论《看得见风景的房间》中的人文主义
《看得见风景的房间》中露西觉醒的心路历程-2019年精选文档

《看得见风景的房间》中露西觉醒的心路历程E•M•福斯特(1879―1970年)是英国著名的小说家之一,他一生主要创作了6部优秀的长篇小说,其中5部被改编成电影。
《看得见风景的房间》是福斯特六部长篇小说中“基调最明快的一部”。
[1]1985年,这部小说被搬上银幕,上映后立即大获成功,荣获奥斯卡金像奖的八项提名。
本片以风景秀丽的佛罗伦萨和田园牧歌般的英格兰乡村为背景,讲述了一段清新甜蜜的年轻人的爱情故事。
本文从女权主义的角度解读女主人公露西为了追求独立的自我和寻求真正的爱情,由最初的对男权社会的顺从,转变为徘徊,到自我觉醒,最终冲破了一切束缚,走出迷惘,获得了女性自我意识的全面觉醒。
一、对男权社会的顺从早在公元前,古希腊思想家柏拉图在《国家》一书中说:“总的来说,女人劣于男人。
”两千年后的德国哲学家叔本华更毫无掩饰地表达了对女性的偏见:“妇女的天职是服从。
每一妇女,若处在不合理的地位,她便立即会依附某个男人,听其指导和统治。
”米利特指出:“在男权制下,家庭的主要贡献是促成孩子们的社会化(主要通过他们父母的示范和训诫),使他们适应男权制意识所规定的有关角色、气质和地位的一系列观念。
”[2]因此,在男性主宰的社会里,女性被认为是次于男性的,被排除在事实与权力之外,定义为无自身特质的命运的顺从者,男人的从属者,无知的他者。
其存在的目的就是作为男性欲望的目标,是一种附属品。
因而,女性总是被认为是被动的、弱小的、非理智的、沉默的边缘人物。
影片《看得见风景的房间》所展示的正式这样一个典型的二元对立的男权社会的英国,男性是家庭和社会的主宰和中心,男性主体以男权社会的道德规范和行为准则限制女性、归训女性和塑造女性。
在长期的男权思想的统治下,女性变得麻木顺从,甘愿受男性的支配和控制。
影片中的女主人公露西就是在这样的环境下成长起来的女性,她出身于富裕的中产阶级家庭,从小就被灌输以“淑女准则”,时刻按照男权社会所制定的女性标准力争把自己塑造成理想的大家闺秀。
颠覆性的抉择r——马克思主义女性主义下的《看得见风景的房间》

颠覆性的抉择r——马克思主义女性主义下的《看得见风景的
房间》
朱传莲
【期刊名称】《文山学院学报》
【年(卷),期】2018(0)2
【摘要】《看得见风景的房间》是20世纪英国小说巨匠E·M·福斯特最主要的代表作之一,小说以意大利和英国作为背景,揭露了英国人的傲慢和偏见.从马克思主义女性主义理论视角出发,分析小说中露西这位女性在面对父权制阶级体制、资产阶级伦理道德和资本主义经济及社会原因三种束缚下,打破既定的父权制下女性的标准、资产阶级迂腐的伦理道德和资本主义经济及其造成的社会影响,自我意识慢慢觉醒并迅速成长,最终打破一切束缚,勇敢地进行抉择,颠覆了男权制下的二元对立,自由追求真爱.
【总页数】4页(P87-90)
【作者】朱传莲
【作者单位】文山学院外国语学院, 云南文山 663099
【正文语种】中文
【中图分类】I561.074
【相关文献】
1.超越性的选择r——存在主义女性主义下的《看得见风景的房间》 [J], 朱传莲
2.从屋内到屋外看风景的距离--女性小说视域下《看得见风景的房间》 [J], 钱娟
3.别样风景别样情--女性主义视角下的《看得见风景的房间》解读 [J], 钟伟轩
4.福柯话语权力视角下《看得见风景的房间》中的阶级文化冲突 [J], 蔡奂;姜燕;
5.自我身份追寻——女性主义下的《看得见风景的房间》 [J], 朱传莲
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a room with a view观后感

a room with a view观后感这部电影其制作之精美令人赞叹,其中最出色的演员我以为是玛吉史密斯,把一个典型的英国老姑娘演得极其到位,那个扮演乔治的父亲的老演员也很好。
至于漂亮的男女主角,倒是没有什么深刻的印象,当然还是记住了海仑那美丽而忧伤的大眼睛,整个人象只小鸟。
整个的故事,就是心灵的觉醒,情欲的释放,清教徒的理性对于传统希腊人性美--罗马是继承了西方文明这一传统的的臣服。
心对于脑的胜利。
在众多的西方文学作品中,这种宗教与人性的挣扎是永远的主题。
就欧罗巴人自由与追求美和极致的天性来说,基督教是一种束缚这种天性唯一的绳索,鞭打这过于精力充沛和狂放的肉体是这宗教征服罗马和欧洲的法宝。
“女人总是喜欢看得见风景的房间,而对于男人来说,风景是在心里的。
蓝蓝的天,小鸟的歌唱,这一切都在心里。
爱默森先生用叉指着自己的胸口,虔诚地说道。
”这是《看得见风景的房间》那对奇怪的爱默森父子刚出场时的一句台词。
于是来自英国的美丽的露西小姐在牧师的说服下接受了他们的好意,和表姐——所有欧洲古典文学里最常见的陪衬角色——一个老处女搬进了能够看见佛罗伦萨美丽风景的房间。
镜头拉伸,从露西小姐的视野看出去,窗外是Arno河,意大利的美丽风光安静地铺陈在整个画面里。
故事就是这样的背景下展开的,舒缓而宁静,带着欧洲古朴的生活气息和柔和的浪漫主义。
当露西在圣克罗彻一个人孤单无助而迷失的时候,埃莫森的真诚又一次被表现得淋漓尽致。
埃莫森父子直截了当地邀请露西同行,起初还在犹豫的路西在埃莫森的坚持和劝说下终于同意了。
在小教堂挤满聚精会神的人群中传出讲解人的声音,牧师正在指导着大家如何根据精神上的规范而不是根据质感方面的价值来对乔托顶礼膜拜。
人文主义大力赞扬人的自然本性,反对人应该听从基督教宣传的禁欲主义。
埃莫森勇敢的行为是对此最好的诠释。
交际中表现出直接真诚的本性是很值得尊敬的。
坦诚能够展现一个人的内心世界。
可是人们往往不能接受人们直接表达的方式和行为。
自由和爱——论《看得见风景的房间》的伦理道德主题

自由和爱——论《看得见风景的房间》的伦理道德主题
文蓉;胡强
【期刊名称】《青海师范大学学报(哲学社会科学版)》
【年(卷),期】2008(000)005
【摘要】福斯特是20世纪英国最杰出的小说家之一.<看得见风景的房间>被评论家们称为福斯特的"意大利小说".这部作品不仅折射出英国爱德华时代的历史语境,同时也显现了福斯特在跨文化语境中对当时英国中产阶级迂腐道德准则等诸多社会伦理问题的深刻理解.
【总页数】5页(P98-102)
【作者】文蓉;胡强
【作者单位】湘潭大学,外国语学院,湖南,湘潭,411105;湘潭大学,外国语学院,湖南,湘潭,411105
【正文语种】中文
【中图分类】I109.5
【相关文献】
1.《看得见风景的房间》中女性对自由的追求——基于雅斯贝尔斯的哲学视角 [J], 韩晓丽
2.为爱而婚:福斯特的《看得见风景的房间》中的婚姻观 [J], 马继伟
3.论《看得见风景的房间》的成长主题 [J], 文蓉
4.自由与规训--评《看得见风景的房间》中福斯特二元悖论思想 [J], 唐蕾
5.建构看得见风景的房间\r——评郭晓平《中国现代小说风景叙事研究》 [J], 杨剑龙
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从《看得见风景的房间》看福斯特含蓄的语言特色

从《看得见风景的房间》看福斯特含蓄的语言特色作者:綦连胜来源:《黑龙江教育学院学报》2014年第05期摘要:福斯特的作品风格独特,他不属于任何一个流派,在他的文学作品中,我们看到的不仅是那份清新和淡雅,还有那英国绅士与生俱来的含蓄。
通过《看得见风景的房间》这部文学作品来研究福斯特身上所特有的含蓄,在分析中我们能清楚地看到福斯特巧妙的心思和娴熟的写作技巧,也正是这种含蓄的象征手法,使得小说更加的耐人寻味,更加具有可读性。
关键词:看得见风景的房间;语言特色;含蓄;福斯特中图分类号:I106.4文献标志码:A文章编号:1001-7836(2014)05-0118-02一、引言爱德华·摩根·福斯特是西方世界里非常有影响力的英国作家,许多评论家认为他可能成为托马斯·哈代以后的最伟大的小说家。
他的作品风格独特,意义非凡,在21世纪的前50年里,将引起各界的广泛关注。
福斯特是一位十分特殊的作家,可以说他是文字世界里的独行侠,他不属于任何一个流派。
但他又是文字世界里的万人迷,怀疑主义者、自由主义者、个人主义者这些名称放在他的身上又都是适用的。
福斯特的一生创作了很多不朽之作,其中主要的长篇小说就有六部,即《霍华兹庄园》、《最长的征程》、《印度之行》、《莫里斯》、《天使们不敢踏上的地方》,还有《看得见风景的房间》。
这本《看得见风景的房间》最能体现福斯特含蓄的语言风格。
二、福斯特和《看得见风景的房间》爱德华·摩根·福斯特是20世纪英国的著名作家,他的长篇小说反映的都是英国中上层阶级的生活,更多地表现了这一阶层精神上的困惑和束缚。
在每一部小说中,主人公都试图摆脱社会生活习俗和精神上所带来的双重压迫,来追求自由和人性的解放。
福斯特的语言风格清新淡雅,又有着一种英国绅士与生俱来的含蓄,他所塑造的人物性格很容易被读者把握,但对于人物命运的安排却令人难以揣测,往往都是潘多拉魔盒,不打开永远不会猜到结果。
挣脱羁绊,寻求真我——析《看得见风景的房间》中露西对真我的追求

挣脱羁绊,寻求真我——析《看得见风景的房间》中露西对真
我的追求
张福勇;张娜
【期刊名称】《外语研究》
【年(卷),期】2011()6
【摘要】福斯特的小说《看得见风景的房间》以其丰富多彩的人物形象、细腻微
妙的人物关系以及略带讽刺的幽默荣登经典之列。
小说的女主人公露西一直倍受评论界关注。
本文运用美国作家爱默生的哲学思想对其进行分析,指出爱默生的超验
主义思想在露西身上有着深刻体现,她寻求真我的过程即是其实现自我超越的过程。
【总页数】4页(P89-92)
【关键词】福斯特;《看得见风景的房间》;超验主义;真我
【作者】张福勇;张娜
【作者单位】鲁东大学外国语学院;中国海洋大学外国语学院
【正文语种】中文
【中图分类】I106.4
【相关文献】
1.《看得见风景的房间》中露西女性自我意识论析 [J], 王展燕;孙周年
2.电影《看得见风景的房间》中露西女性意识的觉醒 [J], 张丽丽
3.论《看得见风景的房间》中露西的伦理选择 [J], 刘云
4.论《看得见风景的房间》中露西的伦理选择 [J], 刘云
5.《看得见风景的房间》中露西女性意识的觉醒 [J], 王静姝
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品读《看得见风景的房间》探寻福斯特语言韵味

品读《看得见风景的房间》探寻福斯特语言韵味
邵小卉
【期刊名称】《语文建设》
【年(卷),期】2016(0)5Z
【摘要】英国著名作家福斯特的作品独具一格、风格独特,从中不仅能感受到扑面而来的清新淡雅,还能体会到他那绅士深入骨髓的含蓄。
本文通过《看得见风景的房间》来研究作者身上与生俱来的含蓄特质,在分析福斯特语言韵味的过程中,人们能深刻地见识到福斯特匠心独运的巧妙心思、娴熟的写作技巧以及含蓄却又恰到好处的象征手法,使得这部作品更加耐人寻味。
【总页数】2页(P33-34)
【关键词】《看得见风景的房间》;福斯特;含蓄;象征手法
【作者】邵小卉
【作者单位】聊城大学东昌学院外国语系
【正文语种】中文
【中图分类】I561.074
【相关文献】
1.从《看得见风景的房间》看福斯特含蓄的语言特色 [J], 綦连胜
2.“含蓄的讽刺”——对E.M福斯特的《看得见风景的房间》的人物解析 [J], 孙肖杰
3.从《看得见风景的房间》来欣赏福斯特含蓄的写作特征 [J], 白萍
4.自由与规训--评《看得见风景的房间》中福斯特二元悖论思想 [J], 唐蕾
5.走进福斯特的风景——兼谈巫译《看得见风景的房间》 [J], 李辉
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浅析_看得见风景的房间_中女性意识的觉醒_刘洋

Vol.33No.12Dec.2012第33卷第12期2012年12月赤峰学院学报(汉文哲学社会科学版)Journal of Chifeng University (Soc.Sci )一E.M .福斯特是20世纪英国著名的小说家、文艺理论家和散文家。
1908年,《看得见风景的房间》出版时,福斯特只有29岁。
在此之前,他已经出版了《天使们不敢踏上的地方》和《最长的行程》。
当时,他虽然受人尊敬,但尚未享有盛名。
而出现在前两部小说中的主题———激情和传统、真实与矫饰———也是在这第三部小说中方显成熟,层次更加丰满,说服力也更强[1]。
在他的作品中,福斯特一向致力于强调“个人与个人之间的联系”的重要性,他将这种个人与个人之间的真诚关系称为“唯一”的联系[2],而当这种联系具体在他作品中的某一个女主人公身上时———如《看得见风景的房间》中露西与乔治、塞西尔的关系上时,我们不难发现福斯特作品中女性意识的觉醒———女性对于自身情感的正视和对真实生活的追求。
二20世纪初正是西方女权主义运动崛起的时候,西方的妇女开始重新审视她们在家庭和社会中的定位。
在传统社会中(包括农业社会和工业社会早期),女性不但政治经济地位低下,而且遭受伦理道德规范的压迫和束缚。
女人被禁锢在家庭中,除了做一个“贤妻良母”,便无处施展自己的才能。
我们把女性的这种定位称之为“女性角色”[3]。
女性追求个性自由和解放,就不可避免地与社会发生冲突,这种冲突可以表现为争取政治经济地位平等的社会冲突,但更多的是表现为单个女性反抗既定社会角色的个人冲突。
由于女性被限制在婚姻和家庭之内,与此相关的束缚人性的道德规范也主要指向女性,比如女性必须保持贞洁,相夫教子,从一而终,任何婚外性行为都是禁止的,是道德败坏的,因此,女性意识的觉醒首先就出现在对婚姻和家庭生活的反叛上。
在传统社会的法律和道德规范下,这种女性意识,简单的说,就是一个女子认识到自己首先是一个女性,一个活生生的人,有感情上的需要和追求爱情和幸福的自由;认识到自己不再是一个社会的工具,必须扮演贤妻良母的角色,压抑个人的欲望,可以对无形的社会舆论和伦理道德对女性的限制和歧视说不,进行抗争[4]。
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论《看得见风景的房间》中的人文主义摘要《看得见风景的房间》中,小说人物的性格及其追求充分显示了人文主义。
人物真诚坦率或虚伪与保守的性格都是小说中的人文主义的一部分,另外,实现自我价值与打破束缚,追求平等与自由也是其精髓所在。
本文基于人文主义理论,旨在通过分析不同人物的性格与追求,分析小说中的人文主义,为欣赏该小说增加新角度。
关键词:人文主义,《看得见风景的房间》,人物,性格,追求The Humanism Reflected in A Room with a ViewAbstractIn A Ro om with a View, humanism is richly embodied by characters’ personalities and pursuits. The humanism reflected in the novel is shown by characters’ favorable personalities like sincerity and candor, as well as their unfavorable personalities like hypocrisy and conservatism. Meanwhile, fulfilling self-value and breaking the shackles to pursue equality and freedom showed by characters are exactly the essence of the humanism of the novel. The thesis, based on humanism theory, aims to show the humanism reflected in the novel A Room with a View, especially through analyzing different characters’ personalities and pursuits, in the hope of adding a new standpoint to appreciate the novel.Key Words: Humanism, A Room with a View, Characters, Personalities, Pursuits1. IntroductionEdward Morgan Forster is not only an English novelist, but also an essayist and a short story writer. With only six novels, he still enjoys a lasting popularity as one of the renowned novelists of the 20th century in English literature. “Fors ter and Butler are alike in their refusal to indulge a blind devotion to instinct and spontaneity that would make them neo-romantics in their point of view.”[] His novels are mainly about the liberal humanism and the characters created by him mostly are caught up in the contradiction between their own personalities and the society. “His analyses of sexuality, gender, class, and nationality constitute some of the more modern aspects of his novels.”[] Liberal humanism is richly embodied in Forster’s novels, i n whichhuman heart, nature and pursuits are the hubs. Oliver Stallybrass comments him “The intensely, stifling human quality of the novel is not total avoided…we may hate humanity, but if it is exorcised or even purified the novel wilts; little is left but a bunch of words.”[] As Forster is at the key turning period for novels, there exist both the traditions of realism and the trends of modernism in his works. “The effect of knowing Forster was that he becomes a kind of supplementary conscience talked on to my own.”[](p23) He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th century British society. Because of his good quality works, Forster is acknowledged by the public and other writers. His follo wers believe that Forster’s plentiful life and cultural experience highlights his works, and they describe him “the great liberal sage of the interwar and postwar periods.”[](p6) Prakash comments that Forster is “the greatest living master of the novel.” A famous literary critic once perceptively asserted that “E.M. Forster is for me the only living novelist who can be read again and again and who, after each reading, give me what few writers can give us after our first days of novel-reading, the sensation of having learned something.”[](p40) A critic wrote “There have not been many English novelists of our own time, who have established with us the second function, but E. M. Forster is certainly one of them, he has served as an embodiment of the virtues he writes about.”[](p35) At the end of the nineteenth century and the early years of the twentieth century, a great change took place in British society, whose surface prosperity was covered with a crisis of decline and Victorian traditional ideas and beliefs came under questions. During such a time, A Room with a View, a novel filled with significance in terms of human personalities, was published. “Forster thought this novel was his nicest but seems to have been uneasy about the happy ending.”[] It is Forster’s third novel and also the second one of his Italian novels. Among Forster’s six novels, it is regarded as the most romantic and optimistic novel. “With considerable artistic daring, Forster translates the materials of romantic comedy into a novel of ide as.”[] In l985, It was first time to be adapted into film by Merchant-Ivory and then ranked 79th on the Modern Library’s list of 100 best English-language novels of the 20th century in 1998.Without too complicated a plot, the novel mostly concentrates on the development of the main characters: Lucy and George. Lucy, a lady with good education, meets George, British young man in Florence while traveling and cannot help being attracted by his enthusiasm and free mind. When she meets him in England again, she, sparing a lot of efforts, eventually gathers courage to admit and express her love to George and breaks the shackle of engagement and pursues her real happiness. In addition, in the novel, the characters are from different classes and have different personalities and pursuits, which represent some kinds of distinct humanistic features.There are a lot of studies about Forster’s works, and Forsterian studies which were promoted by the International E. M. Forster Society established in 2010. However, for A Room with a View, the degree of related researches is far from enough. During these existing researches on A Room with a View, commentaries overseas concentrate more on its plot and cultural influence, as for the inboard literary critics, they mainly focus on their analysis of the female character’s development and the artistic skill of the novel. There are few people who have studied the humanism reflected in A Room with a View. Thus, this paper, through analyzing the characters, aims to explore the humanistic features in it.To better study the humanism reflected in the novel, the analysis on humanistic feature and pursuits of characters become the most important way and purpose of this paper. From the whole structure of this thesis, it can be briefly divided into four parts. The first part is introduction, which mainly introduces the author of the novel, E. M. Forster, and his accomplishment he had achieved, besides, some information about the novel has also been involved, like the reputation it has obtained, literature review on it and the comments have made by critics, etc. In order to explore the humanistic ideas reflected in the novel, the second and third part of this thesis are mainly concentrated on analyzing the characters from different aspects: ch aracters’ personality and pursuits. The novel shows Cecil’s hypocrisy contrasted with Mr. Emerson’s honesty and sincerity, which allows humanistic features of characters to present to readers clearly and obviously. Besides, the pursuits of self-value, genderliberty and freedom shown by Lavish, Lucy and George are also analyzed to prove the humanism reflected in the novel.2. The Humanism Reflected in Characters’ PersonalitiesThe novel A Room with a View embodies the idea of humanism from the various characters and elaborate plots. In another word, this novel, the most romantic and optimistic novel of Forster, is full of humanism. The novel can be divided into two parts: the first part takes place in Italy, which starts with the complaints about the room between Lucy and Miss Bartlett, and the second part is set in England. In the following part, the essay focuses on analyzing the personality of characters which can reflect humanism in the novel.2.1 Mr. Emerson and Freddy’s Sincerity and Candor “Humanism is defined as a naturalistic world view that takes man to be a product of natural evolution, integral to it in body and mind. It emphasizes the power and responsibility of human beings to survive and progress in their development…Such human activity determin es and creates the uniquely human values.”[] The word “humanism”, from the very beginning, was derived from the Latin concept “humanistas”, and entered English in 19th century with the form “humanism”. Humanism is a philosophical and ethical stance which attaches importance to the nature of human beings. It focuses on maintaining the freedom of people, as well as emphasizes that people should release their nature, and be brave to express themselves. However, some critics comment “Humanism heretofore has ove r stressed human power and has neglected the powers of nature that create and transform our values in ways that we cannot.”[] Humanity and the presentation of human nature are the core of humanism. In the novel of A Room with a View, “Several different cha racters show humanistic idea through their words, behaviors, thoughts, as well as their different social class and social conditions.”[](p203) From the words and behaviors shown by Mr. Emerson and Freddy, it’s easy to reveal that human’s sincerity and cand or are one of cores of humanism which is reflected in the novel.In the novel, there are several male characters who are representative of humanism, like Mr. Emerson, Freddy, as well as George who possess the similar goodnature of honesty and sincerity. They are always brave to express themselves without hesitation. From the behavior to suggest changing rooms showed by Mr. Emerson and Freedy’s direct comments on Cecil, the honesty and sincerity are clearly represented to readers.As the title A Room with a View suggested, Lucy always wants a room with a view when she and her cousin Miss Bartlett travel in Florence, however, they find that they don’t get the promised room, thus the disputation about the rooms becomes the very beginning of the whole novel. Lucy wants to see the Arno through her room, but the alteration makes it impossible. When the disputation continues about who should live in the room with the advantage of the views of the Arno, some of her neighbors don’t break into disputation but stand by. However, a man interrupts the disputation and says loudly that he has a view twice. The man is Mr. Emerson, the first time to appear in the novel, without any description of his outlook but only one sentence to introduce. Mr. Emerson interrupts their argument in a direct way and declares that his room has the view, moreover, he volunteers to change rooms with them, which allows Mr. Emerson’s natural kindness and sincerity obvious to readers.Another fact to show Mr. Emerson’s sincerity directly is when Lu cy got lost in Santa Croce. The first day in Florence, Lucy wants to go outside to enjoy the Italian view. Miss Lavish provides the guidance to Lucy actively, but at Santa Croce she disappears after talking with her acquaintance. As a result, Lucy, without the Baedeker which is taken by Miss Lavish before, gets lost and she wanders around the Santa Croce where she happens to meet Mr. Emerson. Through such a coincident plot here and their conversion, readers know that Mr. Emerson and his son, George are kind to invite Lucy to join them so that she won’t get lost, which is exactly showing their sincerity in their nature.When hearing the explanation of Giotto’s productions, Mr. Emerson shows his frank expression of his thoughts again. In the chapel, there are pious congregation gathering to listen to a lecture, and the lecturer is telling them about the history of the frescoes and directs them how to worship Giotto. At that time, Mr. Emerson exclaims loudly his negative attitude and disagrees that the frescoes are built by faith. Mr.Emerson publicly opposes the lecturer’s speech, which unsettles listeners and Lucy. However, in the opinion of Mr. Emerson, he doesn’t think it’s improper. He thinks his attitude is based on his natural thought and his way of thinking is under the consideration of common people.There is another typical representative of candor, Freddy who is Lucy’s young brother. From his words in his first scene, it’s easy for readers to know that he is inner-directed and has his own opinions on things. When he is asked to say about his view about Cecil by Mrs. Honeychurch, he doesn’t say some words of praise to hide his true opinions, instead, he shows directly his approval of Cecil. Freddy becomes the first one who says “no” directly to other people in the novel, he doesn’t ingratiate himself with Cecil, who would be his brother- in-law, by giving fine words. Without considering Cecil’s social status, Freddy just follows his heart to express himself that he dislikes Cecil because Cecil is a selfish person who doesn’t think in others’ position. His way of expression shows clearly his candor and straightforwardness in his depths of human nature, which makes readers grasp the humanism of the novel without a struggle.The roles of Mr. Emerson and Freddy in the very beginning of the novel are significant to develop the whole plot and reveal the humanism reflected in the novel. The frank nature existing in Mr. Emerson and Freddy lets readers know better the advantages of natural people who never use social rules or sophisticated ideas to decorate themselves but bravely express what they think. It is really a precious nature to be straightforward between the associations, which helps reveal one’s inner world.2.2 Cecil and Miss Bartlett’s Hypocrisy and Conse rvatism The reason why the novel A Room with a View is beloved mainly lies in the humanism and liberalism reflected in it, meanwhile, it is considered as one of masterpieces which speaks highly of humanism. Forster once said “What I believe is to keep open a few breathing-holes for the human right.”[] In many works of Forster, he has begun to explore human relationship and inner of human nature, and the novel A Room with a View is the epitome of exploration to human nature. Published in the late Edwardian period, the novel is influenced greatly by liberalism which emphases the importance of socialresponsibility and believes that human being is the member of society. What the novel chiefly conveys is the importance of liberal-humanism and what it tries to refine is the value of human nature through the words and behaviors of the characters.The nature of human is multifarious and varied, which has a large scope. Liberal-mind is one of good character of human nature. Mr. Emerson and Freddy are possessed of such personality. Another admirable character of human nature is sincerity, which requires one to be honest. Contrast with honesty and liberal-mind, hypocrisy and conservatism are other disagreeable characters of human nature. Cecil and Miss Bartlett are typical representatives of such characters.Cecil Vyse, the second male protagonist in the novel, shows up for the first time in Chapter 8 of the second section of the novel. Uniquely, he is the character who begins in the indirection from the talking between Mrs. Honeychurch, Lucy’s mother, and Freddy, Lucy’s Brother. Through other characters’ mouths, the first description about Cecil is shown in the novel. “Humanism has always been about human being and becoming. Historically, it has related human being and becoming to various domains of thinking and acting.”[] Readers can judge the real character and nature of Cecil from Cecil’s words and behaviors after he is really put on the stage in the novel. When Cecil firstly meets Mrs. Honeychurch and Freddy, he even doesn’t make salutation to them. Conversely, Mrs. Honeychurch greets him and put her letters on the writing table. From these details, it reflects the Cecil’s arrogance. After entering, Cecil’s character against other people’s likeness is presented obvious ly through what he does. Mrs. Honeychurch tends to sit in the dark so that she could preserve the furniture, however, Cecil just doesn’t care and twitches the curtain to let the light enter regardless of Mrs. Honeychurch’s feeling. From such an action, it’s easy to see that Cecil just cares about himself and does things in accordance with his own intention.Besides,the first sentence Cecil says to Mrs. Honeychurch more clearly shows hypocrisy existing in Cecil. When Mrs. Honeychurch exclaims, “Oh, Cecil, do tell me!”, Cecil answers “I promessi sposi,” which is the first sentence of him to the others. He uses。