英语优美散文赏析——The Importance of Being Honest
The Importance of Being HonestIn the busy city of New York, such an astonishing thing that ever happened.On a Friday night, a poor young artist stood at the gate of the subway station, playing his violin. Though the music was great, people were quickly going home for the weekend. In this case, many of them slowed down their paces and put some money into the hat of the young man.The next day, the young artist came to the gate of the subway station, and put his hat on the ground gracefully. Different than the day before, he took out a large piece of paper and laid it on the ground and put some stones on it. Then he adjusted the violin and began playing. It seemed more pleasant to listen to.Before long, the young violinist was surrounded with people, who were all attracted by the words on that paper. It said, “Last night, a gentleman named George Sang put an important thing into my hat by mistaken. Please come to claim it soon.”Seeing this, it caused a great excitement and people wondered what it could be. After about half an hour, a middle-aged man ran there in a hurry and rushed through the crowd to the violinist and grabbed his shoulders and said, “Yes, it’s you. You did com e here. I knew that you’re an honest man and would certainly co me here.”The young violinist asked calmly, “Are you Mr. George Sang?”The man nodded. The violinist asked, “Did you lose something?”“Lottery. It’s lottery,”said the man.The violinist took out a lottery ticket on which George Sang’s name was seen. “Is it?”he asked.George nodded promptly and seized the lottery ticket and kissed it, then he danced with the violinist.The story turned out to be this: George Sang is an office clerk. He bought a lottery ticket issued by a bank a few days ago. The awards opened yesterday and he won a prize of $500,000. So he felt very happy after work and felt the music was so wonderful, that he took out 50 dollars and put in the hat. However the lottery ticket was also thrown in. The violinist was a student at an Arts College and had planned to attend advanced studies in Vienna. He had booked the ticket and would fly that morning. However when he was cleaning up he found the lottery ticket. Thinking that the owner would return to look for it, he cancelled the flight and came back to where he was given the lottery ticket.Later someone asked the violinist: “At that time you were in needed to pay the tuition fee and you had to play the violin in the subway station every day to make the money. Then why didn’t you take the lottery ticket for yourself?”The violinist said, “Although I don’t have much money, I live happily; but if I lose honesty I won’t be happy forever.”Through our lives, we can gain a lot and lose so much. But being honest should always be with us. If we bear ourselves in a deceptive and dishonest way, we may succeed temporarily. However, from the long-term view, we will be a loser. Such kind of people are just like the water on the mountain. It stands high above the masses at the beginning, but gradually it comes down inch by inch and loses the chance of going up.在繁华的纽约，曾经发生了这样一件震撼人心的事情。
星期五的傍晚，一个贫穷的年轻艺人仍然像往常一样站在地铁站门口，专心致志地拉着他的小提琴。
琴声优美动听，虽然人们都急急忙忙地赶着回家过周末，但还是有很多人情不自禁的放慢了脚步，时不时地会有一些人在年轻艺人跟前的礼帽里放一些钱。
第二天黄昏，年轻的艺人又像往常一样准时来到地铁门口，把他的礼帽摘下来很优雅地放在地上。
和以往不同的是，他还从包里拿出一张大纸，然后很认真地铺在地上，四周还用自备的小石块压上。
做完这一切以后，他调试好小提琴，又开始了演奏，声音似乎比以前更动听更悠扬。
不久，年轻的小提琴手周围站满了人，人们都被铺在地上的那张大纸上的字吸引了，有的人还踮起脚尖看。
上面写着：“昨天傍晚，有一位叫乔治•桑的先生错将一份很重要的东西放在我的礼帽里，请您速来认领。
”见此情景，人群之间引起一阵骚动，都想知道这是一份什么样的东西。
过了半小时左右，一位中年男人急急忙忙跑过来，拨开人群就冲到小提琴手面前，抓住他的肩膀语无伦次的说：“啊！是您呀，您真的来了，我就知道您是个诚实的人，您一定会来的。
”年轻的小提琴手冷静地问：“您是乔治•桑先生吗？”那人连忙点头。
小提琴手又问：“您遗落了什么东西吗？”那位先生说：“奖票，奖票”。
小提琴手于是掏出一张奖票，上面还醒目地写着乔治•桑，小提琴手举着彩票问：“是这个吗？”乔治•桑迅速地点点头，抢过奖票吻了一下，然后又抱着小提琴手在地上跳起了舞。
原来事情是这样的，乔治•桑是一家公司的小职员，他前些日子买了一张一家银行发行的奖票，昨天上午开奖，他中了50万美元的奖金。
昨天下班，他心情很好，觉得音乐也特别美妙，于是就从钱包里掏出50美元，放在了礼帽里，可是不小心把奖票也扔了进去。
小提琴手是一名艺术学院的学生，本来打算去维也纳进修，已经定好了机票，时间就在今天上午，可是他昨天整理东西时发现了这张奖票，想到失主会来找，于是今天就退掉了机票，又准时来到这里。
后来，有人问小提琴手：“你当时那么需要一笔学费，为了赚够这笔学费，你不得不每天到地铁站拉提琴。
那你为什么不把那50万元的奖票留下呢？”小提琴手说：“虽然我没钱，但我活得很快乐；假如我没了诚信，我一天也不会快乐。
”在人的一生中，我们会得到许多，也会失去许多，但守信用却应是始终陪伴我们的。
如果以虚伪、不诚实的方式为人处世，也许能获得暂时的“成功”，但从长远看，他最终是个失败者。
这种人就像山上的水，刚开始的时候，是高高在上，但逐渐逐渐地它就越来越下降，再没有一个上升的机会。
From: /englisharticle/yysw/2008-06-04/39679.html。
The Importance of Being Grateful
The Importance of Being Grateful Gratitude is a powerful and transformative emotion that has the ability to positively impact our lives in numerous ways. It is the act of being thankful and appreciative for the good things in our lives, whether they are big or small. The importance of being grateful cannot be overstated, as it has the potential to improve our mental, emotional, and physical well-being. In this essay, we will explore the significance of gratitude from various perspectives, including its impact on mental health, relationships, and overall happiness. From a mental health perspective, practicing gratitude has been shown to have a profound effect on our well-being. When we focus on the positive aspects of our lives and express gratitude for them, we are able to shift our mindset from one of scarcity to oneof abundance. This shift in perspective can help reduce feelings of anxiety and depression, as it allows us to see the good in our lives, even during challenging times. Additionally, cultivating a sense of gratitude can help us build resilience and cope with stress more effectively. By acknowledging and appreciating thethings we have, we can develop a more optimistic outlook on life, which can contribute to improved mental health. In addition to its impact on mental health, gratitude plays a crucial role in nurturing and strengthening our relationships. When we express gratitude towards others, whether it be through a simple thank-you or a heartfelt gesture, we are able to deepen our connections with them. Gratitude fosters a sense of mutual appreciation and respect, which can lead to stronger and more fulfilling relationships. Furthermore, when we feel grateful for the peoplein our lives, we are more likely to show them kindness and support, creating a positive feedback loop that strengthens the bonds we share with others. In this way, gratitude has the power to enrich our social connections and contribute toour overall sense of happiness and fulfillment. From a broader perspective, gratitude has the ability to enhance our overall sense of happiness and well-being. When we take the time to reflect on the things we are grateful for, we are reminded of the abundance in our lives, rather than focusing on what we lack. This shift in focus can lead to greater feelings of contentment and satisfaction, as we learn to appreciate the present moment and the blessings that surround us. Additionally, gratitude can help us cultivate a more positive and optimisticoutlook on life, which can contribute to a greater sense of happiness and fulfillment. By acknowledging and expressing gratitude for the good things in our lives, we can cultivate a more positive and joyful mindset, leading to a greater overall sense of well-being. In conclusion, the importance of being grateful cannot be overstated. From its impact on mental health and relationships to its ability to enhance our overall sense of happiness and well-being, gratitude has the power to transform our lives in profound ways. By cultivating a sense of gratitude and expressing appreciation for the good things in our lives, we can experience greater mental, emotional, and physical well-being. As we continue to practice gratitude, we can create a positive ripple effect that not only benefits ourselves, but also those around us, ultimately contributing to a more compassionate and harmonious world.。
the importance of being earnest中文
the importance of being earnest中
文
《论真诚的重要性》（The Importance of Being Earnest）是爱尔兰剧作家奥斯卡·王尔德创作的一部喜剧，该剧通过一系列荒诞、幽默的情节，探讨了真诚、虚伪和社会规范之间的关系。
中文名：《论真诚的重要性》
类型：喜剧
作者：奥斯卡·王尔德（Oscar Wilde）
首次演出时间：1895 年 2 月 14 日
剧情简介：两位男主角分别用假名“厄内斯特”和“卡鲁索”掩盖自己的真实身份，追求两位女主角。
他们为了维持自己的虚假形象，陷入了一系列荒谬的谎言和误会之中。
最终，他们不得不面对自己的谎言，并认识到真诚的重要性。
该剧通过幽默和讽刺的方式，揭示了当时社会中虚伪和虚假的现象，强调了真诚和真实自我的价值。
王尔德以其机智的对话和对社会现象的尖锐观察，使这部剧成为了英国戏剧史上的经典之作。
《论真诚的重要性》不仅在当时引起了轰动，而且至今仍然被广泛演出和研究。
它不仅是一部娱乐性的喜剧作品，更是对人性和社会现象的深刻思考，提醒人们要珍惜真诚，勇于面对自己的真实情感和身份。
The-Importance-of-Being-Earnest-英文读书报告
A Brief Introduction of the AuthorOscar Wilde is an Irish author, playwright and poet. He published his first book in 1881 and left a lot of valuable spiritual wealth for people. Known for his biting wit and glittering conversation, Wilde has many quotes spread in the world. He himself is also brave enough to struggle for his happiness and dared to be a maverick, just as what he wrote: “I don't want to earn my living; I want to live”, “To love oneself is the beginning of a lifelong romance” and so on.A Brief Introduction of the PlayThe Importance of Being Earnest is it is a farcical comedy in which the main characters maintain fictitious person to escape burdensome social obligations. The squire, John Worthing, come to London to visit his best friend, Algernon Moncrieff, who thinks his name is Ernest. In fact, Jack’s attention is to see his lover, Gwendolen, and propose to her. Algernon finds out Jack’s real identity, then he goes to country with the pseudonym Ernest and falls in love with Cecily, Jack’s ward. Both two ladies say they love the name Ernest. However, the fraud of the name “Ernest”is exposed and it seems the two couples cannot get married. Fortunately, they finally find out that Jack is actually the son of General Moncrieff and he could inherit his holy name, Ernest. In the end of the play, the happy couples embrace and Jack says, “I've now realized for the first time in my life the Vital Importance of Being Earnest.”Different Views of Marriage in the PlayMarriage is one of the most important themes in the Importance of Being Earnest, but marriage dose not mean the same thing to main characters. The question of the nature of marriage appears soon in the conversation between Jack and Algernon, they dispute whether marriage is a “pleasure” or “business” - Algernon says “A man who marries without knowing Bunbury has a very tedious time of it” while Jack mocks “How unromantic you are”. Indeed, marriage is only a loveless duty to Algernon, but to Jack, it is an expression of love and he says he would be loyal to Gwendolen forever.As for the ladies, Cecily and Gwendolen are all romantic about marriage, they think they are “destined” to love a man called Ernest. Cecily falls in love with the bad boy Ernest even she has never seen him and secretly engaged with him. However, Gwendolen is a little different from Cecily, she is also quite aware of her social status. And Lady Bracknell, Gwendolen’s mother, isthe most snobbish person in the play, she thinks marriage is a way to gain wealth, reputation, and a higher social status. Only when she finds out that Jack is actually of good station, does she accept their marriage. Although their views of marriage are totally different, we are glad to see the happy ending and can also form some own thoughts of marriage.。
The Importance of Being a Good Person
The Importance of Being a Good PersonBeing a good person is one of the most important things in life. It is notonly important for our own well-being, but also for the well-being of those around us. Being a good person means having a positive impact on the world and making a difference in the lives of others. It is about treating others with kindness, compassion, and respect, and living a life that is guided by principles and values. One of the main reasons why being a good person is important is because it helpsto create a better world. When we are kind and compassionate towards others, we create a positive ripple effect that can spread throughout our communities andeven beyond. Our actions have the power to inspire others to do good and make a difference in the world. By being a good person, we can help to create a worldthat is more peaceful, loving, and harmonious. Another reason why being a good person is important is because it helps us to build strong relationships. When we treat others with kindness and respect, we are more likely to form positive and meaningful connections with them. This can lead to friendships, romantic relationships, and even professional connections that can help us to succeed inour careers. By being a good person, we can create a network of supportive and caring individuals who can help us to navigate life's challenges. Being a good person is also important for our own personal growth and development. When we live our lives according to principles and values, we become more self-aware and introspective. We begin to understand our own strengths and weaknesses, and we can work towards becoming the best version of ourselves. By striving to be a good person, we can cultivate qualities like empathy, compassion, and humility, whichcan help us to become more resilient and adaptable in the face of adversity. However, being a good person is not always easy. It requires us to make difficult choices and to put the needs of others before our own. It can be challenging to remain kind and compassionate towards others when we are faced with difficult situations, such as conflict or injustice. It can also be difficult to maintainour own sense of integrity and authenticity in a world that often rewardsconformity and complacency. Despite these challenges, being a good person isstill worth striving for. It is a noble pursuit that can bring us a sense of purpose and fulfillment in life. By living our lives according to principles andvalues, we can create a positive impact on the world and make a difference in the lives of others. We can build strong relationships, cultivate personal growth and development, and create a sense of meaning and purpose in our lives. In conclusion, being a good person is one of the most important things in life. It is a pursuit that requires us to be kind, compassionate, and respectful towards others, and to live our lives according to principles and values. By being a good person, we can create a better world, build strong relationships, and cultivate personal growth and development. While it may not always be easy, being a good person is still worth striving for, as it can bring us a sense of purpose and fulfillment in life.。
The Importance of Being Earnest-文学赏析
Dramatic irony in many plays arises from conflicting goals between characters. Choose one such example of dramatic irony in The Importance of Being Earnest and explain it.A d ramatic irony is the contrast between the characters’ awareness to the situation and the readers’. A common use of a dramatic irony in The Importance of Being Earnest is to build a comic atmosphere.One example of this would be the scene in which Lady Bracknell asks Algernon for cucumber sandwiches. Algernon then blamed Lane for not offering the cucumber sandwiches, who claims that‘there were no cucumbers in the market this morning’; however, Algernon as well as the audience know that Algernon himself has eaten the sandwiches for Lady Bracknell. The audience may be amused by the fact that Lady Bracknell lacks the knowledge to see through the deception.An essential dramatic irony in The Important of Being Earnest is the double life that Algernon and Jack live in. From the conversation between Algernon and Jack, the audience learns that Algernon has created a fictional character, Bunbury, to help him visit the country, and Jack has done Earnest to help him visit the town. When Lady Bracknell invites Algernon for dinner, Algernon rejects the offer by telling her that he has to visit Bunbury, who is severely ill. Lady Bracknell is surprised by the extreme‘bad health’ Bunbury is in, but the audience knows that Bunbury does not exist. At this point, when Algernon or Jack needs a reason to leave the town or the country, they will use the names Bunbury and Earnest.An example of a dramatic irony that is caused by the different goals between characters is the misunderstanding of Gwendolen. When Jack proposes to Gwendolen , Gwendolen accepts the proposal because she likes the name ‘Earnest’. Pursuing only the name of Jack’s fictional character, Gwendolen, unlike the audience, does not knows that Jack’s name is not Earnest. Jack, on the other hand, constantly tries to convince Gwendolen that ‘Jack’ is as good a name as ‘Earnest’ so that the truth would not affectGwendolen’s decision. Gwendolen’s goal is to marry a person named ‘Earnest’, whereas Jack’s is to have Gwendolen marry himself. Although Gwendolen believes that they have the same goal but the audience knows otherwise. Thus, a dramatic irony is created.Stage directions are sometimes just as important as the lines in a dramatic work. Choose a scene in The Importance of Being Earnest and explain how stage directions are used to develop the plot, characterization, conflict, or theme of the work.Because a play only contains the conversations among characters, stage directions sometimes state essential information of how the characters interact with one another. In the scene that involves Jack, Algernon, Gwendolen and Lady Bracknell, the important of stage directions are emphasized due to the number of people involved. In a conversation with Lady Bracknell, Algernon ‘exchanges glances with Jack’ when he mentions B unbury, the fictional character he has created, and the exchanges of glances immediately gives the audience a clue that Algernon is lying. It also suggests that Algernon acts frivolously even before his elder.After the conversation, a stage direction st ates that ‘Lady Bracknell and Algernon go into the music room, Gwendolen remains behind.’ This direction defines the new setting and gives the audience a clue of what to expect. The audience already knows that Jack is looking for a chance to propose to Gwendolen and the new setting of the scene offer him the chance. Without the stage direction, the audience may wonder why Gwendolen and Jack engage in such a private conversation in front of Lady Bracknell. This shows the importance of stage directions in developing the plot.In the interview with Jack, Lady Bracknell is directed to ‘make a note in her book’. This direction indicates Lady Bracknell’s attitude towards the interview and thus marriage. From the fact that she takes notes of Jack’s answers, the aud ience learns that she views marriage as a serious business and whoever intends to marry her daughter is in need up thorough examinations. Without this stage direction, LadyBracknell’s t one of language can vary with different readers. This stage direction defines Lady Bracknell’s tone as being serious in this particular conversation; therefore, in this example, the stage directions helps the author shape the attitude of the character.。
The Importance of Being Thankful
The Importance of Being Thankful The Importance of Being Thankful In a world filled with challenges, hardships, and uncertainties, it can be easy to lose sight of the importance of being thankful. However, cultivating a spirit of gratitude can have a profound impact on our mental, emotional, and even physical well-being. It not only allows us to appreciate the blessings in our lives, but also helps us navigate throughdifficult times with a more positive outlook. In this essay, we will explore the significance of being thankful from various perspectives, including personal, social, and psychological aspects. From a personal standpoint, being thankful allows individuals to recognize and acknowledge the positive aspects of their lives. It encourages them to focus on what they have, rather than what they lack, fostering a sense of contentment and fulfillment. This mindset shift can lead to greater happiness and satisfaction, as individuals learn to appreciate the simple joys and blessings that surround them. Moreover, practicing gratitude can alsohelp individuals cope with adversity, as it provides a sense of perspective and resilience. By reminding themselves of the things they are thankful for,individuals can find the strength to overcome challenges and setbacks, ultimately leading to personal growth and development. On a social level, the importance of being thankful extends to our relationships and interactions with others. Expressing gratitude towards friends, family, colleagues, and even strangers can strengthen social bonds and foster a sense of connection and belonging. When individuals feel appreciated and valued, they are more likely to reciprocate these feelings, creating a positive cycle of gratitude and kindness. Furthermore, being thankful can also contribute to a more harmonious and supportive community, as individuals who are grateful are often more empathetic, compassionate, and willing to lend a helping hand to those in need. From a psychological perspective, the practice of being thankful has been linked to numerous benefits for mental health and well-being. Research has shown that individuals who regularly engage in gratitude exercises experience lower levels of stress, anxiety, and depression. By focusing on the positive aspects of their lives, they can reframe their thoughts and emotions, leading to a more optimistic and hopeful outlook. Additionally,being thankful can also improve self-esteem and confidence, as individuals learnto appreciate their own strengths and abilities. This, in turn, can lead to a greater sense of empowerment and resilience in the face of challenges. Inaddition to its personal, social, and psychological benefits, the importance of being thankful also extends to physical health. Studies have suggested that individuals who practice gratitude may experience better sleep, lower blood pressure, and a stronger immune system. This can be attributed to the positive emotions and reduced stress levels associated with gratitude, which can have a direct impact on the body's physiological responses. By cultivating a spirit of thankfulness, individuals may not only improve their mental and emotional well-being, but also enhance their overall physical health and vitality. In conclusion, the importance of being thankful cannot be overstated. From personal fulfillment and social connection to mental and physical well-being, gratitude plays a crucial role in shaping our lives and the world around us. By embracing a spirit of thankfulness, individuals can experience greater happiness, resilience, andoverall satisfaction. It is a simple yet powerful practice that has the potential to transform our lives for the better. As the saying goes, "Gratitude turns what we have into enough." Let us all strive to cultivate a spirit of thankfulness and appreciate the abundance of blessings that surround us.。
The Importance of Being Earnest(English)
The Importance of Being Earnest(全文)By Oscar WildeTHE PERSONS IN THE PLAYJohn Worthing， J. P.Algernon MoncrieffRev. Canon Chasuble， D. D.Merriman， ButlerLane， ManservantLady BracknellHon. Gwendolen FairfaxCecily CardewMiss Prism， GovernessTHE SCENES OF THE PLAYACT I.Algernon Moncrieff's Flat in Half-Moon Street， W. ACT II. The Garden at the Manor House, Woolton. ACT III. Drawing-Room at the Manor House, Woolton.TIME： The Present. （1895）FIRST ACTSCENEMorning-room in Algernon's flat in Half-Moon Street. The room is luxuriously and artistically furnished. The sound of a piano is heard in the adjoining room.[LANE is arranging afternoon tea on the table， and after the music has ceased，ALGERNON enters. ]ALGERNON. Did you hear what I was playing， Lane？LANE. I didn't think it polite to listen， sir.ALGERNON. I'm sorry for that， for your sake. I don't play accurately - any one can play accurately - but I play with wonderful expression. As far as the piano is concerned，sentiment is my forte. I keep science for Life.LANE. Yes， sir.ALGERNON. And， speaking of the science of Life， have you got the cucumber sandwiches cut for Lady Bracknell?LANE. Yes， sir. [Hands them on a salver.]ALGERNON. [Inspects them， takes two， and sits down on the sofa. ] Oh！ . . . by the way， Lane， I see from your book that on Thursday night， when Lord Shoreman and Mr. Worthing were dining with me， eight bottles of champagne are entered as having been consumed.LANE. Yes， sir； eight bottles and a pint.ALGERNON. Why is it that at a bachelor's establishment the servants invariably drink the champagne？ I ask merely for information.LANE. I attribute it to the superior quality of the wine， sir. I have often observed that in married households the champagne is rarely of a first-rate brand.ALGERNON. Good heavens！ Is marriage so demoralising as that？LANE. I believe it IS a very pleasant state, sir. I have had very little experience of it myself up to the present. I have only been married once. That was in consequence of a misunderstanding between myself and a young person.ALGERNON. [Languidly.] I don't know that I am much interested in your family life，Lane.LANE. No， sir； it is not a very interesting subject. I never think of it myself.ALGERNON. Very natural， I am sure. That will do， Lane， thank you.LANE. Thank you， sir. [LANE goes out. ]ALGERNON. Lanes views on marriage seem somewhat lax. Really， if the lower orders don't set us a good example, what on earth is the use of them？ They seem， as a class， to have absolutely no sense of moral responsibility.[Enter LANE.]LANE. Mr. Ernest Worthing.[Enter JACK. ][LANE goes out. ]ALGERNON. How are you， my dear Ernest？ What brings you up to town？JACK. Oh， pleasure， pleasure！ What else should bring one anywhere？ Eating as usual， I see， Algy！ALGERNON. [Stiffly. ] I believe it is customary in good society to take some slight refreshment at five o'clock. Where have you been since last Thursday？JACK. [Sitting down on the sofa. ] In the country.ALGERNON. What on earth do you do there？JACK. [Pulling off his gloves. ] When one is in town one amuses oneself. When one is in the country one amuses other people. It is excessively boring.ALGERNON. And who are the people you amuse？JACK. [Airily. ] Oh, neighbours, neighbours.ALGERNON. Got nice neighbours in your part of Shropshire？JACK. Perfectly horrid！ Never speak to one of them.ALGERNON. How immensely you must amuse them！ [Goes over and takes sandwich. ] By the way， Shropshire is your county， is it not？JACK. Eh？ Shropshire？ Yes， of course. Hallo！ Why all these cups？ Why cucumber sandwiches？ Why such reckless extravagance in one so young？ Who is coming to tea？ALGERNON. Oh！ merely Aunt Augusta and Gwendolen.JACK. How perfectly delightful！ALGERNON. Yes， that is all very well； but I am afraid Aunt Augusta won't quite approve of your being here.JACK. May I ask why？ALGERNON. My dear fellow， the way you flirt with Gwendolen is perfectly disgraceful. It is almost as bad as the way Gwendolen flirts with you.JACK. I am in love with Gwendolen. I have come up to town expressly to propose to her. ALGERNON. I thought you had come up for pleasure？ . . . I call that business.JACK. How utterly unromantic you are！ALGERNON. I really don't see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why， one may be accepted. One usually is， I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married， I'll certainly try to forget the fact.JACK. I have no doubt about that， dear Algy. The Divorce Court was specially invented for people whose memories are so curiously constituted.ALGERNON. Oh！ there is no use speculating on that subject. Divorces are made in Heaven - [JACK puts out his hand to take a sandwich. ALGERNON at once interferes. ] Please don't touch the cucumber sandwiches. They are ordered specially for Aunt Augusta. [Takes one and eats it. ]JACK. Well， you have been eating them all the time.ALGERNON. That is quite a different matter. She is my aunt. [Takes plate from below. ] Have some bread and butter. The bread and butter is for Gwendolen. Gwendolen is devoted to bread and butter.JACK. [Advancing to table and helping himself. ] And very good bread and butter it is too. ALGERNON. Well， my dear fellow， you need not eat as if you were going to eat it all. You behave as if you were married to her already. You are not married to her already， and I don't think you ever will be.JACK. Why on earth do you say that？ALGERNON. Well， in the first place girls never marry the men they flirt with. Girls don't think it right.JACK. Oh， that is nonsense！ALGERNON. It isn't. It is a great truth. It accounts for the extraordinary number of bachelors that one sees all over the place. In the second place， I don't give my consent.JACK. Your consent！ALGERNON. My dear fellow， Gwendolen is my first cousin. And before I allow you to marry her， you will have to clear up the whole question of Cecily. [Rings bell. ]JACK. Cecily！ What on earth do you mean？ What do you mean， Algy， by Cecily！ I don't know any one of the name of Cecily.[Enter LANE. ]ALGERNON. Bring me that cigarette case Mr. Worthing left in the smoking-room the last time he dined here.LANE. Yes， sir. [LANE goes out. ]JACK. Do you mean to say you have had my cigarette case all this time？ I wish to goodness you had let me know. I have been writing frantic letters to Scotland Yard about it.I was very nearly offering a large reward.ALGERNON. Well， I wish you would offer one. I happen to be more than usually hard up.JACK. There is no good offering a large reward now that the thing is found.[Enter LANE with the cigarette case on a salver. ALGERNON takes it at once. LANE goes out. ]ALGERNON. I think that is rather mean of you， Ernest， I must say. [Opens case and examines it. ] However， it makes no matter， for， now that I look at the inscription inside， I find that the thing isn't yours after all.JACK. Of course it's mine. [Moving to him. ] You have seen me with it a hundred times，and you have no right whatsoever to read what is written inside. It is a very ungentlemanly thing to read a private cigarette case.ALGERNON. Oh！ it is absurd to have a hard and fast rule about what one should read and what one shouldn't. More than half of modern culture depends on what one shouldn't read.JACK. I am quite aware of the fact， and I don't propose to discuss modern culture. It isn't the sort of thing one should talk of in private. I simply want my cigarette case back.ALGERNON. Yes； but this isn't your cigarette case. This cigarette case is a present from some one of the name of Cecily， and you said you didn't know any one of that name.JACK. Well， if you want to know， Cecily happens to be my aunt.ALGERNON. Your aunt！JACK. Yes. Charming old lady she is， too. Lives at Tunbridge Wells. Just give it back to me， Algy.ALGERNON. [Retreating to back of sofa. ] But why does she call herself little Cecily if she is your aunt and lives at Tunbridge Wells？ [Reading. ] 'From little Cecily with her fondest love. 'JACK. [Moving to sofa and kneeling upon it. ] My dear fellow， what on earth is there in that？ Some aunts are tall， some aunts are not tall. That is a matter that surely an aunt may be allowed to decide for herself. You seem to think that every aunt should be exactly like your aunt！ That is absurd！ For Heaven's sake give me back my cigarette case. [Follows ALGERNON round the room. ]ALGERNON. Yes. But why does your aunt call you her uncle？ 'From little Cecily， with her fondest love to her dear Uncle Jack. ' There is no objection， I admit， to an aunt being a small aunt， but why an aunt， no matter what her size may be， should call her own nephew her uncle， I can't quite make out. Besides， your name isn't Jack at all； it is Ernest.JACK. It isn't Ernest； it's Jack.ALGERNON. You have always told me it was Ernest. I have introduced you to every one as Ernest. You answer to the name of Ernest. You look as if your name was Ernest. You are the most earnest-looking person I ever saw in my life. It is perfectly absurd your saying thatyour name isn't Ernest. It's on your cards. Here is one of them. [Taking it from case. ] 'Mr. Ernest Worthing， B. 4， The Albany. ' I'll keep this as a proof that your name is Ernest if ever you attempt to deny it to me， or to Gwendolen， or to any one else. [Puts the card in his pocket. ]JACK. Well， my name is Ernest in town and Jack in the country， and the cigarette case was given to me in the country.ALGERNON. Yes， but that does not account for the fact that your small Aunt Cecily，who lives at Tunbridge Wells， calls you her dear uncle. Come， old boy， you had much better have the thing out at once.JACK. My dear Algy， you talk exactly as if you were a dentist. It is very vulgar to talk like a dentist when one isn't a dentist. It produces a false impression，ALGERNON. Well， that is exactly what dentists always do. Now， go on！ Tell me the whole thing. I may mention that I have always suspected you of being a confirmed and secret Bunburyist； and I am quite sure of it now.JACK. Bunburyist？ What on earth do you mean by a Bunburyist？ALGERNON. I'll reveal to you the meaning of that incomparable expression as soon as you are kind enough to inform me why you are Ernest in town and Jack in the country.JACK. Well， produce my cigarette case first.ALGERNON. Here it is. [Hands cigarette case. ] Now produce your explanation， and pray make it improbable. [Sits on sofa. ]JACK. My dear fellow， there is nothing improbable about my explanation at all. In fact it's perfectly ordinary. Old Mr. Thomas Cardew， who adopted me when I was a little boy，made me in his will guardian to his grand-daughter， Miss Cecily Cardew. Cecily， who addresses me as her uncle from motives of respect that you could not possibly appreciate，lives at my place in the country under the charge of her admirable governess， Miss Prism. ALGERNON. Where in that place in the country， by the way？JACK. That is nothing to you， dear boy. You are not going to be invited . . . I may tell you candidly that the place is not in Shropshire.ALGERNON. I suspected that， my dear fellow！ I have Bunburyed all over Shropshire on two separate occasions. Now， go on. Why are you Ernest in town and Jack in the country？JACK. My dear Algy， I don't know whether you will be able to understand my real motives. You are hardly serious enough. When one is placed in the position of guardian，one has to adopt a very high moral tone on all subjects. It's one's duty to do so. And as a high moral tone can hardly be said to conduce very much to either one's health or one's happiness， in order to get up to town I have always pretended to have a younger brother of the name of Ernest， who lives in the Albany， and gets into the most dreadful scrapes. That， my dear Algy， is the whole truth pure and simple.ALGERNON. The truth is rarely pure and never simple. Modern life would be very tedious if it were either， and modern literature a complete impossibility！JACK. That wouldn't be at all a bad thing.ALGERNON. Literary criticism is not your forte， my dear fellow. Don't try it. You should leave that to people who haven't been at a University. They do it so well in the daily papers. What you really are is a Bunburyist. I was quite right in saying you were a Bunburyist. You are one of the most advanced Bunburyists I know.JACK. What on earth do you mean？ALGERNON. You have invented a very useful younger brother called Ernest， in order that you may be able to come up to town as often as you like. I have invented an invaluable permanent invalid called Bunbury， in order that I may be able to go down into the country whenever I choose. Bunbury is perfectly invaluable. If it wasn't for Bunbury's extraordinary bad health， for instance， I wouldn't be able to dine with you at Willis's to-night， for I have been really engaged to Aunt Augusta for more than a week.JACK. I haven't asked you to dine with me anywhere to-night.ALGERNON. I know. You are absurdly careless about sending out invitations. It is very foolish of you. Nothing annoys people so much as not receiving invitations.JACK. You had much better dine with your Aunt Augusta.ALGERNON. I haven't the smallest intention of doing anything of the kind. To begin with，I dined there on Monday， and once a week is quite enough to dine with one's own relations. In the second place， whenever I do dine there I am always treated as a member of the family， and sent down with either no woman at all， or two. In the third place， I know perfectly well whom she will place me next to， to-night. She will place me next Mary Farquhar， who always flirts with her own husband across the dinner-table. That is notvery pleasant. Indeed， it is not even decent . . . and that sort of thing is enormously on the increase. The amount of women in London who flirt with their own husbands is perfectly scandalous. It looks so bad. It in simply washing one's clean linen in public. Besides， now that I know you to be a confirmed Bunburyist I naturally want to talk to you about Bunburying. I want to tell you the rules.JACK. I'm not a Bunburyist at all. If Gwendolen accepts me， I am going to kill my brother， indeed I think I'll kill him in any case. Cecily is a little too much interested in him. It is rather a bore. So I am going to get rid of Ernest. And I strongly advise you to do the same with Mr . . . with your invalid friend who has the absurd name.ALGERNON. Nothing will induce me to part with Bunbury， and if you ever get married，which seems to me extremely problematic， you will be very glad to know Bunbury. A man who marries without knowing Bunbury has a very tedious time of it.JACK. That is nonsense. If I marry a charming girl like Gwendolen， and she is the only girl I ever saw in my life that I would marry， I certainly won't want to know Bunbury.ALGERNON. Then your wife will. You don't seem to realise， that in married life three is company and two is none.JACK. [Sententiously. ] That， my dear young friend， is the theory that the corrupt French Drama has been propounding for the last fifty years.ALGERNON. Yes； and that the happy English home has proved in half the time.JACK. For heaven's sake， don't try to be cynical. It's perfectly easy to be cynical.ALGERNON. My dear fellow， it isn't easy to be anything nowadays. There's such a lot of beastly competition about. [The sound of an electric bell is heard. ] Ah！ that must be Aunt Augusta. Only relatives， or creditors， ever ring in that Wagnerian manner. Now， if I get her out of the way for ten minutes， so that you can have an opportunity for proposing to Gwendolen， may I dine with you to- night at Willis's？JACK. I suppose so， if you want to.ALGERNON. Yes， but you must be serious about it. I hate people who are not serious about meals. It is so shallow of them.[Enter LANE. ]Lady Bracknell and Miss Fairfax.[ALGERNON goes forward to meet them. Enter LADY BRACKNELL and GWENDOLEN. ] LADY BRACKNELL. Good afternoon， dear Algernon， I hope you are behaving very well.ALGERNON. I'm feeling very well， Aunt Augusta.LADY BRACKNELL. That's not quite the same thing. In fact the two things rarely go together. [Sees JACK and bows to him with icy coldness. ]ALGERNON. [To GWENDOLEN. ] Dear me， you are smart！GWENDOLEN. I am always smart！ Am I not， Mr. Worthing？JACK. You're quite perfect， Miss Fairfax.GWENDOLEN. Oh！ I hope I am not that. It would leave no room for developments，and I intend to develop in many directions. [GWENDOLEN and JACK sit down together in the corner. ]LADY BRACKNELL. I'm sorry if we are a little late， Algernon， but I was obliged to call on dear Lady Harbury. I hadn't been there since her poor husband's death. I never saw a woman so altered； she looks quite twenty years younger. And now I'll have a cup of tea，and one of those nice cucumber sandwiches you promised me.ALGERNON. Certainly， Aunt Augusta. [Goes over to tea-table. ]LADY BRACKNELL. Won't you come and sit here， Gwendolen？GWENDOLEN. Thanks， mamma， I'm quite comfortable where I am.ALGERNON. [Picking up empty plate in horror. ] Good heavens！ Lane！ Why are there no cucumber sandwiches？ I ordered them specially.LANE. [Gravely. ] There were no cucumbers in the market this morning， sir. I went down twice.ALGERNON. No cucumbers！LANE. No， sir. Not even for ready money.ALGERNON. That will do， Lane， thank you.LANE. Thank you， sir. [Goes out. ]ALGERNON. I am greatly distressed， Aunt Augusta， about there being no cucumbers，not even for ready money.LADY BRACKNELL. It really makes no matter， Algernon. I had some crumpets with Lady Harbury， who seems to me to be living entirely for pleasure now.ALGERNON. I hear her hair has turned quite gold from grief.LADY BRACKNELL. It certainly has changed its colour. From what cause I， of course，cannot say. [ALGERNON crosses and hands tea. ] Thank you. I've quite a treat for you to-night， Algernon. I am going to send you down with Mary Farquhar. She is such a nice woman， and so attentive to her husband. It's delightful to watch them.ALGERNON. I am afraid， Aunt Augusta， I shall have to give up the pleasure of dining with you to-night after all.LADY BRACKNELL. [Frowning. ] I hope not， Algernon. It would put my table completely out. Your uncle would have to dine upstairs. Fortunately he is accustomed to that.ALGERNON. It is a great bore， and， I need hardly say， a terrible disappointment to me， but the fact is I have just had a telegram to say that my poor friend Bunbury is very ill again. [Exchanges glances with JACK. ] They seem to think I should be with him.LADY BRACKNELL. It is very strange. This Mr. Bunbury seems to suffer from curiously bad health.ALGERNON. Yes； poor Bunbury is a dreadful invalid.LADY BRACKNELL. Well， I must say， Algernon， that I think it is high time that Mr. Bunbury made up his mind whether he was going to live or to die. This shilly-shallying with the question is absurd. Nor do I in any way approve of the modern sympathy with invalids. I consider it morbid. Illness of any kind is hardly a thing to be encouraged in others. Health is the primary duty of life. I am always telling that to your poor uncle， but he never seems to take much notice . . . as far as any improvement in his ailment goes. I should be much obliged if you would ask Mr. Bunbury， from me， to be kind enough not to have a relapse on Saturday， for I rely on you to arrange my music for me. It is my last reception， andone wants something that will encourage conversation， particularly at the end of the season when every one has practically said whatever they had to say， which， in most cases， was probably not much.ALGERNON. I'll speak to Bunbury， Aunt Augusta， if he is still conscious， and I think I can promise you he'll be all right by Saturday. Of course the music is a great difficulty. You see， if one plays good music， people don't listen， and if one plays bad music people don't talk. But I'll ran over the programme I've drawn out， if you will kindly come into the next room for a moment.LADY BRACKNELL. Thank you， Algernon. It is very thoughtful of you. [Rising， and following ALGERNON. ] I'm sure the programme will be delightful， after a few expurgations. French songs I cannot possibly allow. People always seem to think that they are improper， and either look shocked， which is vulgar， or laugh， which is worse. But German sounds a thoroughly respectable language， and indeed， I believe is so. Gwendolen， you will accompany me.GWENDOLEN. Certainly， mamma.[LADY BRACKNELL and ALGERNON go into the music-room， GWENDOLEN remains behind. ]JACK. Charming day it has been， Miss Fairfax.GWENDOLEN. Pray don't talk to me about the weather， Mr. Worthing. Whenever people talk to me about the weather， I always feel quite certain that they mean something else. And that makes me so nervous.JACK. I do mean something else.GWENDOLEN. I thought so. In fact， I am never wrong.JACK. And I would like to be allowed to take advantage of Lady Bracknell's temporary absence . . .GWENDOLEN. I would certainly advise you to do so. Mamma has a way of coming back suddenly into a room that I have often had to speak to her about.JACK. [Nervously. ] Miss Fairfax， ever since I met you I have admired you more than any girl . . . I have ever met since . . . I met you.GWENDOLEN. Yes， I am quite well aware of the fact. And I often wish that in public，at any rate， you had been more demonstrative. For me you have always had an irresistible fascination. Even before I met you I was far from indifferent to you. [JACK looks at her in amazement. ] We live， as I hope you know， Mr Worthing， in an age of ideals. The fact is constantly mentioned in the more expensive monthly magazines， and has reached the provincial pulpits， I am told； and my ideal has always been to love some one of the name of Ernest. There is something in that name that inspires absolute confidence. The moment Algernon first mentioned to me that he had a friend called Ernest， I knew I was destined to love you.JACK. You really love me， Gwendolen？GWENDOLEN. Passionately！JACK. Darling！ You don't know how happy you've made me.GWENDOLEN. My own Ernest！JACK. But you don't really mean to say that you couldn't love me if my name wasn't Ernest？GWENDOLEN. But your name is Ernest.JACK. Yes， I know it is. But supposing it was something else？ Do you mean to say you couldn't love me then？GWENDOLEN. [Glibly. ] Ah！ that is clearly a metaphysical speculation， and like most metaphysical speculations has very little reference at all to the actual facts of real life， as we know them.JACK. Personally， darling， to speak quite candidly， I don't much care about the name of Ernest . . . I don't think the name suits me at all.GWENDOLEN. It suits you perfectly. It is a divine name. It has a music of its own. It produces vibrations.JACK. Well， really， Gwendolen， I must say that I think there are lots of other much nicer names. I think Jack， for instance， a charming name.GWENDOLEN. Jack？ . . . No， there is very little music in the name Jack， if any at all，indeed. It does not thrill. It produces absolutely no vibrations . . . I have known several Jacks， and they all， without exception， were more than usually plain. Besides， Jack isa notorious domesticity for John！ And I pity any woman who is married to a man called John. She would probably never be allowed to know the entrancing pleasure of a single moment's solitude. The only really safe name is ErnestJACK. Gwendolen， I must get christened at once - I mean we must get married at once. There is no time to be lost.GWENDOLEN. Married， Mr. Worthing？JACK. [Astounded. ] Well . . . surely. You know that I love you， and you led me to believe，Miss Fairfax， that you were not absolutely indifferent to me.GWENDOLEN. I adore you. But you haven't proposed to me yet. Nothing has been said at all about marriage. The subject has not even been touched on.JACK. Well . . . may I propose to you now？GWENDOLEN. I think it would be an admirable opportunity. And to spare you any possible disappointment， Mr. Worthing， I think it only fair to tell you quite frankly before-hand that I am fully determined to accept you.JACK. Gwendolen！GWENDOLEN. Yes， Mr. Worthing， what have you got to say to me？JACK. You know what I have got to say to you.GWENDOLEN. Yes， but you don't say it.JACK. Gwendolen， will you marry me？ [Goes on his knees. ]GWENDOLEN. Of course I will， darling. How long you have been about it！ I am afraid you have had very little experience in how to propose.JACK. My own one， I have never loved any one in the world but you.GWENDOLEN. Yes， but men often propose for practice. I know my brother Gerald does. All my girl-friends tell me so. What wonderfully blue eyes you have， Ernest！ They are quite， quite， blue. I hope you will always look at me just like that， especially when there are other people present. [Enter LADY BRACKNELL. ]LADY BRACKNELL. Mr. Worthing！ Rise， sir， from this semi-recumbent posture. It is most indecorous.GWENDOLEN. Mamma！ [He tries to rise； she restrains him. ] I must beg you to retire. This is no place for you. Besides， Mr. Worthing has not quite finished yet.LADY BRACKNELL. Finished what， may I ask？GWENDOLEN. I am engaged to Mr. Worthing， mamma. [They rise together. ]LADY BRACKNELL. Pardon me， you are not engaged to any one. When you do become engaged to some one， I， or your father， should his health permit him， will inform you of the fact. An engagement should come on a young girl as a surprise， pleasant or unpleasant， as the case may be. It is hardly a matter that she could be allowed to arrange for herself . . . And now I have a few questions to put to you， Mr. Worthing. While I am making these inquiries， you， Gwendolen， will wait for me below in the carriage.GWENDOLEN. [Reproachfully. ] Mamma！LADY BRACKNELL. In the carriage， Gwendolen！ [GWENDOLEN goes to the door. She and JACK blow kisses to each other behind LADY BRACKNELL'S back. LADY BRACKNELL looks vaguely about as if she could not understand what the noise was. Finally turns round. ] Gwendolen， the carriage！GWENDOLEN. Yes， mamma. [Goes out， looking back at JACK. ]LADY BRACKNELL. [Sitting down. ] You can take a seat， Mr. Worthing.[Looks in her pocket for note-book and pencil. ]JACK. Thank you， Lady Bracknell， I prefer standing.LADY BRACKNELL. [Pencil and note-book in hand. ] I feel bound to tell you that you are not down on my list of eligible young men， although I have the same list as the dear Duchess of Bolton has. We work together， in fact. However， I am quite ready to enter your name， should your answers be what a really affectionate mother requires. Do you smoke？JACK. Well， yes， I must admit I smoke.LADY BRACKNELL. I am glad to hear it. A man should always have an occupation of some kind. There are far too many idle men in London as it is. How old are you？JACK. Twenty-nine.LADY BRACKNELL. A very good age to be married at. I have always been of opinion that a man who desires to get married should know either everything or nothing. Which do you know？JACK. [After some hesitation. ] I know nothing， Lady Bracknell.LADY BRACKNELL. I am pleased to hear it. I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit； touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England，at any rate， education produces no effect whatsoever. If it did， it would prove a serious danger to the upper classes， and probably lead to acts of violence in Grosvenor Square. What is your income？JACK. Between seven and eight thousand a year.LADY BRACKNELL. [Makes a note in her book. ] In land， or in investments？JACK. In investments， chiefly.。
矿产
矿产资源开发利用方案编写内容要求及审查大纲
矿产资源开发利用方案编写内容要求及《矿产资源开发利用方案》审查大纲一、概述
㈠矿区位置、隶属关系和企业性质。
如为改扩建矿山, 应说明矿山现状、
特点及存在的主要问题。
㈡编制依据
(1简述项目前期工作进展情况及与有关方面对项目的意向性协议情况。
(2 列出开发利用方案编制所依据的主要基础性资料的名称。
如经储量管理部门认定的矿区地质勘探报告、选矿试验报告、加工利用试验报告、工程地质初评资料、矿区水文资料和供水资料等。
对改、扩建矿山应有生产实际资料, 如矿山总平面现状图、矿床开拓系统图、采场现状图和主要采选设备清单等。
二、矿产品需求现状和预测
㈠该矿产在国内需求情况和市场供应情况
1、矿产品现状及加工利用趋向。
2、国内近、远期的需求量及主要销向预测。
㈡产品价格分析
1、国内矿产品价格现状。
2、矿产品价格稳定性及变化趋势。
三、矿产资源概况
㈠矿区总体概况
1、矿区总体规划情况。
2、矿区矿产资源概况。
3、该设计与矿区总体开发的关系。
㈡该设计项目的资源概况
1、矿床地质及构造特征。
2、矿床开采技术条件及水文地质条件。
矿产
矿产资源开发利用方案编写内容要求及审查大纲
矿产资源开发利用方案编写内容要求及《矿产资源开发利用方案》审查大纲一、概述
㈠矿区位置、隶属关系和企业性质。
如为改扩建矿山, 应说明矿山现状、
特点及存在的主要问题。
㈡编制依据
(1简述项目前期工作进展情况及与有关方面对项目的意向性协议情况。
(2 列出开发利用方案编制所依据的主要基础性资料的名称。
如经储量管理部门认定的矿区地质勘探报告、选矿试验报告、加工利用试验报告、工程地质初评资料、矿区水文资料和供水资料等。
对改、扩建矿山应有生产实际资料, 如矿山总平面现状图、矿床开拓系统图、采场现状图和主要采选设备清单等。
二、矿产品需求现状和预测
㈠该矿产在国内需求情况和市场供应情况
1、矿产品现状及加工利用趋向。
2、国内近、远期的需求量及主要销向预测。
㈡产品价格分析
1、国内矿产品价格现状。
2、矿产品价格稳定性及变化趋势。
三、矿产资源概况
㈠矿区总体概况
1、矿区总体规划情况。
2、矿区矿产资源概况。
3、该设计与矿区总体开发的关系。
㈡该设计项目的资源概况
1、矿床地质及构造特征。
2、矿床开采技术条件及水文地质条件。
矿产
矿产资源开发利用方案编写内容要求及审查大纲
矿产资源开发利用方案编写内容要求及《矿产资源开发利用方案》审查大纲一、概述
㈠矿区位置、隶属关系和企业性质。
如为改扩建矿山, 应说明矿山现状、
特点及存在的主要问题。
㈡编制依据
(1简述项目前期工作进展情况及与有关方面对项目的意向性协议情况。
(2 列出开发利用方案编制所依据的主要基础性资料的名称。
如经储量管理部门认定的矿区地质勘探报告、选矿试验报告、加工利用试验报告、工程地质初评资料、矿区水文资料和供水资料等。
对改、扩建矿山应有生产实际资料, 如矿山总平面现状图、矿床开拓系统图、采场现状图和主要采选设备清单等。
二、矿产品需求现状和预测
㈠该矿产在国内需求情况和市场供应情况
1、矿产品现状及加工利用趋向。
2、国内近、远期的需求量及主要销向预测。
㈡产品价格分析
1、国内矿产品价格现状。
2、矿产品价格稳定性及变化趋势。
三、矿产资源概况
㈠矿区总体概况
1、矿区总体规划情况。
2、矿区矿产资源概况。
3、该设计与矿区总体开发的关系。
㈡该设计项目的资源概况
1、矿床地质及构造特征。
2、矿床开采技术条件及水文地质条件。