呼啸山庄人物关系图
从人际功能的情态系统角度分析《呼啸山庄》中的人物关系
统 来体现 。本 文重 点从情 态 系统的情 态动词 出发 ， 分析《 呼啸 山庄》中的典型 对话 片段 ， 而把握人物的交际角 色 从
关 系及性格特征 ， 以便对人 际功 能有 更深入 的 了解。 关键词 ： 系统功能语法 ； 际功能 ； 态动 词 ； 人 情 人物 关 系
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二 、 言 的情 态 系统 语 韩 礼 德认 为 ， 际 功 能 主 要 是 通 过 语 言 系 统 、 态 系 人 情 统 和语 调 来 体 现 。在 这 里 ， 们 主 要 探 讨 情 态 系统 。 情 态 我 是 人 际 意 义 中 语气 系 统 的一 个 子 系 统 ， 表 现 语 言 人 际 功 是
人 际 功 能 概 述
文 献标 识 码 ： Ａ 态 动 词 会 折 射 出 交 际 角 色 之 间微 妙 的关 系 变 化 。 本 文 试 图
一
、
语 言 在 人 际交 往 中承 担 着 各 种 不 同 的 功 能 。在 系 统 功 能 语 法 中 ， 礼 德 将语 言 的 纯 理 功 能 分 成 概 念 功 能 ， 际 功 韩 人 能 及 语 篇 功 能 。作 为 这 三 大 功 能 之 一 ， 际 功 能 指 的 是 语 人
从人际关系情 态系 统 的角度 分析 ＜ 啸山庄》中凯瑟 琳 与 呼
耐莉 的典型对话 片段 ， 中窥探出人 物的性格特征 ， 从 以及 她 们之 间的关 系和在事件 中的角色关系 。
言除具有讲话 者的亲身经历 和 内心 活动 的功 能外 ， 具有 还 表达讲话者 的身份 、 地位 、 态度 、 动机和他对事 物的推 断 、 判 断和评价等功 能。这 一功 能便 被 称作 “ 际 功能 ” 人 。语 言 的人 际功 能是讲话者作为干 预者 的“ 义潜 势”， 意 是语 言 的 参与功能 。语言 的参与功能使讲话者 能够 进入到某 一语境 当中 ， 通过他对某事物 的看 法 、 态度 、 断及 评价 等等来 影 推
《呼啸山庄》人物关系结构论文
《呼啸山庄》人物关系结构论文推荐文章近代史论文人物陈独秀热度：感动中国2019年度人物的优秀学习心得精选热度：2019感动中国十大人物吕保民观后感怎么写感动中国2019吕保民先进事迹是什么热度： 2019感动中国年度人物的优秀观后感有哪些热度：保研推荐信与申请人关系热度：《呼啸山庄》是英国女作家勃朗特姐妹之一艾米莉·勃朗特的作品，是19世纪英国文学的代表作之一。
小说描写吉卜赛弃儿希斯克利夫被山庄老主人收养后，因受辱和恋爱不遂.外出致富。
回来后对与其女友凯瑟琳结婚的地主林顿及其子女进行报复的故事。
全篇充满强烈的反压迫、争幸福的斗争精神，又始终笼罩着离奇、紧张的浪漫气氛。
此作品多次被改编成电影作品。
下面是店铺为大家精心准备的：《呼啸山庄》人物关系结构相关论文。
仅供大家参考!《呼啸山庄》人物关系结构全文如下：Title：Abstract：Wuthering Heights tells a story of superhuman love and revenge enacted on the English moors. In this thesis, an attempt is made to analyze the love triangle relationship which leads to Catherine's dilemma between love and marriage in Wuthering Heights by virtue of Freud’s theory of personality.Key words：Wuthering Heights Freud’s theory of personality love triangle relationshipIn Catherine's heart she knows what is right, but chooses what is wrong. It is her wrong decision that pushes her into the inextricable []dilemma between her love andmarriage; it is her wrong choice that plunges the two families into chaos. In the mind, she is truly out of her way.According to Sigmund Freud(1856—1939), the structure of the mind or personality consists three portions: the id, the ego, and the sup erego.“The id, which is the reservoir of biological impulses, constitutes the entire personality of the infant at birth. Its principle of operation, to guard the person from painful tension, is termed the pleasure principle. Inevitable frustrations of the id, together with what the child learns from his encounters with external reality, generate the ego, which is essentially a mechanism to minimize frustrations of the biological drives in the long run. It operates according to the reality principle … []The superego comprises the conscience, a partly conscious system of introjected moral inhibitions, and the ego-ideal, the source of the individual's standards for his own behavior. Like external reality, from which it derives, the superego often presents obstacles to the satisfaction of biological drives.”“In the mentally healthy person, these three systems form a unified and harmonious organization. Conversely, when the three systems of personality are at odds with one another the person is said to be maladjusted.” Here Catherine's tragic psychological process may be well illustrated by Freudian psychoanalysis.“I cannot express it; but surely you and everybody have a notion that there is, or should be, an existence of yours beyond you. What were the use of my creation, if I were entirely contained here?” Catherine's strange words reflect that the intelligent Emily Bronte had been earlier pondering over a same question in her work. What on earth is“the existence of Catherine's beyond Catherine”?Here we may believe that Heathcliff stands for Catherine's instinctual nature and the strongest desire—her “id” in the depths of her soul; Edgar, her ideal “superego”, represents another part of her personality: the well-bred gracefulness and the superiorit y of a wealthy family; and she, herself is the “ego” tortured by the friction between the two in the disharmonious situation.In the light of Freud's theory of personality, “the superego is the representation in the personality of the traditional values and ideals of society as they are handed down from parents to children.” Catherine's choice of Edgar as her husband is to satisfy her ideal “superego” to get wealth and high social position, which are the symbol of her class, on the basis of the education by her family and reality from her early childhood. She is a Miss of a noble family with a long history of about three hundred years. Only the marriage well-matched in social and economic status could be a satisfaction for all: her family, the society and even her practical self. “It would degrade me to many Heathcliff now ... if Heathcliff and I married, we should be beggars?” This is her actual worry for her future. Catherine yields to the pressure from her brother, and alike, in truth, she is yielding to the moral rules of society, without the approval and identification of which, she could not live a better life or even exist in it at all.However, Catherine underestimates what her other more intrinsic self would have effect on her. The most remarkable claim by Catherine herself may be the best convincing evidence to distinguish the different roles of Heathcliff and Edgar—her “id” and her “superego”:“My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: mygreat thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else perished, and he was annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like foliage in the woods: time will change it. I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I'm Heathcliff! He's always, always in my mind: not as a pleasure and more than I am always a pleasure to me, but as my own being. So don't talk of our separation again: it is impracticable.”It was a happy thought to make her love the kind, wealthy, weak, elegant Edgar, yet in submission to her superego to oppose against her id, she would fall into a loss of the self. Since the id is the most primitive basis of personality, and the ego is formed out of the id, Catherine's life depends wholly on Heathcliff， as the whole connotation and truth of her life in the cosmic world, for its existence and further more for the significance of her existence. Heathcliff is the most necessary part of her being. She marries Edgar, but Heathcliff still clutches her soul in his passionate embrace. Although she is a bit ashamed of her early playmate, she loves him with a passionate abandonment that sets culture, education, the world at defiance. Catherine's wrong choice for marriage violates her inner desires. The choice is a victory for self-indulgence—a sacrifice of primary to secondary things. And she pays for it.On one hand, Catherine doesn't find the heavenly happiness she was longing for. Though as a girl “full of ambition”and “to be the greatest woman of the neighborhood” would be her pride, the enviable marriage could only flatter her vanity for asecond. After her marriage, the comfortable and peaceful life in the Grange was just a monotonous and lifeless confinement of her soul. She feels chocked by the artificial and unnatural conditions in the closed Thrushcross Grange— a world in which the mind has hardened and become unalterable.“If I were in heaven, Nelly, I should be extremely miserable. ” Catherine eventually knows that the Lintons' heaven is not her ideal heaven. She and Heathcliff really possess their common heaven. Just as Catherine says,“Whatever our souls are made of, his and mine are the same; and Linton's is as different as a moonbeam from lightning, or frost from fire.”Catherine doesn't want to live in the Lintons' heaven; on the other hand, she has lost her own paradise that she ever had with Heathcliff on the bare hard moor in their childhood. The deepest bent of her nature announces her destiny—a wanderer between the two worlds. When she is alive, she occupies a position midway between the two. She belongs in a sense to both and is constantly drawn first in Heathcliff's direction, then in Edgar's, and then in Heathcliff's again and at last she loses herself completely. Her childish illusion to use her husband's money to aid Heatllcliff to rise out of her brother's power has vanished in thin air. And her constant struggle to reconcile two irreconcilable ways of life is in vain too, which only caused more disorder in the two worlds and in herself as well.In Freudian principles, should the ego continually fail in its task of satisfying the demands of the id, these three factors together—the painful repression of the id's instinctual desires, the guilt conscience of revolt against the superego's wishes, and the frustration of failure in finding outlets in the external world- would contribute to ever-increasing anxiety. The anxiety piles upand finally overwhelms the person. When this happens, the person is said to leave hallucinatory wish-fulfillment, then a nervous radical breakdown, and in the end may finish the person off. Catherine is destroyed into psychic fragmentation by the friction between the two. At the height of her Edgan-Heathcliff torment, Catherine lies delirious on the floor at the Grange. She dreams that she is back in her own old bed at Wuthering Heights “enclosed in the oak-paneled bed at home, and my heart ached with some great grief…my misery arose from the separation that Hindley had ordered between me and Heathcliff.”Still dreaming, she tries to push back the panels of the oak bed, only to find herself touching the table and the carpet at the Grange:“My late anguish was swallowed in a paroxysm of despair. I cannot say why I was so wildly wretched ... and my all in all, as Heathcliff was at that time, and been converted at a stroke into Mrs. Linton...the wife of a stranger: an exile, and outcast.” She attempts to forget the lengthy days of years of life without her soul even in her temporary derangement.“Most strangely, the whole last seven years of my life grew a blank! I did not recall that they had been at all.” Her mental and physical decay rapidly leads to the body's mortal end. She dies and seems to have none into perfect peace.But even after her death, she is still a wandering ghost. In Chapter 3, Lockwood, the lodger in Catherine's oak-paneled bed at Wuthering Heights dreams about the little wailing ghost: “The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, ‘Let me in-Let me in’.‘ Who are you?’…‘Catherine Linton’, it replied, shiveringly…‘I'm come home: I'd lost my way on the moor!’…Terror made me cruel; andfinding it useless to attempt shaking the creature off, I pulled its wrist on to the broken pane, and rubbed it to and fro till then blood ran down and soaked the bedclothes: still it wailed, ‘Let me in!’…it is twenty years, twenty years. I've been a waif for twenty years!”Catherine aspires to be back in her heaven even being a spirit. But leer self-deceptive decision has made her fall from her and Heathcliff's heaven full of demonic love and her never docile or submissive nature has drawn her out of her and Edgar's heaven filled with civilized emptiness in the meantime. She pushes herself into her tragedy, the endless dilemma between her love and marriage, which won't end up with her death.Bibliography：1.Bronte Emily，Wuthering Heights，Beijing：Foreign Language T eaching and Research Press，London：Oxford University Press 19952.Freud Sigmund，Interpretation of Dreams，Beijing：Foreign Language Teaching and Research Press 20013.Travis Trysh，Heathcliff and Cathy，the Dysfunctional Couple，The Chronicle of Higher Education，Washington，20014.Steinitz Rebecca，Diaries and Displacement in Wuthering Heights，Studies in the Novel，Denton，20005.方平译，《呼啸山庄》，上海：上海译文出版社，20006.弗洛伊德，《精神分析引论新编》，北京：商务印书馆，19967.高宣扬，《弗洛伊德传》，北京：作家出版社，19868.陆扬，《精神分析文论》，济南：山东教育出版社，20019.扬静远译，《勃朗特姐妹研究》，北京：中国社会科学出版社，198310.凌晨光，《当代文学批评学》，济南：山东大学出版社，2001。
复仇《基督山伯爵》《呼啸山庄》
第三类复仇小说的经典：
最具有逻辑说服力的是西方的两部 小说经典名著《呼啸山庄》、《基督山 伯爵》。
这两部小说展示了复仇主体肉体 上受虐待、心灵上受损伤、精神上受 侮辱、意志上受磨砺,最终对复仇对象 施以精神上摧毁的叙事过程。在两部 小说中,复仇的故事一直以人性最隐秘 的内在行为动机为轴心,以最难以驯服 的个体意志为经纬演绎着对人生、人 性、命运以及痛苦的灵魂和坚忍的意 志的体验和理解。
相同点：概
括
☆都是以捍卫个人尊严与名誉为旨归 的复仇； ☆都是向世人展示了“复仇主体肉体 上受虐待、心灵上受创伤、精神上 受侮辱、意志上受磨砺，最终对复仇 对象施以精神上摧毁的叙事过程”； ☆都是在认为主人公的复仇是正义的神 圣复仇。
相似复仇之目的——爱情
唐泰斯和希斯克利夫都是为 了个人复仇，为爱情他们都将满 腔的爱化为了无比的恨。
相似复仇之结果——解脱
邓蒂思和希斯克厉夫都是在用资 产阶级上流社会最残忍的手段，使那 些作恶多端之徒得到了应得的惩罚， 善良得到了报答，正义得到了伸张。 他们都在将自己的夙敌一一打跨的同 时，是爱情的力量至使他们人性返归， 宽恕了他们的敌人，放弃了复仇，最 终都寻找到了属于自己的爱情和“天 堂”。
《基督山伯爵》
逃离黑森堡，变身基督山伯爵，家 财万贯，以银行家的身份回巴黎复仇； 假人之手披露费尔南的丑史使他声 名狼藉开枪自杀； 投机事业中打击唐格拉尔使其破产； 维勒福家破人亡，审案时发现罪犯 竟是自己的儿子，终因受刺激过度而发 疯。
《呼啸山庄》
跻身有钱人行列的希斯克利夫数年之 后光临林顿家； 诱惑辛德雷酗酒挥霍，使他破产，以 呼啸山庄做抵押； 诱惑伊莉莎白，通过婚姻获得画眉山 庄； 让辛德雷、林顿、凯瑟琳凄苦死去； 让无辜的下一代饱尝了苦果；
经典译林：呼啸山庄
精彩摘录
《呼啸山庄》是英国作家艾米莉·勃朗特的作品，以其深沉的情感、强烈的 冲突和独特的叙事风格而著称。作为一部经典文学作品，它吸引了无数读者为之 倾倒。下面，我将从这部小说中摘录一些精彩的片段，与大家分享其中的魅力。
“我对埃德加的爱像树林中的叶子，当冬季改变树木的时候，随之就会改变 叶子。我对希斯克利夫的爱却像地下永久不变的岩石……我爱的就是希斯克利夫！ 他无时无刻不在我心中，并不是作为一种乐趣，而是作为我的一部分。”
《经典译林：呼啸山庄》的目录分析不仅展示了译者的匠心独运和对原著的 深刻理解，也为读者提供了更好的阅读体验。通过目录的引导，读者可以更加深 入地理解故事情节、人物关系和情感变化，从而更好地领略这部经典之作的魅力。
作者简介
作者简介
这是《经典译林：呼啸山庄》的读书笔记，暂无该书作者的介绍。
感谢观看
在目录的编排中，还可以看到译者对于原著的深刻理解和尊重。译者在保留 原著风格的同时，也充分考虑到了中文读者的阅读习惯和审美需求。这种“忠实 于原著，服务于读者”的翻译理念，使得《经典译林：呼啸山庄》的目录既保留 了原著的韵味，又符合中文读者的阅读习惯。
目录中的标题还体现了原著的情感色彩。如“第二十三章凯瑟琳的痛苦”、 “第二十七章希斯克利夫的愤怒”等标题，直接表达了人物内心的情感变化，使 得读者在阅读过程中能够更深入地感受到人物的情感世界。
这部小说以吉卜赛弃儿希刺克厉夫为中心人物，通过他的成长、爱情和复仇 的故事，展现了人性的复杂和矛盾。希刺克厉夫从小遭受了种种不幸和歧视，但 他凭借着坚韧的毅力和强烈的自尊心，逐渐成长为一个富有魅力和实力的人物。 他的爱情经历也充满了波折和痛苦，他与凯瑟琳的爱情纠葛是小说的核心情节之 一。然而，当凯瑟琳最终选择嫁给地主林顿时，希刺克厉夫的心灵受到了巨大的 打击，他开始了对地主及其子女的复仇计划。
呼啸山庄人物关系图
Earnshaw 恩肖先生
父 女
Hindley 辛德雷
兄 妹
夫妻 兄 妹
女 仆
相爱
Heathcliff 希斯克利夫
Catharine 凯瑟琳
夫妻
Alen 亚伦
Isabella 伊莎贝拉
Mr.Earnshaw 恩萧先生
the master of wuthering heights. a businessman a kind man
Edgar Linton
埃德加· 林敦
the master of Thrushcross Grange(画眉 山庄） Catherine' husband constancy and tenderness richand gentle
Isabella Linton 伊莎贝拉· 林敦
Edgar's sister Heathcliff ' wife proud and arrogant a sad woman
earnshaw恩肖先生hindley辛德雷女仆夫妻兄妹兄妹相爱父女父子heathcliff希斯克利夫catharine凯瑟琳alen亚伦isabella伊莎贝拉夫妻相爱mrearnshaw恩萧先生themasterofwutheringheightsasinmnabusessaakindmanellen艾伦housekeeperofwutheringheightsthemainnarratorforthestorykeyeyewitnesshindleyearnshaw辛德雷mrearnshawssonthenewmasterofwutheringheightsabadmangamblingdrinkingheathcliff希斯克利夫agipsywaifandpickedupbymrearnshawrevengersavagetyrannicalnaturehappyandsadinthehomecatherineearnshaw凯瑟琳mrearnshawsdaughterhindleysisterlintonwifepureandkindandinnocentboldandunrestrainedandimpassioned自由奔放激情十足pursuethefortuneandsocialstatusedgarlinton埃德加林敦themasterofthrushcrossgrange画眉山庄catherinehusbandconstancyandtendernessrichandgentleisabellalinton伊莎贝拉林敦edgarssisterheathcliffwifeproudandarrogantasadwoman
《呼啸山庄》ppt课件教学教材
评论家D·西塞尔把《呼啸山庄》视为维 多利亚时期小说中最伟大的作品。
R·福克斯则盛赞《呼啸山庄》是写成了 诗篇的小说，是人类天才所创造得最卓越 非凡的书籍之一。
谢谢观赏
西斯克里夫：
自私，自卑。 背叛，嫉妒，特别敏感。 残忍，暴虐，为了报仇不择手段。 对凯瑟琳不渝的爱情。
凯瑟琳：
单纯善良、天真无邪，温柔，没有高贵做 作之态。
艺术特色：
在这部作品中，整个世界都由两种对立的因素组成，一方面是荒 野地风暴、黑夜和岩石，象征严峻、狂乱而又充满自然活力的一种力 量；另一方面是阳光、薄云和田园，暗示另一种柔和、虚伪而又萎靡 的力量，而最终把优势给了前者。那种狂乱、强烈、不屈不挠的意志 ，所以埃德加、伊莉贝拉和小林顿在希思克利夫面前永远无力，他们 的死是不可避免的。这两种力量并不是不变，在外来世界的刺激下， 经过长时间的磨合很容易同化希思克利夫。因此文章虽然表现出两种 力量，但他们是可以转变的是统一的，在二元对立中很好的表现出了 人物的个性、比较，可以鲜明的显示出不同人物在不同的环境中威力 的表现出不同的精神，让人们了解哪种精神更伟大，同意中现出人物 性格的变化。因此，它是二元对立又统一的。 因此爱米莉•勃朗特的艺术特色是非凡的，她以《呼啸山庄》一部 作品奠定了她在英国文学史上的地位。英国当代著名作家毛姆向读者 推荐的世界文学十部最佳小说中包括了四部英国小说其中之一就是《 呼啸山庄》。它的影响力是经久不衰的。
对西斯克里夫存在着浓厚的痴情。 在伤害他后具有一种深深的忏悔与自责。
《呼啸山庄》
——艾米丽·勃朗特
故事围绕着西斯克里夫与凯瑟琳的爱情与 西斯克里夫的复仇展开，人物关系复杂，故 事情节曲折，情节如下：
老恩肖
伊莎贝拉
（林登之妹）
《呼啸山庄》中的爱恨情仇
呼啸山庄中的爱恨情仇《呼啸山庄》是英国作家艾米莉·勃朗特于1847年出版的经典小说，以其深刻描绘了人性的复杂和爱恨情仇而闻名。
本文将详细探讨小说中主要人物之间纠缠不清的感情纠葛，以及这些情感关系对剧情发展的影响。
一、吉尔伯特家族吉尔伯特家族是本故事的核心，他们与邻近地区波尔顿（Bolton）家族有着激烈的恩怨历史。
主要人物包括：希斯克里夫、凯瑟琳、埃德加等。
1. 希斯克里夫与凯瑟琳希斯克里夫和凯瑟琳是《呼啸山庄》中最具代表性的角色之一。
他们在童年时就结下了深厚的友谊，但由于身份和社会阶层的差异，他们无法成为命定中相伴一生的伴侣。
2. 凯瑟琳与埃德加尽管凯瑟琳深爱着希斯克里夫，但为了追求稳定的社会地位和财富，她选择了嫁给了另一个青年绅士埃德加。
这导致了凯瑟琳与希斯克里夫之间的情感断裂和愤怒。
二、波尔顿家族波尔顿家族是吉尔伯特家族坐落在山庄附近的邻居，也扮演着重要角色。
1. 希斯克里夫与伊莎贝拉由于对凯瑟琳的背叛感到愤怒和失望，希斯克里夫转而与伊莎贝拉建立起复杂而暴力的关系。
他利用伊莎贝拉来报复凯瑟琳，却在过程中造成更多痛苦和毁灭。
2. 凯瑟琳与亨利为了摆脱自己婚姻中无趣和束缚感，凯瑟琳被波尔顿家族中的亨利所吸引。
他们发展出一段激情四溢、错误而复杂的关系。
三、爱恨情仇对剧情的影响《呼啸山庄》中的爱恨情仇交织在一起，构成了整个故事的核心。
这些情感关系对剧情产生了深远的影响。
1. 牺牲与痛苦希斯克里夫为了复仇，在自己和其他人之间撕裂开来，带来了无尽的痛苦。
他们互相伤害、背叛，最终导致家族和社会关系被摧毁。
2. 理性与激情的冲突凯瑟琳面临着理性与激情之间不断斗争的困扰。
她感受到来自传统社会观念和内心深处真实感情之间的冲突，这逐渐摧毁了她自己和周围人的幸福。
3. 命运与报应小说通过展示主要人物之间错综复杂但不可避免的联系和因果关系，向读者展示出命运和报应是如何在他们身上发挥作用，并让他们付出代价。
呼啸山庄ppt课件
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主要人物分析(2) 凯瑟琳
1、本我、自我、超我的 分裂和冲突
希斯克利夫 ——本我，对抗现代文 明社会，拒绝屈从社会道德规范， 只为追求自身欲望的满足
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主要人物分析(1) 希斯克利夫
3、挚爱的背叛是促成其悲剧命运的直接原因
用希斯克利夫自己的话来说：“两个词可以概括我的未来—— 死亡和地狱；失去她之后，生存将是地狱。”希斯克利夫和凯瑟琳 爱得如此任性而狂野，如此不受理性控制，一旦爱情受挫，任何一 方都会陷入精神崩毁和人格分裂。凯瑟琳为了满足世俗的需要而背 叛自我灵魂的需要，既致使她严重的精神分裂，同时也颠覆了希斯 克利夫的整个精神世界。导致他人格分裂，心理变态，行为失控。
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勃朗特三姐妹
勃朗特家族： 大姐夏洛蒂:《简爱》
二姐艾米莉：《呼啸山庄》
妹妹安妮：《艾格尼斯·格雷》
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艾米莉·勃朗特唯 一的一部小说 《呼啸山庄》奠 定了她在英国文 学史以及世界文 学史上的地位。 使她在英国十九 世纪文坛上焕发 异彩。
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《呼啸山庄》的评论
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主要人物分析(2) 凯瑟琳
2、超我的觉醒
埃德加英俊富有，举 止温文尔雅。他构成了 凯瑟琳心理人格中的超 我，她开始自觉用他作 为标准衡量自己，并努 力收敛狂放的天性。 “在听到有人骂希斯克 利夫是‘十足的小流 氓’，‘比畜生还坏’ 的时候，她就小心翼翼， 注意举止不要像他看 齐。”