网师园导游词
各位游客： 大家好！我们现在游览的就是世界闻名的网师园。网师园是中国江苏园林的一个典型代表。
陈从周教授在《中国名园》一文中称“网师园是造园家推崇的小园典范”。曾被德国政府授予联邦德国大十字勋章的德国著名园艺家、鉴赏家玛丽安娜．鲍榭蒂女士在其《中国园林》一书中指出：“我觉得网师园是苏州最体面雅致、最完整的私家园林”。
建于宋朝时期的网师园，当时建房和建园耗资150万贯（1贯为1000枚铜币）。800年后的今天，曾有一位日本游客气壮如牛，开价12亿美元购买此园，见园方无意商榷，连声说“这是你们的国宝！无价之宝！”由此可见，网师园的殿春簃作为第一件出口海外的中国古典园林作品蓝本绝不是偶然的。苏东坡说：“到苏州不游虎丘，乃憾事也”，我要说：“到苏州园林不游网师园，乃憾事也”。
朋友，也许你的心早已飞进了网师团，且慢，请跟我走进苏州古城东南带城桥路，拐弯进人一条极窄的羊肠小巷--阔家头巷，脚踩石子路，往东行。这样曲曲折折5分钟走到小巷深处，才见到网师园。这长长的羊肠小巷，犹如抒情诗中的一串含蕴丰富的省略号，它表示富者我不攀，贵者我不顾，它显示了主人卑视利禄，清高雅逸的情操。
那么，主人是谁？为何取名网师园呢？ 南宋淳熙年间（1174～1189年）吏部侍郎史正志（扬州人），在朝中身为大臣，面对南侵的金兵，一味贪生求和被罢了官，流落到苏州，于1174年请人建了一座宅园，自誉藏万卷书，取园名“万卷堂”，并在大门对面造圃，意思是泛舟五湖，自号“渔隐”，这便是网师园的前身。
从宋朝到元明及清初的500多年间，这座花园的主人换了又换，到清代乾隆中（1785年左右），光禄寺少卿宋宗元隐退，购万卷堂故址，重新规划布置。宋宗元为什么要给花园起名为网师国呢？据说与渔翁王思父女有关。传说宋宗元晚年才得一子，取名双喜。双喜从小聪明活泼，有一次，到瞻台钓鱼，不小心掉入湖中，全亏渔翁王思和女儿桂芝将他救起，又摇船送他回家。宋宗元为了报答王思父女对儿子的救命之恩，特用渔翁的尊称--“网师”给花园命名，从此，万卷堂就称为网师园了。实际上，宋宗元自比渔人，号网师并以此为花园命名，一方面借史正志花圃“渔隐”的原义，有隐居自悔之意，另一方面因为园旁边有巷名王思，取其谐音罢了。
网师园位于阔家头巷11号，座北朝南，前有照壁，壁间设栓马环成行，左右各植盘槐一株，设有东西巷门，东侧还设便门，大门为两扇对开，下面是二尺五寸高闸板，均为黑色油漆，大门两旁置抱鼓石，上面是狮子滚绣球浮雕，额枋上装阀阅。阀阅，俗称门档，又称门簪，是封建社会中门第高贵的标志，古代仕宦人家大门外的左右柱，常用来榜贴功状，在左称阀，在右称阅。唐宋以后，官宦人家就在大门外特做两柱，称为乌头阀阅，这种装饰，表现了园主地位的显赫。 网师园住宅前后三进，规模并不大，入门厅，首先要经过可装可拔的门槛，遥想800年前这门槛有多忙碌--贵宾来了，仆人们忙忙碌碌地拔下门槛，贵宾走了，又忙忙碌碌地装上。门厅即轿厅，是旧时停放轿子的地方。进门后厅内左右安放着两条长长的赖凳，也有用长椅的，这种作对称式陈放两旁的凳，一进门就给人一种整齐端庄的视觉效果。轿厅旧时是宾客主人落轿的地方，一般接待时也可在此小坐待茶，所以轿厅俗称茶厅。厅正中悬有“清能早达”匾额，这是苏州现代著名书画家张辛稼书写的。“清能”是封建王朝官吏标榜品德，用现在的话讲是为政清廉，德才兼备；“早达”指早年发达的意思。在该厅的东侧，有一座轿子，它是由红木和竹子做成的，轿子上有很多蝙蝠的图案，象征幸福快乐。轿厅正面设隔扇门，棕色油漆，厅后顶部有砖砌家堂，供奉祖先牌位，砖雕已有700年历史。厅东有僻弄通向内厅，厅西有“网师小筑”砖额小门，通向中部山水主园。
大厅又称积善堂，厅正中高悬明朝四大才子之一文征明所书“万卷堂”匾额，这无声语言告诉人们，主人不愧是书香门第，不仅家藏万卷书，而且两旁挂张辛稼的对联“紫苒夜湿千山雨，铁甲春生万壑雪”。大厅面阔五间，这里是园主喜庆宴请和接待宾客的主要场所。若三代同堂，正中位置为祖父、祖母，东边为父母，两边为儿女；若来客，根据东为贵的习惯，客人坐东边，主人坐西边。中间置铜鼓一只，作装饰用。大厅东西两壁挂大理石山水挂屏，堂中一式明式红木家具。在天然几上陈列着园主所珍藏的古瓷、拱石、插屏，以显示主人的文化素养和情趣。你看该正厅是方梁弯椽，梁上雕有花卉装饰图案。前廊为鹅颈长椽，廊下一排18扇落地长窗。厅堂正面设一排18扇白漆门，这白色屏板不仅与墙面色调统一，增加了室内的明度，对大厅陈设的家具和物品也能起到衬托作用，而大厅前面两根立柱的白底隶书联牌更起到了前后呼应的效果。总之整个大厅平面广阔，立面高大，整体形象雄伟庄严。该大厅的陈设在手法上仍保持了左右完全对称的格局，突出大厅中央正面的天然几、供桌和方桌、太师椅，正面居中的匾额、堂对、楹联也都具有画龙点睛的作用，加上空间悬挂宫灯、壁画，系挂云石镶嵌条屏，形体方正，工艺考究的红木仿明家具，使大厅的氛围更加安详、静穆、庄重。
大厅前天井，东西对称，种植玉兰两株，寓意玉堂富贵。春天，堂前玉兰花开，冰清玉洁，意味深远。玉兰，早春便开花，又名望春花，它是中国送给欧洲的植物中最著名、最受欢迎的花卉。
厅南的对景是一座雕镂精致、巧夺天工的砖刻门楼，这座门楼制作于乾隆年间，高约6米，幅宽3.2米，厚1米，门楼上的砖雕是用凿子和刨子在质地细腻的青砖上，运用平雕、浮雕、镂雕和透空雕等砖雕艺术手法，雕凿而成的。历史人物栩栩如生，飞禽走兽和花卉图案，形象逼真，不愧为“江南第一门楼”。门楼上都是蔓草图案，蔓生植物滋长延伸，蔓延不断，人们寄予它茂盛、长久的吉祥寓意。门楼中间为字碑。刻有“藻耀高翔”四字。藻是水草，藻耀指文采华丽，高翔是展翅高飞的意思。两侧兜肚，左侧刻有郭子仪上寿立体戏文图。你看，图中郭子仪端坐正堂，胡须垂胸，慈祥可亲；八个文武官员，依次站立，有的手捧贡品，有的手拿兵器，厅堂摆着盆花，门前石狮一对，好不气派。郭子仪活了八十四岁，八个儿子、七个女婿都是朝中命官，可谓大贤大德，所以这幅郭子仪上寿砖刻表示“福寿双全”之意。左侧刻有周文王访贤立体戏文图。你看，姜子牙长须披胸，庄重地端坐渭河边，周文王单膝下跪求贤，文武大臣前呼后拥，有的牵着马，有的手持兵器，浩浩荡荡，这里是描写周文王访姜子牙的场景。文王以大德著称，姜子牙以大贤著名，所以文王访贤比喻德贤齐备。下面是蝙蝠图案，两侧为狮子滚球及花卉图案，中有三个“寿”字，象征福禄寿三星高照，福为五福临门，禄为高官厚禄，寿为长命百岁。 穿过大厅是面宽五间带厢内厅，俗称女厅。梁架下大匾系绿色底黑色字，名曰“撷秀楼”，这是晚清著名学者俞樾写的。撷是采撷，撷取的意思，撷秀就是揽取秀色之意。古时，苏州的房屋比较矮，绝大部分房屋仅有一层，因此，当你登上撷秀楼，全园景色尽收眼底。极目远眺，天平山、灵岩山、上方山塔尖、瑞光塔等隐现窗前。女厅内，陈设除椅子茶几之类的家具之外，中央摆着一套精巧别致的红木回台圆凳，使陈设显现出一番新的景象。正面纱槅内放置的那张镶大理石炕床，下置脚踏，有着浓厚的家庭生活气息，厅内装饰精美，落地罩挂落窗格上雕刻花鸟虫图案。楼前天井东西对植桂花二株，东为金桂，西为银桂，秋天幽香袭人，有九里香之称。金桂为金色，银桂为白色，古代神话传说月宫中有玉桂树。我国古时候考中状元被誉为蟾宫折桂。桂花香气袭人，清雅高洁，自有仙友、仙客之称，桂花可谓“清香不与群芳并，世上无花敢斗香”。女厅是晚清光绪时候建造的（1896年），它体量小，楼不高，是园主起居之所，后通小花园，是一个比较含蓄、舒适、自在的生活环境，这里的陈设富有旧时女眷活动的特色。
庭院北面，有一小轩，名梯云室。梯云室庭前西墙一座湖石叠成的峰洞假山，有登道曲折而上，可以通往书楼。这里借梯云取月之意。此室是二层楼建筑，原是园主子女的内室。轩内南北各设落地花窗六扇，花窗裙板上刻有花卉山水和摆什景图案，当中有一座落地飞罩，雕刻双面鹊梅图，形象逼真，制作精美。喜鹊是报春的吉祥鸟，喜鹊叫，喜事到，喻喜事，梅是报春之花，梅花与喜事连在一起，表示喜上眉（梅）梢。院中植春梅、垂丝海棠、花石榴、腊梅、翠竹、黑松、紫薇等观赏花木，高低错落，四季悦目。特别是那棵亭亭玉立的鸟不宿，四季常青，小花果鲜艳夺目，耐人寻味。再看铺地，这里尽是荷花和鱼网的图案，一是弥补了东部没有水的遗憾，二是点题网师园，这里另有蝙蝠和松鹤的图案，蝙蝠因为与幸福谐音，所以蝙蝠表示幸福，我们现在所见的是飞翔的蝙蝠与云纹在一起的形式，这表达了人们祈求幸福亦像蝙蝠一样自天而降的美好愿望。古语说千岁鹤，不老松，因此松鹤表示永远年轻长寿。
现在我们已经游览完了网师园的住宅区。大家知道，住宅是园的组成部分，在中国封建社会，其格局受儒家“三纲五常”制约，以中轴对称为主，突出尊位，把尊位放在中央地位，位卑和从属者列于两侧或位居其后。不是吗？你看，同师园前后三进厅堂，由门厅入内为轿厅，原为园主及宾客落轿之地；第二进为大厅，清能早达，面南居中，显居尊位，立面高大，令人肃然起敬，这里是昔日园主喜庆宴请，家族议事及接待宾客的主要场所；第三进为内厅，昔日为内眷燕集之所。女厅后庭院为梯云室，位于南北轴线的延伸线上，居北，位最低，为园主子女内室。宅园正居部分均衡规矩，三进敞厅及后庭院依次在同一中轴线上，对称协调，强调了等级和尊卑，中庸平和，这种对称的秩序井然的布局，给予人们视觉以平衡、均匀、齐整，最终是和谐的美感。不知大家注意到了没有，在各个厅堂之间总有一个天井。为什么要设置天井呢？一是便于采光，古时候没有电，遇到阴雨天，室内较暗。二是便于排水，天井中有数个阴沟，因此，无论下多大的雨，都不易积水。三是有利于厅内的人呼吸到新鲜空气，香气袭人。苏州住宅，房屋屋脊高，进深大，墙身薄，出檐深，建筑外观朴素雅致。白墙灰瓦与黑褐墨绿等色木构架互相配合，倒映于绿水中，构成有明快格调的江南水乡风情画。
从撷秀楼后庭院西侧的小门朝西看，颇有一番“庭院深深深几许”的感受。朝西迈进便见一处独立的庭院，此处为南宋园主史正志的万卷堂故址，面宽五间，书屋旧时为园主藏书读书处，楼上为读画楼，该书屋相对的天井，东西方向较宽，前为撷秀楼北墙，造园者以高
网师园导游词
网师园导游词关于《网师园导游词》，是我们特意为大家整理的，希望对大家有所帮助。
各位游客：大家好!我们现在游览的就是世界闻名的网师园。
网师园是中国江苏园林的一个典型代表。
陈从周教授在《中国名园》一文中称“网师园是造园家推崇的小园典范”。
曾被德国政府授予联邦德国大十字勋章的德国著名园艺家、鉴赏家玛丽安娜.鲍榭蒂女士在其《中国园林》一书中指出：“我觉得网师园是苏州最体面雅致、最完整的私家园林”。
建于宋朝时期的网师园，当时建房和建园耗资150万贯(1贯为1000枚铜币)。
82019年后的今天，曾有一位日本游客气壮如牛，开价12亿美元购买此园，见园方无意商榷，连声说“这是你们的国宝!无价之宝!”由此可见，网师园的殿春簃作为第一件出口海外的中国古典园林作品蓝本绝不是偶然的。
苏东坡说：“到苏州不游虎丘，乃憾事也”，我要说：“到苏州园林不游网师园，乃憾事也”。
朋友，也许你的心早已飞进了网师团，且慢，请跟我走进苏州古城东南带城桥路，拐弯进人一条极窄的羊肠小巷--阔家头巷，脚踩石子路，往东行。
这样曲曲折折5分钟走到小巷深处，才见到网师园。
这长长的羊肠小巷，犹如抒情诗中的一串含蕴丰富的省略号，它表示富者我不攀，贵者我不顾，它显示了主人卑视利禄，清高雅逸的情操。
那么，主人是谁?为何取名网师园呢?南宋淳熙年间(1174～1189年)吏部侍郎史正志(扬州人)，在朝中身为大臣，面对南侵的金兵，一味贪生求和被罢了官，流落到苏州，于1174年请人建了一座宅园，自誉藏万卷书，取园名“万卷堂”，并在大门对面造圃，意思是泛舟五湖，自号“渔隐”，这便是网师园的前身。
从宋朝到元明及清初的500多年间，这座花园的主人换了又换，到清代乾隆中(1785年左右)，光禄寺少卿宋宗元隐退，购万卷堂故址，重新规划布置。
宋宗元为什么要给花园起名为网师国呢?据说与渔翁王思父女有关。
传说宋宗元晚年才得一子，取名双喜。
双喜从小聪明活泼，有一次，到瞻台钓鱼，不小心掉入湖中，全亏渔翁王思和女儿桂芝将他救起，又摇船送他回家。
苏州园林导游词模板（2篇）
苏州园林导游词模板（导语）各位朋友，大家好！欢迎来到中国古典园林之都苏州！作为世界文化遗产的苏州园林，以其精湛绝伦的造园艺术和独特韵味的园林文化，吸引了世界各地的游客。
今天，我将带领大家穿越苏州园林的秘境，感受那一抹难以言喻的灵韵和人文情怀。
（第一段）首先，我们来到苏州最著名的园林之一——拙政园。
拙政园位于苏州的繁华城市区，占地面积约10亩，是中国古代园林艺术的瑰宝，也是苏州园林的代表之作。
这座园林集南方园林的精华于一身，以其巧妙的布局和精致的景观而闻名于世。
（第二段）接下来，我们步行前往位于苏州古城区的狮子林。
狮子林是苏州著名的古典园林，以她独特的石洞和石桥而闻名。
园内的狮子洞群傲立其中，形态各异，造型生动逼真，给游客留下了深刻的印象。
此外，狮子林的湖石景观也十分壮观，让人仿佛身临其境。
（第三段）随后，我们来到位于苏州市沧浪之滨的留园。
留园是中国园林文化的瑰宝，也是苏州古典园林中保存最完整的一座。
这座园林以水为主景，布局合理，景致优美。
园内的唐代名诗“留白阁”更是畅销海内外，让人们流连忘返。
（第四段）最后，我们来到位于苏州市东部的网师园。
网师园是苏州园林中最小而精致的一座，被誉为“园中园”。
这座园林以独特的方式展示了中国传统建筑和园林艺术的瑰丽，无论是假山、池塘还是古亭，每一处景观都饱含着艺术家对大自然的独特理解。
（结束语）亲爱的朋友们，今天我们领略了苏州园林的千姿百态，感受了中国传统园林文化的魅力。
苏州园林作为人类园林艺术的瑰宝，不仅仅是一座座美丽的园林，更是中国古代人们对自然和人文情怀的完美诠释。
希望大家能够珍惜这次难得的旅行机会，带着对苏州园林的美好回忆，继续探索更多的精彩之处！谢谢大家！苏州园林导游词模板（二）苏州园林导游词尊敬的游客朋友们，大家好！欢迎来到具有千年历史的江南古城苏州，小编将为大家带来一场关于苏州园林的盛宴！在这片诗意的土地上，有许多举世闻名的古典园林，它们被联合国教科文组织列为世界文化遗产。
网师园导游词
网师园网师园是中国江苏园林的一个典型代表。
陈从周教授说“网师园是造园家推崇的小园典范”。
建于宋朝时期，当时这座小小的园林竟然花了150万贯（1贯为1000枚铜币）。
南宋淳熙年间（1174～1189年）吏部侍郎史正志（扬州人），在朝中身为大臣，面对南侵的金兵，一味贪生求和被罢了官，流落到苏州，于1174年请人建了一座宅园，自誉藏万卷书，取园名“万卷堂”，并在大门对面造圃，意思是泛舟五湖，自号“渔隐”，这便是网师园的前身。
从宋朝到元明及清初的500多年间，这座花园的主人换了又换，到清代乾隆中（1785年左右），光禄寺少卿宋宗元隐退，购万卷堂故址，重新规划布置。
宋宗元为什么要给花园起名为网师国呢？据说与渔翁王思父女有关。
传说宋宗元晚年才得一子，取名双喜。
双喜从小聪明活泼，有一次，到瞻台钓鱼，不小心掉入湖中，全亏渔翁王思和女儿桂芝将他救起，又摇船送他回家。
宋宗元为了报答王思父女对儿子的救命之恩，特用渔翁的尊称--“网师”给花园命名，从此，万卷堂就称为网师园了。
实际上，宋宗元自比渔人，号网师并以此为花园命名，一方面借史正志花圃“渔隐”的原义，有隐居自悔之意，另一方面因为园旁边有巷名王思，取其谐音罢了。
【门厅】网师园住宅前后三进，规模并不大，门厅即轿厅，是旧时停放轿子的地方。
轿厅旧时是宾客主人落轿的地方，一般接待时也可在此小坐待茶，所以轿厅俗称茶厅。
厅正中悬有“清能早达”匾额，这是苏州现代著名书画家张辛稼书写的。
“清能”是封建王朝官吏标榜品德，用现在的话讲是为政清廉，德才兼备；“早达”指早年发达的意思。
在该厅的东侧，有一座轿子，它是由红木和竹子做成的，轿子上有很多蝙蝠的图案，象征幸福快乐。
厅东有僻弄通向内厅，厅西有“网师小筑”砖额小门，通向中部山水主园。
【万卷堂】厅正中高悬明朝四大才子之一文征明所书“万卷堂”匾额，这无声语言告诉人们，主人不愧是书香门第，不仅家藏万卷书，而且两旁挂张辛稼的对联“紫苒夜湿千山雨，铁甲春生万壑雪”。
2021年最新的江苏网师园导游词范文
最新的江苏网师园导游词范文网师园位于苏州市城区东南部带城桥路阔家头巷11号，距离 ___虹桥机场约120公里。
是苏州园林中型古典山水宅园代表作品。
网师园始建于南宋淳熙年间(1174年～1 ___年)，旧为宋代藏书家、官至侍郎的扬州文人史正志的“万卷堂”故址，花园名为“渔隐”，后废。
至清乾隆年间(约公元1770年)，退休的光禄寺少卿宋宗元购之并重建，定园名为“网师园”。
网师园始建于公元1174年(宋淳熙初年)，始称“渔隐”，几经沧桑变更，至公元1765年(清乾隆 ___)前后，定名为“网师园”，并形成现状布局。
网师园几易其主，园主多为文人雅士，各有诗文碑刻遗于园内，历经修葺。
网师园为典型的宅园合一的私家园林。
___部分共四进，自轿厅、大客厅、撷秀楼、五峰书屋，沿中轴线依次展开，主厅“万卷堂”屋宇高敞，装饰雅致。
下面是收集的最新的江苏网师园范文，欢迎借鉴参考。
网师园分为宅第和园林两部分，是一座典型的宅院合一的江南私家园林。
作为古代苏州世家宅园相连布局的典型，网师园东宅西园，有序结合。
以池水为中心，由东部 ___区、南部宴乐区、中部环池区、西部内园殿春簃和北部书房区等五部分组成。
全园布局外形整齐均衡，内部又因景划区，境界各异。
园中部山水景物区，突出以水为中心的主题。
水面聚而不分，池西北石板曲桥，低矮贴水，东南引静桥微微拱露。
环池一周叠筑黄石假山高下参差，曲折多变，使池面有水广波延和源头不尽之意。
园内建筑以造型秀丽，精致小巧见长，尤其是池周的亭阁，有小、低、透的特点，内部家具装饰也精美多致。
其中中部为主园，名曰“网师小筑”，以全园以水池彩霞池为中心， ___约半亩。
池岸西北、东南两隅，各有水湾一处，曲折深奥，有渊源不尽之感。
沿池布置石矶、假山、花木和亭榭，黄石假山“云岗”体量不大，但位置和造型得体。
由于池岸低矮，临池建筑接近水面，所置山石、花木也不高大，使水面显得开阔。
这里池水清澈，游鱼戏水，花木争妍。
2021年江苏网师园的导游词
2021年江苏师园的导游词2021年江苏师园的导游词1各位游客：大家好!我们现在游览的就是世界闻名的师园。
师园是中国江苏园林的一个典型代表。
陈从周教授在《中国名园》一文中称“师园是造园家推崇的小园典范”。
曾被德国政府授予联邦德国大十字勋章的德国着名园艺家、鉴赏家玛丽安娜.鲍榭蒂女士在其《中国园林》一书中指出：“我觉得师园是苏州最体面雅致、最完整的私家园林”。
建于宋朝时期的师园，当时建房和建园耗资150万贯(1贯为1000枚铜币)。
8年后的今天，曾有一位日本游客气壮如牛，开价12亿美元购买此园，见园方无意商榷，连声说“这是你们的国宝!无价之宝!”由此可见，师园的殿春簃作为第一件出口海外的中国古典园林作品蓝本绝不是偶然的。
苏东坡说：“到苏州不游虎丘，乃憾事也”，我要说：“到苏州园林不游师园，乃憾事也”。
朋友，也许你的心早已飞进了师团，且慢，请跟我走进苏州古城东南带城桥路，拐弯进人一条极窄的羊肠小巷--阔家头巷，脚踩石子路，往东行。
这样曲曲折折5分钟走到小巷深处，才见到师园。
这长长的羊肠小巷，犹如抒情诗中的一串含蕴丰富的省略号，它表示富者我不攀，贵者我不顾，它显示了主人卑视利禄，清高雅逸的情操。
那么，主人是谁?为何取名师园呢?南宋淳熙年间(1174～1189年)吏部侍郎史正志(扬州人)，在朝中身为大臣，面对南侵的金兵，一味贪生求和被罢了官，流落到苏州，于1174年请人建了一座宅园，自誉藏万卷书，取园名“万卷堂”，并在大门对面造圃，意思是泛舟五湖，自号“渔隐”，这便是师园的前身。
从宋朝到元明及清初的500多年间，这座花园的主人换了又换，到清代乾隆中(1785年左右)，光禄寺少卿宋宗元隐退，购万卷堂故址，重新规划布置。
宋宗元为什么要给花园起名为师国呢?据说与渔翁王思父女有关。
传说宋宗元晚年才得一子，取名双喜。
双喜从小聪明活泼，有一次，到瞻台钓鱼，不小心掉入湖中，全亏渔翁王思和女儿桂芝将他救起，又摇船送他回家。
2018-2019-网师园导游词-精选word文档 (10页)
本文部分内容来自网络整理，本司不为其真实性负责，如有异议或侵权请及时联系，本司将立即删除！== 本文为word格式，下载后可方便编辑和修改！ ==网师园导游词各位游客：大家好!我们现在游览的就是世界闻名的网师园。
网师园是中国江苏园林的一个典型代表。
陈从周教授在《中国名园》一文中称“网师园是造园家推崇的小园典范”。
曾被德国政府授予联邦德国大十字勋章的德国著名园艺家、鉴赏家玛丽安娜.鲍榭蒂女士在其《中国园林》一书中指出：“我觉得网师园是苏州最体面雅致、最完整的私家园林”。
建于宋朝时期的网师园，当时建房和建园耗资150万贯(1贯为1000枚铜币)。
800年后的今天，曾有一位日本游客气壮如牛，开价12亿美元购买此园，见园方无意商榷，连声说“这是你们的国宝!无价之宝!”由此可见，网师园的殿春簃作为第一件出口海外的中国古典园林作品蓝本绝不是偶然的。
苏东坡说：“到苏州不游虎丘，乃憾事也”，我要说：“到苏州园林不游网师园，乃憾事也”。
朋友，也许你的心早已飞进了网师团，且慢，请跟我走进苏州古城东南带城桥路，拐弯进人一条极窄的羊肠小巷--阔家头巷，脚踩石子路，往东行。
这样曲曲折折5分钟走到小巷深处，才见到网师园。
这长长的羊肠小巷，犹如抒情诗中的一串含蕴丰富的省略号，它表示富者我不攀，贵者我不顾，它显示了主人卑视利禄，清高雅逸的情操。
那么，主人是谁?为何取名网师园呢?南宋淳熙年间(1174～1189年)吏部侍郎史正志(扬州人)，在朝中身为大臣，面对南侵的金兵，一味贪生求和被罢了官，流落到苏州，于1174年请人建了一座宅园，自誉藏万卷书，取园名“万卷堂”，并在大门对面造圃，意思是泛舟五湖，自号“渔隐”，这便是网师园的前身。
从宋朝到元明及清初的500多年间，这座花园的主人换了又换，到清代乾隆中(1785年左右)，光禄寺少卿宋宗元隐退，购万卷堂故址，重新规划布置。
宋宗元为什么要给花园起名为网师国呢?据说与渔翁王思父女有关。
2023年江苏网师园的导游词
2023年江苏网师园的导游词尊敬的旅客朋友们，大家好！欢迎大家来到江苏网师园，我将为您做详细的介绍。
江苏网师园位于江苏省苏州市，是一座始建于明代的古典园林，也是中国四大名园之一。
它占地约5.8万平方米，园中建筑风格独特，别具一格。
下面，我将为大家介绍网师园的主要景点和特色。
首先，我们来到园内的主入口，这里是古城墙遗址，给人一种古朴的氛围。
进入园内，首先进入眼帘的是一个清幽的庭院。
这里是园内的主轴线，古松、青石板路、雕花栏杆相映成趣，让人仿佛置身于江南的田园之中。
接下来，我们向前走，来到一座宏伟的大红楼，这是网师园的主体建筑——“清芬楼”。
楼内陈设精美，展示了江南园林的独特韵味。
著名的清代戏曲《西游记》就是在这里首演的。
不仅如此，楼内还陈列了许多古代文物，让人领略到了中国传统的文化底蕴。
继续往前，我们来到一个古老的亭子，这就是网师园最有特色的地方——“赏荷亭”。
这里是整个园林的核心，每年夏季，这里会举办盛大的荷花展览，吸引了无数游客前来观赏。
亭内的花饰非常精致，给人一种美不胜收的感觉。
除了以上几个主要景点，江苏网师园还有许多其他特色景点，比如小桥流水、曲径通幽、假山名胜等等。
这些景点都蕴含着深厚的文化内涵，让人流连忘返。
江苏网师园不仅是一座美丽的园林，也是一座历史名胜。
几百年来，它见证了苏州人民的风风雨雨，承载了无数美好的记忆。
而今，它以全新的面貌呈现在我们面前，成为了苏州人民的骄傲和自豪。
最后，我想告诉大家，江苏网师园的美丽只是苏州的一个缩影。
苏州这座城市有着悠久的历史和丰富的文化，还有许多其他著名的园林和景点等待您的探索。
感谢大家选择江苏网师园作为您的旅游目的地，相信您一定会度过一个愉快而难忘的旅程。
谢谢！。
网师园英语导游词
Master-of-Nets GardenThe Master-of-Nets Garden is the historical monument for national reservation. And it is inscribed on the World Cultural Heritage List by UNESCO. The garden was founded in the 1180 in the Southern Song Dynasty. Its founder was Shi Zhengzhi, a high official of the Song Court. The earliest name of the garden was the Ten Thousand Volumes Hall. The residence was also known as Fisherman’s Retreat.In the reign of Emperor Qianlong (1736-1796) of the Qing Dynasty, a bureaucrat named Song Zongyuan bought it and built a garden on the site after he went into retirement. Drawing inspiration from the name of Fisherman’s Retreat, he called the garden Wangshi Yuan which meant Fisherman’s Garden, or the garden of the Master of the Fishing Nets. It most popular name in English is the Master-of-Nets Garden. Such a name could express the owner’s aloofness from politics and material pursuits.The garden covers an area of 1.35 acre, and is compactly laid out, with halls, corridors and pavilions well positioned. The garden is of typical residential style. It’s very unique in Suzhou.The residential area is in the eastern part of the garden. From south to north are arranged three elegantly decorated halls—the sedan hall, main hall and rear hall, which are symmetrically built along the same axis.Sedan-Chair HallNow we have arrived at the gate of the garden. It is one of the very few early homes that can be seen today. You might have noticed that the gate is raised way above the ground, making room for the threshold, which stands about three feet high. You may wonder why the threshold was made so high. Well, in the old times, the height of the threshold indicated the social standing of the family. There is a side door next to the main gate, used by servants and common people. The main gate was opened only for the senior members of the family and their distinguished guests, who would come and go in sedan-chairs. When the gate opened, the threshold would be removed to let the sedan-chair pass through. This hall is where the sedan-chair would be parked, so it has the name of Sedan-Chair Hall. The two small rooms flanking the entrance were provided for the doorkeepers and sedan-chair carriers. And the carriers might also sit on the two long benches by the windows.One of the typical features of Suzhou’s traditional houses is building of small courtyards, like the two we see here. Their practical function is to let in light and air as well as to drain rain water away. Hung above is a wooden tablet with four characters, which mean “to be an upright and capable person (or official) earlier.”Shown below is a lacquer-carving painting which gives visitors a panoramic view of the whole garden.We are coming from the south now and moving north. Standing behind the screen, you may see some carved stone niches over the doorway, which wereoriginally reserved for the ancestral tablets of the family. The niches are relics of the Southern Song Dynasty.Brick-Carved GatewayThe most elaborate brick carving of the gateway is really worth studying. It dates back to the Qianlong’s reign of the Qing Dynasty, some 250 years ago, but it is still kept in excellent repair.The peony flowers and bats carved in relief are symbols of wealth and good luck. There also three-dimensional carvings of figures from theatrical stories. The figurines on the east side tell story of King Wen requesting Jiang Ziya to be his military advisor. The story took place some 3100 years ago. The inscription over the doorway says something like Soaring upon Literary Talent. The figurines on the west side show how General Guo Ziyi celebrated his birthday. The story was set in the Tang Dynasty.Bricks are also used to face the door panels as a precaution against fire, so the gate is called the Wind-Fire Gate.Grand Reception HallHere is the main reception hall of the residence, known as Ten Thousand Volumes’ Hall. Everything inside is very formally and symmetrically displayed, such as furniture and the wall hangings.The owner used to greet his guests at the gateway and lead them into this hall. Also held in this hall were important ceremonies for birthday, wedding day and so on. The chairs and tables her are typical Ming Dynasty furniture of the 16th century. You can tell that from their simple and clear cut lines without marble inlay.Shown in the middle of the hall is a bronze drum, which was popular in the Yunnan and Guizhou Provinces southwest China. Bronze drums have a long history of some 2700 years. They were used as musical instruments for memorial ceremonies or battles. Local villagers beat bronze drums for festivals, marriage celebrations, feasts, bull-fighting, etc. The garden displays such a bronze drum to enrich the cultural background in such a classical garden.Chamber with Best ViewsHere is the reception hall for the ladies of the family. It’s built on a somewhat smaller scale, but it’s a more private chamber than the male quarters. The upper rooms, formerly used by the women as bedrooms, command good views of suburban hill and scenes inside the city wall.In the front courtyard grow two osmanthus trees creating a poetic atmosphere. Other rooms to the east of the hall and to the west of the hall are concealed from public views, behind the walls.A private entry to the other side, the northeast side, gives easy access to the backyard of the house. Or we may pass through another entry on the northwestside to enter the garden proper.Hall of Ascending CloudWe come into a garden court with a three-bay house. It is named the Hall of Ascending Cloud. Trees and rockeries are well arranged with a moon gate on the east side, which leads to a two-storied building. Suzhou dialect storytelling and ballad-singing are performed here in the evening when the night garden is open to the public from March to November.Five Peaks LibraryIt is a two-storey classical building, which was originally the library of the owner of the garden. Books used to be stored upstairs, and down here the five-bay room was used as a winter retreat in addition to being a reading room.Through the glass windows we may look out into this courtyard featuring both evergreen trees and deciduous trees with rockeries and white walls as the background.How to go upstairs? A wooden stairway can lead you to go upstairs in another building known as the Hall of Mind Concentration,Hall of Mind ConcentrationThis place used to be one of the reading-rooms of the garden’s owner. From here the central space of the garden is already visible. Upstairs was the bedroom for grown-up daughters of the family. So the whole building is popularly known as Young Lady’s Building. No gentleman was permitted to enter. In front of the hall is a courtyard, very small but very poetic, with two bamboo groves growing quite well. Walking southward through the courtyard and a moon gate, we can get to the Bamboo Flanked Verandah.Bamboo Flanked VerandahThis open-sided verandah resembles the cabin of a boat when it is viewed from the south and southwest. We can have a panorama of scenes over the pond. To the left we may see a yellow rock which rises over the water’s edge like a cliff. The wisteria vines coil about the rockery, and the water seems to flow by the rockery and run freely under a stone bridge towards unknown sources. Situated south beyond the pond is another rock-piled hill, which is named Mount Yungang. It is piled up with yellow stones. If we follow the walkway by the wisteria and circle around the pond, we’ll get to two nice pavilions, one is the water-side studio for washing hat-tassels; the other is a pavilion for viewing the rising moon.Hall of Viewing Pines and PaintingsLeaving the Bamboo Flanked Verandah and strolling northwest, we may arrive at the Hall of Viewing Pine and Paintings, which is a major building in the garden proper, formally used as a painting studio. Because it is designed on apretty large scale, the hall is set back from the water so as not to dominate the pond. Between this hall and the pond, a garden court is arranged, where a few ancient trees and some flowers grow. The cypress is nearly 900 years old, which is an evidence to the long history of the garden.Another old tree is called the white-bark pine, over there, with a slanting trunk. The podocarpus is a replanted one. The trees play an effective role in deepening the yonder spaces.The furniture in this hall dates from the Qing Dynasty, but it remains much of the Ming style, especially the chairs. Their simple clear-cut lines are characteristic of Ming Dynasty furniture.Besides, three stones are displayed in the hall as ornaments. They are fitted on carved mahogany stands. The two stones on either side are petrified wood, or known as fossil tree. The one in the middle is a Ling Bi stone. If one strikes it, it gives forth a metallic sound. Ancient scholars were noted for their love of rocks. Behind these half-length fret windows there are two nice courtyards, in which some Taihu rocks and plants are arranged to offer framed pictures.A distinctive feature of the hall is that the walls are faced with grey bricks which give a nostalgic atmosphere.Pavilion of Arriving Moon and WindThe pavilion is built as something of a summer house to enjoy cool breeze and watch the moon. At the Mid-Autumn Festival one can have three moons in view: one in the sky, one in the water, and another one reflected in the mirror here. Across the pond is a high white wall, which is the flank of living quarters. In order to enliven the wall and break its stiff and monotonous patterns, three measures are taken. First of all, the designer uses both a climbing ivy and a few false lattice windows to decorate the wall. Secondly some tiles and eave tiles are used to form a horizontal line so as to cut down its height, which is a visional illusion. Thirdly, a rockery is piled up to cover up a good portion of the wall. So the white wall no longer appears overwhelming in our views.The pavilion is jutting into the water. Thus visitors are brought to a good viewing position no matter which angle they face.The covered walk way, paved with cracked stones, goes up and down to make us feel as if we did arrive in a real mountainous area.Studio for Washing Hat-TasselsThe expression “Washing Hat-Tassels” is from the lyrics of fishermen’s songs in Chuci: The Fisherman. It goes, “When the gentle waves water is clear, I’ll wash my hat-tassels. When the gentle waves water is dirty, I’ll wash my feet.”Staying here, people can see the house in the opposite bank of the pond. These buildings are different in heights and architectural features. The farther back they are, the higher they stand. Some stand of the water. The Hall of Viewing Pines and Paintings is set back behind trees, and the Five Peaks Hall and the Young Lady’s Building hide themselves behind lower verandahs. Their whitewalls and dark roofs are clearly reflected in the pond with a few water-lilies on its surface. Thus the scenery around the pond seems to give us a sense of a big world from a limited space. The water surface of the pond looks wider. It is really the Nature in nutshell.Late Spring CottageHere we come to a quiet inner courtyard. In the old time the courtyard was noted for the beautiful peony in its flower bed, so the building got the name Late Spring Cottage, denoting the blooming season of the peony. The cottage, or the hall, used to serve as the owner’s study, where he also received his intimate friends.In the 1930’s the renowned landscape painter Zhang Daqian lived here. His No.2 elder brother, Zhang Shanzi raised a baby tiger in it, from which his brother drew artistic inspirations while drawing pictures with tigers as the main theme. Erected at the corner in the western-most wall is a stone tablet with characters written by Zhang Daqian to mark the event. What he wrote means “the tomb of the baby tiger raised by the late No. two elder brother.”Cold Spring PavilionIn front of the Late Spring Cottage is a nice garden, or garden court, where we can see different kinds of trees, rockeries and classical building such as a corridor and a pavilion.Erected at the side of a tiny pool is the half-pavilion to house a large Ling Bi rock, which is said to have been in the possession of Tang Ying, the great painter of the Ming Dynasty. The pavilion, named Cold Spring, calls many visitors’ attention to rockery cave, where a natural spring is sheltered under rocks. The spring, in the form of a tiny pool, was discovered during the garden’s repair in 1958. so the spring adds an important element to this otherwise dry garden court.Please look at the floor mosaic. It is paved with small pieces of stones, which are harmonized in colour with the Taihu rocks piled-up in the court.Astor Court or Ming RoomThe reputation of this garden court has increased internationally since 1980. In May 1980 a similar court was constructed in the Metropolitan Museum of Art of New York City to dis play and exhibit the oriental cultural relics such as porcelain, Chinese paintings and bronze ware. The court in the museum was designed as a Ming-dynasty-style garden court，named Astor Court or Ming Room. This is because Mrs. Astor donated 1.5 million USD to build the very garden court. And the Late Spring Cottage garden court in Suzhou was used as its model. The project was undertaken by Suzhou Garden Administration. A full-size prototype was erected in the East Park of Suzhou in May 1979. the prototype still remains in Suzhou; its replica is being exhibited in New York.It was the first time for New China to export an entire classical garden for a foreign country. Its quality was excellent. So it was a great success in the culturalexchange between China and the USA. The fame of the Master-of –Nets Garden spread all over the world, attracting countless visitors.Hall Amidst Hills and Osmanthus GrovesThis hall is located south of Mount Yungang, or the Cloud Mound, and faces a stretch of rockeries with osmanthus trees growing on them. There are maples and magnolias over this mound piled up with yellow rocks, forming very good scenery and attracting many photographers.Little Stone Arched BridgeOver there is a delicate little stone bridge, which is the smallest yet the oldest in Suzhou Garden. It’s a relic from the Song Dynasty (960-1279). This granite stone bridge is 2.45 meters long and 0.93 metre wide.Viewed from the opposite bank of the pond, this single-arch bridge looks even smaller. So it really makes the water in the pond appear more voluminous an extensive.On either side of the bridge are four steps with handrails. Under the bridge flows a brooklet with rockeries at its both sides, which seems to be a miniature of the Three Gorges. There is a sluice gate at a distance of several feet south of the bridge, where on a rock are carved two characters meaning “Wait for Tide.”Lute RoomWalking westward from the bridge along the corridor and then turning south, we come to the House of Tranquility and Harmony.A small door south of the hall opens on a quiet courtyard, where a pavilion serves as a place for music. Two Chinese characters Lute Room are inscribed on a horizontal tablet.Duck-Shooting CorridorIf we walk northward from the bridge, we’ll get to the Square Pavilion and the Duck-Shooting Corridor. The Square Pavilion is opposite to the Pavilion of Arriving Moon and Wind, and links the Chamber with Best Views.In China’s Tang Dynasty （618-907），people liked ducks very much. They either made ducks fighting or shot ducks to make amusement. Nowadays such kind of amusement is nowhere to be found.The corridor is only about ten feet long. But there are two delicate brick carvings inlaid in its nearby wall, showing very detailed landscapes. The carving was done in the Song Dynasty.。
网师园导游词
1. Humble Administrator's Garden 拙政园2. Lingering Garden 留园3. Surging Wave Pavilion 沧浪亭4. Master of Nets Garden 网师园5. Cold Mountain Temple 寒山寺6. Venice of the East 东方威尼斯Master of Nets Garden各位游客：大家好！我们现在游览的就是世界闻名的网师园。
网师园是中国江苏园林的一个典型代表。
陈从周教授在《中国名园》一文中称“网师园是造园家推崇的小园典范”。
曾被德国政府授予联邦德国大十字勋章的德国著名园艺家、鉴赏家玛丽安娜．鲍榭蒂女士在其《中国园林》一书中指出：“我觉得网师园是苏州最体面雅致、最完整的私家园林”。
建于宋朝时期的网师园，当时建房和建园耗资150万贯（1贯为1000枚铜币）。
800年后的今天，曾有一位日本游客气壮如牛，开价12亿美元购买此园，见园方无意商榷，连声说“这是你们的国宝！无价之宝！”由此可见，网师园的殿春簃作为第一件出口海外的中国古典园林作品蓝本绝不是偶然的。
苏东坡说：“到苏州不游虎丘，乃憾事也”，我要说：“到苏州园林不游网师园，乃憾事也”。
朋友，也许你的心早已飞进了网师团，且慢，请跟我走进苏州古城东南带城桥路，拐弯进人一条极窄的羊肠小巷--阔家头巷，脚踩石子路，往东行。
这样曲曲折折5分钟走到小巷深处，才见到网师园。
这长长的羊肠小巷，犹如抒情诗中的一串含蕴丰富的省略号，它表示富者我不攀，贵者我不顾，它显示了主人卑视利禄，清高雅逸的情操。
那么，主人是谁？为何取名网师园呢？南宋淳熙年间（1174～1189年）吏部侍郎史正志（扬州人），在朝中身为大臣，面对南侵的金兵，一味贪生求和被罢了官，流落到苏州，于1174年请人建了一座宅园，自誉藏万卷书，取园名“万卷堂”，并在大门对面造圃，意思是泛舟五湖，自号“渔隐”，这便是网师园的前身。
网师园导游词
网师园导游词各位游客：大家好!我们现在游览的就是世界闻名的网师园。
网师园是中国江苏园林的一个典型代表。
陈从周教授在《中国名园》一文中称“网师园是造园家推崇的小园典范”。
曾被德国政府授予联邦德国大十字勋章的德国著名园艺家、鉴赏家玛丽安娜.鲍榭蒂女士在其《中国园林》一书中指出：“我觉得网师园是苏州最体面雅致、最完整的私家园林”。
建于宋朝时期的网师园，当时建房和建园耗资150万贯(1贯为1000枚铜币)。
8XX年后的今天，曾有一位日本游客气壮如牛，开价12亿美元购买此园，见园方无意商榷，连声说“这是你们的国宝!无价之宝!”由此可见，网师园的殿春簃作为第一件出口海外的中国古典园林作品蓝本绝不是偶然的。
苏东坡说：“到苏州不游虎丘，乃憾事也”，我要说：“到苏州园林不游网师园，乃憾事也”。
朋友，也许你的心早已飞进了网师团，且慢，请跟我走进苏州古城东南带城桥路，拐弯进人一条极窄的羊肠小巷--阔家头巷，脚踩石子路，往东行。
这样曲曲折折5分钟走到小巷深处，才见到网师园。
这长长的羊肠小巷，犹如抒情诗中的一串含蕴丰富的省略号，它表示富者我不攀，贵者我不顾，它显示了主人卑视利禄，清高雅逸的情操。
那么，主人是谁?为何取名网师园呢?南宋淳熙年间(1174～1189年)吏部侍郎史正志(扬州人)，在朝中身为大臣，面对南侵的金兵，一味贪生求和被罢了官，流落到苏州，于1174年请人建了一座宅园，自誉藏万卷书，取园名“万卷堂”，并在大门对面造圃，意思是泛舟五湖，自号“渔隐”，这便是网师园的前身。
从宋朝到元明及清初的500多年间，这座花园的主人换了又换，到清代乾隆中(1785年左右)，光禄寺少卿宋宗元隐退，购万卷堂故址，重新规划布置。
宋宗元为什么要给花园起名为网师国呢?据说与渔翁王思父女有关。
传说宋宗元晚年才得一子，取名双喜。
双喜从小聪明活泼，有一次，到瞻台钓鱼，不小心掉入湖中，全亏渔翁王思和女儿桂芝将他救起，又摇船送他回家。
宋宗元为了报答王思父女对儿子的救命之恩，特用渔翁的尊称--“网师”给花园命名，从此，万卷堂就称为网师园了。