威廉·卡洛斯·威廉姆斯William Carlos Williams

• Although his primary occupation was as a family doctor, Williams had a successful literary career as a poet. In addition to poetry (his main literary focus), he occasionally wrote short stories, plays, novels, essays, and translations. He practiced medicine by day and wrote at night. Early in his career, he briefly became involved in the Imagist movement through his friendships with Ezra Pound and H.D. • but soon he began to develop opinions that differed from those of his poet/friends.
Lycée Condorcet
Location ,,
Information
Type Establishe d Website secondary education 1803 Official Website
Imagism
• Imagism was a movement in early 20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language and was described as the most influential movement in English poetry since the activity of the Pre-Raphaelites. 1. The Imagists rejected the sentiment and discursiveness typical of much Romantic and Victorian poetry. This was in contrast to their contemporaries, the Georgian poets, who were by and large content to work within that tradition. Group publication of work under the Imagist name appearing between 1914 and 1917 featured writing by many of the most significant figures in modernist poetry in English, as well as a number of other modernist figures prominent in fields other than poetry. In 1911, Pound introduced two other poets to the Eiffel Tower group: his former fiancée Hilda Doolittle (who had started signing her work H.D.) and her future husband Richard Aldington. These two were interested in exploring Greek poetic models, especially Sappho, an interest that Pound shared. The compression of expression that they achieved by following the Greek example complemented the proto-Imagist interest in Japanese poetry, and, in 1912, during a meeting with them in the British Museum tea room, Pound told H.D. and Aldington that they were Imagistes and even appended the signature H.D. Imagiste to some poems they were discussing.
• In 1915 Williams also began to associate with a group of New York artists and writers known as "The Others."5 Founded by the poet Alfred Kreymborg and the artist Man Ray, this group included Walter Conrad Arensberg, Wallace Stevens, Mina Loy, Marianne Moore and Marcel Duchamp.
威廉· 卡洛斯· 威廉姆斯 （William Carlos Williams
• William Carlos Williams (September 17, 1883 – March 4, 1963) • An American poet closely associated with modernism and Imagism. He was also a pediatrician and general practitioner(全科医生)of medicine with a medical degree. • Williams "worked harder at being a writer than he did at being a physician" but excelled at both.
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• After Williams suffered a heart attack in 1948, his health began to decline, and after 1949 a series of strokes followed. Williams died on March 4, 1963 at the age of 79 at his home in Rutherford. He was buried in Hillside Cemetery in Lyndhurst, New Jersey.
• He received his primary and secondary education in Rutherford until 1897, when he was sent for two years to a school near Geneva and to the Lycée Condorcet in Paris. He attended the Horace Mann School upon his return to New York City and after having passed a special examination, he was admitted in 1902 to the medical school of the University of Pennsylvania, from which he graduated in 1906. He published his first book, Poems, in 1909.
• One of Williams's most dynamic relationships as a mentor was with fellow New Jerseyite Allen Ginsberg. Williams included several of Ginsberg's letters in Paterson, stating that one of them helped inspire the fifth section of that work. Williams also wrote the introduction to Ginsberg's important first book, Howl and Other Poems in 1956.
• In 1920, Williams was sharply criticized by many of his peers (like H.D., Pound, and Wallace Stevens) when he published one of his most experimental books, Kora in Hell: Improvisations. Pound called the work "incoherent" and H.D. thought the book was "flippant."
ቤተ መጻሕፍቲ ባይዱ
• In his later years, Williams took on the role of elder statesman and mentored and influenced younger poets. He had an especially significant influence on many of the American literary movements of the 1950s, including the Beat movement, the San Francisco Renaissance, the Black Mountain school, and the New York School.