_傲慢与偏见_翻译研究的文献综述
傲慢与偏见论文参考文献(最新93个)

《傲慢与偏见》在我国知道的人比较多;没读过原文的读过译本,没读过译本的看过由小说改编的电影,至少知道个故事。
这里要讲的是英国十九世纪初期的一部小说《傲慢与偏见》,女作者珍妮·奥斯丁是西洋小说史上不容忽视的大家,近年来越发受到重视。
下面是整理好的93个关于傲慢与偏见论文参考文献,供大家参考。
傲慢与偏见论文参考文献一:[1]单慧芳. 《傲慢与偏见》中的茶文化研究[J]. 福建茶叶,2017,39(12):332-333.[2]黄燕. 《傲慢与偏见》中的女性立场研究[J]. 语文建设,2017(30):25-26.[3]王姝. 从语用学角度看《傲慢与偏见》人物话语[J]. 语文建设,2017(33):56-57.[4]孙亚娟. 从概念功能理论的角度分析《傲慢与偏见》电影片断[J]. 戏剧之家,2018(03):194.[5]吴童. 《傲慢与偏见》的婚恋观及其对当代人的启示[J]. 内江师范学院学报,2018,33(01):66-71.[6]刘美舒. 治愈系影片的映像化表达——文学改编电影《傲慢与偏见》[J]. 电影评介,2017(22):88-90.[7]何心爽. 超越金钱的理想之境——简析《傲慢与偏见》中的婚姻观[J]. 佳木斯职业学院学报,2017(12):73-74+77.[8]任静. 语境对外国文学作品翻译的影响研究——以《傲慢与偏见》为例[J]. 海外英语,2018(02):150-151.[9]杨冬,安琦. 《傲慢与偏见》中的戏剧性场景[J]. 文艺争鸣,2018(02):173-178.[10]顾翰翊. 从语义学与语用学互补角度分析《傲慢与偏见》[J]. 才智,2018(01):182.[11]吴明红. 浅析《傲慢与偏见》中人物性格与婚姻观[J]. 现代交际,2017(17):91.[12]陈莹. 论简·奥斯汀《傲慢与偏见》中伊丽莎白的女性书写[J]. 黑河学院学报,2018,9(01):163-164.[13]王秀秀,屈红. 隐在的男权主义——《傲慢与偏见》的症候式解读[J]. 湖北函授大学学报,2018,31(04):180-181.[14]杨倩倩,王庆勇. 《弗罗斯特山庄》与《傲慢与偏见》的分析比较[J]. 名作欣赏,2018(12):64-66.[15]刘广青. 女性主义视角下《傲慢与偏见》的思想解读[J]. 湖北函授大学学报,2018,31(06):191-192.[16]伞雨晴. 论《傲慢与偏见》和《劝导》中婚姻模式的不同[J]. 佳木斯职业学院学报,2018(03):122.[17]马逸超. 试比较《傲慢与偏见》与《简·爱》女主人公[J]. 农家参谋,2018(07):270.[18]樊丽娜. 英国文学女性意识的承袭与勃发——评《傲慢与偏见》[J]. 中国教育学刊,2018(05):126.[19]林书勤. 《傲慢与偏见》对话语境下人称换称手法威胁受众面子研究[J]. 河北北方学院学报(社会科学版),2018,34(02):80-82+88.[20]龙璐. 奈达功能对等理论视角下幽默语的翻译——以《傲慢与偏见》为例[J]. 海外英语,2018(07):146-147.[21]林夏轩. 翻译认知心理学视域下的小说情景语境翻译初探——以《傲慢与偏见》两个中译本为例[J]. 海外英语,2018(09):105-106.[22]杨志明. 基于《中国英语能力等级量表》之形成性阅读能力测试——以《傲慢与偏见》阅读测试为例[J]. 教育测量与评价,2018(05):5-10.[23]王渝玥. 英汉对话翻译与小说人物形象的再现——以小说《傲慢与偏见》英译汉为例[J]. 中国高新区,2018(12):285-286.[24]郭慧莹,孙彦彤. 言语行为理论视角下《傲慢与偏见》中的反讽研究[J]. 才智,2018(10):201.[25]骆紫燕,尹栋. 《傲慢与偏见》中的婚恋观及对当代大学生的启示[J]. 科技资讯,2018,16(04):220-221.傲慢与偏见论文参考文献二:[26]邓紫晨. 《傲慢与偏见》里的戏剧创作手法研究[J]. 艺术评鉴,2018(10):152-153+184.[27]张威,许超. 历时复译的承袭与创新——李继宏译《傲慢与偏见》论析[J]. 辽宁师范大学学报(社会科学版),2018,41(05):80-85.[28]张亚婷. 《傲慢与偏见》汉译本的生态适应与选择[J]. 淮海工学院学报(人文社会科学版),2018,16(07):63-65.[29]刘相娅. 赏析影片《傲慢与偏见》,透视女大学生婚恋观[J]. 大众文艺,2018(09):158.[30]安旭红. 《傲慢与偏见》——简·奥斯汀婚姻观的缩影[J]. 艺术评鉴,2018(11):185-188.[31]李东青. 论反讽运用在简·奥斯汀作品中的艺术张力——以《傲慢与偏见》为例[J]. 三门峡职业技术学院学报,2018,17(02):79-81+114.[32]傅踢踢. 《创造101》,创造多元的“傲慢与偏见”[J]. 中国广告,2018(07):70-71.[33]何清. 基于《傲慢与偏见》一文的言语行为理论研究(英文)[J]. 考试与评价(大学英语教研版),2018(03):52-56.[34]王宇红. 《傲慢与偏见》英式文学语言创作风格探究[J]. 兰州教育学院学报,2018,34(08):72-73+76.[35]陆红娟. 悲悯交加背后的“傲慢”与“偏见”——试论志贺直哉的女性观及其成因[J]. 江苏大学学报(社会科学版),2018,20(04):61-65.[36]杨安妮. 从目的论三原则看《傲慢与偏见》字幕翻译[J]. 吉林广播电视大学学报,2018(08):116-117+132.[37]林岳斌,匡虹霓. 论《傲慢与偏见》中的聚会角色[J]. 绍兴文理学院学报(人文社会科学),2018,38(04):79-86.[38]黄青青. 《傲慢与偏见》揭示的女性教育缺失[J]. 绍兴文理学院学报(教育版),2018,38(02):116-120.[39]谷劲松. 《傲慢与偏见》与《飘》中女主人公的女性意识比较研究[J]. 北京城市学院学报,2018(04):56-59.[40]蒋莹超,方英. 《傲慢与偏见》的庄园叙事[J]. 大众文艺,2018(16):18-19.[41]. 《傲慢与偏见》中的英国最美庄园[J]. 党员文摘,2018(03):58.[42]邓婕. 《傲慢与偏见》中反讽的回声研究[J]. 黄冈职业技术学院学报,2018,20(04):60-63.[43]刘爱叶. 试论《傲慢与偏见》的语言创作风格[J]. 黑河学院学报,2018,9(08):157-158.[44]曹南. 试论英美文学作品与其改编电影的关联性——以《傲慢与偏见》为例[J]. 新乡学院学报,2018,35(08):41-43.[45]张爽. 纯粹的“傲慢”,细腻的“偏见”——影片《傲慢与偏见》解读[J]. 电视指南,2018(02):23+25.[46]陈钰. 浅评《傲慢与偏见》的创作技巧[J]. 课程教育研究,2018(11):18.[47]董海涛. 小说《傲慢与偏见》的反讽对白分析[J]. 兰州教育学院学报,2018,34(09):51-52.[48]郭雯雯. 基于言语行为理论分析《傲慢与偏见》的反讽[J]. 文化创新比较研究,2018,2(24):67+69.[49]李瑶. 汉英句式翻译中人称与物称主语使用差异对比——以《傲慢与偏见》中文版和《骆驼祥子》英译本为例[J]. 岳阳职业技术学院学报,2018,33(04):83-86.[50]彭澳,何一鸣,杨纪平. 论“传神”在翻译中的体现——比较《傲慢与偏见》樊庆兰与张思婷译本[J]. 海外英语,2018(18):43-45.傲慢与偏见论文参考文献三:[51]刘一帆. 论《傲慢与偏见》中伊丽莎白的人物形象刻画[J]. 黑龙江教育学院学报,2018,37(09):113-115.[52]王珂. 新历史主义视角下《傲慢与偏见》中的海边度假研究[J]. 安徽文学(下半月),2018(08):24-25.[53]杨娜. 简·奥斯汀的幸福婚姻观——解读《傲慢与偏见》[J]. 教育教学论坛,2018(47):80-81.[54]庞新月,刘继华. 从海姆斯语境理论看影视字幕翻译文化因素处理——以《傲慢与偏见》为例[J]. 大众文艺,2018(23):176-178.[55]李雪维. 基于言语行为理论视角分析《傲慢与偏见》中的言语反讽[J]. 现代交际,2018(20):74-75.[56]郑世觅. 《傲慢与偏见》油画[J]. 中国艺术,2018(10):25.[57]林书勤. 基于语料库面子理论视域的人称换称手法研究——《傲慢与偏见》全着对话解读[J]. 齐齐哈尔大学学报(哲学社会科学版),2018(11):144-147.[58]安俐洁. 浅析《傲慢与偏见》中简奥斯汀的婚姻观——基于达西的性格分析[J]. 中国民族博览,2018(11):204-205.[59]曹书乐,董鼎. 傲慢与偏见——对女游戏玩家性别刻板印象的研究[J]. 艺术评论,2018(11):38-49.[60]胡诺祺,刘晓琳. 19世纪工业革命下的英国社会变迁——从《傲慢与偏见》与《南方与北方》的人物对比分析中看英国社会变迁[J]. 海外英语,2018(23):179-180.[61]陈鸣,王荣莉. 从翻译批评视角浅析《傲慢与偏见》王科一译本中的误译[J]. 海外英语,2018(23):124-125.[62]郭欢欢. 女性主义视角下的《傲慢与偏见》[J]. 名作欣赏,2017(05):37-39.[63]赵娟. 《傲慢与偏见》中的婚恋观[J]. 语文建设,2017(11):56-57.[64]吴岩. 对《傲慢与偏见》反讽言语行为的宏观和微观分析[J]. 语文建设,2017(08):18-19.[65]张素玫. 成为经典:《傲慢与偏见》的两百年传播[J]. 贵州师范大学学报(社会科学版),2017(02):137-144.[66]孙佳. 顺应论与小说翻译——以《傲慢与偏见》为例[J]. 郑州铁路职业技术学院学报,2017,29(02):58-60+69.[67]王烈霞. 《傲慢与偏见》中的反讽艺术分析[J]. 开封教育学院学报,2017,37(07):39-40.[68]张韶华. 英美文学中的爱情婚姻观——以《傲慢与偏见》为例[J]. 山东农业工程学院学报,2017,34(06):189-190.[69]李新美. 试论《傲慢与偏见》的戏剧手法及反讽艺术[J]. 黑河学院学报,2017,8(02):169-171.[70]李志娟. 理想与现实的平衡之美——试析《傲慢与偏见》中的浪漫主义美学[J]. 黑河学院学报,2017,8(02):184-185+188.[71]庞凤娇. 合作原则视域下《傲慢与偏见》人物会话含义分析[J]. 佛山科学技术学院学报(社会科学版),2017,35(02):23-28.[72]余芬. 《傲慢与偏见》中的幽默反讽话语翻译比较研究——基于格式塔心理美学视角[J]. 淮海工学院学报(人文社会科学版),2017,15(08):75-78.[73]胡少斐. 论《傲慢与偏见》中的女权主义意识[J]. 语文建设,2017(17):40-41.[74]沈超. 功能对等理论下《傲慢与偏见》中译本赏析[J]. 海外英语,2017(02):207-208+214.[75]邓红花. 从女性意识看《傲慢与偏见》[J]. 萍乡学院学报,2017,34(02):70-74.傲慢与偏见论文参考文献四:[76]曲金燕. 《红楼梦》与《傲慢与偏见》中的婚恋观比较[J]. 重庆科技学院学报(社会科学版),2017(07):69-73.[77]陈光先. 简·奥斯汀的婚姻观及其对当代人的启示——读小说《傲慢与偏见》后的思考[J]. 边疆经济与文化,2017(07):87-88.[78]李睿. 《傲慢与偏见》作品中的茶文化体现[J]. 福建茶叶,2017,39(10):364-365.[79]陈莹. 《傲慢与偏见》中女性意识的体现和局限[J]. 广西民族师范学院学报,2017,34(04):102-104.[80]南云凡. 论《傲慢与偏见》中的女性婚姻观[J]. 文化学刊,2017(08):64-65.[81]王传倩. 从《傲慢与偏见》浅析奥斯丁的婚恋观[J]. 文学教育(上),2017(11):40-41.[82]袁学敏. 论女性自我救赎意识之觉醒——从《再生缘》到《傲慢与偏见》[J]. 攀枝花学院学报,2017,34(04):47-53.[83]蒋跃,余碧燕. 《傲慢与偏见》形容词性物主代词的人机翻译对比[J]. 西安电子科技大学学报(社会科学版),2017,27(02):147-155.[84]孙佳. 顺应论视角下翻译策略的选择研究——以《傲慢与偏见》中Cry一词为例[J]. 湖北经济学院学报(人文社会科学版),2017,14(08):102-104.[85]吴颖. 从英语明喻的模糊语用功能看明喻翻译——以《傲慢与偏见》为例[J]. 英语广场,2017(10):15-17.[86]孙佳. 《傲慢与偏见》中人物形象研究[J]. 语文建设,2017(24):23-24.[87]常虹. 意象的维度分析与英汉翻译的得失——以《傲慢与偏见》开篇句的五个译本为例[J]. 宿州教育学院学报,2017,20(05):46-47+51.[88]周捷. 《傲慢与偏见》中伊丽莎白的人物性格分析[J]. 山西能源学院学报,2017,30(03):189-191.[89]武丹丹. 从《傲慢与偏见》谈语境对外国文学作品翻译的影响初探[J]. 海外英语,2017(20):126-127.[90]白红梅. 简·奥斯丁《傲慢与偏见》婚姻观的现实意义[J]. 佳木斯职业学院学报,2017(10):73-74.[91]冯旭. 《傲慢与偏见》中的夏洛特·卢卡斯新解[J]. 疯狂英语(理论版),2017(03):186-187+208.[92]翟力辉,王珈琦. 婚恋需求中女性意识的萌芽与觉醒——需求层次理论视域下《傲慢与偏见》女性人物形象剖析[J]. 北华大学学报(社会科学版),2017,18(05):122-126.[93]张小欣. 男权下的女性主义的萌芽探究——以《红楼梦》、《傲慢与偏见》为例[J/OL]. 北方文学(下旬),2017(02):83[2019-01-24].。
论《傲慢与偏见》中的反讽艺术【文献综述】

文献综述汉语言文学论《傲慢与偏见》中的反讽艺术一、前言部分(说明写作的目的,介绍有关概念,扼要说明有关主题争论焦点)(正文:字体:宋体,小四号字,行距1.5倍)英国十九世纪小说家简·奥斯丁经过近两百年来读者的鉴赏和批评家的鉴定,已是公认的经典作家了。
正如当代著名批评家埃德蒙·威尔逊所说:“一百多年来”,英国“曾发生过几次趣味的革命。
文学口味的翻新影响了几乎所有作家的声望,唯独莎士比亚和简·奥斯丁经久不衰。
”[1]作为一位女性作家,奥斯丁以女性特有的细致入微的洞察力和幽默风趣、细腻明快的文笔向读者再现了十八世纪末和十九世纪初的英国乡村生活风貌。
“以轻松诙谐的格调和理性的光芒照出了感伤、哥特小说的矫揉造作,使之失去容身之地。
她的创作开启了三十年代现实主义的高潮”。
[2]奥斯丁的作品不多,一生共创作了六部长篇小说,依出版时间为序,依次是《理智与情感》(Sense and Sensibility,1811)、《傲慢与偏见》(Pride and Prejudice,1813)、《曼斯菲尔德庄园》(Mansfield Park,1814)、《爱玛》(Emma,1815)、《诺桑觉修道院》(NoahangerAbbey,1818)和《劝导》(Persumion,1818)。
其中,《傲慢与偏见》是她最为重要的作品,确立了她在世界文学史上的崇高地位,也最受广大读者的喜爱。
《傲慢与偏见》初稿的标题为《初次的印象》,写于一七九六年至一七九七年,1812年再稿(并更名),1813年出版并发表。
书名的改变象征着从第一印象不可信赖这一观念到给人以错误印象的精神因素的改变。
该书最吸引人之处在于对人物极其生动的描绘——尤其是通过个性鲜明和措辞巧妙的对话而进行的描绘。
《傲慢与偏见》是简·奥斯丁借助反讽的手法惊心雕琢、悉心构筑的一部杰出的全反讽的艺术作品。
在这部小说中成功运用了反讽这一修辞手法,使作品更耐人寻味,人物形象更加生动鲜明。
傲慢与偏见文献综述

1 IntroductionThe main story of the novel happens between Elizabeth Bennet and Darcy. Although, it seems that, they haven’t attracted anyone’s eyes. We all know that at the first ball, when Lizzy asked Mr Darcy to have a dance. He refused. He didn’t think that anyone at the village can deserve him. After this, Lizzy promised not to pay attention to him any more because of his pride.At last, when everything comes to light Lizzy regretted. She found that she had misunderstood Darcy. And Darcy had although changed. He made an offer of marriage to her again and was accepted. No pride and no prejudice are between them.The novel also reflected the author oneself's marriage view: It is wrong to marry for the property, money and position. She emphasizes the importance of the ideal marriage, and regard men and women's emotion as the foundation stone which concludes the ideal marriage .Just because Pride and Prejudice, I have a profound thinking about marriage. The writer uses intelligent words to depict a few different marriages in the book, each of which reflects people's attitudes toward marriage in that time. We can comprehend the essence of Jane and Bingley’s marriage, Elizabeth and Darcy’s marriage , Lydia and Wickham’s marriage and Charlotte and Collins’s marriage through Elizabeth’s views. Through the wise heroine, we see marriage description. To marry for wealth and beauty is wrong.This kind of marriage cannot retain long-term happiness, and truly happy marriage is based on love and sense.2 The analysis o f Elizabeth’s characterElizabeth Bennet is a person worthy of our imitation. She is a model because she is different from all the other characters, except Darcy, and because she does not adhere rigidly to the standards set forth by society, she is self-reliant and independent. Elizabeth rejects Mr. Collin's proposal because she does not think that marriage was boring, nor does she believe in marriage of convenience. When Mr. Collins says arrogantly to Elizabeth, she politely refused him. Unlike Charlotte Lucas, Elizabeth would never violate her principle and her integrity and throw away her talents bymarrying Mr. Collins, a conceited, narrow-minded, and pompous fool. Elizabeth looksnature because she puts her trust in her own perceptions and impressions. On the other hand, she is not ready to rebel against society. She does not totally disregard social proprietary. She has good manners; her slight breach of decorum walking alone to Nether field Park is justified by her genuine concern for her sister who is ill. She hasgood manners. When Lady Catherine criticizes Elizabeth skill of playing piano, shecan have good manners to keep polite.3 Elizabeth’s views about her sisters’ and friend’s marriage3.1The most realistic marriage —Charlotte’s marriageFor money and marriage, Charlotte by marriage just wants to get a rich husband, thus she can have the economic security. Marriage for them is a task, but Collins couples obtain from the marriage what they want: Charlotte gets stable of rich life; Collins also gets a warm home. This is their understanding of marriage.3.2 The most ridiculous marriage —Lydia’s marriageLydia and Wickham is absurd combination of extremely. Their relationship is completely built on lust and appearance, no love foundation, say, is neither practicalnor romantic. Lydia got erotic satisfied; Wickham also get what he wanted wealth,this is their understanding of marriage.3.3The most happy marriage —Jane’s marriageJane and Bingley marriage is considered the happiest marriage. Jane and Bingleymatch each other faces, male prodigy, anyone opinion, they are the most suitable for together. Their marriage, love, in my opinion, is not the main base, the main is a kindof attraction. For Jane's beauty and Bingley, Jane attracted to kind of handsome and Bingley attracted gentleman poise, their love more performance for a mutual admiration of love. Marriage is a complicated contract, both parties must have enoughlove to maintain the basis of this contract. But Jane and the love between the Bingleytoo insipid, too. That's not enough deep-rooted, let I don't feel safe, seem to lurk trace dangerous breath.3.4 The most admirable marriage —Elizabeth’s marriageThe marriage is tortuous between them but again ups deep-rooted of love based."Economic and social structures with such great power sways interpersonal the relationships between people and this made her became the cartoonist monster"(D.W.Hardin 166-179). With first marriage proposal as a border, in thinking changed not only is Elizabeth, and Darcy. Elizabeth because Darcy letter, to realize their prejudice; Darcy because Elizabeth words, to realize their arrogance. If Elizabeth for Darcy's first marriage proposal didn't refuse words may Darcy for her infatuation will not lasting. If no refusal dialogue, Darcy or that although multimillionaire, although a handsome, but too arrogant on high. For such people, Elizabeth even for impulsive and agreed to marry him, in the near future, Elizabeth still will be sorry. And if not rejected that after letter, Elizabeth is still that although bright, beautiful, frank, but too subjective and prejudice, for such people, Darcy will soon tired. Because have these twists and turns, the love between them is more precious, more deeply.4 Conclusion"There is no doubt that Elizabeth and Darcy's love is the shining pearl in the history of literary, and their love is the ideal mode which has been esteem by Austen"(Zheng 79). The author’s view about marriage: it is wrong to get married for property, money and position. Getting married without considering that above-mentioned factors are unwise ether. So that she objects to get married for money, objects to regarding the marriage as a trifling matter. She emphasizes the importance of the ideal marriage, and regard men and women's emotion as the foundation stone which concludes the ideal marriageLove is impulsive and is of no reason no passionate, and full of madness.Love itself is crazy. However, how many people can love with madness? The reality is cruel, marriage doesn't equal to love, and this ideal are away from us far away. Darcy and Elizabeth’s marriage is the happiest, with deep-rooted of love, and a necessary condition that Darcy strongly wealth. Money is not secular in their marriage wasn'tsecular; the wealth is just like sunshine and nutritions their marriage is of much envy for any person. If marriage is such a castle, so I'd like to be trapped in such a city, Are being loved besieged not a kind of happiness?As far as I concerned, Pride and Prejudice reflects the British sentiment of the end of 18th century and the early of 19th century under the circumstance of conservative,and tells us different ways and attitudes to the marriage between Mr. and Mrs. Bennet’s five daughters’. This reveals the author’s attitude toward marriage .And that is love and marriage based on money, property and social status is not perfect, and it is very stupid. "And we must emphasize the importance of ideal marriage, meanwhile, oppose to love and marriage based on money or property"(Hu 17). We must take the affection or love as the cornerstone of ideal marriage between male and female. Elizabeth was born in the family of squireen's, and loved by Darcy. Darcy proposes marriage to her in spite of their difference of the possession of property and social status, but is still refused by Elizabeth because of his pride. So if Darcy's pride still exists, there will be no love and even happy marriage between Elizabeth and him. And I think pride and prejudice aren't very good. If someone is always full of pride, he will look down upon others and think he is very great and smart. Because of Darcy's pride, Elizabeth hold prejudice against him. If someone is a prejudiced person, every time he meets somebody or something, what he thinks of others all depends on his foregone experience and his mood of the time. What’s worse, he doesn’t think what he does is wrong. He thinks everyone is the same as him and everyone has his special way to know the world, but it is absolutely wrong. Though everyone can be judged in the way he likes, he can’t ignore others. He can like what he likes and hate what he hates, but he should be objective when he treats others. So I think we should consider things rationally and thoughtfully and not just do as we like. That is to say, we shouldn't have any pride and prejudice, or we couldn't treat things and others impartially and it couldn't lead a happy life.References[1]孙致礼,译,简·奥斯丁.《傲慢与偏见》南京:译林出版社,2000年:83Sun Zhili,Pride and Prejudice,2000:83[2]朱虹,《奥斯丁研究》.北京:中国文联出版公司,1985年:178Zhu Hong,The Research of Austen,1985:178[3]郑晓园.文化深层的激荡.阅读与欣赏,1998年:79Zheng Xiaoyuan The Deeping Evoking of Culture,1988:79[4]D.W.Harding.‘Regulated Hatred:An Aspect of the Work of Jane Austen’Watt.Jane Austen:A Collection of Critical Essays(2005):166-179[5]胡宗锋:《英美文学精要问答及作品赏析》.西安出版社,2002.17[Hu Zongfeng :British and American literature works q&a and appreciation Journal of Xi’an2002:17]AcknowledgementsIn the course of writing this thesis, I received a magnificent amount of help and support, and I would like to take the opportunity to express my gratitude to all who have help me.In the course of writing this thesis, I received a lot help and support from my teachers and from my friends, now i have this opportunity to express my appreciation to all the people who have help me.I want to give my profound thanks to Mr Lu, He is strict to me, and he is also very patient to me, I have done the thesis by his priceless help and his guidance. This thesis is finished under his meticulous help and support.Then I'll thank the other teachers and my classmates who help me in finishing this thesis, thank you very much.。
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傲慢与偏见文献综述教程文件

1 IntroductionThe main story of the novel happens between Elizabeth Bennet and Darcy. Although, it seems that, they haven’t attracted anyone’s eyes. We all know that at the first ball, when Lizzy asked Mr Darcy to have a dance. He refused. He didn’t think that anyone at the village can deserve him. After this, Lizzy promised not to pay attention to him any more because of his pride.At last, when everything comes to light Lizzy regretted. She found that she had misunderstood Darcy. And Darcy had although changed. He made an offer of marriage to her again and was accepted. No pride and no prejudice are between them.The novel also reflected the author oneself's marriage view: It is wrong to marry for the property, money and position. She emphasizes the importance of the ideal marriage, and regard men and women's emotion as the foundation stone which concludes the ideal marriage .Just because Pride and Prejudice, I have a profound thinking about marriage. The writer uses intelligent words to depict a few different marriages in the book, each of which reflects people's attitudes toward marriage in that time. We can comprehend the essence of Jane and Bingley’s marriage, Elizabeth and Darcy’s marriage , Lydia and Wickham’s marriage and Charlotte and Collins’s marriage through Elizabeth’s views. Through the wise heroine, we see marriage description. To marry for wealth and beauty is wrong. This kind of marriage cannot retain long-term happiness, and truly happy marriage is based on love and sense.2 The analysis o f Elizabeth’s characterElizabeth Bennet is a person worthy of our imitation. She is a model because she is different from all the other characters, except Darcy, and because she does not adhere rigidly to the standards set forth by society, she is self-reliant and independent. Elizabeth rejects Mr. Collin's proposal because she does not think that marriage was boring, nor does she believe in marriage of convenience. When Mr. Collins says arrogantly to Elizabeth, she politely refused him. Unlike Charlotte Lucas, Elizabeth would never violate her principle and her integrity and throw away her talents bymarrying Mr. Collins, a conceited, narrow-minded, and pompous fool. Elizabeth looksnature because she puts her trust in her own perceptions and impressions. On the other hand, she is not ready to rebel against society. She does not totally disregard social proprietary. She has good manners; her slight breach of decorum walking alone to Nether field Park is justified by her genuine concern for her sister who is ill. She hasgood manners. When Lady Catherine criticizes Elizabeth skill of playing piano, shecan have good manners to keep polite.3 Elizabeth’s views about her sisters’ and friend’s marriage3.1The most realistic marriage —Charlotte’s marriageFor money and marriage, Charlotte by marriage just wants to get a rich husband, thus she can have the economic security. Marriage for them is a task, but Collins couples obtain from the marriage what they want: Charlotte gets stable of rich life; Collins also gets a warm home. This is their understanding of marriage.3.2 The most ridiculous marriage —Lydia’s marriageLydia and Wickham is absurd combination of extremely. Their relationship is completely built on lust and appearance, no love foundation, say, is neither practicalnor romantic. Lydia got erotic satisfied; Wickham also get what he wanted wealth,this is their understanding of marriage.3.3The most happy marriage —Jane’s marriageJane and Bingley marriage is considered the happiest marriage. Jane and Bingleymatch each other faces, male prodigy, anyone opinion, they are the most suitable for together. Their marriage, love, in my opinion, is not the main base, the main is a kindof attraction. For Jane's beauty and Bingley, Jane attracted to kind of handsome and Bingley attracted gentleman poise, their love more performance for a mutual admiration of love. Marriage is a complicated contract, both parties must have enoughlove to maintain the basis of this contract. But Jane and the love between the Bingleytoo insipid, too. That's not enough deep-rooted, let I don't feel safe, seem to lurk trace dangerous breath.3.4 The most admirable marriage —Elizabeth’s marriageThe marriage is tortuous between them but again ups deep-rooted of love based."Economic and social structures with such great power sways interpersonal the relationships between people and this made her became the cartoonist monster"(D.W.Hardin 166-179). With first marriage proposal as a border, in thinking changed not only is Elizabeth, and Darcy. Elizabeth because Darcy letter, to realize their prejudice; Darcy because Elizabeth words, to realize their arrogance. If Elizabeth for Darcy's first marriage proposal didn't refuse words may Darcy for her infatuation will not lasting. If no refusal dialogue, Darcy or that although multimillionaire, although a handsome, but too arrogant on high. For such people, Elizabeth even for impulsive and agreed to marry him, in the near future, Elizabeth still will be sorry. And if not rejected that after letter, Elizabeth is still that although bright, beautiful, frank, but too subjective and prejudice, for such people, Darcy will soon tired. Because have these twists and turns, the love between them is more precious, more deeply.4 Conclusion"There is no doubt that Elizabeth and Darcy's love is the shining pearl in the history of literary, and their love is the ideal mode which has been esteem by Austen"(Zheng 79). The author’s view about marriage: it is wrong to get married for property, money and position. Getting married without considering that above-mentioned factors are unwise ether. So that she objects to get married for money, objects to regarding the marriage as a trifling matter. She emphasizes the importance of the ideal marriage, and regard men and women's emotion as the foundation stone which concludes the ideal marriageLove is impulsive and is of no reason no passionate, and full of madness. Love itself is crazy. However, how many people can love with madness? The reality is cruel, marriage doesn't equal to love, and this ideal are away from us far away. Darcy and Elizabeth’s marriage is the happiest, with deep-rooted of love, and a necessary condition that Darcy strongly wealth. Money is not secular in their marriage wasn'tsecular; the wealth is just like sunshine and nutritions their marriage is of much envy for any person. If marriage is such a castle, so I'd like to be trapped in such a city, Are being loved besieged not a kind of happiness?As far as I concerned, Pride and Prejudice reflects the British sentiment of the end of 18th century and the early of 19th century under the circumstance of conservative,and tells us different ways and attitudes to the marriage between Mr. and Mrs. Bennet’s five daughters’. This reveals the author’s attitude toward marriage .And that is love and marriage based on money, property and social status is not perfect, and it is very stupid. "And we must emphasize the importance of ideal marriage, meanwhile, oppose to love and marriage based on money or property"(Hu 17). We must take the affection or love as the cornerstone of ideal marriage between male and female. Elizabeth was born in the family of squireen's, and loved by Darcy. Darcy proposes marriage to her in spite of their difference of the possession of property and social status, but is still refused by Elizabeth because of his pride. So if Darcy's pride still exists, there will be no love and even happy marriage between Elizabeth and him. And I think pride and prejudice aren't very good. If someone is always full of pride, he will look down upon others and think he is very great and smart. Because of Darcy's pride, Elizabeth hold prejudice against him. If someone is a prejudiced person, every time he meets somebody or something, what he thinks of others all depends on his foregone experience and his mood of the time. What’s worse, he doesn’t think what he does is wrong. He thinks everyone is the same as him and everyone has his special way to know the world, but it is absolutely wrong. Though everyone can be judged in the way he likes, he can’t ignore others. He can like what he likes and hate what he hates, but he should be objective when he treats others. So I think we should consider things rationally and thoughtfully and not just do as we like. That is to say, we shouldn't have any pride and prejudice, or we couldn't treat things and others impartially and it couldn't lead a happy life.References[1]孙致礼,译,简·奥斯丁.《傲慢与偏见》南京:译林出版社,2000年:83Sun Zhili,Pride and Prejudice,2000:83[2]朱虹,《奥斯丁研究》.北京:中国文联出版公司,1985年:178Zhu Hong,The Research of Austen,1985:178[3]郑晓园.文化深层的激荡.阅读与欣赏,1998年:79Zheng Xiaoyuan The Deeping Evoking of Culture,1988:79[4]D.W.Harding.‘Regulated Hatred:An Aspect of the Work of Jane Austen’Watt.Jane Austen:A Collection of Critical Essays(2005):166-179[5]胡宗锋:《英美文学精要问答及作品赏析》.西安出版社,2002.17[Hu Zongfeng :British and American literature works q&a and appreciation Journal of Xi’an2002:17]AcknowledgementsIn the course of writing this thesis, I received a magnificent amount of help and support, and I would like to take the opportunity to express my gratitude to all who have help me.In the course of writing this thesis, I received a lot help and support from my teachers and from my friends, now i have this opportunity to express my appreciation to all the people who have help me.I want to give my profound thanks to Mr Lu, He is strict to me, and he is also very patient to me, I have done the thesis by his priceless help and his guidance. This thesis is finished under his meticulous help and support.Then I'll thank the other teachers and my classmates who help me in finishing this thesis, thank you very much.。
傲慢与偏见毕业论文

傲慢与偏见毕业论文傲慢与偏见毕业论文《傲慢与偏见》是奥斯丁的代表作。
这部作品以日常生活为素材,一反当时社会上流行的感伤小说的内容和矫揉造作的写作方法,分享了傲慢与偏见的毕业论文,一起来看看吧!一、导论(一)研究综述《傲慢与偏见》中的婚姻话题一直以来为人们乐此不疲地谈论着,下面是前人对该书婚姻的分析:不管是贝内特夫妇还是夏洛特和柯林斯夫妇,他们的婚姻的出发点都是钱。
在当时工业革命的大潮下,人们疯狂地追逐名利地位,形成了经济第一的观念,同时却忽略了对妇女的教育,把她们框在狭小的家庭生活圈内,限制了她们的受教育权利。
因此,没有多少财产的年轻女性在那样的金钱社会中唯一的生存机会就是嫁个有钱人。
这种资本主义婚姻的实质无非就是金钱和利益的结合,缺少了情感因素这一基本保障,在日久经年的婚姻生活中虽然衣食无忧,但必定缺少了应有的快乐,也体会不到何谓幸福的婚姻。
(二)本文的研究视角和研究目的《傲慢与偏见》作为世界经典名著,被毛姆列为世界十大小说名著之一,其文学价值自然不言而喻。
因此,多年来,对该书的解读和研究从未中断过。
不管是对奥斯丁本人的研究,还是对书中各个人物的解读,或是对该书文学艺术的考究,都深刻地反映了《傲慢与偏见》作为世界上经久不衰的一部作品有其独特的魅力。
本文从婚姻这一角度深入研究书中四对青年男女的婚姻状况,讨论影响人们幸福婚姻的因素到底有哪些。
是爱情?是金钱?还是社会地位?仁者见仁,智者见智,不同的人对幸福的理解不同,自然对婚姻的选择也不尽相同。
本文提倡爱情是婚姻最根本的要素,也是婚姻最重要的条件,当然一定的物质基础与婚姻的幸福指数也密切相关。
通过对书中四对婚事的探讨,以及它们对当代人的影响,最后笔者总结了爱情才是缔结一段美好婚姻的最重要的因素。
二、《傲慢与偏见》中不同性质的婚姻(一)理想的婚姻:伊莉莎白与达西1.真爱的结合伊莉莎白与达西的感情纠葛贯穿了整部小说。
伊莉莎白是贝内特太太的二女儿,不仅美貌出众,而且聪明过人。
文献综述-《简爱》《傲慢与偏见》女性意识的异同及其原因

引言《简爱》与《傲慢与偏见》都是享誉世界的文学作品,这两部作品的创作者都是生活在18 世纪末19世纪初的女性作家,都反应了当时女性的生活状况:在男权社会的压迫下,女性不能够独立,男女根本不平等。
在此社会背景下,这两部文学作品的主人公伊丽莎白和简爱在面对不公平待遇时都体现了其反抗意识,但在具体的观念上、行动上表现出明显的差异,基于此,本文将对两部文学作品的女性意识异同及其原因进行探讨。
主体笔者通过在图书馆、知网、互联网等平台查阅了大量关于对《简爱》与《傲慢与偏见》两部著作分析研究的文献,以及对女性文学、女权意识、社会心理学等相关知识分析研究的各类著作,同时通过检索CNKI,发现关于《简爱》与《傲慢与偏见》女性意识的异同及其原因的研究成果颇丰,国内外均有大量研究。
综合来看,现有研究主要体现在以下三个方面:(一)两部著作女性意识的相同点:两部作品里都反映了主人公在当时英国女性深受男权社会压抑,男女不平等,女性经济上不能自立的社会环境中,关于对独立、自由和爱情的反抗意识,都不满于女性所处的卑微地位,都有过不同程度的抗争。
(二)两部著作女性意识的不同点:一是在两性关系上,《傲慢与偏见》表现为女性要求受到男性的尊重,《简爱》则体现在大胆追求男女平等和女性的独立。
《傲慢与偏见》中,男主人公达西宁不愿邀请女主人公伊丽莎白跳舞,认为她的相貌“仅仅过得去,不到漂亮到能够打动”他的地步而宁愿当一个旁观者,这种傲慢极大地伤害了伊丽莎白的自尊心,后面达西宁慢慢被她吸引并最终向她求婚,尽管伊丽莎白内心已经爱上达西宁,但却为报复他的不尊重而严辞拒绝,这一举动鲜明地反映了处于男权社会中弱女子要求受到尊重的强烈愿望;在《简爱》中,女主人公简爱即使从小无父无母,被舅父收养,也敢于怒骂冷酷无情的舅母是“你坏,你狠心”,并给了她表哥拳头的教训,对书中梅森先生的评价“模样儿俊俏的男人,但皮肤光滑的鹅蛋脸没有力量,鹰沟鼻和樱桃小嘴没有坚毅,低而平的额头没有思想”等等,都表明她是一个有独立的思想和见解,具有自己独立人格并与男性人格完全平等的人。
傲慢与偏见引用文献英语

傲慢与偏见引用文献英语
以下是一些引用《傲慢与偏见》的英语文献:
1. Austen, Jane. Pride and Prejudice. London: Penguin, 2003.
2. Byrd, Susan. "The Economics of Marriage in Jane Austen's Pride and Prejudice." The Journal of Economic Perspectives 15, no. 4 (1999): 209-21.
3. Doody, Margaret Anne. "Jane Austen's Pride and Prejudice and the Politics of the Family." Feminist Studies 18, no. 2 (1992): 265-86.
4.世袭, 简. "傲慢与偏见" 的浪漫喜剧. 纽约: 企鹅出版集团, 1994.
4. 坦普尔顿, 玛丽莲. "傲慢与偏见" 中的社会阶层和女性角色. 《英语文学研究》, 1990.
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