get his work to thepeople.VALENTINWe?They both laugh.CHERTKOVYes, we. If we can encourage thespread of passiveresistance...just think of itValentin thousands of ordinaryRussians casting off centuries ofspiritual and politicaloppression-VALENTINIn the name of truth and freedom.CHERTKOVTruth and freedom, yes but still,my boy, there are so many enemies-VALENTINEnemies?Chertkov walks to the window, signals Valentin to follow him. He points toTWO MEN IN PLAINCLOTHES standing in the street below. CHERTKOVThe Czar‟s police...You‟ll befollowed when you leavehere...and the church will stopat nothing to bring him back intothe fold. His children can‟t betrusted... only Sasha... and thenof course there is theCountess...(beat)Well, one doesn‟t like to comebetween married people whateverthe circumstances, but her doggedattachment to private property,her public criticism of ourmovement...5.(MORE)(beat)The point is, he needs a man ofyour intellectual gifts aroundhim. Someone who can help himwith the new work. Someone whounderstands his goals.Chertkov returns to the desk.CHERTKOVAnd although they‟ve allowed meto return to Russia, I can‟t seehim. They keep me under housearrest... They might as well keepme in a cage.Clearly upset, Chertkov pauses to get control of himself. He picks up a package, hands it to Valentin. CHERTKOVSo, I need you to put theseletters directly into his hands.One can't be sure what getsthrough to him.Valentin looks at him, quizzical.CHERTKOVSofya Andreyevna does not respecthis privacy.VALENTINShe wouldn‟t open his privatecorrespondence...Chertkov raises an eyebrow. An ominous silence. CHERTKOVI have another task for you, mydear.VALENTINPlease.CHERTKOVYou‟ll keep a diary for me.He hands Valentin a notebook.CHERTKOVI need to know everything thatgoes on at Yasnaya Polyana. Letme know who visits the house, anytalk of the copyright to hiswork, any contact with thechurch, what letters come and go.(beat)Anything Sofya Andreyevna says.6.CHERTKOV (cont'd)VALENTINAnything?CHERTKOVShe‟s very, very dangerous.9 EXT. MOSCOW. DOORWAY/STREET. EVENING. 9Chertkov kisses Valentin delicately on both cheeks andushers him into the dying light.CHERTKOVGodspeed, my boy.Valentin makes his way to the droshky that awaits him.CHERTKOVAnd remember what I said.He turns back to the dark figure in the doorway.CHERTKOVWrite everything down! Go!10 EXT. YASNAYA POLYANA. GROUNDS. MORNING. 10SOFYA. Black and white film of her being handed thenewspapers at the step. She looks up at the camera,irritated by its presence.CUTTING OUT TO COLOR we see a cinematographer on the lawn cranking away at his camera. She goes into the house.11 INT. YASNAYA POLYANA. TOLSTOY‟S BEDROOM/STUDY. MORNING.11Where Tolstoy, awake and dressed, sits on his bed, pen inhand, writing in his diary. Dushan sits next to him, takinghis pulse.TOLSTOYNothing‟s working... Hand me myother boot, my friend, will you?DUSHANLet me finish.TOLSTOYIt doesn‟t matter. If my hearthad stopped beating, I‟d still goriding today.DUSHANYour pulse is myresponsibility...7.(MORE)and if you must ride, I insistyou wear a coat. Even the sun iscold today.He puts Tolstoy‟s arm down and han ds him his riding boot. Sofya comes ranting into the room carrying several Russian and international dailies.SOFYAThis is impossible! It really is!These people are parasites!Look...(reading)“Countess Tolstoy has becomeestranged from her husband. Theybarely speak.”She throws the paper on the floor.SOFYAYou know who spreads all thisrubbish....She opens another paper, a French daily.SOFYAC‟est la meme en France. Theygossip about us in Paris... “Theydo not share a similar view ofeither religio n or politics.”Incroyable!TOLSTOY(smiling)Peut-etre. You think that‟sinaccurate?SOFYAI think it‟s none of the world‟sbusiness.She looks at Dushan who is transcribing every word into his diary. He does it with all the master‟s conversations. SOFYAWhat are you doing? Don‟t dothat.TOLSTOY(smiling)Dushan Petrovich, you‟rescribbling again?Tolstoy moves with energy and purpose toward the door. SOFYADarling, where are you going?8.DUSHAN (cont'd)TOLSTOYRiding with Sasha. Don‟t expectus for lunch.Something strikes him. He walks to his desk, picks up his pen and quickly writes a sentence on a scrap of paper. SOFYALeovochka, why do you insist ondressing like that.TOLSTOYWhat do you mean?SOFYALike the man who looks after thesheep.TOLSTOYI t‟s not meant to offend you.SOFYABut it does offend me, because itoffends reason. You‟re a Count,for God‟s sake.He puts his pen down, goes to her, kisses her gently on the forehead and leaves the room.SOFYAOh darling, I have something elseto say.TOLSTOY (O.S.)I doubt it not, my dear.DUSHANHe‟s forgotten his coat.He runs after him, tripping over the long fur garment. DUSHAN (O.S.)Count Tolstoy, you‟ve forgottenyour coat.Meanwhile Sofya notices a photographic portrait of Chertkov on the wall. She takes it down and tosses it in thecorner.12 EXT. YASNAYA POLYANA. GROUNDS. DAY. 12As Tolstoy appears on the porch, we hear the WHIR ofcameras. A crowd of photographers, film cameramen, journalists, and disciples try to catch a glimpse of the master. Dushan steps in front of him.9.DUSHANLet him walk. Let him walk.JOURNALISTCount Tolstoy, you‟re no doubtdistressed by the Czar‟streatment of your secretaryNikolai Gusev ?TOLSTOYThese people are bandits.DUSHANI said, let him walk.TOLSTOYThey come into my house andarrest a man whose only crime isto express a view of life sanerthan that which prevails.JOURNALISTSo Gusev is innocent?TOLSTOY(nods)Of course, I‟m the guilty one. Ireject the Orthodox church. Icondemn the established order andI make no secret of it.A young peasant shouts from the crowd.PEASANTGod bless you, Tolstoy. Thankyou.DUSHANLet him walk. Let him walk.(to Tolstoy)But you don‟t banish these peoplevery much to your credit...I wishI had your largeness of spirit.A photographer‟s flash goes off. An old Muzhik touches Tolstoy‟s sleeve, as if expecting a miracle.Sasha, her father‟s soulmate, leads two horses toward them, her mount and her father‟s black gelding, Delire.SASHAPapa.TOLSTOYSasha!10.SASHADid you ride this morning?A small crowd collects to watch father and daughterembrace, kiss.A WIDE SHOT of the riders- cutting around we are13 INT. YASNAYA POLYANA. ENTRY/STAIR. CONTINUOUS. 13 Sofya watches her husband and daughter ride away.14 EXT. RIVER VALLEY. DAY 14A steam train snakes through a broad valley.15 INT. TRAIN CARRIAGE. DAY. 15Valentin in his buttoned up suit looks a little out ofplace in the overcrowded third class carriage. He writes inthe diary given him by Chertkov. He glances up to see, onthe bench across, a young mother taking out her breast tonurse her baby. He blushes, doesn‟t know where to look. Anold peasant catches his eye, winks at him, laughs.16 EXT. TELYATINKI. DUSK. 16Seven miles from Tolstoy‟s estate, this is Telyatinki, acommunal center created by Chertkov dedicated to the studyand practice of Tolstoyism.SERGEYENKOTelyatinki was created byVladimir Grigorevich as a centerfor the movement. Just last weekwe had a visitor from India. Wetalked to the group about thehealing properties of cobravenum.VALENTINOh, goodness..It‟s a beautifulday.SERGEYENKOYes, but we will pay for it.Sergeyenko, Chertkov‟s joyless secretary, and Valentinstand on a second storey porch looking out across thecentral lawn where a number of young Tolstoyans tend the garden, work to put up a chicken coop.11.SERGEYENKOThe meeting room is behind us.This is the tool shed. Thedormitory ahead.He points out a larger building across the way.17 INT. TELYATINKI. SLEEPING AREA. NIGHT. 17 They enter the building.SERGEYENKOTelyatinki is a place of freedom.Nothing is forbidden here.Except everything.SERGEYENKOEach man is alone with hisconscience and his God.(beat)The kitchen is below. You‟ll beexpected to assist with meals atleast twice a week ...and to givea hand in the garden. We‟re allequals here, you know...asTolstoy teaches us.They start up the stairs.INT. SLEEPING PORCH. TELYATINKI. DAY SERGEYENKOYou are expected at YasnayaPolyana in the morning, firstthing.VALENTINI look forward to it.SERGEYENKOYes... you‟re lucky....We‟re allenvious.12.18 INT. TELYATINKI. VALENTIN‟S ROOM: NIGHT 18 Small, sparse, perfect for the novice ascetic. Valentin nods his approval.SERGEYENKOVladimir Grigorevich is anxiousthat you begin your reports assoon as possible. You have thenotebook he gave you?VALENTINOf course.SERGEYENKOYou understand we must keep theexistence of the diary a secret.Valentin smiles.SERGEYENKOWhat is it?VALENTINJust that...secrecy doesn‟t seemto me the es sence of Tolstoy‟sthought.SERGEYENKOBut you‟ll admit, you‟re noexpert.VALENTINYes, I...I‟ll see you in themorning.SERGEYENKOIf we‟re spared.Sergeyenko leaves Valentin to his bare, little room.19 EXT. TELYATINKI COMPOUND. MORNING. 19The sun rising. Already, disciples are at work the gardens.20 INT. TELYATINKI. VALENTIN‟S ROOM. MORNING. 20 Valentin sleeps in his tiny room. A knock on the door. VALENTINCome in.A lovely girl at his door. She‟s tall, twenties, high cheek bones, short blonde hair. This is MASHA.13.MASHAI‟ve brought you a glass of tea.VALENTINThat‟s very kind of you.MASHAIt‟s your first day. Enjoy it.She sits on the bed. He‟s a little taken aback, not used to this degree of familiarity. It makes no impression on Masha.MASHAYou met Sergeyenko?VALENTINLast night.MASHAAd what do you think?VALENTINHe seems very sincere.Masha hands him his tea.VALENTINThank you. Why are you laughing?MASHASay that again.VALENTINI said he seems very... Why?MASHAIs that what you think?VALENTINI just arrived...What‟s yourname?MASHAMasha. But you should still saywhat you think. Not just abouthim. We all should.VALENTINThank you for the tea.Their eyes meet, hold. Valentin‟s discomfort increases. MASHATomorrow you can make your own.She walks to the door, turns to see him still watching her.14.MASHAHe‟s a sorry old tight-assedstick in the mud...but yes, he‟ssincere.21 EXT. ROAD TO YASNAYA POLYANA. DAY. 21A modest horse drawn cart. Valentin sits beside the driver, contemplates the birch trees that line the road, the long shadows they cast. Above, crows make lazy circles in the sky.22 OMITTED 2223 INT. YASNAYA POLYANA. ENTRY WAY/STAIRS. DAY. 23 Valentin stands in the entry way, waiting. He looks lost. VALENTINHello...hello...VOICE (O.S.)You‟re the new secretary.He looks up to see Sasha examining him from the landing above.SASHAPapa‟s out. You can wait in thelibrary. Ivan will show you up.She disappears. He hears a door close. He notices a surly house servant, IVAN, who, inexplicably, leads a goatthrough the house. He points upstairs and walks away.24 INT. YASNAYA POLYANA. LIBRARY. DAY. 24Alone now among Tolstoy‟s books, Valentin makes his way slowly to a writing table, the holy of holies, on which Warand Peace and Anna Karenina were written. He runs his hand along the old wood top. Emboldened by a backward glance, he sits in Tolstoy‟s chair. Before him are stacks of letters,pens and pencils, a pot of India ink. There‟s a notebooklying open. He leans forward to read it. A noise in thehall stops him.Tolstoy enters from the dining room, red cheeked, beard dripping wet, the energy of a man ten years younger than he is. Valentin stands.TOLSTOYI‟m glad you‟re here. So glad.15.He tromps across the room, kisses the boy enthusiasticallyon both cheeks. Valentin is overcome by the great man‟s warmth.VALENTINI‟m... I‟m... Here is-Valentin interrupts himself with a sneeze.TOLSTOYGod bless you.VALENTINI‟m sorry. Sometimes I...Valentin pulls out a letter of introduction. Tolstoy takesit out and puts it down without a glance.TOLSTOYVladimir Grigorevich has alreadywritten about you at length. Ineed your help badly. Themanifesto against the governmentis hard work. They commit theiridiotic abuses faster than I cancatalogue them...and the newbook...VALENTINHe told me about it...It‟s veryexciting.Tolstoy nods.TOLSTOYI‟ve become convinced that allthe world‟s religions have asingle organizing principle. Canyou guess what it is? Love!Love! Simple... Now, I want totalk about you. How are you? Howwas your journey? Come, sitdown.Tolstoy sits on the old sofa. Valentin follows suit.TOLSTOYYou know, I was born on thissofa...Valentin gets right back up. Tolstoy laughs, pats the sofa. TOLSTOYSit. Sit.Valentin sits down.16.TOLSTOYMyself, my brother, my children,at least five or six of them,right here.(beat)Now, I‟ve read your essays. How…syour work progressing?Valentin looks into the great man‟s kind old face. He triesto speak but he‟s overcome wi th emotion and begins to weep. TOLSTOYMy boy, what is it?(beat)I upset you in some way. Was itthe sofa? It‟s only a sofa.Valentin shakes his head, smiling through his tears. VALENTINI‟m very happy. You are verykind. I‟m no one and you are...you are Leo Tolstoy and you askme about my work.Tolstoy takes Valentin‟s hand, sits him back on sofa. TOLSTOYYou rest for a moment and I‟llfetch you a glass of tea. Rest,because there‟s work for both ofus together.He smiles and goes, leaving Valentin to contemplate his fortune.25 OMITTED 2526 OMITTED 2627 OMITTED 2728 EXT. YASNAYA POLYANA. GROUNDS. DAY. 28 Sofya, Sasha, Valentin, ANDREY, Tolstoy‟s son, and Tolstoy all clustered around a table taking tea. Dushan stands near the group fiddling with a gramophone that sits on a small table.SOFYAThese people have nothing.17.DUSHANIt really is the mostextraordinary thing.Absolutely ignoring him.SOFYAIt‟s not for lack of land thatthe muzhiks live in poverty.They have no will power and theydrink too much.TOLSTOYI‟m not suggesting they be givenland. Private property is theroot of the problem... We shouldbe giving ours away.ANDREYGive it to whom?SOFYAIt‟s all ridiculous. You thinkthat poverty makes the peasantssomehow morally superior.TOLSTOYI believe that wealth corrupts usall, yes I do.A pause. Valentin fills the silence.VALENTINIt‟s a keystone of the movement.SOFYAOh, I know all about themovement.A pause. Valentin notices that people from the front lawn have moved up to watch all this. Life in the fishbowl, the Tolstoys seem neither to notice nor care.TOLSTOYIf the peasants had money, theywouldn‟t surround themselves, aswe do, with footmen costing tenrubles a month.SOFYANo, they‟d spend it on drink andwhores.TOLSTOYValentin Fedorovich, do you thinkfifty years from now, people willeat while grown men walk aroundand wait on them hand and foot?18.Valentin doesn‟t know what to say. A giggle from Dushan. DUSHANOh, that‟s good...that‟s good.Dushan, having sat at table, tries surreptitiously to get down Tolstoy‟s words in the diary he holds below the table. Sofya flushes with anger.VALENTINI think...(sneeze)SOFYAStop scribbling!(points to her husband)You all think he‟s Christ, don‟tyou? He thinks he‟s Christ.There is an awkward pause.DUSHAN(flustered)I‟m not...I don‟t believe LeoNikolayevich is Christ. Christ isChrist but...SOFYABut what?DUSHANI believe he‟s one of theprophets. God speaks through him.I recognize the cadence in hisvoice.SOFYAThis is unbearable. No wonder Ifeel lonely. I‟m surrounded bymorrons.SASHAMama, you're being ridiculous.SOFYAAm I? I sit here and listen tothis talk of love and God andequality, knowing full well thatCount Generosity here is fullyprepared to give away everythingwe have.TOLSTOY(exhausted)You keep going on like that...Whydo you think we should profitfrom the work I´m doing which isonly meant for the sake of thepeople.19.She turns to see Dushan scribbling again.SOFYASTOP IT! STOP WRITING NOW!Valentin glances at Sasha, uncomfortable at these outbursts. A long pause. Dushan tries to relieve the tension.DUSHANIn defense of my gift, let medemonstrate. It‟s quiteremarkable, really.He gets up, places a record on the gramophone, needle on the record. W hat comes forth is not music, but Tolstoy‟s voice.It is a recording of a recent speech against capital punishment. His voice booms, tinny and distorted. Dushan walks to the machine, stares at it in awe. Valentin is completely caught up in the technology.VALENTINIt‟s your voice. It‟s wonderful.They all listen for a moment, look to Tolstoy for a response.TOLSTOYIt‟s tiresome. Anotherremarkable invention willsupercede it.Valentin blushes and looks at the table. Dushan tries to hide his disappointment.TOLSTOYPlease excuse me.Tolstoy rises, leaves the table, walks out onto the lawn.Dushan gets up quickly, bumping the table as he goes. Tea spills. Valentin moves to wipe it up, sneezes, a barrage of irritable blessings.DUSHANLeo Nikolayevich is something ofa Luddite, I fear.Sofya crosses to the machine, removes the record from the gramophone, replaces it with another Dushan has brought. Suddenly, the air is filled with the final duet fromMozart‟s Il Nozze di Figaro. She returns to her place. There is a long moment where all take in the sublimity of it. Tolstoy walks slowly back to the table. He stands completely still. Tears fill his eyes and roll down his cheeks.20.TOLSTOYOh, that´s better. That´s nice.Very nice indeed.Sofya crosses to her husband, wipes the tears off his face. Valentin watches as they embrace.VALENTIN (O.S.)Do your parents often speak toeach other so...bluntly?29 INT. YASNAYA POLYANA. LIBRARY. EVENING. 29 Across from Tolstoy‟s writing desk is Sasha‟s world, a makeshift office lined with more bookcases where she does her work, sending cables, editing manuscripts, answering endless stacks of mail. Valentin sits near her, learningthe ropes.SASHAMy mother doesn‟t understand myfather‟s goals, not since hiswork as a novelist becamesecondary. His commitment tothe spiritual life offends her.They‟ve fought about it foryears.VALENTINI‟m sure she means well.Sasha just looks at him.VALENTINYour father is the greatestwriter in the world.SASHAQuite.A pause.VALENTINI mean to say, I feel privilegedto be here. It‟s an... honor.Valentin feels himself slip further into mundanity. Sasha goes back to her letter. Valentin SNEEZES.SASHAGod Bless You.They read together for a moment. He sneezes again. SASHA(irritated)God bless you.21.VALENTINI‟m sorry. Sometimes I sneezewhen I‟m nervous.She regards him like an animal in the zoo. Ivan appears at the door.SASHAWhat is it?IVANIt´s a note, for him.He nods toward Valentin.SASHAWell, give it to him then.Valentin reads the note.VALENTINIt´s from your mother. She wantsto see me.As Valentin goes,SASHAShe is looking for allies. Payattention. This is war.30 INT. YASNAYA POLYANA. SITTING ROOM. NIGHT. 30 Sofya is settled on a divan in a small room off the dining room. Valentin sits beside her holding a glass of tea. SOFYAI see a fine young man before me.Clear eyes. Nice features, ratherhandsome in a peculiar way.VALENTINThank you, Countess...SOFYA。
幸福终点站The Terminal
幸福终点站The Terminal导演斯蒂文·斯皮尔伯格Steven Spielberg演员汤姆·汉克斯Tom Hanks .....Viktor Navorski凯瑟琳·泽塔-琼斯Catherine Zeta-Jones .....Amelia Warren剧情介绍故事发生在上个世纪80年代末，维克多(汤姆·汉克斯饰)是一个夸科夏人，为了完成父亲的遗愿，得到梦幻爵士乐队的第40个签名来到美国，在机场得知了祖国战乱的消息。
维克多的护照和身份证件，以及移民文件都全都失去了效用，他被扣在了机场。
瞬时间，维克多成了一个没国没家的孤立的人，他成为国际政治变化的牺牲品。
在被扣在机场期间，维克多只有两个选择：要么返回祖国，可是他的国家政变后，已经不再承认办理了移民手续的他是国民；要么拿到有效的证件，进入移民的美国，但他的证件显然已经失效而且再也无法补回了。
站在这个不属于自己的国家，看着来来往往陌生的人群，维克多不禁感到迷茫。
无奈之下，他只能留在机场睡在大厅的椅子上，在卫生间里洗澡，靠为路过的乘客服务生活。
他现在拥有的只有自己不自由的身体，以及一个小皮箱，里面装着换洗的衣服、一把剃须刀和已经作费的身份证明。
一次偶然的机会下，维克多认识了一名美丽空姐艾米丽娅(凯瑟琳·泽塔·琼斯饰)。
艾米丽娅不知不觉中对维克多产生了好感并为自己的想法感到困惑，维克多为了能够与艾米丽娅共进晚餐开始努力的寻找工作，慢慢的她爱上了这个细腻而憨厚的男人。
一场“塞翁失马”的好像就这样上演了。
相关评论一句话评论Life is waiting.从1989年以来斯皮尔伯格最乐观的电影。
幸福终点站：一场机场美式文化速成课它的剧情设置颇值玩味：整个故事几乎完全发生在一个机场中，主人公由于一次意外事件，既无法进入目的地的国境，也无法回到出发地，只能在机场“安家”；至于好看，不但因为有汤姆-汉克斯这位实力派大将撑场，还因为斯皮尔伯格十分擅长处理在限定情境下的故事。
幸福英语PPT
成就是幸福吗？
@易炜BruceYee
成绩
地位
金钱
也不完全是 我们听过太多功成名就、富可敌国的人郁郁寡欢
@易炜BruceYee
塞式幸福的公式
H=S+C+V
H: 幸福的持久度
S: 你的幸福范围
C: 你所处的环境
V: 你的可控因素
@易炜BruceYee
H=S+C+V
天生的情绪范围和享乐适应限制了你幸福感的上限
【今天你幸福吗】
组员:周曦玺 周虹燕 朱璐雯 朱晓艳 何佳敏 葛泽彬 高赛 陈友墙
@易炜BruceYee
说到幸福 难免会想到这部影片
@易炜BruceYee
@易炜BruceYee
真实的幸福
Authentic Happiness
@易炜BruceYee
积极心理学之父
马丁·塞利格曼 （Martin E.P. Seligman）
什么叫幸福？
我想上茅房
就一个坑 你蹲那了
你就比我幸福
@易炜BruceYee
比别人好就幸福吗？
@易炜BruceYee
这意味着你的幸福感掌握在别人手上
这就好像晚上你能不能睡着
取决于安眠药给不给力
@易炜BruceYee
愉悦是幸福吗？
@易炜BruceYee
毒品
性
美食
愉悦不是幸福的全部 因为身体的愉悦感通常会随着刺激的结束而很快消退
@易炜BruceYee
H=S+C+V
民主、婚姻、社交、信H=S+C+V
过去
热情、愉悦、心流 满足、骄傲、平静
现在
未来
乐观、希望、信心
汤姆汉克斯 茱莉亚罗伯茨 电影介绍
Life was like a box of chocolates, you never know what you’re gonna get. 生命就像一盒巧克力，结果往往出人意料 《阿甘正传》 If you are ever in trouble, don’t try to be brave, just run, just run away. 你若遇上麻烦，不要逞强，你就跑，远远跑开 《阿甘正传》 .You make millions of decisions that mean nothing and then one day your order takes out and it changes your life. 你每天都在做很多看起来毫无意义的决定,但某天你的某个决定就能改变你的 一生. 《西雅图夜未眠》 I don’t want to be someone that you’re settling for. I don’t want to be someone that anyone settles for. 我不想要你将就,我也不想成为将就的对象. 《西雅图夜未眠》
《阿甘正传》是由罗伯
特· 泽米吉斯执导的电影， 由汤姆· 汉克斯，罗宾· 怀特 等人主演 电影改编自美国作家温斯 顿· 格卢姆于1986年出版的 同名小说，描绘了先天智 障的小镇男孩福瑞斯特· 甘 自强不息，最终“傻人有 傻福”地得到上天眷顾， 在多个领域创造奇迹的励 志故事 。 于1995年获得奥斯卡最佳 影片奖、最佳男主角奖、 最佳导演奖等6项大奖 。
艾美奖
▪ 2014 第66届 迷你剧或电视电影类最佳女配角 平常心 （提名） ▪ 1999 第51届 剧情类电视剧最佳客串女演员 法律与秩序 （提名）
Байду номын сангаас
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that
favorite Sunny came home to her____ room
Sunny sat down in the ______ she opened a book and a box of tools ___ mission Sunny came home with a _____
Thank you
幸福终点站
汤姆· 汉克斯
1956年7月9日生于美国加州康科德，美国影 视演员。 汤姆· 汉克斯的表演生涯是从高中的戏剧表演 开始，1979年，汉克斯首次在电影《血红溅白纱 》扮演角色，该片在1980年公映。汉克斯在 1984年担纲演出《美人鱼》使他开始走红。 1988年，汉克斯在领衔主演了《飞向未来》，并 获得奥斯卡最佳男主角提名奖。1993年，他主演 了乔纳森.德米执导的《费城故事》一片获得奥 斯卡最佳男主角奖。汉克斯在1994年在影片《阿 甘正传》中的演绎使汉克斯又一次赢得了奥斯卡 最佳男主角奖。1995年，他开始为《玩具总动员 》系列主角之一的胡迪配音。1996年，他自编、 自导、自演了影片《挡不住的奇迹》。1998年， 汤姆· 汉克斯和加里· 高兹曼成立了Playtone制作 公司。1999年，他参演了影片《拯救大兵瑞恩》 。2001年10月，汤姆· 汉克斯获美国电影学院颁 发的终身成就奖。2010年，他出演的电视剧《血 战太平洋》在HBO首播。2011年，他自编自导 自演的《拉瑞· 克劳》上映。2014年，他凭借在 《菲利普斯船长》中的表演再次获得美国金球奖 剧情类最佳男主角提名。
汤姆· 汉克斯（Tom Hanks），
1956年7月9日生于美国加州康科德，美国影视演员。 汤姆· 汉克斯的表演生涯是从高中的戏剧表演开始，1979年，汉克斯首次在电影《血红溅白纱》扮演角色，该片在1980年公映。汉克斯在1984年担纲演出《美人
剧情简介
Viktor Navorski, a man from an Eastern European country arrives in New York. However after he left his country war broke out. Suddenly Navorski is a man without a country - or one the U.S. cannot recognize, thus he is denied entrance to the U.S. However, he also can't be deported so he is told by the Security Manager that he has to remቤተ መጻሕፍቲ ባይዱin in the airport until his status can be fixed. And also Navorski doesn't speak English very well, so he cannot talk to or understand anyone. But he somehow adapts and sets up residence in the airport, which makes the man who placed him there unhappy, as it seems he is in line for a promotion but Navroski's presence might complicate that. So he tries to get Navorski to leave but Navorski remains where he is. Navorski makes friends with some of the people who work in the airport and is attracted to a flight attendant he runs into whenever she comes in.
Get the kids and bring the sweater
dry is good and wind is ______ better count the years, you always _____knew it match, strike a _____go on and do it hypnotized days go by I'm _______ I'm walking on a wire fire into the ____
days she says ___go by I'm hypnotized walking I'm ____on a wire eyes I close my ___and fly out of my mind fire into the ____
kitchen
list Sunny came home with a ___of names believe she didn't _____in transcendence repairs it's time for a few small _____she said vengeance Sunny came home with a ______ she says days go by I don't know why wire I'm walking on a ____ fly I close my eyes and ___out of my mind into the fire
light the sky and hold on tight ______ the world is burning down ______she's out there on her own and she's alright ______Sunny came home Sunny came home ...