自考(英语专业) 英美文学选读——作家作品
自考《英美文学选读》（美）浪漫主义时期（2）
⼆。
美国浪漫主义时期的主要作家 Ⅰ。
Washington Irving（1783-l859） Irving''s position in American literature Washington Irving was one of the first American writers to earn an international reputation， and regarded as an early Romantic writer in the merican literary history and Father of the American short stories. ⼀。
⼀般识记 His life and major works Washington Irving was born in New York City in a wealthy family. From a very early age he began to read widely and write juvenile poems， essays， and plays. In l798， he conc1uded his education at private schools and entered a law office， but he loved writing more. His first successful work is A History Of New York from the Beginning Of the World to the End of the Dutch Dynasty，which， written under the name of Diedrich Knickerbocker， won him wide popularity after it came out in 1809. With the publication of The Sketch Book of Geoffrey Crayon， Gent. in serials between 1819 and 1820， Irving won a measure of international fame on both sides of the Atlantic. The book contains familiar essays on the Eng1ish life and Americanized versions of European folk tales like "Rip Van Winkle＂， and "The Legend of Sleepy Hollow." Geoffrey Crayon is a carefully contrived persona and behind Crayon stands Irving， juxtaposing the Old World and the New， and manipulating his own antiquarian interest with artistic perspectives. The major work of his later years was The Life of George Washington. ⼆。
自考 英美文学选读 书单
自考英美文学选读书单全文共四篇示例，供读者参考第一篇示例：自考英美文学选读书单：自考英美文学选读一直是自考英美文学专业的核心课程之一，对学生的文学修养和英语水平提升起着非常重要的作用。
下面给大家推荐一份【自考英美文学选读】书单，希望对大家学习和备考有所帮助。
1. 《简·爱》（Jane Eyre）- 夏洛蒂·勃朗特（Charlotte Bronte）《简·爱》是英国文学史上的经典之作，描写了主人公简·爱的一生遭遇及成长历程。
小说通过简·爱的内心世界、对生活的思考和对爱情的追求，展示了女性独立、坚强和自由的形象，被誉为女性主义文学的杰作。
2. 《傲慢与偏见》（Pride and Prejudice）- 简·奥斯汀（Jane Austen）《傲慢与偏见》是英国文学史上的又一经典之作，讲述了伊丽莎白·班奇和达西先生之间的爱情故事。
小说通过调侃社会习俗、揭示人性弱点和倡导女性独立，展现了简·奥斯汀的精湛文学功底和对人性深刻洞察的能力。
3. 《了不起的盖茨比》（The Great Gatsby）- F·司各特·菲茨杰拉德（F. Scott Fitzgerald）《了不起的盖茨比》是美国文学史上的代表作之一，讲述了上世纪20年代美国高盛时期的繁荣与荒诞。
小说通过主人公盖茨比的爱情故事、社会地位和金钱的探讨，揭示了美国梦的虚幻和人性的贪婪，具有较高的文学价值和社会意义。
《呼啸山庄》是英国文学史上的经典之作，描绘了希斯克利夫和凯瑟琳之间的爱恨纠葛。
小说通过家族恩怨、爱情悲剧和人性探讨，展现了勃朗特姐妹的文学才华和对人性矛盾的深刻理解。
《去吧，告诉她们，我在这里》是美国文学史上的力作之一，讲述了黑人青年约翰尼的成长经历和对信仰的追求。
小说通过种族歧视、家庭纠葛和自我认同的挣扎，反映了美国社会的种族问题和对人类命运的深刻思考。
英语自考《英美文学选读》的资料
一莎士比亚In 1593 and 1594, he published two narrative poems(叙事诗), Venus and Adonis(维纳斯和安东尼斯) and The Rape of Lucrece(鲁克丽斯受辱记).Four period:First: The first period of Shakespeare's dramatic career was one of apprenticeship(学徒期). He wrote five history plays: Henry VI, Parts I, II, and III(亨利六世上，中，下),Richard III(理查三世), and Titus Andronicus(泰托斯.安东尼); and four comedies: The Comedy of Errors(错误的喜剧), The Two Gentlemen of Verona(维洛那二绅士), The Taming of the Shrew(训悍记), and Love's Labour's Lost(爱的徒劳).Second: In the second period, Shakespeare's style and approach became highly individualized. By constructing a complex pattern between different characters and between appearance and reality, Shakespeare made subtle comments on a variety of human foibles. In this period he wrote five histories: Richard II(理查二世), King John(约翰王), Henry IV, Parts I and II(亨利四世上部和下部), and Henry V(亨利五世); six comedies: A Midsummer Night's Dream(仲夏夜之梦), The Merchant of Venice(威尼斯商人),Much Ado About Nothing(无事生非), As You Like It(皆大欢喜), Twelfth Night(第十二夜), and The Merry Wives of Windsor(温莎的风流娘们儿); and two tragedies: Romeo and Juliet(罗密欧与朱丽叶) and Julis Caesar(裘里斯.凯撒).Third: Shakespeare's third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet(哈姆雷特), Othello(奥赛罗), King Lear(李尔王), Macbeth(麦克白), Angony and Cleopatra(安东尼与克利奥佩特拉), Troilus and Cressida(克利奥拉纳斯), and Coriolanus(). The two comedies are All's Well That Ends Wells(终成眷属)and Measure for Measure(一报还一报).Last: The last period of Shakespeare's work includes his principal romantic tragicomedies(浪漫悲喜剧): Pericles(伯利克里), Cymbeline(辛白林), The Winter's Tale(冬天的故事) and The Tempest(暴风雨); and his two final plays: Henry VIII(亨利八世) and The Two Noble Kinsmen(两位贵族亲戚).Shakespeare's authentic non-dramatic poetry consist of two long narrative poems: Venus and Adonis(维纳斯和安东尼斯) and The Rape of Lucrece(鲁克丽斯受辱记), and his sequence of 154 sonnets. Shakespeare's sonnets are the only direct expression of the poet's own feelings.With three exceptions (99,126,154) Shakespeare writes his sonnets in the popular English form, first fully developed by Surrey, of three quatrains and a couplet(三节四行诗加一节偶句).Shakespeare's history plays are mainly written under the principle that national unity under a mighty and just sovereign is a necessity(在一个强大英明的君主统治下的国家，统一是非常必要的).The three history plays on the reign of Henry VI are the beginning of Shakespeare's epic treatment.The first and second parts of Henry IV are undoubtedly the most widely read among his history plays. It reveals a troubled reign in the 15th century. Shakespeare presents the patriotic spirit when mourning over the loss of English territories in France. He also dramatizes the class struggle between the oppressors and the oppressored during Jack Cade's rising of 1450. Furthermore, he condemns the War of the Roses waged by the feudal barons in which innocent people were killed. Here Shakespeare has liberated himself from any imitations of the contempory example .In his romantic comedies, Shakespeare takes an optimistic attitude toward love and youth, and the romantic elements are brought into full play.(在他的浪漫喜剧中，莎士比亚以乐观的态度对待爱情与青春，并将流浪色彩渲染到极致。
自考-《英美文学选读》作家和作品
A Tale of a Tub 桶的故事
The Battle of the books 书籍的战争
The Drapier’s Letter 德拉皮尔的信
Gulliver’s Travels 格列佛游记
A Modest Proposal一个温和的建议
5. Henry Fielding
The great poems: Paradise Lost (1665)
Paradise Regained (1666)
Samson Agonistes (1671) 力士参孙
The Neoclassical Period 新古典主义 8个
1. John bunyan:
Marriage of Heaven and Hell天堂与地狱的结合
The Book of Urizen 尤来森之书
The Book of Los 洛斯之书
The four Zoas四个左义斯
Milon弥尔顿
Tiger
2. Willian Wordsworth(Lake Poets)
The Victorian Period 6
1. Charles Dickens
Sketches by Boz 勃兹速写
Life in Oliver Twist 雾都孤儿
Nicholas Nickleby 尼克拉丝尼克尔比
The Pickwick Paper 皮克威克外传
The History of Amelia阿米利亚
6．Samuel Johnson
Poems: London , The Vanity of human Wishes人类欲望的虚幻
英美文学选读自考重点
英美文学选读自考重点英美文学选读是自考中一门重要且富有魅力的课程，它涵盖了英国和美国文学发展历程中的众多经典作品和重要作家。
对于自考生来说，掌握重点内容是顺利通过考试的关键。
以下将为您详细介绍英美文学选读自考的重点。
一、英国文学部分1、古英语时期与中世纪文学这一时期的重点是了解英国文学的起源和早期发展。
比如，《贝奥武甫》是英国文学史上第一部重要的史诗，要理解其主题、结构和语言特点。
另外，乔叟的《坎特伯雷故事集》也是重点，需掌握其对人物的刻画、叙事技巧以及反映的社会现实。
2、文艺复兴时期文学文艺复兴时期的英国文学成就斐然。
威廉·莎士比亚是重中之重，他的戏剧作品如《哈姆雷特》《罗密欧与朱丽叶》《麦克白》等，要深入研究其人物塑造、情节设置、主题思想以及对人性、命运、爱情等问题的探讨。
同时，还需了解这一时期其他重要作家如托马斯·莫尔的《乌托邦》。
3、 17 世纪文学这一时期的玄学派诗歌和清教徒文学是重点。
约翰·多恩的玄学派诗歌以奇特的比喻和复杂的思维著称，要理解其诗歌的独特风格和思想内涵。
而弥尔顿的《失乐园》《复乐园》等作品，则要把握其宗教主题和史诗般的气魄。
4、 18 世纪文学启蒙运动时期的英国文学注重现实和理性。
丹尼尔·笛福的《鲁滨逊漂流记》是必读作品，要分析主人公的形象和作品所反映的殖民主义、个人奋斗等主题。
此外，乔纳森·斯威夫特的《格列佛游记》也是重点，理解其讽刺手法和对社会现象的批判。
5、 19 世纪浪漫主义文学浪漫主义时期的诗人如威廉·华兹华斯、塞缪尔·泰勒·柯勒律治、拜伦、雪莱和济慈的作品都需要认真研读。
了解他们各自的诗歌风格、主题以及对自然、爱情、自由等的追求。
同时，简·奥斯汀的小说《傲慢与偏见》也是常考内容，要分析其细腻的人物描写和婚姻爱情观。
6、 19 世纪现实主义文学查尔斯·狄更斯的作品在这一时期占据重要地位，如《雾都孤儿》《大卫·科波菲尔》《双城记》等，要理解其对社会现实的批判和对人性的关怀。
自考英美文学选读(英国篇
The Renaissance Period 文艺复兴时期Beowulf 《贝奥武夫》：第一部最古老、最长的较完整的文学作品The Canterbury Tales 《坎特伯雷故事集》小说集，描写了各行各业中的人物形象Italy 三方面：painting+sculputre+literature主要作家：William Shakespeare 威廉·莎士比亚The Merchant of Venice 《威尼斯商人》（1）手法：pun 双关（“Not on thy sole,but on thy soul,harsh Jew /Thou mak ’st thy knife keen.”“狠心的犹太人,你不是在鞋口上磨刀,而是在你的心口上磨刀”）（2）主人公名字：安东尼奥Antonio 巴萨尼奥Bassanio 鲍西亚Portia 犹太人Jews 夏洛克Shylock 生平2long poems 154sonnets38playsVenus and Adonis 《维纳斯与安东尼斯》The Rape of Lucrece 《鲁克丽丝受辱记》四大喜剧A Midsummer Night’s Dream 《仲夏夜之梦》As You Like It 《皆大欢喜》Twelfth Night 《第十二夜》The Merchant of Venice 《威尼斯商人》Hamlet 《哈姆雷特》（1）手法：soliloquy 独白（“To be,or not to be —that is the question ”）（2）The first and the most popular play of Shakespeare十四行诗（18）（1）起源Italy引入英国的人Wyatt 华埃特（2）经典名句：“Shall I compare thee to a summer ’s day?”我可能把你和夏天相比拟？（3）修辞：Personification 拟人手法（4）主题：美好夏日通常短暂，但诗歌之美却能永存。
自考《英美文学选读》（英）浪漫主义时期（2）
⼆该时期的重要作家 I. William Blake 1.⼀般识记： His life English poet， artist， & philosopher， born in London England， Nov 28， 1757， and died in London， Aug12，1827. Blake made distinguished contributions to both Literature & art. He ranks with great poets in the English language & may be considered the earliest of the major English Romantic poets. His poems range from lyrics of childlike simplicity to mystical or prophetic works of great complexity. As an artist he is best known for his engravings， which are among the masterpieces of graphic art. 2. 识记 His political， religious & literary views Blake never tried to fit into the world； he was a rebel innocently & completely all his life. He was politically of the permanent left & mixed a good deal with the radicals like Thomas Paine& William Godwin. Like Shelley， Blake strongly criticized the capitalists'' cruel exploitation， saying that the "dark satanic mills left men unemployed， killed children & forced prostitution." Meanwhile he cherished great expectations & enthusiasm for the French Revolution， & regarded it as a necessary stage leading to the millennium predicted by the biblical prophets. Literarily Blake was the first important Romantic poet， showing contempt for the rule of reason， opposing the classical tradition of the 18th century & treasuring the individual''s imagination. 3. 领会 His poems （1） Early works The Songs of Innocence （1809） is a lovely volume of poems， presenting a happy & innocent world， though not without its evils & sufferings. For instance， " Holy Thursday" with its vision of charity children lit " with a radiance all their own" reminds us terribly of a world of loss & institutional cruelty. The wretched child described in " The Chimney Sweeper，" orphaned， exploited， yet touched by visionary rapture， evokes unbearable poignancy when he finally puts his trust in the order of the universe as he knows it. His Songs of Experience （1794） paints a different world， a world of misery，poverty， disease， war & repression with a melancholy tone. The benighted England becomes the world of the dark wood & of the weeping prophet. The orphans of " Holy Thursday" are now "fed with cold & usurious hand." The little chimneysweeper sings "notes of woe" while his parents go to church & praise "God & his Priest & King"——the very instruments of their repression. In "London"， the city is no longer a paradise， but becomes the seat of poverty & despair，of man alienated from his true self. Blake''s Marriageof Heaven & Hell （1790） marks his entry into maturity. The poem was composed during the climax of the French Revolution & it plays the double role both as a satire & a revolutionary prophecy. In this poem， Blake explores the relationship of the contraries. Attraction & repulsion， reason & energy， love & hate，are necessary to human existence. Life is a continual conflict of give & take， a pairing of opposites， of good & evil， of innocence & experience， of body & soul. "Without contraries，" Blake states， "there is no progression." The "marriage，" to Blake， means the reconciliation of the contraries， not the subordination of the one to the other. （2） Later works In his later period， Blake wrote quite a few prophetic books， which reveal him as the prophet of universal political & spiritual freedom and show the poet himself as the spokesman of revolt. The major ones are： The Book ofUrizen（1794），The Book of Los（1795）。
自考英美文学选读(美国文学史)
PART TWO: AMERICAN LITERATUREChapter1 The Romantic Period1.主要作家及其作品：i.Washington Irving:The Sketch Book; Rip Van Winkle;The Legend of Sleepy Hollowii.Ralph Waldo Emerson:Essays; The American Scholar; Self-Reliance;The Over-Soul; The Poet; Experience; Nature iii.Nathaniel Hawthorne:Mosses from an Old Manse; The Scarlet Letter;The Snow-Image and Other Twice-Told Tales;The House of the Seven Gables;The Blithedale Romance;The Marble Fauniv.Walt Whitman:Leaves of Grass; There was a Child Went Forth;Drum Taps; Cavalry Crossing a Ford; Song of Myself;When Lilacs Last in the Dooryard Bloom’dv.Herman Melville:Moby-Dick; Billy Budd; Typee; Omoo;Mardi; Redburn; White Jacket.2.清教主义Puritanism is the practices and beliefs of the Puritans. As the word itself hints，Puritans wanted to purify their religious beliefs and practices. They felt that the Church of England was too close to the Church of Rome in doctrine form of worship，and organization of authority. American Puritans，like their brothers back in England，were idealists，believing that the church should be restored to complete "purity". They accepted the doctrine of predestination，original sin and total depravity，and limited atonement through a special infusion of grace from God. But in the grim struggle for survival that followed immediately after their arrival in America，they became more and more practical，as indeed they had to be. Puritans were noted for a spirit of moral and religious earnestness that determinated their whole way of life. As a culture heritage，Puritanism did have a profound influence on the early American mind and American values. American Puritanism also had a conspicuously noticeable and an enduring influence on American literature. It had become，to some extent，so much a state of mind，so much a part of the national cultural atmosphere，rather than a set of tenets.3.超验主义Transcendentalism has been defined philosophical1y as "the recognition in man of the capacity of knowing truth intuitively，or of attaining knowledge transcendingthe reach of the senses." Emerson once proclaimed in a speech，"Nothing is at last sacred but the integrity of your own mind." Other concepts that accompanied Transcendentalism inc1ude the idea that nature is ennobling and the idea that the individual is divine and，therefore，self-re1iant. The transcendentalists reacted against the cold，rigid rationalism of Unitarianism in Boston. They adhered to an idealistic system of thought based on a belief in the essential unity of all creation ，the innate goodness of man，and the supremacy of insight over logic and experience for the revelation of the deepest truths.4.象征主义5.自由诗Whitman is also radically innovative in terms of the form of his poetry. He adopted "free verse，" that is，poetry without a fixed beat or regular rhyme scheme. A looser and more open-ended syntactical structure is frequently favored. Lines and sentences of different lengths are left lying side by side just as things are，undisturbed and separate. There are few compound sentences to draw objects and experiences into a system of hierarchy. Whitman was the first American to use free verse extensively. By means of "free verse，" Whitman turned the poem into an open field，an area of vital possibility where the reader can allow his own imagination to play.6.爱默生的超验主义思想及他的自然观In his essays, Emerson put forward his philosophy of the over-soul, the importance of the Individual, and Nature. Emerson rejected both the formal religion of the churches and the Deistic philosophy. Emerson and other Transcendentalists believed that there should be an emotional communication between an individual soul and the universal ―over-soul,‖ since the over-soul is an all-pervading power from which all things come from and of which all are a part. Emerson is affirmative about man’s intuitive knowledge, with which a man can trust himself to decide what is right and to act accordingly. The ideal individual should be a self-reliant man.. he means to convince people that the possibilities for man to develop and improve himself are infinite. Emerson’s nature is emblematic of the spiritual world, alive with God’s overwhelming presence; hence, it exercises a healthy and restorative influence on human mind. ―God back to nature, sink yourself back into its influence and you’ll become spiritually whole again.‖ By employing nature as a big symbol of the Spirit, or God, or the over-soul. Emerson has brought the Puritan Legacy of symbolism to its perfection. 7.《小伙子布朗》中的寓言和象征In ―Young Goodman Brown,‖ Hawthorne set out to prove that everyone possesses some evil secret. The story illustrates Hawthorne's allegorical theme of human evil. In the manner of its concern with guilt and evil，it exemplifies what Milville called the" power of blackness" in Hawthorne's work. In "Young Goodman Brown，" he sets out to prove that everyone possesses some evil secret. "Evil is thenature of mankind." Its hero，a naive young man who accepts both society in general and his fellow men as individuals worth his regard，is confronted with the vision of human evil in one terrible night，and becomes thereafter distrustful and doubtful.Allegorically，our protagonist，becomes an Everyman named Brown，a "young man" who will be aged in one night by an adventure that makes everyone in this world a fallen idol.However, The story is manipulated in such a way that we as readers feel that Hawthorne poses the question of Good and Evil in man but withholds his answer，and he does not permit himself to determine whether the events of the night of trial are real or the mere figment of a dream.8.霍桑的清教思想和他人性本恶的观点As we can see, Hawthorne’s literary world turns out to be a most disturbed, tormented and problematical one possible to imagine. This has much to do with his ―black‖ vision of life and human beings. According to Hawthorne, ―There is evil in every human heart, which may remain latent, perhaps, through the whole life; but circumstances may rouse it to activity. One source of evil that Hawthorne is concerned most is overreaching intellect, which usually refers to someone who is too proud, too sure of himself. He believed that ―the wrong doing of one generation lives into the successive ones,‖ and often wondered if he might have inherited some of their guilt. This sensibility led to his understanding of evil being at the very core of human life., which is typical of the Calvinistic belief that human beings are basically depraved and corrupted, hence, they should obey God to atone for their sins.9.麦尔维尔长篇小说《白鲸》的象征意义Moby-Dick is not merely a whaling tale or sea adventure，it is also a symbolic voyage of the mind in quest of the truth and knowledge of the universe，a spiritual exploration into man's deep reality and psychology.Like Hawthorne，Melville is a master of allegory and symbolism. He uses allegory and symbolism in Moby-Dick to present its mighty theme. Instead of putting the battle between Ahab and the big whale into simple statements，he used symbols，that is，objects or persons who represent something else. Different people on board the ship are representations of different ideas and different social and ethnic groups；facts become symbols and incidents acquire universal meanings；the Pequod is the microcosm of human society and the voyage becomes a search for truth. The white whale，Moby Dick，symbolizes nature for Melville，for it is complex，unfathomable，malignant，and beautiful as well. For the character Ahab，however，the whale represents only evil. Moby Dick is like a wall，hiding some unknown，mysterious things behind. Ahab wills the whole crew on the Pequod to join him in the pursuit of the big whale so as to pierce the wall，to root out the evil，but only to be destroyed by evil，in this case，by his own consuming desire，his madness. For the author，as well as for the reader and Ishmael，the narrator，Moby Dick is still a mystery，an ultimate mystery of the universe，inscrutable and ambivalent，and the voyage of the mind will forever remain a search，not a discovery，of the truth.10.惠特曼《草叶集》的结构(自由诗)、主题、语言特色1. The themes in Whitman's poetry：His poetry is filled with optimistic expectation and enthusiasm about new things and new epoch. Whitman believed that poetry could play a vita1 part in the process of creating a new nation. It could enab1e Americans to celebrate their release from the Old World and the colonia1 rule. And it could also help them understand their new status and to define themse1ves in the new wor1d of possibi1ities. Hence，the abundance of themes in his poetry voices freshness. He shows concern for the whole hard-working people and the burgeoning life of cities. Pursuit of love and happiness is approved of repeatedly and affectionately in his lines. Sexual 1ove，a rather taboo topic of the time，is displayed candidly as something adorable. The individual person and his desires must be respected.2.Leaves of GrassWalt Whitman is a poet with a strong sense of mission，having devoted all his life to the creation of the "single" poem，Leaves of Grass.（1）the title ：It is significant that Whitman entitled his book Leaves of Grass . He said that where there is earth，where there is water，there is grass. Grass，the most common thing with the greatest vitality，is an image of the poet himself，a symbol of the then rising American nation and an embodiment of his ideals about democracy and freedom.（a）theme：In this giant work，openness，freedom，and above all，individua1ism（the belief that the rights and freedom of individual people are most important）are all that concerned him. Whitman brings the hard-working farmers and laborers into American literature ，attack the slavery system and racial discrimination. In this book he also extols nature，democracy，labor and creation ，and sings of man's dignity and equality，and of the brightest future of mankind . Most of the poems in Leaves of Grass sing of the "en-masse" and the self as well.（b）the poet's essentia1 purposeHis aim was nothing less than to express some new poetica1 feelings and to initiate a poetic tradition in which difference shou1d be recognized. The genuine participation of a poet in a common cultural effort was，according to Whitman，to behave as a supreme individualist；however，the poet's essentia1 purpose was to identify his ego with the world，and more specifically with the democratic "en-masse" of America，which is established in the opening lines of "Song of Myself".3.Whitman's poetic style and languageTo dramatize the nature of these new poetical fee1ings，Whitman employed brand-new means in his poetry，which would first be discerned in his style and language.（1）Whitman's poetic style is marked，first of a1l，by the use of the poetic "I." Whitman becomes all those people in his poems and yet still remains "Walt Whitman"，hence a discovery of the self in the other with such an identification. Insuch a manner，Whitman invites his readers to participate in the process of sympathetic identification.（3）Whitman is conversational and casual，in the fluid，expansive，and unstructured style of talking. However，there is a strong sense of the poems being rhythmical. The reader can feel the rhythm of Whitman's thought and cadences of his feeling. Parallelism and phonetic recurrence at the beginning of the lines also contribute to the musicality of his poems.（4）Whitman's languageContrary to the rhetoric of traditional poetry，Whitman's is relatively simple and even rather crude. Most of the pictures he painted with words are honest，undistorted images of different aspects of America of the day. The particularity about these images is that they are unconventional in the way they break down the social division based on religion，gender，class，and race. One of the most often-used methods in Whitman's poems is to make colors and images fleet past the mind's eye of the reader. Another characteristic in Whitman's language is his strong tendency to use oral English. Whitman's vocabulary is amazing. He would use powerfu1，colorful，as well as rarely-used words，words of foreign origin and sometimes even wrong words.美国现实主义时期1.Mark Twain: Adventures of Huckleberry Finn;The Adventures of Tom Sawyer;The Celebrated Jumping Frog of Calaveras County;Innocents Abroad; The Gilded Age2.Henry James: The American; Daisy Miller;The Europeans; The Portrait of A Lady;What Maisie Knows; The Wings of the Dove;The Ambassadors; The Golden Bowl; The Art to Fiction3.Emily Dickinson:4. Theodore Dreiser: Sister Carrie; American Tragedy1.What is Realism?In art and literature, Realism refers to an attempt to describe human behavior and surroundings or to represent figures exactly as they act or appear in life. Realism emerged as a literary movement in Europe in the 1850s. In reaction to Romanticism, realistic writers should set down their observations impartially and objectively. They insisted on accurate documentation, sociological insight, and avoidance of poetic diction and idealization. The subjects were to be taken from everyday life, preferably from lower-class life. Realism entered American literature after the Civil War. William Dean Howells, Mark Twain, and Henry James were the pioneers of realism in the U.S.1.What is Naturalism? (or American Naturalism)In literature, the term refers to the theory that literary composition should aim at a detached, scientific objectivity in the treatment of natural man. The movement is an outgrowth of 19th –century scientic thought, following in general the biological determinism of Darwin’s theory, or the economic determinism of Karl Marx. American Naturalism is a more advanced stage of realism toward the close of the 19th century. The American naturalists accepted the more negative implications of Darwin’s theory and used it to account for the behavior of those characters in literary works who were conceived as more or less complex combinations of inherited attributes, their habits conditioned by social and economic forces. And consciously or unconsciously the American naturalists followed the French novelist and theorist Emile Zola's cal l that the 1iterary artist ―must operate with characters, passions, human and social data as the chemist and the physicist work on inert bodies, as the physiologist works on living bodies.‖ They chose their subjects from the lower ranks of society and portrayed the people who were demonstrably victims of society and nature. And one of the most familiar themes in American Naturalism is the theme of human ―bestiality‖, especially as an explanation of sexual desire.Artistically, naturalistic writings are usually unpo1ished in language, lacking in academic skills and unwieldly in structure. Philosophically, the naturalists believe that the real and true is always partially hidden from the eyes of the individual, or beyond his control. Devoid of rationality and caught in a process in which he is but a part, man cannot fully understand, let alone contro1, the world he lives in; hence, he is left with no freedom of choice.In a word, naturalism is evolved from realism when the author's tone in writing becomes less serious and less sympathetic but more detached, ironic and more pessimistic. It is no more than a different philosophical approach to reality, or to human existence. Notable writers of naturalistic fiction were Frank Norris, Sherwood Anderson, and Theodore Driser.2.The distinction between Realism and NaturalismNaturalism is evolved from realism when the author's tone in writing becomes less serious and less sympathetic but more detached, ironic and more pessimistic. It is no more than a different philosophical approach to reality, or to human existence.The distinction lies, first of all, in the fact that Realism is concerned directly with what is absorbed by the senses; Naturalism, a term more properly applied to literature, attempts to apply scientific theories to art. Second, Naturalism differs from Realism in adding an amoral attitude to the objective presentation of life. Naturalistic writers, adopting Darwin’s biological determinism and Marx’s economic determinism, regard human behavior as controlled by instinct, emotion, or social and economic conditions, and reject free will. Third, Naturalism had an outlook often bleaker than that of Realism, and it added a dimension of predetermined fate that rendered human will ultimately powerless.3.What is (Social) Darwinism?Social Darwinism is a belief that societies and individual human beings compete in astruggle for existence in which natural selection results in ―struggle of the fittest.‖ Social Darwinists base their beliefs on theories of evolution developed by British naturalist Charles Darwin. Social Darwinists typically deny that they advocate a ―law of jungle.‖ But most propose arguments that justify imbalances of power between individuals, races, and nations because they consider some more fit to survive than others. The theory had produced a big impact on Naturalism.马克吐温1.Twain as a local coloristTwain is also known as a local colorist, who preferred to present social life through portraits of the local characters of his regions, including people living in that area, the landscape, and other peculiarities like the customs, dialects, costumes and so on. Consequently, the rich material of his boyhood experience on the Mississippi became the endless resources for his fiction, and the Mississippivalley and the West became his major theme. Unlike James and Howe1ls, Mark Twain wrote about the lower-class people, because they were the people he knew so we1l ancl their 1ife was the one he himself had lived. Moreover he successfully used local color and historical settings to i1lustrate and shed light on the contemporary societyAnother fact that made Twain unique is his magic power with language, his use of vernacular. His words are col1oquial, concrete and direct in effect, and his sentence structures are simp1e, even ungrammatical, which is typical of the spoken 1anguage. Mark Twain's humor is remarkable, too. It is fun to read Twain to begin with, for most of his works tend to be funny, containing some practical jokes, comic details, witty remarks, etc., and some of them are actually tall ta1es.(2) The novel’s theme, characterization of ―Huck‖ and the novel’s social significance: Theme: The novel is a vindication of what Mark Twain called ― the damned human race.‖ That is the theme of man’s inhumani ty to man---of human cruelty, hypocrisies, dishonesties, and moral corruptions. Mark Twain’s thematic contrasts between innocence and experience, nature and culture, wilderness and civilization. Adventures of Huckleberry Finn is best known for Mark Twain’s wonderful characterization of ―Huck,‖ a typical American boy whom its creator described as a boy with ―a sound heart and a deformed conscience,‖ and remarkable for the raft’s journey down the Mississippi river, which Twain used both realistically and symbolically to shape his book into an organic whole.Through the eyes of Huck, the innocent and reluctant rebel, we see the pre-Civil War American society fully exposed and at the same time we are deeply impressed by Mark Twain’s thematic contrasts between i nnocence and experience, nature and culture, wilderness and civilization.黛西米勒的主题和主要人物的性格分析1.The theme of the novelDaisy Miller is one of James’s early works that dealt with the international theme, i.e.,to set against a large international background, usual1y between Europe and America, and centered on the confrontation of the two different cu1tures with two different groups of peop1e representing two different value systems: American innocence in contact and contrast with European decadence and the moral and psychological complications arising therefrom.2.Characterization of Daisy MillerIn this novel, the ―Americanness ‖in Daisy is revealed by her relatively unreserved manners. Daisy Miller, a typical young American girl who goes to Europe and affronts her destiny. The unsophisticated girl is cruelly wronged because of the confrontation between the two value systems. Miller has ever since become the American Girl in Europe, a celebrated cultural type who embodies the spirit of the New World. However, innocence, the keynote of her character, turns out to be an admiring but a dangerous quality and her defiance of social taboos in the Old World finally brings her to a disaster in the clash between two different cultures. In this novel James’s sympathy for Daisy could be easily felt when we think of a tender flower crushed by the harsh winter in Rome.3.The content of this selection: Daisy has just arrived at Switzerland with her family and meets Winterborne for the first time. Two days later Daisy goes alone with Winterborne on an excursion to an old castle, which is soon in the air among theby its narration from the point of view of the American youth Winterborne狄金森诗歌的主题结构及艺术特色The thematic concerns and the original artistic features of Dickinson's poetry: 1．Themes: Dicksinson’s poems are usually based on her own experiences, her sorrows and joys. But within her litlle lyrics Dickinson addresses those issues that concern the whole human beings, which include religion, death, immortality, love, and nature.2．Artistic features: Her poetry is unique and unconventional in its own way. Her poems have no titles, hence are always quoted by their first lines. In her poetry there is a particular stress pattern, in which dashes are used as a musica1 device to create cadence and capital letters as a means of emphasis. Most of her poems borrow the repeated four-line, rhymed stanzas of traditional Christian hymns, with two lines of four-beat meter alternating with two lines of three-beat meter. A master of imagery that makes the spiritual materialize in surprising ways, Dickinson managed manifold variations within her simple form: She used imperfect rhymes, subtle breaks of rhythm, and idiosyncratic syntax and punctuation to create fascinating word puzzles, which have produced greatly divergent interpretations over the years. Dickinson’s irregular or sometimes inverted sentence structure also confuses readers. However, her poetic idiom is noted for its laconic brevity, directness and plainness. Her poems are usually short, rarely more than twenty lines, and many of them are centered on a single image or symbo1 and focused on one subject matter. Due to her deliberate sec1usion, her poems tend to be very personal and meditative. She frequently uses personae to render the tone more familiar to the reader, and personification to vivifysome abstract ideas. Dickinson's poetry, despite its ostensible formal simplicity, is remarkable for its variety, subtlety and richness; and her limited private world has never confined the limitless power of her creativity and imagination.美国现代时期1.Ezra Pound: The Cantos; In a Station of the Metro.2.Robert Lee Frost: The Road Not Taken; Stopping by Woods on aSnowy Evening3.Eugene O’Neill: Beyond the Horizon; The Emperor Jones; The HairyApe;All God’s Chillun Got Wings; Desire under the Elms;Anna Christie; The Great God Brown; Lazarus Laughed;Strange Interlude; The Iceman Cometh;Long Day’s Journey Into Night.4. F Scott Fitzgerald: This Side of Paradise; The Beautiful andDamned;The Great Gatsby; Tender is the Night;Flappers and Philosophers; Tales of the Jazz Age;All the Sad Young Men; Taps at Reveille;Babylon Revisited.5.Ernest Hemingway: In Our Time; The Sun Also Rises;A farewell to Arms; For Whom the BellTolls;The Old Man and the Sea; Men Without Women.6.William Faulkner: The Sound and the Fury; Light in August;Absalom, Absalom; Go Down, Moses;A Rose for Emily.1）The Imagist Movement and the artistic characteristics of imagist poems：Led by the American poet Ezra Pound，Imagist Movement is a poetic movement that flourished in the U.S. and England between 1909-1917. It advances modernism in arts which concentrates on reforming the medium of poetry as opposed to Romanticism，especially Tennyson's worldliness and high-flown language in poetry. Pound endorsed three main principles as guidelines for Imagism，including direct treatment of poetic subjects，elimination of merely ornamental or superfluous words，and rhythmical composition should be composed with the phrasing of music，not a metronome. The primary Imagist objective is to avoid rhetoric and moralizing，to stick closely to the object or experience being described，and to move from explicit generalization. The leading poets are Ezra Pound，Wallace Stevens，wrence，etc.The characteristic products of the movement are more easily recognized than its theories defined；they tend to be short，composed of short lines of musical cadence rather than metrical regularity，to avoid abstraction，and to treat the imagewith a hard，clear precision rather than with overt symbolic intent. The influence of Japanese forms，tanka and haiku，is obvious in many. Most of the imagist poets wrote in free verse and they like to emply common speech. They stressed the freedom in the choice of subject matter and form.2）The Lost GenerationIt refers to，in general，the post-World WarⅠgeneration，but specifically a group of expatriate disillusioned intellectuals and artists，who experimented on new modes of thought and expression by rebelling against former ideals and values and replacing them only by despair or a cynical hedonism. The remark of Gertrude Stein，"You are all a lost generation，"addressed to Hemingway，was used as an epigraph to the latter's novel The Sun Also Rises，which brilliantly describes those expatriates who had cut themselves off from their past in America in order to create new types of writing. The generation was "lost" in the sense that its inherited values were no longer relevant in the postwar world and because of its spiritual alienation from a U.S. that seemed to its members to be hopelessly provincial，materialistic，and emotional barren. The term embraces Hemingway，F. Scott Fitzgerald，Ezra Pound，E.E.Cummings，and many other writers who made Paris the center of their literary activities in the 1920s.3）What is Expressionism？Expressionism is used to describe the works of art and literature in which the representation of reality is distorted to communicate an inner vision，transforming nature rather than imitating it. In literature it is often considered a revolt against realism and naturalism，a seeking to achieve a psychological or spiritual reality rather than to record external events.In drama，the expressionist work was characterized by a bizarre distortion of reality. writers's concern was with general truths rather than with particular situations，hence they explored in their plays the predicaments of representative symbolic types rather than of fully developed individualized characters. Emphasis was laid not on the outer world，which is merely sketched in and barely defined in place or time，but on the internal，on an individual's mental state；hence the imitation of life is replaced in Expressionist drama by the ecstatic evocation of states of mind. In America，Eugene O'Neille's Emperor Jones，The Hairy Ape，etc. are typical plays that employ Expressionism4）The concept of "wasteland" in relation to the works of those writers in the twentieth-century American literatureThe Waste Land is a poem written by T.S.Eliot on the theme of the sterility and chaos of the contemporary world. This most widely known expression of the despair of the post-War era has appeared over and again in the works of those writers in the twentieth-century American literature. Fitzgerald sought to portray a spiritual wasteland of the Jazz Age. Beneath the masks of relaxation and joviality，there was only sterility，meaninglessness and futility amid the grandeur and extravagance，。
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C.威廉莎士比亚《威尼斯商人》《哈姆雷特》《暴风雨》十四行诗F.约翰弥尔顿《利西达斯》《失乐园》《复乐园》《力士参孙》C.丹尼尔笛福《鲁滨逊漂流记》D.乔纳森斯威夫特《格列佛游记》E.亨利菲尔丁《汤姆琼斯》A.威廉布莱克B.威廉华兹华斯E.珀比雪莱G.简奥斯汀《傲慢与偏见》A.查尔斯狄更斯《雾都孤儿》B.布朗蒂姐妹《简爱》《呼啸山庄》F.托马斯哈代《德伯家的苔丝》A.萧伯纳《华伦夫人的职业》D.T.S.艾略特《荒原》E.戴维赫伯特劳伦斯《儿子与情人》C.纳撒尼尔霍桑《红字》《小伙子布朗》D.华尔特惠特曼《草叶集》E.赫尔曼麦尔维尔《白鲸》A.马克吐温《哈克贝里费恩》B.亨利詹姆斯《黛西米勒》C.艾米莉狄金森D.西奥多德莱塞《嘉丽妹妹》B.罗伯特弗洛斯特《摘苹果后》《未选择的路》《雪夜停马在林边》D.司各特菲兹杰拉德《了不起的盖茨比》E.欧内斯特海明威《在我们的时代里》网格本下载地址《外国文学名著丛书》上海译文出版社/topics/2749655/目录:【外国文学名著丛书】·网格本【外国文学名著丛书】·网格本\【外国文学名著丛书】亨利四世(上册)[德]亨利希·曼董问樵.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】亨利四世(下册)[德]亨利希·曼董问樵.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】亨利四世(中册)[德]亨利希·曼董问樵.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】呼啸山庄[英]艾米莉·勃朗特方平.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】红与黑[法]司汤达郝运.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】红字[美]霍桑侍桁等.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】斯巴达克思.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】死魂灵[俄]果戈理满涛等.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】谁在俄罗斯能过好日子[俄]涅克拉索夫飞白.pdf 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【外国文学名著丛书】·网格本\【外国文学名著丛书】巴塞特郡纪事(一)：巴彻斯特养老院[英]特罗洛普主万.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】巴塞特郡纪事(二)：巴彻斯特大教堂[英]特罗洛普主万.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】白鲸[美]赫尔曼·麦尔维尔曹庸.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】艾菲·布里斯特[德]冯塔纳韩世钟.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】阿拉伯古代诗选[阿拉伯]仲跻昆.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】阿马鲁神父的罪恶-宗教生活写实[葡萄牙]艾萨·德·克罗兹.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】前夜父与子[俄]屠格涅夫丽尼、巴金.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】蔷薇园[波斯]萨迪水建馥.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】最后的莫希干人[美]库柏宋兆霖.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】罪与罚[俄]陀斯妥耶夫斯基岳麟.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】万叶集选[日]李芒.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】瓦尔登湖[美]梭罗徐迟.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】忏悔录(一)[法]卢梭黎星.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】忏悔录(二)[法]卢梭范希衡.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】当代英雄[俄]莱蒙托夫草婴(单).pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】德伯家的苔丝[英]托马斯_哈代张谷若.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】德国诗选[德]钱春绮.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】中短篇小说选[俄]列·托尔斯泰草婴.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】中短篇小说选[德]托马斯·曼钱鸿嘉.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】中洛辛郡的心脏[英]司各特章益.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】一位女士的画像[美]亨利·詹姆斯项星耀.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】一生漂亮朋友[法]莫泊桑盛澄华等.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】伊索寓言[古希腊]伊索罗念生等.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】耶路撒冷的解放[意]塔索王永年.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】二叶亭四迷小说集[日]巩长金等.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】多情客游记[英]劳伦斯·斯特恩石永礼.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】恶之花_巴黎的忧郁[法]波德莱尔钱春绮.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】董贝父子[英]狄更斯祝庆英.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】都德小说选.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】复活[俄]列夫·托尔斯泰草婴.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】戈拉[印度]泰戈尔刘寿康(文库).pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】格列佛游记[英]斯威夫特张健(古典网格).pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】格列佛游记[英]斯威夫特张健(第二版).pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】格林童话全集[德]魏以新人文.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】福尔赛世家(第二部)骑虎[英]高尔斯华绥周煦良.pdf 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【外国文学名著丛书】·网格本\【外国文学名著丛书】傀儡(上册)[波兰]普鲁斯庄瑞源.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】傀儡(下册)[波兰]普鲁斯庄瑞源.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】克雷洛夫寓言集[俄]克雷洛夫辛未艾.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】卡勒瓦拉(上下)[芬兰]孙用.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】坎特伯雷故事[英]杰弗雷·乔叟方重.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】农民[法]巴尔扎克陈占元.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】彭斯诗选[英]彭斯王佐良.pdf【外国文学名著丛书】·网格本\【外国文学名著丛书】欧也妮·葛朗台高老头[法]巴尔扎克傅雷.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】欧·亨利短篇小说选[美]欧·亨利王仲年.pdf。