美国文学简史精读笔记

美国文学简史精读笔记
美国文学简史精读笔记

美国文学简史精读笔记

The coming of Imagism

1.the first Imagisttheorist, the English writer T.E. Hulme(休姆)

Imagism (意向主义)

(1)Imagism came into being in Britain and US around 1910 as a reaction to the traditional English poetry to express the sense of fragmentation and dislocation.

(2)The Imagists, with Ezra Pound leading the way, hold that the most effective means to express these momentary impressions is through the use of one dominantimage.

(3)Imagism is characterized by the following three poetic principles: i) directtreatment of subject matter; ii) economy of expression; iii) as regards rhythm,to compose in the sequence of the musical phrase, not in the sequence ofmetronome; iv) Ezra Pound’s In a Station of the Metro isa well-known imagist poem.

the third phase ofImagism (1914-1917) :the representative: Amy Lowell——Aymgism (艾米主义);Vorticism(漩涡主义)

The influence ofancient Chinese poetry upon imagists

Ezra Pound (爱兹拉·庞德)

Cathay (1915)《中国》avolume of Chinese translation.

He blue-penciled The Waste Land《荒原》the most significant American poem of the twentieth century.Cantos 《诗章》,a mod ern epic Pound’smajor work of poetry。HughSelwyn Mauberley 《休·塞尔温·莫伯利》

In a Station of theMetro《在地铁站》

The apparition of thesefaces in the crowd; 这几张脸在人群中幻景般闪现;

Petals on a wet, blackbough. 湿漉漉的黑树枝上花瓣数点。

T.S. Eliot (T.S.艾略特)

The Love Song of J.Alfred Prufrock《杰·阿尔弗雷德·普鲁弗洛克的情歌》—started 1915—is seen as a masterpiece of the Modernistmovement,

Literary terms: soliloquy (独白)interior monologue (内心独白)dramatic monologue (戏剧独白) motif (主旨,主题)epigraph (题词)

The Waste Land

In 1922, Eliot published TheWaste Land 《荒原》in The Criterion《标准》. Which was thought as the most significant American poemof the 20th century and helped to establish a modern tradition of literaturerich with learning and allusive thought.

3) The Hollow Men《空心人》(1925)

4) Ash Wednesda y《圣灰星期三》 (1927)

5)Four Quartets《四个四重奏》(1943): Eliot regarded Four Quartets as hismasterpiece, and it is the work that led to his being awarded the Nobel Prize inLiterature (1948).

Eliot also madesignificant contributions to the field of literary criticism, stronglyinfluencing the school of New Criticism

In 1920 T.S. Eliotpublished his The Sacred Wood,《圣林》 containing his famous critical essay "Tradition and the Individual Talent",《传统与个人才能》

Wallace Stevens(华莱士史蒂文斯) (1879–1955) was an American Modernist poet

He won the Pulitzer Prize forPoetry for his Collected Poems in 1955.

William Carlos Williams wasan American poet closely associated with modernism and imagism. He was also a pediatrician and general practitioner ofmedicine with a medical degreefrom the University of Pennsylvania School of Medicine

Robert Lee Frost (罗伯特弗罗斯特)

His work frequentlyemployed settings from rural life in New England in the early twentiethcentury

Frost was honoredfrequently during his lifetime, receiving four Pulitzer Prizes for Poetry

Francis Scott Fitzgerald (F.S`·菲茨杰拉德)

The spokesman of the “roaring 20s” “the Jazz Age”

美国梦的实践者“爵士乐时代的桂冠诗人”和“喧嚣的二十年代的代言人”

In 1920 Fitzgerald’sfirst novel This Side of Paradise 《人间天堂》(1920)

second novel entitled The Beautiful and Damned《美丽的和可诅咒的》(1922)

his best novel The Great Gatsby《了不起的盖茨比》(1925)

the novel Tender is the Night《夜色温柔》 (1934).

The Last Tycoon《最后的大亨》, a novel about Hollywood and the film industry.

Fitzgerald’s books ofshort stories include Flappers andPhilosophers《时髦女和

哲学家》(1921), Tales of the Jazz Age《爵士时代的故事》 (1922), All the Sad Young Man 《一代悲哀的年轻人》(1926)

Ernest Hemingway(厄内斯特海明威)

His economicaland understated style had a strong influenceon 20th-century fiction, won the NobelPrize in Literature in 1954.

He was generallyregarded as spokesman for the Lost Generation.

The Lost Generation (迷惘的一代)

1.The Lost Generation is a term first used by GertrudeStein to describe the

post-World War I generation of American writers: men andwomen haunted by a sense of betrayal and emptiness brought about by thedestructiveness of the war.

2. Full of youthful idealism, these individuals sought themeaning of life, drank excessively, had love affairs and created some of thefinest American literature to date.

3.The three best-known representatives of Lost Generationare F. Scott Fitzgerald, Ernest Hemingway and John Dos Passos.

his first novel, TheTorrents of Spring《春湖》,but The Sun Also Rises《太阳照

常升起》(1926) about the disillusionment of the lost generation wasan immediate success. With the success of A Farewell to Arms (1929)《永别了武器》, he firmly established his reputation as agreat American writer.

The Sun Also Rises《太阳照常升起》

Hemingway employed an epigraph(题词)in the novel which had been said by Gertrude Stein to describe the expatriatesin Paris “You are a lost generation.” The novel paints the image of the lostgeneration.

A Farewell to Arms《永别了武器》

It is an anti-war novel, describing thelove between an American soldier Frederic Henry (弗瑞德里克亨利)andan English nurse Catherine.(凯瑟琳)

For Whom the Bell Tolls《丧钟为谁而鸣》

It tells of a volunteerAmerican guerrilla in the Spanish Civil War.

The Old Man and the Sea.《老人与海》It tells of a Cuban fisherman, Santiago(桑提亚哥),who catches a big fish, only to see it devoured by sharks. The novelhighlights the theme that man can be destroyed but not defeated. (你尽可以把他消灭,但就是打不败他)It is a representation of life as a struggle against unconquerable forces in which only a partialvictory is possible. This book led to Hemingway's receipt of the Novel Prizein 1954.

1)Hemingway was famousfor his novels and short stories written his spare, laconic, terse, clear,telegraph-like, yet intense prose with short sentences and very specificdetails. This style is his famous “Iceberg Theory”:(冰山理论)

Hemingway terms courageas “grace under pressure” these heroes are called Hemingway heroes or the code hero:(硬汉)

Hemingway heroes refer to some protagonists in Hemingway's works. Such a hero usually anaverage man of decidedly masculine tastes, sensitive and intelligent. Andusually he is a man of action and of few words. His such an individualist,alone even when with other people, somewhat an outsider, keeping emotions undercontrol, stoic and self-disciplined in a dreadful place where one can not gethappiness. For

Faulkner’s firstnovel Soldier’s Pay《士兵的报酬》 was accepted by the publishers in 1926.

Faulkner’s second novel Mosquitoes (1927)《蚁群》 is a satirical story about a group of southern artists andintellectuals.

The years from 1929 to1942 were a period of amazing literary output for Faulkner, such as The Sound and the Fury(1929)《喧嚣与骚动》and AsI Lay Dying (1930). 《我弥留之际》

He was awarded theNobel Prize for literature in 1950

Fifteen of his majorworks are set in Yoknapatawpha County(约克纳帕塔法县) and itsmain town, Jefferson. (杰弗逊镇)

Major works 1.The Sound and the Fury 《喧嚣与骚动》The book is divided into 4 sections, largelyreliant on Stream of Consciousness and Multiple Point of View.

Stream of Consciousness: (意识流)

Stream of Consciousness or interiormonologue, is one of the modern literary techniques. It was first used in 1922by the Irish novelist James Joyce. The modern American writer William Faulknersuccessfully advanced this technique. In the stories, action and plots are lessimportant than the reactions and inner musings of the narrators. Time sequencesare often dislocated. The reader feels himself to be a participant in thestories, rather than an observer.

Multiple Point of View(多重视角)

Faulkner was a master at presentingmultiple points of view, showing within the same story how the charactersreacted differently to the same person or the same situation. The use of thistechnique gave the story a circular form wherein one event was the center, withvarious points of view radiating from it. The multiple point of view techniquemakes the reader recognize the difficulty of arriving at a true judgment.

2. Light in August《八月之光》

3. Go Down, Moses.《去吧,摩西》

4. As I Lay Dying 《在我弥留之际》

5. Absalom, Absalom!《押沙龙,押沙龙!》

Two famous shortstories:“A Rose for Emily” 《纪念埃米莉的一朵玫瑰花》“The Bear”《熊》

Sinclair Lewis (辛克莱`刘易斯)

he became the first writer from the United Statesto be awarded the Nobel Prize in Literature

But it was not until1920 when Main Street《大街》 appeared that he established his position as a veryeffective novelist.

Lewis published Babbitt《巴比特》which is generallyregarded as his best book

His other novels :Arrowsmith (1925)《阿罗史密斯》, and Dodsworth(1929).《杜德史沃斯》

John Dos Passos (多斯·帕索斯)

major works:U.S.A 《美国》或《美利坚》

The trilogy comprises The 42nd Parallel (1930)《北纬42度》, 1919(1932), and The Big Money(1936) 《赚大钱》Dos Passos used experimental techniques in these novels:

the “Newsreels”(新闻短片), the “Biographies”(人物小传), and the“Camera Eye”(摄相机镜头)(see page 263-264) to paint a vast landscape ofAmerican culture during the first decades of the 20th century.

John Steinbeck (约翰·斯坦贝克)

Steinbeck’s literaryreputation was further built up by his next three novels: In Dubious Battle 《胜负未决》(1936), OfMice and Men(1937)《人鼠之间》about the tragic friendship of two migrantworkers, and The Grapes of Wrath(1939)《愤怒的葡萄》. His masterpiece The Grapes of Wrath wona Pulitzer Prize in 1940. In 1947, he published The Pearl. 《珍珠》

In 1962, he was awarded the Nobel Prize forliterature.

American Drama

Eugene O’Neill (尤金·奥尼尔)

EugeneO'Neill was a great American playwright and the founder of modern Americandrama. He won Nobel Prize for literature and Pulizter Prize four times inhis life.

Literaryachievements

Beyond the Horizon (1920) 《天边外》(naturalism)(自然主义)

The Emperor Jones (1920) 《琼斯王》(symbolism andexpressionism)(象征主义和表现主义)

The Hairy Ape (1922) 《毛猿》(naturalism)(自然主义) (p286)

Desire under theElms (1924) 《榆树下的欲望》 (Oedipus complex)(俄狄浦斯情结/恋母情结)

The Great God Brown (1926) 《伟大之神布朗》

The Iceman Cometh (1946)《送冰人来了》

Long Day’s Journeyinto Night (1956)《进入黑夜的漫漫旅程》(autobiographicalplay)(naturalism)(自传体戏剧自然主义) ( p287)

O’Neill was a tireless experimentalist in dramatic art. Hetook drama away from the old traditions of the last century and rooted itdeeply in life. he introduced the realistic or even the naturalistic aspect oflife into the American theater. The stylistic aspect of O’Neill’s art merits notice for itsvariety and its display of consummate craftsmanship. He borrowed freely fromthe best traditions of European

dramas be it Greek tragedies, or the realism ofIbsen, or the expressionism of Strindberg, and fused them into the organic artof his own. He borrowed freely from modern literary techniques such as thestream-of-consciousness device with the help of which he managed to reveal theemotional and psychological complexities of modern man. O’Neill’s ceaselessexperimentation enriched American drama and influenced later playwrights suchas Tennessee Williams, and Edward Albee. It is possible that he will go down inthe history of American drama as the American Shakespeare. (P288)

Tennessee Williams (田纳西·威廉斯)

The Glass Menagerie (1944) 《玻璃动物园》

A Streetcar Named Desire (1947)《欲望号街车》 , winning the first Pulitzer Prize

Other best plays are Summer and Smoke (1948)《夏日烟云》,

The Rose Tattoo (1950)《玫瑰纹身》

Cat on a Hot Tin Roof(1954)《热铁皮屋顶上的猫》. won himhis second Pulitzer Prize, dealing with sultry sex and violence in humorousterms.

Arthur Miller (亚瑟·米勒)

All My Sons(1947)《吾子吾弟》, Deathof a Salesman(1949)《推销员之死》(winningthe Pulitzer Prize), The Crucible (1953) 《严峻考验》and A View fromthe Bridge (1955)《桥头眺望》

A typical theme of Arthur Miller’s plays concerns thedilemma of modern man in relation to his family and work. What occurs often ina Miller play is that the hero finds himself under a pressure from his societyand its ethics, tries in vain to extricate himself from the physical andspiritual quandary into which he has fallen and finds release only in death, oftenin the form of actual or virtual suicide. The world is harsh. There is littleor no choice for the hero. Either he submits to the impossible demands ofsociety, or he rejects them. He dies in either case. Miller is, however, , notcompletely pessimistic. Reading his plays, one feels a faith in man and inlife, however vague it may be, though very often gloom overweight hope.(P299)

Edward Albee (爱德华·阿尔比)

The Zoo Story (1958)《动物园的故事》, The Sandbox(1959)《沙箱》, Who's Afraid of Virginia Woolf? (1962).《谁害怕弗吉尼亚·伍尔夫》

His early works reflecta mastery and Americanization of the Theatreof the Absurd.(荒诞剧)

Postmodernism(后现代主义)(P312-313)

Postmodernismrepresents a new mode of perception and a way of writing. In poetry it strivesto go against the vogue of the New Critical poem and its parent style, the HighModernism of the previous decades. It its thematic concerns, Postmodernismviews the world as one that is not to be molded, but as formless andunpredictable. Postmodernism does not endeavor to impose on life and reality,but is willing to embrace it for what it is. And it tends to use topics andsubjects of a personal, even a forbidden, nature. In its formal aspects,Postmodernism seeks for a freedom in literary expression.

Postmodernism asserts its own identify byvirtue of its negation, partial in some cases, of its inheritance.Postmodernist novel exhibits its own unique features such as metafiction, blackhumor, and forms of avantgardism.

The Beat Generation(垮掉的一代)(P362)

In the 1950s, there wasa widespread discontentment among the postwar generation, whose voice was oneof protest against all the mainstream culture that America had come torepresent. This has come to be known as the Beat Generation. The word “beat,”which Ginsberg and his friend Jack Kerouac picked up from a junkie friend oftheirs, represented a non-conformist, rebellious attitude toward conventionalvalues concerning sex, religion, the arts, and the American way of life. It wasan attitude that resulted from the feeling of depression and exhaustion and theneed to escape into an unconventional sometimes communal, mode of living.“beat” literature offered something like a fresh breath of wind both in theprose and poetry of the 1950s and 1960s. The most enduring works arerepresented by Jack Kerouac’sOn the Road杰克·克鲁亚克的《在路上》andWilliam Burroughs’s Naked Lunch威廉·巴勒斯的《裸体午餐》 in prose and Al len Ginsberg’s Howl 艾伦·金斯堡的《嚎叫》 and Lawrence Ferlinghetti’s Pictures from the Gone world劳伦斯·弗林盖特《小时的世界之画面》 in poetry.

Allen Ginsberg (艾伦·金斯堡)

The poet laureate of the Beat Generation.Thespokesman for the Beat Generation

In 1955, at the Six Gallery, he read aloud hispoem “Howl” to his friends. This night has been called “the birth trauma of theBeat Generation.”

in 1956, with the help of his friend, he published Howl and Other poems which is a consummate work of carefully wordedinvectives, a torrent of deliberate voluble curses, spearheaded against anAmerica that has destroyed “the best minds” of the postwar generation.

Howl《嚎叫》 is now regarded as the most significant long poem of thecontemporary period, ranking among others, with Whiteman’s “Song of Myself” (惠特曼的《自我之歌》)and T.S. Eliot’s The Waste Land(艾略特的《荒原》).(P370)Ginsberg’s other collections include Kaddishand Other Poems《卡迪西》, EmptyMirror《空镜》, Reality Sandwiches《现实的三明治》, White Shroud, Poems 1980-1985, 《白色尸衣,诗集1980-1985》and etc

Saul Bellow (索尔·贝娄)

Bellow was awardedthe Pulitzer Prize, the Nobel Prize for Literature

His best-known worksinclude The Adventures of Augie March《奥吉·玛琪历险记》, Hendersonthe Rain King《雨王汉德逊》 , Herzog《赫索格》, Mr.Sammler's Planet《赛姆勒先生的行星》Seize the Day《只争朝夕》,Humboldt's Gift《洪堡的礼物》 and Ravelstein《拉维尔斯坦》

《小王子英文版》精读笔记——第一章

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文献阅读(实习)笔记 主要内容:___________________________________ 阅读时间:___________________________________

(本页特意留作空白)

目录 文献1: (3) 文献2: (4) 文献3: (5) 文献4: (6) 文献5: (7) 文献6: (8) 文献7: (9) 文献8: (10) 文献9: (11) 文献10: (12) 文献11: (13) 文献12: (14) 文献13: (15) 文献14: (16) 文献15: (17) 文献16: (18) 文献17: (19) 文献18: (20) 文献19: (21) 【鼠标左键单击目录内容中任意区域,再单击右键弹出菜单,选择“更新域”,在弹出的对话框中选 择“更新整个目录”,即可自动更新目录内容及也页码】 【若还需要大批量添加文献阅读记录(超过19个),则在复制未填笔记的空白模板后连续粘贴多个。 粘贴完毕后,用鼠标选定“文献××”的数字部分,将鼠标对准数字部分,单击右键弹出菜单,选 择“选择相似文本”命令,即可完成文献阅读笔记的编号更新。若觉得此操作过于繁琐,可直接手 工更改编号。】 (上述两段说明若不需要可删除)

(注:若目录的总页数为奇数,则需要再插入一个“下一页”的分隔符,以确保打印时正文第1页的位置,若不需打印可忽略此操作)

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