英语跨文化交际小论文——电影《撞车》
《撞车》中美国多元文化主义的分析
最新英语专业全英原创毕业论文，都是近期写作浅析英诗翻译的原则和方法——丁尼生《鹰》的不同译文比较从功能翻译论的角度探讨品牌名称的翻译目的论视角下新闻标题汉译英研究论商务英语信函写作的语篇衔接与连贯追求自然和谐的童真理想—解析凯瑟琳•曼斯菲尔德短篇小说中的儿童形象从《京华烟云》探析林语堂的女性观《威尼斯商人》中的种族及宗教冲突《德伯家的苔丝》苔丝和《红字》海斯特的悲剧命运的比较Nonverbal Communication Used in Different English Teaching Stages汉英招呼语的对比研究An Analysis of Translation Strategies on Chinese Catchwords论《瓦尔登湖》的生态伦理意蕴性格差异对中学英语教学的影响弗吉尼亚•伍尔夫《达洛维夫人》中印象主义创作手法探讨英语委婉语及其翻译论莎士比亚十四行诗的特征非语言行为在小学外教英语教学中的运用《追风筝的人》中阿米尔的性格分析《老人与海》中的象征主义On the Translation of Chinese Classical Poetry from Aesthetic Perspective—Based on the different English versions of “Tian Jing ShaQiu Si”从"龙"一词的文化内涵看汉英文化的差异浅析英汉颜色词的文化内涵及翻译弗吉尼亚•伍尔夫《达洛卫夫人》的生态女性主义解读浅析卡夫卡小说中的荒诞意识西方饮食文化对中国饮食的影响灰姑娘文学形象在西方文化中的发展和演变研究A Brief Analysis of the Main Female Characters in Golden Notebook从功能翻译理论看记者招待会口译—以“两会”记者招待会口译为例《紫色》所体现的“黑人性”美国寻梦—凯鲁亚克小说《在路上》的主题研究英文电影题目翻译的异化与归化研究归化与异化翻译策略在英译汉语菜名中的应用商务英语合同的翻译特点及策略研究科技英语翻译中的词性转换研究中外大学校训翻译分析On Translation of Symbolism in Pop Songs with a Case Study of Hotel CaliforniaAnalysis of the Elements of Modernism of Wuthering Heights新闻标题中的对话性我对直译和意译的看法初中英语语法教学之我见《喜福会》中母爱主题的文化阐释论本杰明•富兰克林《自传》中的美国精神美国C标准对中国英语教育的影响对《儿子与情人》中女性形象的分析浅谈英汉谚语的翻译——从跨文化角度出发A study on Lin Yutang’s Translation standards：faithfulness，fluency and beauty 电影英文片名汉译的原则中式菜名的英译《海的女儿》中安徒生的悲剧情结分析The Application of Cooperative Learning in English Teaching解析《丽姬娅》中的哥特美学论企业对员工过度压力的管理What to Love and Hate －－－－on "The Adventures of Huckleberry Finn"背诵在中学英语学习中的作用《红字》的人文主义色彩隐喻在英语政治演讲辞中的认知功能—以奥巴马的竞选演讲辞为例论弗罗斯特诗歌中自然意象对意境的构建从价值观系统角度浅析中美商务谈判中的文化冲突On Alice Walker’s Womanism in The Color Purple美国俚语中所折射出的美国亚文化现象从浪漫主义角度剖析《海上钢琴师》在中国流行的原因文本分类理论与广告翻译The Analysis of the Double Character of Wuthering Heights’ Hero——Heathcliff 从产品说明书的英译错误分析探讨其翻译策略浅析美国俚语的起源《纯真年代》中社会与个人的碰撞从生态女性主义角度解读《宠儿》论“绿山墙的安妮”中女主角的成长经历Mother Tongue Influence on the Learning of a Foreign Language《天使与魔鬼》中科学与宗教关系的分析从中国传统民居乔家大院和西方哥特式教堂看中西文化差异浅析美国高等教育的创新中美企业并购中的文化整合分析汉语茶文化特色词的英译研究——以《茶经》和《续茶经》为例从《阿甘正传》看美国梦的追求和幻灭肯德基在中国的成功之道从跨文化交际看中西方时间观差异析《麦田里的守望者》主人公霍尔顿的人生选择An Imitation of the Primitive Society: Evil of Human Nature in Lord of the Flies外贸英语函电的文体特征及翻译对策《日用家当》中的黑人文化意象分析从生态女性主义视角解读《喜福会》通过语境与潜台词解析情景喜剧的幽默——以《老友记》为例论《失乐园》中撒旦形象的矛盾性英语动物习语的研究及翻译网络英语对汉语词汇的影响研究平衡的维系——《天钧》中的道家思想浅析“以学生为中心”的大学英语教学模式An Analysis of The Woman Warrior from the Perspective of Construction of Discrete Identity in Chinese American Community人文主义思想在《皆大欢喜》中的运用The English Translating of Chinese Neologisms in Political Documentation: Methods and Strategies从《蜘蛛侠》系列看美国的英雄主义An Analysis o f Gothic Features in Poe’s The Cask of Amontillado浅谈大学英语教育的文化融入影视英文在初中口语教学中的运用性研究狄金森、席慕蓉爱情诗中隐喻现象对比研究Error Analysis on English Writing by Senior High School Students论杰里米·边沁的功利主义浅析跨文化交际中的中英社交称谓浅析英语原版影视欣赏和英语学习广告翻译策略初探Analysis of the Character of Elizabeth Bennet in Pride and Prejudice从《纯真年代》的女性角色看旧纽约的女性地位浅析《嘉莉妹妹》中的新女性形象文化视角下的中西方时间观对比研究析《麦田里的守望者》霍尔顿•考尔菲德的性格特征A Study of Cultural Presupposition in Idioms《纯真年代》中的女性主义对比评析《了不起的盖茨比》中尼克和盖茨比的梦想从“狗”和“龙”的谚语看中西方文化差异《夜访吸血鬼》中克劳迪娅这一人物的悲剧命运分析从美学角度分析英文电影《阿凡达》的汉语翻译跨文化交际中的中西方时间观念流行语的翻译体态语和跨文化交际—体态语在国际商务中的重要作用从模糊性看古典诗词英译青少年英语口语教学中的焦虑与对策英语阅读理解中的若干信息处理手段Analysis of the Subtitle of White Collar under SkopostheorieA Tragedy of Ambition on MacbethAn Analysis of the D Film Alice in Wonderland from the Perspective of Gothicism网络环境下小组合作学习模式研究欧•亨利短篇小说中的美式幽默风格的翻译Americans’ Understanding of Chinese Culture as Viewed from Two Movies Mulan and Kung Fu Panda文化差异对商标翻译的影响及翻译策略《威尼斯商人》中的关键社会元素——莎士比亚心中的乌托邦社会成人第二语言习得中的石化现象浅析奥斯卡王尔德童话作品中的唯美主义思想从文化的角度审视中西习语的来源美国价值观在电影《当幸福来敲门》中的体现关注耐心教育——浅谈《差不多是大人的人》中黑孩子的叛逆心理Comparative Study of Metaphor in English and Chinese Animal Words从《汤姆叔叔的小屋》看斯托夫人的宗教矛盾心理On the Narrative Arts of Hemingway's Short Stories－－－－A Case Study of"A Clean Well-lighted Place"论委婉语与国际商务谈判英汉动物词汇文化内涵对比由《麦琪的礼物》看欧亨利写作特色《非洲的青山》与《乞力马扎罗山的雪》中描写非洲形象的改变论中西方思维方式的差异An Analysis of the Distorted Male and Female Relationships in Sons and LoversWhen Chinese Tradition Meets Western Culture: Comparison between Qi Xi and Valentine’s Day 《厄舍古屋的倒塌》中哥特式文学特点分析试究中国古诗词英译中的常用技巧—以《发如雪》为例名词化隐喻在外贸函电中的功能分析孤独的神秘与永恒的自由追求——解读《法国中尉的女人》论莱辛作品《又来了，爱情》中妇女失爱的原因An Analysis of Mulan's Character in Moment in PekingA New View of Feminism in The Mill on the Floss River《老人与海》中马洛林形象的不可或缺性Gone with the Wind: From Novel to Film《我的安东妮亚》中安东妮亚的成长中外英语教师的优劣势比较：从中学生视角《乱世佳人》主人公斯嘉丽形象浅析从翻译美学角度谈汽车商标词的汉译中西方聚会文化差异比较研究人性的救赎——从电影《辛德勒的名单》看美国英雄主义的新侧面从希斯克利夫的悲剧人生看“如何被逼出邪恶的人性”吸血鬼传说对英国文化的影响初中英语教材知识体系建构的研究华兹华斯和弗罗斯特自然观的比较传统道德与时代新意识之战―论林语堂在《京华烟云》中的婚恋观探究《紫色》中的妇女主义者形象从精神分析和人格面具理论看“我”和吕蓓卡的对立统一性格决定命运－－－－浅谈《老人与海》桑提亚哥性格特点从语域和博客语篇角度解读博客传播英文商务索赔信的人际意义功能分析The Symbolic Meanings of Colors in Chinese and Western Cultures合作学习在初中英语写作教学中应用的可行性研究《杀死一只反舌鸟》文本和电影的比较研究非言语交际及其在二语教学中的运用交替传译中的记忆机制及记忆训练研究Study of Themes of George Bernard Shaw’s Social Problem P lays中西亲子关系对比性研究英文电影欣赏与大学生跨文化交际能力的培养——xx学院案例从语域角度分析《瓶中信》中书信的语言特色中英广告宣传方式的比较研究对《雾季的末日》主题的解读商务英语和普通英语对比浅析从翻译等值理论看文化词的翻译英汉语言与文化差异对广告翻译的影响从合作原则看英语广告中模糊语言的运用及解读The Analysis of Narrative Techniques in William Faulkner’s “A Rose for Emily”从现代主义角度分析《月亮和六便士》从文化角度浅析新闻英语的翻译目的论在英语儿歌翻译中的应用《威尼斯商人》中的人物夏洛克性格分析文化杂糅背景下的身份诉求——解读奈保尔的《半生》加拿大女性主义翻译理论威廉福克纳的女性观—《喧哗与骚动》女性性格分析从奥巴马演讲的不同译文看语域理论在翻译中的应用《喜福会》中的女性身份重建从《胎记》看霍桑对科学的态度从《盲人》中的“血性意识”看劳伦斯的文明观绝望而不言败的抗争——塞林格的《麦田守望者》《撞车》中美国多元文化主义的分析中美教育的比较及对比The Developments of Marriage View over Three Periods in the West分析《天使，望故乡》的精神主题。
撞车Crash电影英文评论
Crash（撞车）The movie “Crash”mainly tells us several stories occurred in Los Angeles among some leading roles participating in an car crash about the topic of racial discrimination. （1主题）It is a film linked with the backgrounds of the Los Angeles’s culture closely. As is known to all, Los Angeles is covered with immigrants from various countries. Different cultures bump into each other and this may make big influence on our daily life. （2电影的文化背景）So in this movie, we can see that it seems that there are no links among the leading roles but in fact, they can make impacts on each other accidentally but profoundly（深刻地）. There are many conflicts between the black and the white, or even the Asian people. The next, I will introduce this movie from three main relationship lines.（3简要介绍）Now let’s begin from the couple of district attorney[ə'tɝni]（地方检察官).Before the white couple went back home, they had a gun in their faces by two black young guys and their car was robbed. After back home, the wife could not bear that a Mexican man who is black was fixing their lock and required all the locks changed. What’s more, she thought ridiculously that the man would sell their key to one of his gangbanger friends（罪犯朋友）. Whereas her husband tried his best to respect the black in order to get support for his vote from the color, so he got angry about his wife’s attitude. Several hours later, when the wife fell down from steps, only her maid(女仆）came to help her. The maid is also of color like the Mexican man. What an absurd(荒谬的）story! Now let’s talk about the Mexican man’s following story. The Mexican man fixed the lock of a Chilean (智利的）man’s shop, and pointed out that the wrong part was the door, but the Chilean man thought he cheated him for money, so he refused to pay for that. The second day, the shop was robbed.The owner thought it was the Mexican man that had done it , so he found him and shot at him. At the same time ,the Mexican man’s daughter hugged her father but nowhere got hurtəsli](奇迹般地).Then, we will talk about another typical plot which is about two white cops,A and B. The white cop A’s father got a kind of bad disease and could not sleep, but the black woman officer of HMO (Health Maintenance Organization)did not treat his father as emergency and talked to the white cop A in an unfriendly voice. After some time, the black officer still did not flick her pen to solve the cop A’s father’s problem. S o the white cop A vented （发泄）his irritation(愤怒）to the black director’s wife whose behavior might cause an accident. But the director just watched without doing anything. The wife could not understand her husband’s no care about her, and the husband thought his wife could not understand him and also she threatened his honor as a man. At the same time, the white cop B got angry about the cop A’s behaviors and even required to change the partner. However, the other day, the cop A saved the wife in an accident and the cop B saved the director in a car robbery by one of that two black young guys who had robbed the district attorney . At night, the cop B encountered(偶遇）the other black young guy and picked him up,but the cop B shot at him due to the misunderstanding. It’s a pity!The last one relationship line, let’s talk about love which was between the son and the mother, the two brothers and between the father and the daughter. In this movie, we could see Graham’s mother was always waiting for the coming back of her little son ------Graham’s brotherwho was just the killed black young guy .Graham was a black police officer, and we could notice that Graham wanted to save his brother regardless of his principles. Of course, we might shed(流出）tears when the little girl hugged his father to protect him from the gun with the love-covered cape. Though the mother did not wait back his little son who was shot by the cop B in the end and the story about the love--covered cape was a beautiful lie, it still made us feel warm because of the love.But why the white couple were chosen to be robbed? The wife’s reaction was blind fear when she saw the two black young guys. This “natural” reaction made them feel hurt, so they revenged. And this experience enhanced（加深）the wife’s hatred （憎恨）of the black apparently so she worried about his home robbed once again. Of course, all of these we re the white woman’s silly imaginations which we can directly call it prejudice or discrimination. New question may be put forward. Why did not the little girl get hurt? Because the bullets the Chilean man( 智利男人）used were blank cartridges(空包弹）which his daughter had chosen for him especially to avoid possible terrible consequences caused by his impulsion(冲动）.The two daughters were all angels to the two fathers. Maybe the Chilean man just wanted to put his emotion out, but if done, the end would be terrible and painful.Why was the director so timid (胆小的）when he saw his wife molested(被骚扰）? Just because he could not let his name in the paper which may ruin his career and he would be laughed at by his colleagues as he is black.The gap[ɡæp]between the black and the white has not disappeared with the abolishment ofthe slavery. They misunderstand each other when they first meet owing to the fear to the unknown or unfamiliar things and the sense of pride to themselves. With the integration (交融）of their culture, maybe they could get along very well, but it needs time and getting more touch with each other.Crash tells us some ordinary people’s stories. In this movie, many plots connote[kə'not](影射) racial discrimination. However, the racial discrimination not only happens between the white and the black but also exists in other people of color like Mexicans, Chinese, Arabians[ə'reɪbɪən]and so on. The white try their best to play the role of respecting the people of color, but in their heart, they discriminate against the people of color. The black suffer the discrimination from the white while they look down upon other people of color. The stories are all in crash. All the stories are contacting each other . One story may be the cause of another story,and another story may be the third story’s cause and so on. The director Paul Haggis did not describe these plots with theeducation tone,but every plot is thought provoking[prə'vokɪŋ](引人深思的）. America is aparadise because it is the unique place where people are born equal and have rights. Unfortunately, the fact is not as people expect. W hat’s more, discrimination is almost common. This movie reflects this phenomenon.Actually, crash never stops and discrimination still exists too. But as a member on the earth,we are the same. Everyone should try to forgive others and admonish(提醒）ourselves toavoid making prejudices. Love can reduce this kind of discrimination and make society more harmonious no matter in America or in other countries.。
英语影评——撞车(crash)
院系专业：化学化工与材料科学学院化学系年级：09 学号：200901010101 姓名：金晨Set in modern day Los Angeles, the Oscar-winning movie Crash attempts to unabashedly expose racial prejudice in this country through the depiction of numerous characters of different cultural backgrounds whose lives intertwine in multiple crisis situations. The large, impressive cast includes the following characters: two young, black male criminals, a Latino locksmith and his young daughter, an Iranian convenience store owner and his grown doctor-daughter, two white, male police officers, a black health insurance employee, a black detective and a Hispanic detective, a successful, black Hollywood director and his black wife, a middle-aged Korean couple, and a white district attorney and his white wife. Simply by reading this list it is clear to see that Crash takes on the problematic job of representing so many ethnic groups for a mere 1 hour and 47 minutes, which makes me wonder if the movie actually perpetuates stereotypes or if it challenges them. What Crash does successfully do is rouse viewers’ emotions, to the point that they feel the need to squirm uncomfortably in their seats. That in itself makes me give Crash an overall positive rating. Racial issues are complex and emotional, and bringing these issues to the forefront is (almost) always positive. While some parts of Crash seem far-fetched and are less realized, other plotlines, which left me breathless and near tears, are more successful and could probably stand alone as their own stories. Knowing that there is no possible way to acknowledge all the complexities of this movie, this review will attempt to address the most powerful, effective scenes and the messages they provide.The movie’s opening scene depicts the aftermath of a bad car accident, and this becomes a metaphor for the basic message flowing through the film. Crash suggests that we actually need each other: like car accidents, we “crash into each other just to touch each other,” states Don Cheadle’s character, a detective. But like the word “crash” suggests, the interfaces between the characters in Crash are far from loving, and infected with fear. In fact, the characters of the movie seem mostly isolated and unable to connect even with those who have the most in common with them. No one is guiltless; we are all victims and offenders of cultural bias. Yet we desire the contact of others. The movie suggests that we don’t know how to reach out to others in a healthy way.Not only do we fail to understand those around us, but another major theme of Crash is how much we lack individual self-awareness. Matt Dillon’s police officer character makes this bleak statement to a rookie cop: “Think you know who you are? You don’t have a clue.” His character is certainly one of the most intriguing in the film. He begins the story as one of the most despicable movie characters I have seen in a while; he abuses his power as a policeman and pulls over a married, black couple. He proceeds to grope the wife against the car, while seemingly taunting her husband. It is excruciating to watch, but it is this same awful man, who, later in a heart-wrenching scene, puts his own life in danger and rescues this same woman from a burning car. Perhaps it is a temporary change from bigot to savior, and he is likely surprised by what he is capable of doing for another human being. Still, for a moment of his life he is a hero. The only constant in the characters’ personalities in Crash is that they areinconsistent, and no character seems to know who he or she will be in times of tension and emotional distress. Perhaps one of the most interesting messages in the movie is the thought that in order to know ourselves, we must try to connect with those around us. We must see that we are basically the same. Otherwise, we remain lonely and ignorant as a society.The Iranian character in Crash also plays an important role in the film, one that raises many questions. Ultimately, at the end of the movie, he may be the easiest to dislike. He does evoke empathy as he faces discrimination by a gun store owner, who compares him to terrorists and calls him a “rag head,” even though he points out that he is Persian, not Arab. His frustration over not being able to adequately communicate in English also exposes the difficulties of his life in America. Of all the characters in Crash, it is most obvious that he immigrated to America and cannot successfully acculturate, and he appears completely emasculated. He reacts to tense situations (i.e. his convenience store is robbed) with so much palpable agitation and fear that a viewer can easily predict he will do something erratic and terrible. Indeed he does, by taking an “eye-for-an-eye” approach to punish t he kind and misunderstood Mexican American locksmith who he blames unfairly for the store’s robbery.The Iranian character goes so far as to dig up the locksmith’s information out of the trash, go to his house, and attempt to shoot him in his front yard, which requires forethought and planning. In the midst of this would-be murder scene, the viewer is led to believe that the locksmith’s innocent daughter will take the bullet instead. Fortunately this does not happen, as, unbeknownst to the Persian man, the gun is loaded with blanks. This is thanks to his grown daughter, who predicted that he had the capability of doing something dreadful with the gun.Out of all the irrational behavior depicted in Crash, the damage this character creates seems the worst. Although he calls the locksmith’s little girl an “angel” who saved him from doing something terrible, there appears to be few repercussions or lessons learned from his behavior. In my view, nothing spiritual occurred to keep him from killing the locksmith or the locksmith’s little girl; instead, the Iranian man’s daughter had had the wherewithal to fill the gun with blanks. It seems like he takes no personal responsibility for his actions, and is still overwhelmed with uncertainty. In the post 9-11 world, all of this is certainly intriguing to me. Is it possible that there is a more blatant bias from the creators of Crash when it comes to portraying someone of Middle Eastern heritage? I suppose one might argue that the Persian man’s grown, rational doctor-daughter is a character that allows for some balance in the portrayal of those of Middle Eastern descent; additionally, she also illustrates the potential divergence from one older generation to the next, but unfortunately her appealing character is not emphasized in the movie.Like the Persian man, Sandra Bullock’s character in Crash also turns her fear and feelings of powerlessness into anger – emotions that are so closely linked – and she finds herself utterly isolated. Her character is the wealthy wife of a district attorney, and she seems to have everything she could want. However, she acknowledges that every morning she wakes up full of rage, and does not know why. Early in the movie she is walking with her husband to their car at night and she sees two young black men and feels nervous. Her anxiety turns out to bewell-founded as the black men put a gun to her head and car jack the couple’s SUV. The scene turns the idiom that “you can’t judge a book by its cover” upside down, because the two men fit a negative stereotype, thus reinforcing the prejudices of Bullock’s character. (Interestingly, she most likely fits the two black thieves’ negative stereotype of who she is.) In the end, Bullock’s character comes to the realization that her “best friend” is actually her Hispanic maid. She has been rude to this maid, and realistically is paying the maid to take care of her, so clearly this is not a true, balanced friendship. Yet the only one to comfort Bullock’s character when she is bedridden with a broken a nkle is this unlikely maid. Bullock’s humbled character grasps the confused maid in an embrace, forcing herself to push aside her superior attitude. We need each other, Crash suggests once again.But is there hope for us as a society? No one is innocent of cultural prejudice. This a belief reiterated numerous times throughout Crash, sometimes dramatically and sometimes humorously, and almost always laced with irony. The question is: how do we work through our biases and simply get along? If the travel saint in Crash is a metaphor for the journey in life that we all take toward self-understanding, then some of us are certainly at different places along this path, but with effort are moving forward. Sadly, some of us may remain stuck, figuratively ramming our heads against walls as we are forced to interact with others who are different than we are.I believe that Crash may offer a bleak view of racial relations in our country; however, some of the last scenes show snow falling in Los Angeles, which is certainly an unusual sight. Perhaps this is intended to show some sort of cleansing, or hope, yet there is also the image of fire as a car is engulfed in flames. In our society something will always continue to burn. The illegal Thai immigrants dropped off in the middle of Chinatown at the end of Crash represent how the cycle will start once again; they will have the challenging job of acculturating into our society and others will take out their fear and anger on them. Yet this country has so many valuable things to offer to each one of us, even when it is so difficult to look beyond our differences.Crash successfully forces viewers to address their own cultural backgrounds and their experiences with those of other races. Doing this is imperative if we are to reach a peaceful existence with each other in our melting pot of a country, yet it is too easy to succumb to fear and avoid analyzing how we subsist within our world and how we relate to others. After all, when it comes to racial equality, ignorance is not bliss; it hurts all of us. Especially within a city like Los Angeles, we never know when the truth will crash into us and we will be forced to face who we are through the eyes of others, at least superficially, no matter how difficult it is to take a raw look inside and outside of ourselves.。
《crash撞车》英语影评、观后感
My View of CRASHA great film, and here are some pieces of my thought.First, racial discrimination is involved in this film. People are rated by color or their race. Some of the white are always high up in the air in a mixed and open big city such Los Angeles just like Anthony, the black burglar, once said. Yeah, this is the fact that no one can deny. But what makes this dramatic is the different idea between Anthony and the other burglar, little brother of an black detective, who doesn’t think they are treated differently. In my opinion, in order to eliminate prejudice to black people, not only white people but also the black themselves should change their attitude. Anthony didn’t agree with that so he saw race discrimination everywhere, which left him in great shadow and push him to rob the “wicked” white people. But after he saw a white policeman help a black director out of trouble, he changed his mind. He got on a bus that he would never take before and found that the white and the black could sit together peacefully. He found that the world full of sunshine and he even liberated the trafficked people. Sometimes inequality comes from outside. Sometimes it is born of our mind. This idea is not about only Anthony or racial discrimination, but is also appropriate for everyone in every situation.Secondly, the film tells us that there is only a thin line between sheep and goat. And there is no absolute good or bad person. Officer Ryan seemed to be a jerk, but the jerk helped a woman out of death. Tommy is upright, but he killed an innocent young man by accident. In addition, don’t make decisions when in bad mood. The mad Miss Jean blamed her housekeeper only to find she was the only friend whom she could rely on. The mad policeman fired on his passenger only t o find that there’s no gun in his hand. The mad Persian store owner fired on a little girl only to find he almost created a tragedy. Lara Elizabeth, the young girl in the cloak of love, is really an angel.The ending of the film is partly satisfactory and partly tragic, touching me deeply. The young girl survived while the black kid is found dead. Maybe real life is a tragicomedy just like the movie. All we can do is to believe in love and bravery, and believe that every person has a good nature.。
撞车英语电影观后感
撞车英语电影观后感英文回答：After watching the movie "Crash," I was deeply moved by its thought-provoking storyline and powerful performances. The film explores the complex and interconnected lives of a diverse group of individuals living in Los Angeles. Through a series of car accidents and incidents of racial tension, the movie delves into the underlying prejudices and stereotypes that exist in society.One aspect of the film that struck me was its portrayal of the characters' internal struggles and conflicts. Each character, regardless of their race or background, is shown to have their own biases and prejudices. For example, Officer Ryan, played by Matt Dillon, initially comes across as a racist police officer. However, as the movie progresses, we see that he is also a caring son who takes care of his sick father. This complexity in the characters makes them feel more realistic and relatable.Another theme explored in the movie is the idea that our actions have consequences. The film shows how a simple car accident can have ripple effects that impact multiple lives. For instance, when a Persian shop owner, played by Shaun Toub, believes he is being cheated by a locksmith, he takes out his frustration on an innocent Hispanic man. This chain of events leads to tragic consequences for both characters. This aspect of the film serves as a reminder that our actions, no matter how small, can have far-reaching effects on others.Furthermore, "Crash" highlights the importance of empathy and understanding in overcoming prejudice. The movie shows how the characters' lives intersect and how their biases are challenged through their interactions with one another. For example, Officer John Ryan, played by Don Cheadle, forms an unlikely bond with a young African-American man, played by Larenz Tate, after saving him from a burning car. This encounter challenges Officer Ryan's preconceived notions and forces him to confront his own biases.中文回答：看完电影《撞车》，我对它引人深思的故事情节和强大的表演深感动容。
电影《撞车》里的跨文化因素解读
电影《撞车》里的跨文化因素解读作者：唐棠来源：《青年文学家》2017年第14期摘要：影片《撞车》讲述了一系列不同族裔、不同肤色、不同背景的人们在美国这样一个移民国家的特殊环境中发生文化冲撞的故事。
电影的英文名字“Crash”实际上暗含双重含义：一连串由于真正车祸、撞车引发的故事；在撞车所引发的这些故事里不同文化背景、不同种族的人们所发生的文化身份的冲撞、误解和敌视。
美国是一座大熔炉，在这里，实现了多种文化在全球化的语境中的对话。
也同样在这里，不同肤色的人与人之间，上演着一幕幕爱恨交织的人间戏剧。
本文将从文化的矛盾冲突和人性的理解包容两个角度来欣赏这份对多文化多种族社会的艺术诠释。
关键词：多种族；文化冲突；文化理解；人性作者简介：唐棠（1979.9-），女，四川成都人，研究生，北京物资学院外国语言与文化学院副教授，主要研究方向为应用语言学、英语教学和影视文学。
[中图分类号]：J9 [文献标识码]：A[文章编号]：1002-2139（2017）-14--02一、不同色彩的恨和敌视小成本制作的电影《撞车》用一场意外的车祸把来自洛杉矶各个阶层、各个种族的人们卷入了一团错综复杂的矛盾纠葛里。
这是一个多元文化并存的社会，也是一个因为文化差异导致信任缺失的残破时代。
电影里，黑人导演的妻子被白人警官当成种族矛盾的出气筒而被无端欺负。
她怪责她的丈夫对此没有作为，在和他大吵一架之后发生了严重车祸。
当她认出那个奋不顾身钻到被撞翻的车里去救助自己的人偏偏就是那个曾经羞辱自己的白人警察时，她愤恨难耐，羞愤交加，断然拒绝了他的救助。
她被困在即将起火爆炸的车里，望向面前这个唯一能够救命的人，眼神里却充满仇怨和愤怒。
即使在命悬一线的时刻，她眼里的恨远远大于那一刻生命所面临的危险。
影片所展现的洛杉矶是一个危机重重，充满病态的社会。
在这里，黑人被看作是危险的、贫穷的、懒惰的和肮脏的。
在影片开始不久的一幕里，黑人小混混恨恨地对他的同伴说：“你看那个女招待，她看到我是一个黑人，就立刻判断出我不会给她小费；而你呢，即使你都没有开口说话，她就认定你是一个懒骨头”！影片的英文对白里出现一个词：stereotype，它的意思是“成见和模式化”。
从电影《撞车》看美国的种族问题
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浅析爱默生的《论自助》——人生自主的源泉157 从《消失的地平线》看儒家中庸之道的积极含义158 An Insight into Cause for Feminine Tragedy－－A Case Study of A Rose for Emily159 On Freudian Interpretation of Dreams In Sense and Sensibility160 (英语系经贸英语)电子商务bc运营模式——以亚马逊为例161 废墟之花－－年代摇滚乐对美国社会的意义162 论托尼莫里森《宠儿》的哥特式元素163 浅谈经济全球化背景下的商务英语164 浅析《红字》中丁梅斯代尔的挣扎165 从民族特性看中美高等教育差异166 论环境和社会制度对人的行为和品格的影响——以《雾都孤儿》中南希的形象分析为例167 书面语言输入与输出对英语词汇习得的影响168 Teleology, Religion and Contexts169 《简爱》在当代中国的现实意义——从温和的女性主义视角分析170 浅议英语广告的翻译171 福克纳短篇小说《献给爱米莉的玫瑰》叙事技巧分析172 从关联-顺应理论视角研究旅游文本英译173 缩略语在商务英语中的应用174 浅谈“白色”在英汉语言中的文化差异及其翻译策略175 从美狄亚和伊阿宋的故事探究希腊悲剧的复仇情节176 对《老人与海》中圣地亚哥的性格分析177 群体隐私和个体隐私——中美家庭中隐私观念的对比研究178 马尔克斯《霍乱时期的爱情》主人公弗洛伦蒂诺心理分析179 Exploration of Dickens’ Humanitarianism in Great Exp ectations180 《红字》中的丁梅斯代尔和齐灵渥斯谁更“恶”？181 从《瓦尔登湖》看“天人合一”与梭罗超验思想182 A Cause Analysis of Tragedies of Three Female Protagonists in Sons and Lovers183 Feminism in To the Lighthouse184 从功能对等角度看信用证英语的翻译185 汉英亲属称谓词的文化差异及翻译186187 中英礼仪文化禁忌比较与跨文化交际188 企业文化对其竞争力的影响189 论小说《哈利波特》中的魔法世界190 从引进好莱坞大片看中国意识形态转型: 从集体主义到个人主义（开题报告+论）191 从《海狼》看杰克•伦敦的女性观192 宋词英译中的归化和异化193 目的论指导下《页岩》英译汉中的词类转译现象194 功能目的论指导下的公示语英译195 浅析托尼.莫瑞森《最蓝的眼睛》中皮克拉悲剧命运的根源196 On China English as A Localized Variety of English and its Implications for ELT197 对英语政治新闻的批评性话语分析198 中美人际关系分析199 英语语言中的性别歧视200 英汉动物习语文化内涵对比研究。
《撞车》英文观后感
《撞车》英文观后感第一篇：《撞车》英文观后感《Crash》The film a lot of text description of the ethnic and cultural conflict, white to make equal respect colored attitude, but in the heart of discrimination against blacks, blacks side against white discrimination, the other side discrimination with Asians, Asians and other people of color discrimination.Tail two crash quarrel very interesting, the first crash, is an Asian traffickers and Southern Belle wife detective, two people call each other ethnic, racial discrimination against each other.Trailer car, clinic receptionist with insurance company, one black and one Asian, two people like to use each other's race for attack.This phenomenon is very funny, but also very sad.Such insults showed their confidence, their efforts to make the mainstream society.Only white is superior to mainstream, can saying hypocritically, like a philanthropists to give his equal, just meet interests, it immediately in chapter.Like the hypocrisy of the judges, under the banner of equal rights, actually doing the dirty work.Discrimination is everywhere, especially reflected in the small and vulnerable groups on the body, but the key is whether you own some discrimination is discrimination, on the surface, such as the old police discrimination against blacks, blacks on Asiansdiscrimination, but more important is the heart of unconscious discrimination, such as the last of the new the police, on the surface and the subjective against discrimination, but the heart has already accepted the discrimination against blacks.第二篇：《撞车》观后感《撞车》观后感故事开始觉得平淡无奇，但是随着故事的慢慢深入，本来毫无关系的几个人，却错综复杂的联系在了一起，故事慢慢的开始引人入胜。
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Racial Discrimination from the Crash【Abstract】As we all know that there are many differences between two different cultures. Through the film Crash, we can see the conflicts between blacks and whites. This paper will centers on the ethnic conflict in this movie.【摘要】众所周知，不同的文化之间有许多差异。
从电影《撞车》，我们可以看到白人与黑人之间发生的冲突。
本文将以电影中的种族冲突为中心点展开论述。
【Key Words】culture; difference; crash; discrimination; race【关键词】文化；差异；撞车; 歧视; 种族1.IntroductionThe movie Crash mainly tells us several stories occurred in Los Angeles among some leading roles participating in a car crash about the topic of racial discrimination. It is a film linked with the backgrounds of the Los Angeles’s culture closely. As we all know, Los Angeles is covered with immigrants from various countries. Different cultures bump into each other and this may make big influence on our daily life. There are many conflicts between the blacks and whites, or even the Asian people.2.BodyThe racial discrimination in this film is obvious. Crash is a film linked with the background of the Los Angeles’ culture. As we all know that LosAngeles is a city which covered with people from many countries. People from different countries have different culture background. This film told us several stories which happened among American, black people, Mexican and Persian. At the beginning of the film, there are two black people walking in the street. One of the black young man said,“It’s just black people demeaning other black people, using that word (negro) over and over. Have you ever heard white people calling each other “honky”all the time?”From his words, we can see he has a prejudice against white people, like the blacks are biased by the whites. As Jean (the two black men steeled her car) said,“…it was my fault because I knew it was gonna happen. But if a white person sees two black men walking towards her and she turns and walks away, she’s a racist, right?” If you know the history of America, you’ll understand why there has prejudice between American and Black people.As the action of the black youth, he was too sensitive with the world which led by the white people. He hated to be discriminated by the white people, at the same time, his self discrimination is innate. When faced with the problem of racial discrimination, we not only need to think about the discriminators, but also need to think those who were discriminated. We can’t always criticize the discriminators, because there has many social and historical reasons behind it. What’s more, how to face the reality for the people who were be discriminated is a problem can’t beignored. When the young man met the black director, the director said to him,“You should feel ashamed.”It is uttered a clear point of view, that is, people should respect themselves first and then you will gain the respect from others.The black director chose to swallow insult and humiliation silently after his wife was humiliated by the white policeman. It is illustrated that the director accepted the assimilation in the world led by the white people. He has a high social position in this world; he is the beneficiary of this world, so he obeys the rules of the game. When his wife asked him why he kept silent, his told his wife that is because the policemen have guns. But in the fact, he was not being subdued by the gun, but subdued by the psychology that he was discriminated. When he was stopped by the policemen second time, although he feared the policemen, he proceed without hesitation to get off. He vented his dissatisfaction with the long hidden depression. Finally, the young policeman helped him returned his car safely. He was not won the dignity, but the awakening of himself.3.ConclusionThe film depicts the cultural conflict and ethnic conflict. The white people want to respect colored people, but they discriminate against the blacks in their heart. The policeman said, “In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We’re always behind this mental and glass. I think we missthat touch so much, that we crash into each other, just so we can feel something.”Communication between people and people become more and more difficult. We all know that communication is important, but they didn’t know how to deal with it. And the complex society will make people can’t face the life simply. As the song in the film,“So maybe tomorrow, I’ll find my way home”, the people who “crashed” each other will find the way to home.。