华兹华斯诗学理论浅析

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浅析华兹华斯诗歌中的生态观

浅析华兹华斯诗歌中的生态观

浅析华兹华斯诗歌中的生态观华兹华斯是英国浪漫主义诗歌中的重要代表人物之一,他的诗歌中不仅蕴含着浪漫主义的神秘、梦幻、反叛等基本特征,还深刻关注人与自然之间的关系,具有很强的生态意识。

本文将结合华兹华斯的诗歌作品,从人与自然的关系、生命的价值、物种之间的互动等方面浅析华兹华斯诗歌中的生态观。

一、人与自然的关系华兹华斯的诗歌中常常运用人与自然的生动形象来表达生态观念。

例如在《草堂田园诗》中,用恬静的场景、真实的细节勾勒出美丽的自然画卷:丘陵之上是青山绿水,林木扶疏,青草葱茏,河水潺湲,牛羊悠闲地吃着青草。

他认为这种自然风景与人的内心情感相互联系,可以让人的心灵得到净化,达到一种美好的和谐状态。

此外,在《晚霞》中,他通过描写天空中不可复制的瑰丽夕阳,表达了自然的巨大力量,并强调了自然的壮美使人产生的宏伟感和敬畏感,这种敬畏感可以促进人类对自然的保护和爱护。

二、生命的价值华兹华斯诗歌中常常表达生命的尊严和价值,他认为每一个生命都有其存在的意义,应该被尊重和呵护,而不应该被简单地看作自然的资源。

在《斯拉夫的坟墓》中,他用坟墓的形象来表达生命之间的联系和尊重:即使死去的人也不是被遗忘和抛弃的,每一个人都深深地根植在地球上,每一个生命都有其自己的地位和尊严。

三、物种之间的互动华兹华斯在其诗歌中,还表现了物种之间紧密的相互联系和互相依存的态势,并呼吁人们保护和维护这种生态平衡。

在《风流士》中,他描绘了山渠之间的生态景观,深刻地展现了自然中不同生物之间的互动关系:颜色斑斓的蝴蝶和清新可爱的花朵相互映衬、小鸟会在树梢内安嵌窝巢、鹿和兔在险峻的山崖上互相追逐。

华兹华斯用这种细腻的描写方式来强调自然万物之间的互动关系以及不同物种之间的和谐共处。

他认为人类不应该干涉生物之间的自然关系,而应该学会在自然中适应生存。

总之,华兹华斯诗歌中充满了关于自然、生态的深刻思考,这种生态观念的体现对于当今社会具有深度的意义。

在当代社会中,人们越来越注重生态问题,重视自然环境的保护,浪漫主义的诗歌流派对于生态文化的发展提供了很好的借鉴。

浅谈华兹华斯诗歌体现的自然力量

浅谈华兹华斯诗歌体现的自然力量

浅谈华兹华斯诗歌体现的自然力量英国诗人华兹华斯是文艺复兴时期最有影响力与最有成就的诗人之一,他超越了教会和古典诗歌流派,创作了一种全新的表现手法,他的诗歌体现出自然力量深远的影响力。

华兹华斯的作品大多表现主题与自然密不可分。

从他倾注浓郁的母亲情谊中,看出他对自然的热爱;他用乡村景色描绘乡村生活的独有魅力:崇山峻岭,江河蜿蜒,栖息着许多花草;他的诗歌中也抒发出他对大自然的热爱之情,如“前往开枝散叶“和“松树对湖水",这些诗歌融合了大自然的力量,诉说了他对它带来力量伟大的依赖。

此外,华兹华斯在节日中表达了对自然力量的追求和赞赏,用更深刻的语言表达了他对大自然的热爱之情,如“夏天的阳光”和“春风日里的欢乐“等,从中可以看出他的诗歌体现了极大的自然感染力,就如一个熟悉大自然的探索者,他感受并描绘出自然的精神与力量。

总而言之,华兹华斯的诗歌体现出对自然的热爱,引领着读者深入了解大自然的力量,也带给人们更多的感动与情感。

情以理达 情见乎辞——华兹华斯的《水仙诗》赏析

情以理达 情见乎辞——华兹华斯的《水仙诗》赏析

华兹华斯是英国十九世纪著名的浪漫主义诗人,他的诗歌以情感丰富、意境深远而著称。

《水仙诗》是他的代表作之一,此诗以充满浪漫主义色彩的语言表达了诗人对自然的热爱和对人生的深刻思考,堪称是一首意境优美、深沉内涵的诗篇。

一、诗歌背景华兹华斯生活在英国北部湖区,这个地方的自然景色优美,悠闲宁静,给他提供了丰富的创作灵感。

在这种环境的熏陶下,他笔下的自然总是与人情紧密相连,充满了对生活和自然的热爱之情。

二、诗歌结构《水仙诗》共有四十四行,是一首典型的十四行诗。

抑扬格的韵律让整首诗充满了动感和张力。

诗的结构严谨,表现了诗人对情感真挚的追求。

三、诗歌分析1. 第一至第十四行描写了自然中水仙花的风姿和气质,充满了诗人对自然的赞美之情,同时也表达了他对自然的感受和体验。

2. 第十五至第二十八行从“落英”开始,诗人将目光转向人生,描述了生命的短暂和无常。

水仙花的凋零成为了诗人对生命无常的隐喻,同时也表达了对时光流逝的深切感慨。

3. 第二十九至第四十四行则表达了诗人对人生的深刻思考,他认为生命的价值不在于长短,而在于我们对生活的热爱和对美好事物的追求。

他希望人们能够珍惜自己的生命,努力追求内心的美好。

四、诗歌主题《水仙诗》描绘了水仙花的美丽和凄美,反映了诗人对自然和生命的热爱。

诗中融入了对人生短暂和无常的思考,表现了诗人对美好事物的追求和对生命的珍惜。

整首诗明快悲切,意境深远,是一首有着浓厚浪漫主义色彩的优美诗篇。

五、诗歌意义《水仙诗》以诗人的细腻感受和深刻思考,淋漓尽致地表达了他对生命的理解和对美的追求。

诗中所展现出的情感和内涵,将读者带入了一种超凡脱俗的意境中。

通过这首诗,诗人向人们传达了珍惜生命、珍惜美好的深刻寓意。

在当代社会,快节奏的生活和物质的追求往往让人迷失了对美好事物和生命本身的感悟。

《水仙诗》通过诗人的细腻描绘和深刻思考,唤起了人们对生活和自然的热爱之情,引导人们重新审视生命和内心的美好。

这首诗也提醒人们,生命虽短暂,但只要我们用心感受、用心珍惜,便能在平凡中发现美好,获得力量和启迪。

浅析华兹华斯诗歌中的生态观

浅析华兹华斯诗歌中的生态观

浅析华兹华斯诗歌中的生态观1. 引言1.1 华兹华斯及其诗歌简介华兹华斯(William Wordsworth,1770-1850)是英国浪漫主义诗人的代表人物之一,也是英国文学史上具有重要影响力的诗人之一。

他与塞缪尔·泰勒勋爵共同创立了英国浪漫主义文学。

华兹华斯的诗歌主要以自然和人类内心世界为主题,注重生活的真实与情感的表达,强调个体的独特性和心灵的纯洁性。

华兹华斯的诗歌以清新、平实、直白的语言为特点,他善于用平淡的语句表达深刻的情感,引起读者共鸣。

他的诗歌中常常描绘自然风景,表现对大自然的热爱和敬畏之情。

他也关注人类的内心世界,探讨人类与自然、人类与人类之间的关系。

华兹华斯的诗歌作品具有强烈的教育意义,引导人们反思自然与人类社会的互动关系,唤起人们对自然环境的珍惜和保护意识。

2. 正文2.1 华兹华斯诗歌中的自然描写华兹华斯在其诗歌中对自然的描写是非常细腻和精致的。

他以诗意的语言描绘了大自然的美景,展现了自然的神奇和壮丽。

在他的诗作中,常常可以看到对山川河流、花草树木、动物鸟类的生动描绘,使读者仿佛置身于大自然中。

华兹华斯笔下的自然描写带有鲜明的感情色彩,他不仅展示了大自然的美丽,更表达了对自然的热爱和敬畏。

他通过细腻的描写和深刻的感悟,传达了自然界的神秘和伟大,引发人们对自然的敬畏和尊重之情。

在他的诗歌中,自然不仅是一个静止的背景,更是一个有血有肉的生命体。

他描绘了自然界的各种生命形式之间的相互关系和相互作用,展现了自然界的复杂和多样性。

通过对自然的描写,华兹华斯让人们重新审视自然,关注自然界的美丽和奇妙之处。

华兹华斯诗歌中的自然描写丰富多彩,充满着诗意和感情。

他通过自然描写展现了自然的美丽和魅力,激发了人们对自然的热爱和敬畏之情。

华兹华斯的诗歌让我们重新认识和珍惜自然,呼吁人类与自然和谐相处,共同守护地球家园。

2.2 对自然生态的关注华兹华斯在他的诗歌中对自然生态表现出极大的关注,他深刻地感受到自然界的美丽与宏伟,并通过诗歌表达出对自然的敬畏和赞美。

浅析华兹华斯

浅析华兹华斯

浅析华兹华斯《孤独的收割者》——矛盾的孤独者《孤独的割麦女》描写了一位在农田独自劳动的爱尔兰少女的形象。

诗中的孤独感从字里行间款款流出。

诗中一开始,描写年轻姑娘一边劳动一边歌唱的情景,营造了一幅视野辽阔,色彩鲜明,层次清晰,构图和谐的图画。

画面的背景由远及近,依次呈现。

远景是高原峡谷,明丽秋空;中景是辽阔田野,微风拂拂;色彩是麦浪翻滚,金黄灿烂;近景是一个年轻健壮的姑娘,站在原野上,一边劳动,一边歌唱,她是这幅高原收割图的主体和主角。

“凄凉”一词便奠定了整首诗的感情基调。

但是诗人并不是一个纯粹的观察者。

在金黄的麦浪下,诗人浮想联翩:阿拉伯沙漠的夜莺、赫伯利群岛的杜鹃、高高的山冈一一从脑海中迸出。

在接着,诗人解释了为什么会联想到这些景象——因为她的歌声诉说着不幸的往事与战场、太习以为常的生活还有永无尽头的歌声。

整首诗无论是麦浪翻滚中孤独的收割者还是联想中的杜鹃与夜莺,字字透出诗人无法掩饰的孤独感,但这种孤独又是复杂的、矛盾的。

一.收割者的身份收割者的身份是相当复杂的。

诗中一开头”你看!那高原上年轻的姑娘,//独自一人正在田野上。

//一边收割,一边在歌唱。

//”看到这样的情景,不禁会令人怀疑,为什么会独自一人正在田野上?为什么会一边收割一边歌唱?为什么她的音调会是凄凉的?后面诗人给出了答案——不幸的往事和很久以前的战场。

联系诗人写这首诗的背景,收割者的身份牵涉到长期处于征战之中的英格兰与苏格兰两个国家、两个民族、两种文化及其历史。

英苏边界有大量的防守工事。

像写于这一时期的其他一些诗歌一样,“不幸的往事和很久以前的战场”表达了浪漫主义的一个方面: 即受伤的民族情感上升为对于民族意志的肯定。

从种族和历史上说,苏格兰人的祖先是欧洲最古老民族之一的凯尔特人。

后来受到罗马帝国与日耳曼部落的夹击,失去了统治者的优势。

诗人通过诗歌来放映人民的生活,他开头用“独自一人、凄凉”这样的词眼来表现收割者的孤独凄凉,其实是对“不幸的往事和很久以前的战场”的反对。

浅谈华兹华斯的诗歌风格

浅谈华兹华斯的诗歌风格

浅谈华兹华斯的诗歌风格华兹华斯说:诗歌应该是强烈情感的自然表达当然,这是就抒情诗歌而言。

人从自然中走出来,从其广袤无际的背景中独立出来,进而又反思之,有时仿佛他已然不是自然的造物,与他所处的世界对峙。

然而人从来不能够说,我已免除了你的手所造出的这点片段,无论他承认与否,他始终沉睡在这无限亲近之中。

人从什么时候开始了歌颂自然?只有当他仿佛感觉到自己成为这自然的肇始之音中一种不相协调的异质的基调,他才会歌颂周遭的事物。

《圣经》中的创世纪,人是神选的主宰大地之物的主人,周遭的一切都供他享用,而更早一些的相信万物有灵的自然崇拜者们会将他们的神寄托在自然风物上。

而即使像基督教这样的宗教,起初人们也并不歌颂自然,甚至,当他凝视自然并且沉醉其中时,他也许也怀着一种特殊的羞愧,因为世间万物是神的造物,而他不该沉醉其中。

只有当人学会了将自己与周遭之物相区别之后,并且克服了那种羞愧的时候,他才愉快地感到,现在他是独立于自然的美的花园之中了。

于是,他开始歌颂这自然中的风物。

只是,有时候人的元素过于丰富,当他携带着那些异质而强烈的东西奔向自然的怀抱时,自然风物却不足以承载。

只是有时候,具有良好教养的头脑,无论多么复杂的激情都已经学会了审慎和有节制,当人的元素和自然的元素的比例调和得恰到好处之时,被抛出自然花园的人又再度能够徘徊在自然的风枝露叶下,人重拾了那古老的福祉。

那时,太阳重现辉煌,星星终夜闪亮。

人终于认识到,看似异调的经验实则是同质的。

对于抒情诗歌,形式至关重要,形式是那异调的经验中,用烈火淬炼和锻造的铁链,无论多么炽烈的火焰,在这铁链的束缚下,都趋于凝练和淡泊,若非如此,人的元素和自然的元素无法没有间隙地汇合。

浅析华兹华斯诗歌的生态观

浅析华兹华斯诗歌的生态观

浅析华兹华斯诗歌的生态观
华兹华斯是19世纪末美国著名诗人,他以其诗歌生态风格而著称,其作品以自然中生活和对生育环境的关注为特点。

从表面来看,他的诗歌多么动人,似乎可以让我们感受到一种心灵的震憾。

但深层次的生态观可以更详细地浅析华兹华斯的诗歌内涵。

华兹华斯的诗歌充满生态元素,他认为一切事物都应该保持相互的平衡,环境的稳定就是社会生活的基础。

从他的哲学角度来看,人们应当对大自然充满感恩之心,要保护和维护生存环境,为更多生物提供有利条件,关注小动物甚至小植物的生存状况,使大自然和谐可持续发展。

另外,他的诗歌更为重视生物多样性。

他通过不断的艺术创作,传达给人们的信息是要我们更多地关心生物多样性,尊重各种生命形式,不要只着眼于已经有形的对象,以及本地以外的地方,要维护当地特有的自然种群,不能让入侵物种改变地理环境和生活状态。

总之,华兹华斯的诗歌代表了一种自然观念,强调关爱和维护大自然,从而保证人类良好的生活环境,创造一个和谐的社会生态。

他的诗歌也提醒了人们如何使自然得到充分的尊重,以及为保护特定的生态系统做出的努力。

论华兹华斯的“快乐”诗学及其伦理内涵

论华兹华斯的“快乐”诗学及其伦理内涵

论华兹华斯的“快乐”诗学及其伦理内涵[关键词]华兹华斯“快乐”诗学伦理内涵诗史意义[论文摘要]华兹华斯不仅是英国19世纪杰出的抒情诗人,也是有着自己独立诗歌观念的诗歌理论家。

华兹华斯主张诗歌的情感、题材、语言和创作目的都要以“快乐”为起点和终点,“快乐”成为其诗学中的核心理念,这就构筑了他独具个性与魅力的“快乐”诗学。

在这种诗学观念的指导下,华兹华斯的诗歌充满了一种崇高的与人间之爱及其独到的伦理内涵,成就了其诗歌在英国乃至世界诗歌史上的地位,并对当今世界的诗歌与文学创作都具有重要的启示意义。

威廉·华兹华斯(WilliamWordsworth,1770—1850)是横跨两个世纪的英国大诗人,其诗歌和诗学理论是国内外学术界普遍关注的一个热点。

从目前的研究现状来看,在研究对象方面,“已有的研究涵盖了他的自然观、社会观、民主观、主题性复归、时间性修饰、意象意境、诗歌语言、诗歌题材等众多领域”…;在方法论方面,已经有心研究、新学主义批评、文本批评、性别批评、西方马克思主义批评、解构主义批评,这说明国内外的华兹华斯诗歌研究成果颇为丰硕。

然而,我们深以为憾的是,人们忽略了华兹华斯对“快乐”的理解与阐释,以及其背后丰厚的诗学意义和伦理价值。

而从华兹华斯的诗学理论和诗歌艺术综合来考察,“快乐”无疑是其基本要素之一;无论从其诗学观念还是诗歌艺术实践来看,它都有着潜在的深层内涵,并且维系着其内在的统一性和逻辑性。

可以这样说,华兹华斯的“快乐”诗学,在当时英国的历史文化语境下对诗学理论起着拓展作用,对当今世界的诗歌创作与诗歌理论也富有相当的启迪意义。

一、统一性与逻辑性:华兹华斯的“快乐”诗学华兹华斯的诗学理论,主要集中体现在《“抒情歌谣集”1800年版序言》和《“抒情歌谣集”18l5年版序言》这两篇长文中。

从总体上来说,其关于诗歌创作与批评的理论,主要包括对“情感”、“题材”、“语言”、“创作目的”等几个方面的理解与认识。

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华兹华斯诗学理论浅析[Abstract]Wordsworth, a representative poet of British Romanticism, was also a famous poetic theorist who explained in details his poetic theories about romantic poems. Compared with Aristotle, Wordsworth attached great importance to the natural overflow of strong feelings, which was embodied in the two subjects of nature and common people in his poems.[Key words]Wordsworth,poetic theory,natureI. IntroductionWilliam Wordsworth (1770-1850), who was born and has grown up in the Lake district, had a profound love for nature since his childhood. He was well educated in Cambridge and in France where he was deeply influenced and moved by the enthusiasm of the French Revolution. But later in his life, his attitude towards the revolution changed and he gave up his former political enthusiasm, and then lived a secluded life in the countryside for half a century. He was made poet laureate after Southey’s death. However, he was often criticized by his contemporaries. For example, Byron found him “dull, overmild, and flat” and called Wordsworth a “dull disciple” of Robert Southey’s, and a “mild apostate” from the neoclassical rules. And “Keats was discomfited by theever-recurrent ‘I’in Wordsworth”.[1]iv However, as his contribution to the Romanticism cannot be ignored and erased from literary history, this paper probes into his poetic theory by analyzing some of his important poets.Ⅱ. Wordsworth’s Poetic TheoryThe year 1798 witnessed a great event in literary history —the publication of Lyrical Ballads which symbolized the beginning of romanticism. This literary movement lasted until the death of Sir Walter Scot in 1832. During this not very long period of time there emerged a lot of poets and prose writers such as William Wordsworth, Coleridge, Byron, Shelly, Lamb etc. As this movement started against a backdrop of social upheaval such as the industrial revolution and French revolution, and under the influence of the neo-classicism of the 18th century, it has its own features such as the glorification of instinct and emotion, a deep veneration of nature, and a flaming zeal to remake the world, etc. Among the romantic poets, there are two schools: the conservatives or passive or escapist romantics, and the revolutionary or active ones, the two of which are called “lakers” and “Satanists” by their opponents. But both of them are dissatisfied with the bourgeois society and revolt against or escape from the sordid daily life under capitalism. Among the poets, William Wordsworth is one of the most representative conservative poets, and histheory about poem plays a significant role in the romanticism writings.2.1 Wordsworth’s definition of poetryWilliam Wordsworth’s theory upon poetry is elucidated in the preface to Lyrical Ballads in collaboration with Samuel Taylor Coleridge in 1798. In this essay, he stated the object of thisessay, gave the definition of poetry, and explained the functions and subjects of poetry. First he said the aim and necessity of his essay: “to treat the subject with the clearness and coherence of which it is susceptible, it would be necessary to give a full account of the present state of the public taste in this country, and to determine how far this taste is healthy or depraved.”[2]32 He gave a definition to poetry, i.e. “all good poetry as the spontaneous overflow of powerful feelings; it takes its origin from emotion recollected in tranquility”.[2]32Here, he emphasized the importance of feeling, which is a large progress beyond the theory of Aristotle. In Poetics, Aristotle gave his definition of poetry or literature to the effect that tragedy is the imitation of an action that is serious, complex and of a certain magnitude, in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions. Aristotle gave great importance to action or plot which he thought is the first principle and the soul of a tragedy. It isthrough action that men’s feelings or emotions are expressed. But Wordsworth had the different opinions: feeling gives importance to the action and situation, and not the action and situation to the feeling. Emotion or feeling is the source of poetry and is the basis of imagination. Poems should be the embodiment of people’s emotions and feelings such as happiness and sadness, sorrow and anger, etc. all of which give sources to poems. He also said poetry is the breath and finer spirit of all knowledge; it is the impassioned expression which is in the countenance of all science. The poetry is the essence of all human’s knowledge and science and it is the first and last of all knowledge as immortal as the heart of man.2.2 Subjects in Wordsworth’s poemsWordsworth has applied his poetic theories in his poems. He is most celebrated for his poetry of nature in which he expressed his deep love for nature. He wrote about mountains, rivers, flowers and birds in such lyrics as “Lines Written in Early Spring”, “To the Cuckoo”, “I Wondered Lonely as a Cloud”, “My Heart Leaps Up” and “Lines Composed a Few Miles Above Tintern Abbey”. Another group of poems are about the people, the common people, especially the people from the rural area, for example, “The Solitary Reaper”,“We Are Seven”, “The Old Cumberland Beggar” and the “Lucy” poems.According to his poetic theory, nature is the most frequent and cherished theme in Wordsworth’s poems as it is a purifying power on people’s minds and souls. Nature is a pure and tranquil place where humans can not only enjoy its beauty, but also purify their souls. Nature also seems to be the mentor of the human as it is always teaching us boundless knowledge.One of his famous poems on nature is “Tintern Abbey”, which records his second tour of the Wye valley and the ruins of Tintern Abbey in 1798, five years after his first visit. From the beautiful natural scene he meditates on the effect of nature on the growth of his mind. At the beginning of the poem, he describes the situation from visual, aural aspects to show the beauty of nature:Five years have past; five summers, with the lengthOf five long winters! and again I hearThese waters, rolling from their mountain-springsWith a soft inland murmur.—Once again[3]46This place is secluded from the human society and it keeps the pure beauty of nature. “These waters” with “a soft inland murmur” are like a pretty country girl murmuring a song in the wilds. With the “steep andlofty cliffs”, “the landscape with the quiet of the sky” all th ese natural things inspire the poet deeply and provide for him a moral nurture. For him, every ordinary thing in the countryside is full of beauty and spiritual power:Here, under this dark sycamore, and viewThese plots of cottage-ground, these orchard-tufts,Which, at this season, with their unripe fruits,Are clad in one green hue, and lose themselves‘Mid groves and copses. Once again I seeThese hedge-rows, hardly hedge-rows, little linesOf sportive wood run wild: these pastoral farms,Green to the very door; and wreathes of smokeSent up, in silence, from among the trees![3]46Here, the trees, the orchard, the fruits, the hedge, the smoke rising to the blue sky are juxtaposed in this scenery like an imagist poem. But they form a harmonious painting between men and nature: men lead a peaceful life in nature and the nature offers a comfortable site for the people. In nature, there is no war, no quarrel, no corrupt, no deceit, etc which are thecommon diseases of human society. Only in nature will men find a peaceful and pure mind.The poet feels lonely and weary in the city life. Very often he would recollect the first tour to the Tintern Abbey when he experienced a spiritually pure journey, which proves his theory that “poetry takes its origin from emot ion recollected in tranquility”. And it is this memory that gives him the purifying effect and the source of imagination out of this tedious and wearying city life. For example, he remembers five years ago when he was still a young and passionate fellow, he was fascinated by nature:…The sounding cataractHaunted me like a passion: the tall rock,The mountain, and the deep and gloomy wood,Their colours and their forms, were then to meAn appetite; a feeling and a love,…[3]48After five years, he became more mature and rational due to his learning in the society. He became more acquainted with human nature, people’s hearts, and the essence of nature. Now he had the deepest knowledge of nature which he considered as “the anchor of my purestthoughts, the nurse, the guide, the guardian of my heart, and soul of all my moral being”.[3]48 In all, we can see how he implied his poetic theory in this poem: his profound love for nature inspired him to write down this poem which is as immortal as the heart of man. In this poem, we can see clearly his spontaneous feeling that he recollected in his tranquility during the five years away from the nature.Another very important aspect of his theory is the life of the common people, especially the humble life of rustic people, and the poet transformed their common incidents and situations by imposing imagination. Wordsworth believed that poets should write about the life of common people, especially the humble life of rustic people. The reason for this is because that the people in the rural areas are the closest to nature and have not been polluted by the corrupt and degrading city life, thus their characters are the purest and noblest which provide the most natural feeling and emotion that are needed by the poets. Then he put it that the poets should transform the incidents and situations of the common people by imposing imagination by which the ordinary things can be presented to the mind in an unusual aspect and make the very common incidents interesting and attractive to readers. The poets should also find and express in the poetry the essences and laws of humanity.The themes of many of his poems are drawn from rural life and hischaracters are from the lower classes in the countryside. It may be because he is familiar with the countryside life and he thinks this life is the closest to nature where man’s elementary feelings can find a better soil than in town life. He did apply this poetic thinking into his poetic practice, for example, he wrote many poems about the common people such as “The Solitary Reaper”, “We Are Seven”, the Lucy poems, etc. In “The Solitary Reaper”, the narrator saw a solitary country girl reaping and singing alone in the fields and he was touched deeply by her beautiful song which took his mind beyond time and space. This girl is just a common person without any social reputation that is sought by the people in the society, but the poet chooses her as the subject of the poem, and by imposing his great imagination of far away time and space he makes the ordinary girl as an immortal figure in poetic history and the poem has a philosophical implication grace to the narrator’s inspired thinking.2.3 Language of Wordsworth’s poemsWordsworth believed that the poems should be composed in the kind of language that comes naturally to people in normal conversation because their language is the most pure and natural one derived from the simple life of the rustic people. He never stopped pursuing the simplicity and clearness of his poetic language which also comes from the common people and their natural life. He thinks the language spoken by thepeasants was the best of all when purified from its defects “because such men hourly communicate with the best objects from which the best part of language is originally derived; and because, from their rank in society and the sameness and narrow circle of their intercourse, being less under the influence of social vanity, they convey their feelings and emotions in simple and unelaborated expressions”.[4]259 Take a poem “We Are Seven” for example. The narrator met with an eight years old country girl who “had rustic, woodland air”, was “wildly clad”, and whose “eyes were fair, and very fair”. They started a little conversation when the narrator asked how many sisters and brothers the girl had. The girl gave a confusing answer “we are seven” when two of them went to sea and two of them live in another place. In fact, two of the children were dead, but the girl still counted them as two members of the whole family. The poem records the ordinary language spoken by the little girl which is so realistic and thus very touching due to her deep love for her lost sister and brother. Her language is not difficult to understand as it is simple and authentic of an eight-year-old girl, but between the lines we can see the philosophic thinking of the author about life and death, and the spirit of the frank, pure and loving people. The girl cannot distinguish the dead people from the living ones, and has no concept of death, which may show the narrator’s attitude toward life: death is nothing as long as people harbor a cherishing for life.Ⅲ. ConclusionWilliam Wordsworth’s theory about poetry in his preface to Lyrical Ballads set the foundation of romantic poetic writing and influences many later authors such as John Keats, Byron, and Shelly even though they may have different political opinions. Therefore he played an irreplaceable role in the history of western poetry.【References 】[1]Baker, C. 1948. William Wordsworth: The Prelude, Selected Poems and Sonnets[M].New York: Holt, Rinehart and Wiston.[2] 陈嘉.英国文学史(第三册)[M].商务印书馆,1986.[3] Hobsbaum, P. 1988. William Wordsworth, Selected Poetry and Prose[M].London: Routledge.[4] 刘炳善.英国文学简史[M].河南人民出版社,1993.[摘要]英国浪漫主义诗歌的代表诗人华兹华斯也是著名的诗歌理论家,他在《抒情歌谣集》的序言中比较全面地阐释了他的浪漫主义诗学理论。

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